Lord Bilimoria New Chancellor

Total Page:16

File Type:pdf, Size:1020Kb

Lord Bilimoria New Chancellor 151 buzz August/September 2014 Introducing our New Chancellor Lord Bilimoria 2 VICE-CHANCELLOR’SNEWS VIEW NEWS Vice-Chancellor’s view Building on success As I write, we are coming to the end of a remarkable year. The year began with the news that we had been named by The Times and The Sunday Times as the ‘University of the Year.’ It ended with the Installation of our new Chancellor, Lord Bilimoria of Chelsea. Between these two notable events far Next year we will be taking time to more happened than can be captured develop the University’s new Strategic in one short article. We said farewell to Framework which will act as a compass Sir Dominic Cadbury, and thanked him guiding us through the second half of this for his quite remarkable 11 years as our decade. We can embark on this exercise Chancellor. We acclaimed the election with real confidence that we are shaping of Professor David Charlton to the Royal our own future, and will continue to do Society and Professor Richard Backhouse so. Indeed, as Professor Andy Schofield to the British Academy. This was welcome suggested to the University Leadership Vice-Chancellor, Professor Sir David Eastwood recognition by our National Academies Forum, we might think about moving from a of two remarkable colleagues. Professor strategy where we are aspiring to succeed Richard Williams was named by the to a strategy where we expect to succeed. Engineering and Physical Sciences That, symbolically, would mark the distance YOUR BUZZ Research Council in the first select group that we have travelled. of its RISE Fellows. Academic colleagues The work on the Strategic Framework Next edition 1 October 2014 across the University continued to be will involve conversations, focus groups, Copy deadline 5 September 2014 lauded for the quality of their research. and open events right across the University. Contact us I cannot remember a year where we have It is a process to which I hope many of [email protected] won more academic prizes. you will feel that you can contribute. Equally heartening were the colleagues As I have said before, it is a characteristic Buzz online whose contribution to teaching has been of great universities that they are constantly buzz.bham.ac.uk recognised externally, while colleagues in looking forward and reshaping themselves. Follow us on Twitter professional services carried off a Times The very best do that in ways which twitter.com/buzzunibham Higher Education award, and colleagues break new ground and remodel the idea Find us on Facebook in HAS have been garlanded with prizes of a university for generations to come. facebook.com/buzzunibham and awards. We can now, I believe, claim to be in Indeed so successful has the University that select group. been this year that, at the suggestion So next year, the next five years, and of the Provost, we are going to produce indeed the years beyond will be as exciting a supplement to the next edition of as the year that is now coming to a close. Edited by Rebecca Vowles Buzz celebrating all that our colleagues As we face the future with a sense of [email protected] have achieved. excitement and privilege to be working at the It is on these and other successes that University at such an exhilarating moment, Your details we are building the future of the University. we can all reflect with satisfaction at having Please let us know if you want extra Never has the University of Birmingham been part of a truly memorable year. copies of buzz or if you think we need been more popular. Our undergraduate I would like to thank all of my colleagues to amend your distribution details. applications are up by 18 per cent for everything that they have contributed. and we have seen substantial increases Our new Chancellor said at his Installation Views expressed in the magazine are in applications from international and that to be associated with this university not necessarily those of the University postgraduate taught students. Our research at this time is an honour. We are equally or a statement of University policy. awards run ahead of target, though there honoured that he has agreed to become All submissions may be subject to is still much further to go. We have broken our Chancellor and shares our vision. editing. The Editor’s decision is final. ground with Rolls-Royce on the High Our future will be what we choose Temperature Research Centre and, to make it. with colleagues at University Hospital Birmingham, work is well advanced on Vice-Chancellor, Front cover image: Lord Bilimoria the Institute of Translational Medicine. Professor Sir David Eastwood of Chelsea, Chancellor NEWS NEWS 3 University staff recognised in Queen’s Birthday Honours The University is delighted that its Vice- University for 29 years, supports the Chancellor, Professor Sir David Eastwood, University’s core activities by managing the has been knighted in the Queen’s Birthday services, buildings and physical resources Honours. Sir David has been honoured in an integrated and co-ordinated way. Her in recognition of his remarkable services work ensures a safe and efficient working to higher education and the drive and environment for staff and students. commitment he has shown to enhancing Earlier this year Pro-Chancellor and the UK’s reputation in this field. chair of University Council Ed Smith was Donna Willmetts, College Facilities recognised in the New Year’s Honours Manager for the College of Social list. Mr Smith is pictured receiving his CBE Sciences, received a British Empire for services to higher education from His Medal for services to higher education. Royal Highness, The Prince of Wales. Mrs Willmetts, who has worked at the University of We would like your Birmingham wins Views on Equality Outstanding in the Workplace As part of our submission for the International Stonewall Workplace Equality Index 2015, we are asking all staff to fill in Strategy a questionnaire on their experiences working for the University. Taking part The University recently won the to enhanced grant capture, increased in the Workplace Equality Index is an Times High Education Leadership & joint publications, increased student effective way to create an inclusive Management Award (THELMA) for its enrolments and plans to enhance workplace for lesbian, gay and bisexual bold approach to securing its position education collaboration and mobility. employees. Please complete the short in Brazil as the higher education institute Over the past academic year, the University questionnaire via the link below; the partner of choice. Working with key of Birmingham has collaborated with all University’s unique three digit code is stakeholders Birmingham has developed of the top ten universities in Brazil and 662. www.stonewall.org.uk/WEI15/ flourishing partnerships that have led 17 of the top 20. weistaffattitude2013.htm Responses submitted online will go directly to Stonewall; you can find more Life Sciences Review – information about the staff feedback questionnaire at www.stonewall.org. your opportunity to contribute uk/at_work/workplace_equality_ index_2015/default.asp. As many of you may be aware, the stakeholders to ensure that we continue University is currently in the process of to enhance our national and international conducting a Life Sciences Review in profile in this area. order to develop a co-ordinated strategy To support the work of the academic at University level that allows us to deliver advisory group conducting the review, world-leading research and teaching. the opinions and input from across The review will assess our current the University community are actively portfolio of activity across the broad encouraged. span of life sciences, identifying existing and potential future strengths. It will also Find out more at: intranet.birmingham. define links with relevant partners and ac.uk/life-sciences-review 4 FEATURE: THE EMERGING POWER OF BRAZIL THE EMERGING POWER OF BRAZIL Dr Marco Vieria, Department of Political Science and International Studies (POLSIS) and Dr Jonathan Grix, Centre for Policy Research in Sport (CPRS), look at Brazil’s role in International Affairs and engagement with the University. The question of how emerging powers and University of Birmingham pump-priming will affect the global order, and the award to critically investigate Brazil’s international regimes and norms that role in the management of international sustain it, is fast becoming one of the security, international development, global Dr Jon Grix, André Almeida Arantes (Brazilian most pressing of the 21st century. economic governance, climate change, Ministry of Sport), and Zena Wooldridge Brazil is a prime example of a new power regional integration, and the political trying to adapt its foreign policy to the leveraging of sports mega-events. This fast-changing context of global politics project has already resulted in a successful and governance. From issues as diverse two-day workshop that brought together this November, will focus on how best as climate change, international policy and academic experts from Brazil to use the Rio Olympic Games (2016) peacekeeping, development assistance, and the UK to discuss the prospects for to improve education and sport in Brazil. humanitarian intervention and economic cooperation between these two countries A major outcome of this will be drawing reform, Brazil is deeply involved in in several areas of global governance. up a set of recommendations for Brazil, reshaping and renegotiating the current A central part of the University’s led by the University, using the experience rules of global governance. engagement with Brazil is what could be and best practice of states around the Since the end of the millennium, Brazil termed a ‘sports agenda’, which has seen world. The final workshop, taking place in has played a central role in the creation University experts advising on a variety December, will conclude the first phase of a web of regional institutions in South of sport-related topics, ranging from elite of collaborative work by bringing together America, provided unprecedented levels sport development to school and youth scholars not just from Brazil, but from each of development assistance to Africa and sports.
Recommended publications
  • Jesse Bruton 6 July – 11 September 2016
    Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham B1 2HS 0121 248 0708 / www.ikon-gallery.org Open Tuesday-Sunday, 11am-5pm / free entry Jesse Bruton 6 July – 11 September 2016 Jesse Bruton, Devil's Bowl (c.1965). Oil on canvas. Image courtesy of the artist. Jesse Bruton is one of the founding artists of Ikon. This exhibition (6 July – 11 September 2016) tells the fascinating story of his artistic development, starting in the 1950s and ending in 1972 when Bruton abandoned painting for painting conservation. Having studied at the College of Art in Birmingham, Bruton was a lecturer there during the early 1960s, following a scholarship year in Spain and a stint of National Service. He went on to teach at the Bath Academy of Art, Corsham, 1966-69. He exhibited in a number of group shows in Birmingham, especially at the Royal Birmingham Society of Artists, and had a solo exhibition at Ikon shortly after the gallery opened to the public in 1965, and again in 1967. Like many of his contemporaries, Bruton developed an artistic proposition inspired by landscape. Many of his early paintings were of the Welsh mountains and the Pembrokeshire coast. Alive to the aesthetic possibilities of places he visited, he made vivid painterly translations based on a stringent palette of black and white. They reflected his particular interest “in the way things worked, things like valleys, rock formations and rivers ...” “I wasn’t particularly interested in colour. I wanted to limit the formal language I was using – to work tonally gradating from black to white, leaching out the medium from the paint in order to enhance a variety of textures.
    [Show full text]
  • David Prentice 1936 – 2014
    DAVID PRENTICE 1936 – 2014 A Window on a Life’s Work - a Selling Retrospective: Part II Autumn 2017 Period, Modern & Contemporary Art DAVID PRENTICE 1936 – 2014 A Window on a Life’s Work - a Selling Retrospective: PART II includes paintings of all periods but also features examples inspired by the Scilly Isles, City of London paintings, the Isle of Skye and The House that Jack Built. Saturday, 7th October 11am - 5pm Sunday, 8th October 11am - 3pm Continues through to 4th November Monday - Saturday 10am - 5pm Sligachan Bridge, Isle of Skye (2012) Watercolour, 23 x 33 ins The Old Dairy Plant · Fosseway Business Park · Stratford Road Moreton-in-Marsh · Gloucestershire · GL56 9NQ Front cover illustration: King’s Reach West (2003) Tel: 01608 652255 · email: [email protected] Oil on canvas, 46 x 56 ins www.johndaviesgallery.com DAVID PRENTICE 1936 – 2014 A Window on a Life’s Work: Part II From both a public perspective and a gallery point of view, range of what are widely regarded as under-appreciated part one of this two-part retrospective for David has been a works of art. distinctly rewarding and illuminating event. First and foremost, the throughput of visitors to the exhibition has been very high. Included in Part ll of A Window on a Life’s Work are five Secondly, the positive reaction of this elevated number of bodies of work – abstract works from the 1960’s and 1970’s observers to David’s work has been significant and voluble. (contrasting to those in Part I), a small group of significant and particularly dynamic paintings derived from the Scilly Isles, a I include in this ‘public’ many of David’s ex-pupils who have good number of the hugely impressive City of London displayed a strong, universal affection for their tutor of fifty canvasses; highly atmospheric works inspired by the Isle of years-ago.
    [Show full text]
  • Programme July – September 2014 Free Entry
    Programme July – September 2014 www.ikon-gallery.org Free entry As Exciting As We Can Make It Rasheed Araeen Art & Language Ikon in the 1980s Sue Arrowsmith 2 July – 31 August 2014 Kevin Atherton First and Second Floor Galleries Terry Atkinson Gillian Ayres A survey of Ikon’s programme from the 1980s, Bernard Bazile As Exciting As We Can Make It, is a highlight of our Ian Breakwell 50th anniversary year. A comprehensive exhibition, Vanley Burke 2 including work by 29 artists, it features painting, Eddie Chambers sculpture, installation, film and photography actually Shelagh Cluett The 1980s saw the rise of postmodernism, a fast-moving shown at the gallery during this pivotal decade. Agnes Denes zeitgeist that chimed in with broader cultural shifts in Britain, in particular the politics that evolved under the Max Eastley premiership of Margaret Thatcher. There was a return to figurative painting; a shameless “appropriationism” that Charles Garrad saw artists ‘pick and mix’ from art history, non-western art and popular culture; and an enthusiastic re-embrace of Ron Haselden Dada and challenge to notions of self contained works of art Susan Hiller through an increasing popularity of installation. Ikon had a reputation by the end of the 1980s as a key John Hilliard national venue for installation art. Dennis Oppenheim’s Albert Irvin extraordinary work Vibrating Forest (From the Fireworks Series) (1982), made from welded steel, a candy floss machine and Tamara Krikorian unfired fireworks, returns to Ikon for the exhibition, as does Charles Garrad’s Monsoon (1986) featuring a small building, Pieter Laurens Mol set out as a restaurant somewhere in South East Asia, subjected to theatrical effects of thunder and lightning in an Mali Morris evocative scenario.
    [Show full text]
  • Artists in Birmingham (In Progress*)
    Artists in Birmingham (in progress*) A.A.S. Darren Joyce Jenny Moore Michelle Bint Simon Davis A2rt Dave Patten Jess Hands Mick Thacker Simon Webb Adele Prince David A. Hardy Jesse Bruton Mike Holland Sofia Hulten Alan Miller David Cox Jim Byrne Mo White Sophie Bullock Alastair Scruton David Mabb Jo Griffin Mohammed Ali Space Banana Albert Toft David Miller Jo Loki Mona Casey Sparrow and Castice Aleks Wojtulewicz David Prentice Jo Roberts Monica Ross Spectacle Alex Gene Morrison David Rowan Joanne Masding Mrs G. A. Barton Steve Bell Alex Marzeta Derek Horton Joe Hallam Myria Panayiotou Steve Field Alicia Dubnyckyj Des Hughes Joe Welden Nathan Hansen Steve Payne Amanda Grist Dick McGowan John Barrett Nayan Kulkarni Steve Wilkes Amy Kirkham Dinah Prentice John Bridgeman Nicholas Bullen Steven Beasley An Endless Supply Donald Rodney John Butler Nick Jones Stuart Mugridge Ana Rutter Easton Hurd John Hammersley Nick Wells Stuart Tait Andrew Gillespie Ed Lea John Hodgett Nicola Counsell Stuart Whipps Andrew Jackson Ed Wakefield John Newling Nicolas Bullen Su Richardson Andrew Lacon Eddie Chambers John Poole Nigel Amson Surely? Andrew Moscardo Parker Eliza Jane Grose John Salt Nikki Pugh Surjit Simplay Andy Hunt Elizabeth Rowe John Walker Nola James Sylvani Merilion Andy Robinson Elly Clarke John Wallbank OHNE/projects Tadas Stalyga Andy Turner Emily Mulenga John Wigley Ole Hagen Ted Allen Angela Maloney Emily Warner Jonathan Shaw Oliver Braid Temper Angelina Davis Emma Macey Jony Easterby Ollie Smith Tereza Buskova Anna Barham Emma Talbot Joseph
    [Show full text]
  • Research and Cultural Collections: An
    Research and Cultural Collections: An introduction Foreword 4 Introduction 6 The Danford Collection of West African Art and Artefacts 8 The Institute of Archaeology and Antiquity Museum 10 Collection of Historic Physics Instruments 12 The Biological Sciences Collection 14 Medical School Collection 16 The Silver and Plate Collection 18 University Heritage Collection 20 The Campus Collection of Fine and Decorative Art 22 What we do 28 Visit us 30 Map 30 Text by Clare Mullett, Assistant University Curator Acknowledgements: Karin Barber, Holly Grange, David Green, Graham Norrie, Jonathan Reinarz, Dave Roach, Gillian Shepherd, Chris Urwin, Sarah Whild, Robert Whitworth and Inga Wolf Graham Chorlton (b. 1953) View (detail). Acrylic and oil on canvas, 2008. The Danford Collection of West African Art and Artefacts 4 Research and Cultural Collections: An introduction Research and Cultural Collections Foreword by Dr James Hamilton, University Curator Following an initiative taken in 1991 by the then Vice- The germ from which all university collections develop is The University’s art collections grew from the 1960s Chancellor Sir Michael Thompson and the Registrar David the acknowledgement that objects can uniquely loosen through the dedication of a small number of determined Holmes, a survey was made of the miscellaneous groups the professor’s tongue and widen the understanding academics including Professors Janusz Kolbuszewski of pictures, sculpture, artefacts, and ceremonial objects of students. Research priorities change over time and and Anthony Lewis, Angus Skene and Kenneth Garlick. that were to be found in and around the University. it follows that the value of a particular collection to Together they laid the foundations of the collections with academics and students will correspondingly fluctuate.
    [Show full text]
  • Exhibitions and Events Guide
    Exhibitions / Events June – September 2018 ikon-gallery.org Free entry 1 2 Ikon presents a solo exhibition by Belgian-born, drama of such an action is compelling; the jolting A number of small landscapes, oils on canvas, Francis Alÿs Mexico-based artist Francis Alÿs, curated by Marie imagery, the sound of the wind in and around the literally spell out what is on the artist’s mind, being Muracciole. tornadoes compounds a sense of danger, something inscribed with Spanish and English words such as the artist is prepared to endure before arriving at Turbulencia (Turbulence), Resistencia (Resistance) Knots’n Dust Organised by the Beirut Art Center, the exhibition monochromes of dust, abstracting him from the and Puro Desorden (Pure Disorder). These refer to is an outcome of Alÿs’ long-term interest in outside world. observations on current affairs as much as personal Exhibition current affairs in the Middle East and his frequent experience, and it is significant that the artist has 20 June – 9 September 2018 travelling to that part of the world, especially Iraq Nearby is an installation of hundreds of drawings, spent much time recently in the turbulent Middle First Floor Galleries and Afghanistan. Featuring new work in a mix of suspended in space at the centre of the gallery, East, especially Iraq and Afghanistan. animation, drawing, film, painting and photography, leading on to Exodus 3:14 (2013–2017), a projected the exhibition is a reflection on the notion of drawn animation shown in an endless loop, As a commission for the Beirut Art Center, Alÿs turbulence, from simple instability to chaos, from a portraying a young woman tying a knot in her long made a number of photographs that are now 1 Francis Alÿs meteorological phenomenon to bigger geopolitical hair which then undoes itself.
    [Show full text]
  • Exhibition Guide
    Was Good at Latin) and close friend Benjamin Britten (Season in Hell). A later series shown in the central room, from 1986, features Aboriginal subjects. It Exhibition Guide signals a return to a theme, evident very early on in Nolan’s artistic career, of the unresolved relationship between indigenous Sidney Nolan Australians and European settlers. Then, 10 June – 3 September 2017 in the final room, more overtly there are the paintings that take as their subject the Sheela Gowda Royal Commission into Aboriginal Deaths 16 June – 3 September 2017 in Custody (1987–1991), set up to investigate the causes of deaths of Aboriginal people John Stezaker while held in Australian jails in response to 16 June – 3 September 2017 a growing public concern. These are very vivid paintings, deriving dramatic impact and poignancy from their resemblance on Sidney Nolan one hand to spray-painted graffiti, with transgression implied, and on the other to Sidney Nolan (1917–1992) was one of the most Aboriginal cave paintings. important Australian artists of the twentieth century and he lived the last fourteen years of The 1980s was the decade of post- his life on the Welsh-Midlands border. To mark modernism, of appropriation, a revival of the centenary of his birth, in collaboration figuration and, incidentally a proliferation with the Sidney Nolan Trust, Ikon brings to of graffiti art, but it would be a mistake to light a selection of extraordinary paintings by cast Nolan simply in some trans-avant- Nolan from the 1980s. garde light, because he never stopped painting expressionistically and being open Sidney Nolan is best known for his paintings to influence.
    [Show full text]
  • For Immediate Release
    A History of Ikon Ikon is an independent, not-for-profit exhibition space. One of a number of flagship institutions in the UK for the promotion and presentation of contemporary and modern art, like Camden Arts Centre (London), Arnolfini (Bristol) and Modern Art Oxford, it was founded in the 1960s. Its activity not only reflects the historical circumstances of Birmingham and the country as a whole since then, but also it constitutes a distinct point of view on international contemporary art practice. 1960s Ikon was first conceived as a ‘gallery without walls’, a headquarters for a fluid artistic programme touring to non-art venues. In 1965 it took up residence in an octagonal glass- walled kiosk in Birmingham’s brave new Bullring precinct, adjacent to the landmark Rotunda building, before moving three years later to a decommissioned mortuary in nearby Swallow Street. Ikon started as a co-operative of volunteers, managerially democratic and non- hierarchical, at once aesthetically adventurous and accessible. Supported from the beginning by a modest and visionary couple, Angus and Midge Skene, it challenged a conservative local art world. Taking the idea of an ‘ikon’ as a mobile art object – as opposed to an exclusive approach of ‘art for art’s sake’ – it asserted a refreshing realism with respect to the place of art in society. “We had a meeting at Midge and Angus’ in order to decide on a name for the organisation. We all turned up with suggestions, such as “New Birmingham Gallery” and “Image”. I was particularly interested in Russian or Greek – eastern orthodox – ikons, and thought well “Ikon” is a lovely word.
    [Show full text]
  • Programme July – September 2014 Free Entry
    Programme July – September 2014 www.ikon-gallery.org Free entry As Exciting As We Can Make It Rasheed Araeen Art & Language Ikon in the 1980s Sue Arrowsmith 2 July – 31 August 2014 Kevin Atherton First and Second Floor Galleries Terry Atkinson Gillian Ayres A survey of Ikon’s programme from the 1980s, Bernard Bazile As Exciting As We Can Make It, is a highlight of our Ian Breakwell 50th anniversary year. A comprehensive exhibition, Vanley Burke 2 including work by 29 artists, it features painting, Eddie Chambers sculpture, installation, film and photography actually Shelagh Cluett The 1980s saw the rise of postmodernism, a fast-moving shown at the gallery during this pivotal decade. Agnes Denes zeitgeist that chimed in with broader cultural shifts in Britain, in particular the politics that evolved under the Max Eastley premiership of Margaret Thatcher. There was a return to figurative painting; a shameless “appropriationism” that Charles Garrad saw artists ‘pick and mix’ from art history, non-western art and popular culture; and an enthusiastic re-embrace of Ron Haselden Dada and challenge to notions of self contained works of art Susan Hiller through an increasing popularity of installation. Ikon had a reputation by the end of the 1980s as a key John Hilliard national venue for installation art. Dennis Oppenheim’s Albert Irvin extraordinary work Vibrating Forest (From the Fireworks Series) (1982), made from welded steel, a candy floss machine and Tamara Krikorian unfired fireworks, returns to Ikon for the exhibition, as does Charles Garrad’s Monsoon (1986) featuring a small building, Pieter Laurens Mol set out as a restaurant somewhere in South East Asia, subjected to theatrical effects of thunder and lightning in an Mali Morris evocative scenario.
    [Show full text]
  • University of Warwick Art Collection Annual Report 2016-17
    University of Warwick Art Collection Annual Report 2016-17 Mission Art is intrinsic to the University of Warwick - to its physical, social and academic environment. The original purpose of the Art Collection was the display of works of art in the public spaces of the University. The Art Collection is not displayed in a museum or gallery; the majority of items are on display across the University campus and its other sites. They function as open texts, offering a variety of readings to successive generations of students, staff and visitors. It demonstrates the University’s support of contemporary culture and, in particular, of young professionals working at the leading edge of their field. The education and interpretation programmes that support the collection are open to everyone and contribute to lifelong learning as well as to the work of departments on campus and schools and colleges across the region. Aim To manage and develop the University of Warwick Art Collection to create a significant resource of contemporary art for the campus and for the region. Objectives 1. To contribute to the creation of a distinctive and stimulating campus environment through the development of displays, interpretation and opportunities for meaningful engagement with works of art. 2. To sustain an exceptional teaching, learning and research experience for campus departments, schools and colleges, visitors and audiences through the development of opportunities to interrogate, experience and work with art objects and with artists. 3. In collaboration with academic departments, to develop commissions for new buildings and for the campus that embrace learning and research. 4.
    [Show full text]
  • David Prentice 1936 – 2014
    DAVID PRENTICE 1936 – 2014 A Window on a Life’s Work - a Selling Retrospective Summer 2017 Period, Modern & Contemporary Art DAVID PRENTICE 1936 – 2014 A Window on a Life’s Work - a Selling Retrospective Back garden, Acock’s Green, Birmingham (c.1956) Oil, 28 x 36 ins PART I Includes paintings from 1954 and a concentration of Malverns based works from 1992, many not shown at the John Davies Gallery before. June 24th through to August 26th 2017 Monday - Saturday 10am - 5pm PART II Part II (Autumn 2017) will comprise paintings of all periods but will also feature City of London work, paintings inspired by the Scilly Isles, the Isle of Skye and The House that Jack Built. Front cover illustration: All about the Idle Hill (1992) Oil on canvas, 58 x 65 ins The Old Dairy Plant · Fosseway Business Park · Stratford Road Moreton-in-Marsh · Gloucestershire · GL56 9NQ Tel: 01608 652255 · email: [email protected] www.johndaviesgallery.com A PREFACE TO THE EXHIBITION by Dinah Prentice, the late artist’s wife As I write this I am conscious of the warmth and affection enthusiasms – cycling, playing the jazz banjo, walking and that people felt towards David for his mixture of thorough collecting ground samples. After his death, suddenly professionalism, caustic wit and mischief. I remember a everything that had felt familiar acquired a different visitor to his exhibition featuring the Isle of Skye paintings meaning, not least the built-in cupboard in his painting asking if David knew the Skye Boat Song; to the visitor’s studio. Apparently full of ‘stuff’, it was actually memorabilia surprise David took out a mouth-organ from his trouser from the 50’s onwards.
    [Show full text]
  • Programme February – April 2014 Free Entry Ikon Celebrates Its 50Th Year During 2014–2015
    Programme February – April 2014 www.ikon-gallery.org Free entry Ikon celebrates its 50th year during 2014–2015. Ikon 50 starts in February with the first solo show A programme of special exhibitions and events, by Iraqi-Kurdish artist Jamal Penjweny, coinciding collectively known as Ikon 50, marks this milestone with an ongoing installation of wall drawings by in our history. David Tremlett. Spring 2014 arrives with the most comprehensive UK exhibition to date by Belgian Spanning five decades, five locations and five artist Michel François, followed in the summer by As directors, Ikon has grown from a small artist-led Exciting As We Can Make It, a survey of Ikon’s activity space in a kiosk in Birmingham’s Bullring to become during the 1980s. In September we present the an internationally acclaimed gallery, housed in the extraordinary multi-media creations of Korean artist former Oozells Street School building, Brindleyplace, Lee Bul before the exhibition to celebrate Deutsche welcoming over 130,000 visitors every year. Bank’s Artist of the Year 2013, Imran Qureshi. Ikon Throughout its 50 years, Ikon has played a key role 50 culminates in early 2015 with an exciting video in the development of many artistic careers. Martin installation by Angolan artist Nástio Mosquito, Ikon 50 Appeal Creed, Antony Gormley, Carmen Herrera, Julian shown alongside the more quiet and contemplative Opie, Cornelia Parker and Dayanita Singh have all work of Norwegian artist A. K. Dolven, and a Tower You can help. Make a donation to our Ikon 50 had important exhibitions here, to name just a few.
    [Show full text]