Artists in Birmingham (In Progress*)

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Artists in Birmingham (In Progress*) Artists in Birmingham (in progress*) A.A.S. Darren Joyce Jenny Moore Michelle Bint Simon Davis A2rt Dave Patten Jess Hands Mick Thacker Simon Webb Adele Prince David A. Hardy Jesse Bruton Mike Holland Sofia Hulten Alan Miller David Cox Jim Byrne Mo White Sophie Bullock Alastair Scruton David Mabb Jo Griffin Mohammed Ali Space Banana Albert Toft David Miller Jo Loki Mona Casey Sparrow and Castice Aleks Wojtulewicz David Prentice Jo Roberts Monica Ross Spectacle Alex Gene Morrison David Rowan Joanne Masding Mrs G. A. Barton Steve Bell Alex Marzeta Derek Horton Joe Hallam Myria Panayiotou Steve Field Alicia Dubnyckyj Des Hughes Joe Welden Nathan Hansen Steve Payne Amanda Grist Dick McGowan John Barrett Nayan Kulkarni Steve Wilkes Amy Kirkham Dinah Prentice John Bridgeman Nicholas Bullen Steven Beasley An Endless Supply Donald Rodney John Butler Nick Jones Stuart Mugridge Ana Rutter Easton Hurd John Hammersley Nick Wells Stuart Tait Andrew Gillespie Ed Lea John Hodgett Nicola Counsell Stuart Whipps Andrew Jackson Ed Wakefield John Newling Nicolas Bullen Su Richardson Andrew Lacon Eddie Chambers John Poole Nigel Amson Surely? Andrew Moscardo Parker Eliza Jane Grose John Salt Nikki Pugh Surjit Simplay Andy Hunt Elizabeth Rowe John Walker Nola James Sylvani Merilion Andy Robinson Elly Clarke John Wallbank OHNE/projects Tadas Stalyga Andy Turner Emily Mulenga John Wigley Ole Hagen Ted Allen Angela Maloney Emily Warner Jonathan Shaw Oliver Braid Temper Angelina Davis Emma Macey Jony Easterby Ollie Smith Tereza Buskova Anna Barham Emma Talbot Joseph Potts Oona Luras The 18th Storey Anna Benloch Emmy Bridgewater Josie Reichart Oscar Mellor The Birmingham Artists Committee Anna Horton Faisal Hussain Judy Inglis Pak Keung Wan The Event Anna Katarzyna Domejko Faith Pearson Julian Bull Pamela Wells The Rea Garden Anna Walsh Faye Claridge Julie Marsh Pamina Stewart Tim Scott Anne Guest Feng Ru Lee Juneau Projects Paul Costa Tim Tolkein Annette Pugh Fine Rats Justin Wiggan Paul Darke Tom Bloor Antonio Roberts Flatpack001 Karen Grainger Paul McAree Tom Gidley Arash Moori Florence Camm Karen Guthrie Paul Newman Tom Gillespie Arlene Burnett Francis Gomilla Karen Mclean Paula Woof Tom Ranahan B16 Francois Dupre Karen Trusselle Periscope Tony Jones B16 Frank Clark Karin Kihlberg Pete Ashton Tracy Hickinbottom B.A.G. Frank Edmunds Kate Green Peter Berry Trevor Denning Barbara Gibson Fred Smith Kate Pemberton Peter Grego Trevor Pitt Barbara Walker Funding Pending Live Arts Kate Spence Peter Hayes Trevor Woolery Barry Cook Gallery of Owls Kate Walker Peter Lloyd Lewis Trove Barry Flanagan Gary Kirkham Katy Connor Peter Philips TURC Video Bashir Makhoul Gavin Wade Katy Woods Phil Coy Una Rose Vanessa Page B.A.T. Gene George Earle Keir Smith Phil Duckworth Vanley Burke Beat 13 George Fleming Keith Piper Phil Goodall Vicky Wright Ben Sadler Gillian Lever Keith Wilson Pogus Caesar Vinyl Beth Derbyshire Gillian Wearing Kelly Large Project Pigeon VIVID Bharti Parmar Gordon Herickx Kevin Harley Pub Conversations Walter Langley Birmingham Artists Grace Ndritu Kevin Ryan Rafal Zar Wanjiku Nyachae Birmingham Centre for Media Arts Graham Chorlton Kim Pace Ran Huang Wide Angle Birmingham Film & Video Workshop Graham Fagen Kit Poulson Ranbir Lal Willard Wigan Birmingham Surrealists Greg Cox Lady Lucy Ravi Deepres William Bloye Birmingham Women Artists’ Group Hardeep Pandhal Laura Mulligan Raymond Mason William Gear BLK Art Group Harmeet Chagger Laurence Price Rebecca Birch William Smedley Aston Bob Crutchley Harminder Singh Judge Leah Carless Rebecca Tolley Yvonne Hindle Bob Sheldon Harry Blackett Lee Griffiths Reuben Henry Brian Duffy Harry Ecclestone Leon Trimble Richard Billingham Brian Morrison Harun Morison Leonard Jay Richard Flint Bruce Asbestos Heather Peak Lisa Meyer Richard Hughes Bryan Blumer Helen Brown Liz Lepa Rob Chard Bryan Brown Helen Kelly Lizzy Bean Rob Hewitt Burne Jones Helena Gough Lucienne Cole Robert Groves Calum Greaney Henry Rogers Lucy Hutchinson Robert Neil Carey Hendron Hunt Emerson Lucy McLauchlan Roger Hiorns Carolyn Morton Hurvin Anderson Lucy Orta Roger Westwood Cathy Wade Ian Burch Mahtab Hussain Roxanne Permar Cathy Wade Ian Emes Malgorzata Adamowska Roy Abel Charlotte Smith Ian Murphy Marain Silverstone Roy Fisher Chris Clinton Ian Skoyles Mark Beasley Roy Kitchin Chris Keenan Ian Upton Mark Essen Ruth Claxton Chris Poolman Idris Khan Mark Gubb Ruth Handley City Space In the Midst of Things Mark Murphy Ruth Spencer Claire Makhlouf Carter [insertspace] Mark Renn Saleem Arif Clare Churchouse Isa Saunders Mark Williams Sandra Hall Clare Goodwin Ivan Morison Marlene Smith Sarah Farmer Colin Finn Ivan Smith Marta Kochanek Sarah Silverwood Colin Pearce Jake Lever Mathew Parkin Saranjit Birdi Colony Jakub Ceglarz Matt Golden Scott Johnson Companis James Byrne Matt Moore Self Service Conroy Maddox James Harris Matt Price Sean O’Keeffe Crowd 6 James Langdon Matt Watkins Sheila Girling Dan Auluk Janet Hodgson Matt Westbrook Sheila Houlston Dan Burwood Jasper Goodall Matthew Higginbottom Sian Evans Dan Newso Jayne Murray Matthew Krishanu Sian Macfarlane Darcy Lange Jean Vaudeau Meghan Albright Simon Bloor * This list is a record of artists who have lived, worked or studied in Birmingham and artist-led projects that were based here but no longer exist. It combines Eastside Projects’ knowledge with information from texts written for Birmingham Show and suggestions sent via social media. Inevitably it is incomplete. We will add to this document during the exhibition so by 11 April, when the exhibition ends, the list you see here will be far more comprehensive than it is now. If there are people or projects you think should be included please speak to a member of the Eastside Projects team or email [email protected] and we will add them in. .
Recommended publications
  • Jesse Bruton 6 July – 11 September 2016
    Ikon Gallery, 1 Oozells Square, Brindleyplace, Birmingham B1 2HS 0121 248 0708 / www.ikon-gallery.org Open Tuesday-Sunday, 11am-5pm / free entry Jesse Bruton 6 July – 11 September 2016 Jesse Bruton, Devil's Bowl (c.1965). Oil on canvas. Image courtesy of the artist. Jesse Bruton is one of the founding artists of Ikon. This exhibition (6 July – 11 September 2016) tells the fascinating story of his artistic development, starting in the 1950s and ending in 1972 when Bruton abandoned painting for painting conservation. Having studied at the College of Art in Birmingham, Bruton was a lecturer there during the early 1960s, following a scholarship year in Spain and a stint of National Service. He went on to teach at the Bath Academy of Art, Corsham, 1966-69. He exhibited in a number of group shows in Birmingham, especially at the Royal Birmingham Society of Artists, and had a solo exhibition at Ikon shortly after the gallery opened to the public in 1965, and again in 1967. Like many of his contemporaries, Bruton developed an artistic proposition inspired by landscape. Many of his early paintings were of the Welsh mountains and the Pembrokeshire coast. Alive to the aesthetic possibilities of places he visited, he made vivid painterly translations based on a stringent palette of black and white. They reflected his particular interest “in the way things worked, things like valleys, rock formations and rivers ...” “I wasn’t particularly interested in colour. I wanted to limit the formal language I was using – to work tonally gradating from black to white, leaching out the medium from the paint in order to enhance a variety of textures.
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  • Gallery Guide Is Printed on Recycled Paper
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  • Donald Rodney (1961-1998) Self-Portrait ‘Black Men Public Enemy’ 1990
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  • Sveučilište U Rijeci Filozofski Fakultet U Rijeci Odsjek Za
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  • David Prentice 1936 – 2014
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  • Bernard Fleetwood-Walker (1893-1965) By
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  • Phillips, M. the Case of the Absent Artist. a Body Of
    The Case of the Absent Artist A Body of Evidence of Mike Phillips 1 The Case for the Defence. On the seventeenth of April 1962 Perry Mason, the legendary defence attorney, faced one of his most pataphysical cases. ‘The Case of the Absent Artist’ (CBS 1962) is an account of a transmogrification that resonates through digital arts practice to this day. The author of the popular comic strip ‘Zingy’, Gabe Philips, transforms from a cartoon- ist to a ‘serious’ painter, bifurcating in the process to become Otto Gervaert. This transformation is only completed when he (both Philips and Gervaert) is/are murdered, the artist(s) remains as a body of evi- dence and a body of work. Mason is faced with the absence left by the transformation of the artist; the absent artist (or artists) defines a new space, not emptiness but a place resonant with potential. The following is a re-investigation of this resonant place left by the artist – Philips/Gervaert and how this transformation of the artist is be- ing enacted with increasing frequency. This manifestation of trans- formation, duality and disappearance is symptomatic of a technologi- cal performativity evident in a series of projects and relationships that have informed the development of frameworks, articulated below as ‘Operating Systems’. As forensic tools these Operating Systems are ‘instruments’ or provocative prototypes that enhance our understand- ing of the world and our impact on it. In the case of the absent artist they probe the space that once held the artist to build a new body of evidence. This body of evidence itself builds on an evolutionary thread that has run through the collaborative work of i-DAT.org.
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  • Re-Recordings | List of Materials ------9 1) Selection of Material from the Recordings Project Archive, Policy 6 Documents and Art Documentation (ACAA)
    Re-Recordings | List of Materials --------------------------------------------------------------------------- 9 1) Selection of material from the Recordings Project Archive, policy 6 documents and art documentation (ACAA) Recordings: a Select Bibliography of Contemporary African, Afro-Caribbean and Asian 5 British Art. London: INiva, 1996. Race, Sex and Class 5. Multi-Ethnic Education in further, Higher and Community Education, 1983 8 Box of Recordings Research Project and Drafts. Chelsea College of Art & Design Library Archive. Anti-Racist Film Programme. London, GLC, March/April 1985. London GLC/ London 3 Against Racism. 1985. The Arts and Ethnic Minorities: Action Plan. London: Arts Council of Great Britain, 1986 4 Ward, Liz. St.Martin’s School of Art Library: Collection Development, ILEA Muti-Ethnic 1 Review,Winter/Spring 1985 Chambers, Eddie. Blk Art Group Proposal to Art Colleges, 1983 Black Art in Britain: A bibliography of material held in the Library, Chelsea School of Art, 1986 Asian and Afro-Caribbean British art: a Bibliography of Material Held in the Library, 2 Chelsea College of Art & Design,1989. Art Libraries Journal, The Documentation of Black Artists, v.8, no.4 (Winter 1983) Black Arts in London no.50, 4-17 March 1986 7 African and Asian Visual Artists Archive (Flyer and cards) [Bristol],1990. Arts Council Arts & Ethnic Minorities Action Plan. London, February, 1996 ------------------------------------------------------------------------------------------------- 2) Artists’ multiples, artists’ books, ephemera and video Araeen, Rasheed. The Golden Verses: a Billboard Artwork… Artangel Trust, 1990 Chambers, Eddie. Breaking that Bondage: Plotting that Course. London: Black Art Gallery, 1984 Us and ‘Dem, The Storey Institute , Leicester, 1994. Postcard/Virginia Nimarkoh, 1993. Artist Book. The Image Employed, the use of narrative in Black art.
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  • Re Imaging Donald Rodney
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  • Surrealism and Psychoanalysis in the Work of Grace Pailthorpe and Reuben Mednikoff
    Surrealism and Psychoanalysis in the work of Grace Pailthorpe and Reuben Mednikoff: 1935-1940 Lee Ann Montanaro Ph.D. History of Art The University of Edinburgh 2010 Declaration I hereby declare that this thesis is my own work and has not been submitted for any other degree or professional qualification except as specified. ABSTRACT The story of the collaboration between the psychoanalyst Dr Grace Pailthorpe and the artist Reuben Mednikoff is indeed an extraordinary one. The aim of this thesis is to throw light upon their joint research project between 1935, when they first met, and 1940, when they were expelled from the British Surrealist group with which they had been closely involved since its official launch in 1936. The project that Pailthorpe and Mednikoff plunged into just days after they first met in February 1935 focused on how art could be used as a way of curing mental problems. Paintings and drawings produced ‘automatically’ were used as a means to bring memories to a conscious level. Many personal tensions, obsessions and fears that had lain dormant and repressed were released and detailed commentaries and explanations followed every work they produced in order for the exercise to be fully therapeutic. The aim was to externalise the unconscious and reintegrate it with the conscious. Despite the fact that Pailthorpe’s work was hailed as ‘the best and most truly Surrealist’ by the leader of the Surrealist movement, André Breton, at the 1936 International Surrealist exhibition in London, which brought the movement to Britain, the couple were expelled from the British Surrealist group just four years later and moved to America into relative obscurity.
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  • Download the Conference Program
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  • The Models of Space, Time and Vision in V. Nabokov's Fiction
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