Dorothy Dietrich
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September 2006
September 2006 Food for pets &people p. 18 Dick Van Patten’s Natural Balance Eatables New palatability test FDA on rosemary & raw diets Global growth trends Digital version at www.petfoodindustry-digital.com 0609PETcov.indd 1 8/25/2006 3:13:55 PM Different Tastes. Equally Finicky. But Raise Them Well and They’ll be Friends for Life. Our customer is the one on the left. And figuring what tastes best to her is as much a science as it is for her picky human pal. Fortunately, we've been doing just that – longer and better than anybody else in the business. The Industry's First Choice for Dog and Cat Food Palatants. www.nupetra.com North America: United States 330.665.2127 800.854.2400 [email protected] Latin America: Mexico 55.5611.5897 [email protected] Europe: England +44.1344.637227 [email protected] Australia: Victoria 613.59.711105 [email protected] 0609PETcovads.indd 2 8/25/2006 3:15:40 PM Digital version available online at www.petfoodindustry-digital.com. September 2006 Volume 48, Number 9 Features 18 FoodFdf for pets & people By Mike Pehanich Natural Balance makes some of the industry’s most innovative products. 22 Alternative approach to pal assessment By Joseph A. Araujo, et al. 18 Examining the cognitive method for measuring food preference. 24 Global growth trends By Elizabeth Higgins Sales in the premium segments are outpacing the mid-priced and economy segments. 28 28 The FDA on rosemary and raw diets By Tim Phillips, DVM Working with the petfood industry on claims, additives and safety issues. -
A Psychohistory of Ufos
the Skeptical Inquirer Quantum Theory and Psi: The Misuse of Science Philosophy and Parascience: Two Views Edges of Science / UFOlogy's Nonstandards Identical Twins / Pseudoscientific Beliefs VOL. !X NO. 1 / FALL 1984 $5.00 Published by the Committee for the Scientific Investigation of Claims of the Paranormal Skeptical Inquirer THE SKEPTICAL INQUIRER is the official journal of the Committee for the Scientific Investigation of Claims of the Paranormal. Editor Kendrick Frazier. Editorial Board James E. Alcock. Martin Gardner. Ray Hyman. Philip J. Klass. Paul Kurt?.. James Randi. Consulting Editors Isaac Asimov. William Sims Bainbridge. John Boardman. John R. Cole. C. E. M Hansel. E. C. Krupp. Andrew Neher. James E. Oberg. Robert Sheaffer. Steven N. Shore. Managing Editor Doris Hawley Doyle. Public Relations Andrea Szalanski (director). Barry Karr. Production Editor Betsy Offermann. Office Administrator Mary Rose Hays. Computer Operations Richard Seymour (manager). Laurel Geise Smith. Typesetting Paul E. Loynes. Staff Joseph Bellomo. Stephanie Doyle. Ruthann Page. Alfreda Pidgeon. Cartoonist Rob Pudim. The Committee for the Scientific Investigation of Claims of the Paranormal Paul Kurtz. Chairman; philosopher. State University of New York at Buffalo. Lee Nisbet. Executive Director: philosopher. Medaille College. Fellows of the Committee James E. Alcock, psychologist. York Univ.. Toronto; Isaac Asimov, biochemist, author: Irving Biederman, psy chologist. SUNY at Buffalo; Brand Blanshard, philosopher. Yale: Mario Bunge, philosopher. McGill University: Bette Chambers, A.H.A.; Milbourne Christopher, magician, author; F. H. C. Crick, biophysicist. Salk Institute for Biological Studies, La Jolla, Calif.; L. Sprague de Camp, author, engineer; Bernard Dixon, European Editor. Omni; Paul Edwards, philosopher. Editor. Encyclopedia of Philosophy; Antony Flew, philosopher. -
Coffeeville Edits
Christopher Welsh 1005 Inland Lane McKinney, TX 75070 (approximately 14,700 words) 407-574-3423 [email protected] Coffeyville By C.E.L. Welsh Harry slowed his breathing. Across from him, no more than twenty 20 paces away, a man aimed a gun at his heart and meant to fire. Harry wanted to keep his eyes on the gun barrel, that dot of empty blackness that would spit out a metal slug with his name on it, but he knew he should be watching the man's shoulders, his chest, his stomach; —all key areas where a man might tense, moments before he pulled the trigger. He should, but he couldn't. Harry watched none of these areas. Instead, he fixed on the gunman's eyes. Each of his His eyes where washeterochromatic; each a different color. That alone wouldn't be enough to draw in Harry, to cause him to risk making a mistake at this very crucial moment; it was the quality—the nature—of the heterochromatic eyes that drew him in. The right eye was a pale blue that reflected and amplified the stage lights surrounding them, seeming to shine under it's its own power. The left eye was a dull, steely gray that pulled light in, muting it, and causing the right eye to practically glow in the contrast. In addition, the man's eyes radiated something akin to hate...was it bitterness? Disgust? Whatever it was, the crowd surrounding the men seemed sure that the man with the gun had every intention of firing when the moment was right. -
June 12-13, 2015 • at Auction Haversat & Ewing Galleries, LLC
June 12-13, 2015 • At Auction haversat & ewing galleries, LLC. Magicfrom the ED HILL COLLECTION Rare Books Houdini Ephemera haversat Photographs Apparatus • Postcards &Ewing Unique Correspondence haversat Galleries, LLC. &Ewing PO Box 1078 - Yardley, PA 19067-3434 Galleries, LLC. www.haversatewing.com Auction Catalog: www.haversatewing.com haversat Haversat & Ewing Galleries, LLC. &Ewing Galleries,Magic Collectibles Auction LLC. AUCTION Saturday, November 15, 2014 -11:00 AM AuctionSign-up to bid June at: www.haversatewing.com 12-13, 2015 Active bidding on all lots begin at 11:00 AM EST- Friday, June 12, 2015 First lot closes Saturday, June 13 at 3:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO POBox BOX 1078 1078 - Yardley,- YARDLEY, PA PA 19067-3434 19067-3434 www.haversatewing.comWWW.HAVERSATEWING.COM A True Story: Back when Ed started collecting he befriended H. Adrian Smith, then current Dean of the Society of American Magicians. At the time, Harold as he was known to his friends, had the largest magic library in the world. Often Harold was a dinner guest at our house and as usual after our meal “the boys” would discuss magic and collecting. Harold’s plan for his books and ephemera was to donate it all to his alma mater, Brown University in Providence, Rhode Island. As we all know that’s what happened to his collection. Ed on the other hand disagreed with Harold’s plan and said that when the time came for him to dissolve his library he wanted everything to be sold; so that other collectors could enjoy what he had amassed. -
Cesar Rornero in "Strictly P:-I .-.. .--.Fine $ Decemkr 30, 1966 - January 8, 1967 6Uy S
"Central Illinois' Only Equity Slur illusic and Llrumu Tlteutre" ESTABLISHED IN 1957 .- SULLIVAN, ILLINOIS Guy S. Lile, Jr. Ptesentc Cesar Rornero in "Strictly P:-I .-.._.--.fine $ Decemkr 30, 1966 - January 8, 1967 6uy S. Unb, Jr. PRESENTS CESAR ROMERO "Strictly Dishonorable" Directed by HAROLD J. KENNEDY Wirb LINDA FIELDS DICK VAN PATTEN LEOPOLD BADlA WALTER FLANAGAN 4 HAROLD J. KENNEDY Production Stago Mura0.r - JOHN KELSO Cast -9 :a L&Wi .--= ......--..-..-..-.-:+... ................ -...+ ,.,.,,-- --.-.-.-*-.-...... ..,. iiiw Guy Little . .- m4a TtbiQu....-..---,..-...,-+. ............I.... .I-..q..4444iEi-d-Lli-.44444444*.i..~ Allen . ' Tb- &&iWd ,,,i.d-F ........ ;.mL-k;-L1.'.7 ................ , ...+.-G.,F+: . ...... 2s.:..e+7y ..*.--+ Leopold Badia , .. Hbq ,Gmm~ ...-...-,,,...,.......--..-,c.a, ..... h*.e-.-s-*-..-.a...d+ jjjjjjjjjjjjjjj jjjjjjj..... Dick Van. Patten :bakkh k@.......... .....~~~~~-~~-.~4-~d-~-r~~.~-'.'.P~P~P-T.~~~~.~~~ ,..... .. ....-.ii~+~~b~~i;.dd~.~..iiiiiiiii.i.~~.i'.i'.i'.i'.i'.i'. Linda Fields w,'m ,.It .' ---.2%-<-: :,-%- a -.?--.-, <.:-:-y*-*-*.- 6 ---..:+---3c.y;.-,--< -,--.. **-4.*:2<.:<< mAR Ram-0 M- ,.........-........ .. ............................................;,.....-....*.. Walter Fl~~lgaq Synopsis of Scenes ACT I The speakeasy of Tomaso Antiovi on West 49th Street, New Yotk City. ACT 11 A rear apartment upstairs over the speakeasy. L&er that evening. ACT 111 The same apartment. The next mor~, Thare Will Be A 10 Minute lntermiuion 8?,twoek Acts NO SMOKING IN THE THEATRE, F No Piduros Please-Cameras Net Permitted in hodr re PRODUCTION STAFF FOR MR. LITTLE * BuJu+. Y&aga .......... Gu S. Little, Sr. Tcebnleal A~slat.llf. .......... Rick Bradl.~~ Vtkr ...........-......kthy Erdrnann Hui Titus, Henry (indy -~blir P*t@tions and Publicity ...... heYokk Staff Photographer.. ............David Mobley . ~tprpprkcretlrg .......... Dorothy Bradley CREDITS: SMITH'S BARN-Arcola THE BUGGY IHED--Yattoon Play produced by special arrmgemen: of Samrel Frencb,~lnc. -
September/October 2020 Oakland Magic Circle Newsletter Official Website: Facebook:
September/October 2020 Oakland Magic Circle Newsletter Official Website:www.OaklandMagicCircle.com Facebook: https://www.facebook.com/groups/42889493580/ Password: EWeiss This Month’s Contents -. Where Are We?- page 1 - Ran’D Shines at September Lecture- page 2 - October 6 Meeting-Halloween Special -page 4 - September Performances- page 5 - Ran’D Answers Five Questions- page 9 - Phil Ackerly’s New Book & Max Malini at OMC- page 10 - Magical Resource of the Month -Black Magician Matter II-page 12 -The Funnies- page 16 - Magic in the Bay Area- Virtual Shows & Lectures – page 17 - Beyond the Bay Shows, Seminars, Lectures & Events in July- page 25 - Northern California Magic Dealers - page 32 Everything that is highlighted in blue in this newsletter should be a link that takes you to that person, place or event. WHERE ARE WE? JOIN THE OAKLAND MAGIC CIRCLE---OR RENEW OMC has been around since 1925, the oldest continuously running independent magic club west of the Mississippi. Dozens of members have gone on to fame and fortune in the magic world. When we can return to in-person meetings it will be at Bjornson Hall with a stage, curtains, lighting and our excellent new sound system. The expanding library of books, lecture notes and DVDs will reopen. And we will have our monthly meetings, banquets, contests, lectures, teach-ins plus the annual Magic Flea Market & Auction. Good fellowship is something we all miss. Until then we are proud to be presenting a series of top quality virtual lectures. A benefit of doing virtual events is that we can have talent from all over the planet and the audiences are not limited to those who can drive to Oakland. -
Season 5 Article
N.B. IT IS RECOMMENDED THAT THE READER USE 2-PAGE VIEW (BOOK FORMAT WITH SCROLLING ENABLED) IN ACROBAT READER OR BROWSER. “EVEN’ING IT OUT – A NEW PERSPECTIVE ON THE LAST TWO YEARS OF “THE TWILIGHT ZONE” Television Series (minus ‘THE’)” A Study in Three Parts by Andrew Ramage © 2019, The Twilight Zone Museum. All rights reserved. Preface With some hesitation at CBS, Cayuga Productions continued Twilight Zone for what would be its last season, with a thirty-six episode pipeline – a larger count than had been seen since its first year. Producer Bert Granet, who began producing in the previous season, was soon replaced by William Froug as he moved on to other projects. The fifth season has always been considered the weakest and, as one reviewer stated, “undisputably the worst.” Harsh criticism. The lopsidedness of Seasons 4 and 5 – with a smattering of episodes that egregiously deviated from the TZ mold, made for a series much-changed from the one everyone had come to know. A possible reason for this was an abundance of rather disdainful or at least less-likeable characters. Most were simply too hard to warm up to, or at the very least, identify with. But it wasn’t just TZ that was changing. Television was no longer as new a medium. “It was a period of great ferment,” said George Clayton Johnson. By 1963, the idyllic world of the 1950s was disappearing by the day. More grittily realistic and reality-based TV shows were imminent, as per the viewing audience’s demand and it was only a matter of time before the curtain came down on the kinds of shows everyone grew to love in the 50s. -
Rare Posters • Ephemera • Photographs • Apparatus • Postcards & More!
PO Box 1078 • yardley, pa 19067-3434 RARE POSTERS • EPHEMERA • PHOTOGRAPHS • APPARATUS • POSTCARDS & MORE! Haversat cover 2018.indd 1 2/6/18 8:02 PM Haversat & Ewing Galleries, LLC. Magic Collectibles Auction AUCTION AuctionSaturday, N Februaryovember 15, 201 23-24,4 -11:00 A M2018 Sign-up to bid at: www.haversatewing.com Active bidding on all lots begins at 11:00 AM EST-Friday February 23, 2018 First lot closes Saturday, February 24, at 5:00 PM EST. Sign-up to bid at: www.haversatewing.com HAVERSAT & EWING GALLERIES, LLC PO BOX 1078 - YARDLEY, PA 19067-3434 WWW.HAVERSATEWING.COM APPARATUS AND EQUIPMENT 1. Abbott’s Wonder Cylinder - A heavy chrome tube can be shown unprepared. Four silks are stuffed into the tube and left with their tops sticking out the top of the tube. At the magician’s command the silks vanish although the audience can see them till the last instant. Circa 1944. Very good. $40-50 ~Lot 1~ 2. Abbott-Reidel Lot - Lot includes two effects. Case of the Mysterious Zombie - This red lacquered chest allows the performer to cause a zombie ball to rise from within the confines of the box. Chest only. Supply your own Zombie ball and silk. Abbott’s Magic Co., 1986. Mint. Haunted Card Rise Chest - Any number ~Lot 2~ of selected cards rise from a decorated wooden box. Chosen cards actually push the lid up as they rise. Produced by Clint ~Lot 3~ Reidel. Mint. $40-50 3. Antique Change Bag - Early 20th century nickel-plated change bag with maroon velvet bag and tassel. -
Here Are Many Heroes of the Skeptical Movement, Past and Present
THE COMMITTEE FOR THE SCIENTIFIC INVESTIGATION OF CLAIMS OF THE PARANORMAL AT THE CENTER FOR INQUIRY-INTERNATIONA! (ADJACENT TO THE STATE UNIVERSITY OF NEW YORK AT BUFFALO) • AN INTERNATIONAL ORGANIZATION Paul Kurtz, Chairman; professor emeritus of philosophy. State University of New York at Buffalo Barry Karr, Executive Director Joe Nickell, Senior Research Fellow Lee Nisbet, Special Projects Director FELLOWS James E. Alcock,* psychologist. York Univ., Thomas Gilovich, psychologist, Cornell Univ. Dorothy Nelkin, sociologist, New York Univ. Toronto Henry Gordon, magician, columnist, Joe Nickell,* senior research fellow, CSICOP Steve Allen, comedian, author, composer, Toronto Lee Nisbet* philosopher, Medaille College pianist Stephen Jay Gould, Museum of Bill Nye, science educator and television Jerry Andrus, magician and inventor, Comparative Zoology, Harvard Univ. host, Nye Labs Albany, Oregon Susan Haack, Cooper Senior Scholar in Arts James E. Oberg, science writer Robert A. Baker, psychologist, Univ. of and Sciences, prof, of philosophy, Loren Pankratz, psychologist Oregon Kentucky University of Miami Stephen Barrett, M.D., psychiatrist, author, C. E. M. Hansel, psychologist Univ. of Wales Health Sciences Univ. consumer advocate, Allentown, Pa. Al Hibbs, scientist. Jet Propulsion Laboratory John Paulos, mathematician. Temple Univ. Barry Beyerstein, * biopsychologist, Simon Douglas Hofstadter, professor of human W. V. Quine, philosopher, Harvard Univ. Fraser Univ., Vancouver, B.C., Canada understanding and cognitive science, Milton Rosenberg, psychologist. Univ. of Irving Biederman, psychologist, Univ. of Indiana Univ. Chicago Southern California Gerald Holton, Mallinckrodt Professor of Wallace Sampson, M.D., clinical professor Susan Blackmore, psychologist, Univ. of the Physics and professor of history of science, of medicine, Stanford Univ. West of England, Bristol Harvard Univ. -
Flash Paper Feb 2020 (Pdf)
The Flash Paper February, 2020 Bob Gehringer, Editor Presidential Ponderings Introduction: The Effect Our own member, Theron Christensen's first book “To produce a magical effect, of original conception, is Plotting Astonishment has just a work of high art.” --Nevil Maskelyne been published and is now Dear reader, I hold my breath as you turn the available on Amazon. It was pages of this book for the first time. I was hesitant to add good for me to read it. I plan to this work to the vast cacophony of magic literature. I am read it again. I believe the not well-known among magicians, nor do I pretend to be insights he shares has the power any sort of expert; and to publish your knowledge and to raise your own performances opinion is to invite the scorn and rebuttal of many. But to yet another level. With his permission, I share a too many of my close friends and the nudge of my portion of the book's introduction with you. conscience have pushed me to produce the work which you hold in your hands. To start out, I would like to explain my intentions. When Maskelyne and Devant published Our Magic in 1911, they urged magicians to recognize the importance of being original in magic. “Without originality,” they said, “no man can become a great artist.” Their efforts paid off. Today, magicians almost universally accept the importance of originality. Just as Maskelyne observed over one hundred years ago, magicians tend to seek after originality in one of three ways. -
Harry Houdini and Howard Thurston Were So Popular That the Era Became Known As the Golden Age of Magic
Illusions The Art of Magic Large Print Exhibition Text This exhibition is organized by the McCord Museum in Montreal. All of the framed posters on view are from the McCord’s Allan Slaight Collection. Lead La Fondation Emmanuelle Gattuso Supporters The Slaight Foundation Exhibition Overview There are 9 sections in this exhibition, including a retail shop. Visitors will enter Section 1, upon turning right, after passing through the entrance. Enter / Exit Section 1 Content: Exhibition title wall with 1 photograph and partnership recognition, and 2 posters on the wall. Environment: shared thoroughfare with exhibition exit. Section 2 Content: 9 posters on the wall, 1 projected film with ambient audio, and 1 table case containing 4 objects Environment: darkened gallery setting with no seating. Section 3 Content: 9 posters on the wall. Environment: standard gallery setting with no seating. Section 4 Content: 9 posters on the wall. Environment: standard gallery setting with bench seating. Section 5 Content: 8 posters on the wall, 1 short film with ambient audio, 1 table case containing 9 objects, and an interactive activity station with seating. Environment: standard gallery setting with no seating. Section 6 Content: 7 posters on the wall. Environment: standard gallery setting with no seating. Section 7 Content: 6 posters on the wall. Environment: standard gallery setting with no seating. Section 8 Content: 7 posters on the wall, 2 projected silent films, 1 table case containing 15 objects, and a free-standing object. Environment: standard gallery setting with dim lighting. No available seating. Section 9 (Retail Shop) Visitors must enter through the retail shop to exit the exhibition. -
Tommy Wonder & Stephen Minch)
Downloaded from www.vanishingincmagic.com by Ray Hyman EDITED by Joshua Jay Cover designed by Vinny DePonto Layout by Andi Gladwin Downloaded from www.vanishingincmagic.com by Ray Hyman Magic in Mind was prepared in cooperation with the Society of American Magicians, and the ebook will be made available for free to all members worldwide. www.vanishingincmagic.com All rights reserved. The essays in this book are copyrighted by their respective authors and used with permission. No portion may be reproduced without written permission from the authors. Downloaded from www.vanishingincmagic.com by Ray Hyman AcknowledgEments Magic in Mind started out as a project intended expressly for serious young magicians, but the first of many lessons I learned during my two-year endeavor is this: age has little to do with learning. It was evident, early on, that this collection would benefitanyone serious about getting serious in magic. So here we are. Thanks to all the generous magicians who have allowed me to include their work in this collection. I am overwhelmed by the support they have shown. In particular, I wish to single out Darwin Ortiz, whose writings I admire greatly, and who went against a personal policy, and agreed to participate. I consider it a favor to me, and a favor to all those who will learn from his writings. Thanks, Darwin, for being flexible and generous. Thanks to Stephen Minch, whose encouragement and “pull” helped initiate the project. Irving Quant helped with the translation of “Fundamentals of Illusionism” by Juan Tamariz. Denis Behr suggested a few essays I was not familiar with.