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Ji Woon Kim Rhetoric 105 Professor Mary Hays 15 March 2016 Loss Of
Ji Woon Kim Rhetoric 105 Professor Mary Hays 15 March 2016 Loss of Original Intention: Budget for Art or Art for Money? A Review of Alter Ego by Laurence Green, mainly focusing on the movie Ryan by Chris Landreth *Blue-Revised As the title of the movie suggests, it is all about Ryan, who was a notable animator and an Oscar nominee back in 60’s and early 70’s, contributing greatly to moving arts. This movie was made by Chris Landreth, who got interested in him after he got to know that a big figure in animation industry was now living in a street in Montreal. Interestingly, the movie is based on an actual interview, and it is dubbed within the animation. This actually made the movie realistic, as we can hear real voices of the two animators. However, the notable point of the movie is that all characters in the animation have distorted looks. The reason is because Chris wanted to show psychological status through physical attributes. Chris uses surreal CG imagery to show the psychology of each character from his technique called “Psychorealism”(Chris Landreth). The use of “psychedelic CG animation” elucidated the life and unstable mind of the legendary animator, Ryan Larkin. In the movie, their relationship was beyond one-way sympathy toward the wrecked life of Chris’s hero, Ryan. Especially, it shows through the embodiment of “colorful chains” around both of them after the success in their career. When Ryan achieved the climax of his career with “Walking” and “Street Musique,” colorful chains wraps around his face. -
Written and Illustrated by Melanie Wallace Dedicated to My Family: Dad, Mom, Chris, Cathy, Bill & Ben Love You Guys
written and illustrated by Melanie Wallace dedicated to my family: Dad, Mom, Chris, Cathy, Bill & Ben love you guys I am standing at the gate by the creek. The Today, I am going through creek runs under the road that is behind the gate. me, through a large metal culvert filled with spider webs and dumps into a large pool of water which I think is very deep. Before I get to the gate, I step off the road and down a steep ditch. I have to go slow, because there is barbed wire all over. There is a stone wall too. Some times I sit on the stone wall, throwing things in the creek and watching them float down stream. Sometimes I drop things on the other side of the road and run across, waiting for them to float through. The gate has metal bars in the shape of an X with the barbed wire woven through. We’ve stepped on the wire enough to make a small hole to crawl through. I am sitting in my Dad’s hospice room. In has a happy face. Ben is nine years younger. front of me, lies my father in a bed. His arms He looks and acts a lot like me with brown and legs are very thin and he sleeps most of hair, blue eyes and the same ambition to be the time. To the right is his bathroom with a productive everyday, like our Dad. large walk-in shower. To the left are beautiful views of the trees and snow through large It’s just coincidence that we are together patio doors. -
Logging Songs of the Pacific Northwest: a Study of Three Contemporary Artists Leslie A
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 Logging Songs of the Pacific Northwest: A Study of Three Contemporary Artists Leslie A. Johnson Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC LOGGING SONGS OF THE PACIFIC NORTHWEST: A STUDY OF THREE CONTEMPORARY ARTISTS By LESLIE A. JOHNSON A Thesis submitted to the College of Music in partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2007 The members of the Committee approve the Thesis of Leslie A. Johnson defended on March 28, 2007. _____________________________ Charles E. Brewer Professor Directing Thesis _____________________________ Denise Von Glahn Committee Member ` _____________________________ Karyl Louwenaar-Lueck Committee Member The Office of Graduate Studies has verified and approved the above named committee members. ii ACKNOWLEDGEMENTS I would like to thank those who have helped me with this manuscript and my academic career: my parents, grandparents, other family members and friends for their support; a handful of really good teachers from every educational and professional venture thus far, including my committee members at The Florida State University; a variety of resources for the project, including Dr. Jens Lund from Olympia, Washington; and the subjects themselves and their associates. iii TABLE OF CONTENTS ABSTRACT ................................................................................................................. -
Vendors by Managing Organization
Look up by Vendor, then look at managing dispatch. This dispatch center holds the virtual ownership of that vendor. When the vendor obtains their NAP user account, the vendor would then call this dispatch center for Web statusing permissions. You can run this list in ROSS reports: use the search function, type "vendors" or "managing" then search. Should show up. You can filter and sort as necessary. Managing Org Name Org Name Northwest Coordination Center 1-A Construction & Fire LLP Sacramento Headquarters Command Center 10 Tanker Air Carrier LLC Northwest Coordination Center 1A H&K Inc. Oregon Dept. of Forestry Coordination Center 1st Choice Contracting, Inc Missoula Interagency Dispatch Center 3 - Mor Enterprises, Inc. Southwest Area Coordination Center 310 Dust Control, LLC Oregon Dept. of Forestry Coordination Center 3b's Forestry, Incorporated State of Alaska Logistics Center 40-Mile Air, LTD Northern California Coordination Center 49 Creek Ranch LLC Northern California Coordination Center 49er Pressure Wash & Water Service, Inc. Helena Interagency Dispatch Center 4x4 Logging Teton Interagency Dispatch Center 5-D Trucking, LLC Northern California Coordination Center 6 Rivers Construction Inc Southwest Area Coordination Center 7W Enterprises LLC Northern California Coordination Center A & A Portables, Inc Northern California Coordination Center A & B Saw & Lawnmowers Shop Northern Rockies Coordination Center A & C Construction Northern California Coordination Center A & F Enterprises Eastern Idaho Interagency Fire Center A & F Excavation Southwest Area Forestry Dispatch A & G Acres Plus Northern California Coordination Center A & G Pumping, Inc. Northern California Coordination Center A & H Rents Inc Central Nevada Interagency Dispatch Center A & N Enterprises Northern California Coordination Center A & P Helicopters, Inc. -
Catalogo-2015-Digital.Pdf
132 SND SONIDERO 134 20 000 Days on Earth | 20 000 días en la Tierra 136 Björk: Biophilia Live | Björk: Biophilia en vivo CONTENIDO | CONTENTS 138 The Devil and Daniel Johnston | El diablo y Daniel Johnston 140 A Hard Day’s Night 142 Pulp: A Film About Life, Death and Supermarkets | Pulp: una película sobre la vida, la muerte y los supermercados 144 Serrat y Sabina: el símbolo y el cuate | Serrat & Sabina: Two for the Road 4 PRESENTACIÓN | FOREWORD AMB 146 AMBULANTITOBULANTITO 148 Programa 1: El cielo y otros mundos | The Sky and Other Worlds 20 NOTAS DE PROGRAMACIÓN | PROGRAMMING NOTES 148 Programa 2: Aprender del mundo | Learning From the World 22 ASOMBRO | WONDER Colaboración con Editorial Sexto Piso 148 Programa 3: Anina 56 RF REFLECTOR 150 ENF ENFOQUE 58 Is the Man Who Is Tall Happy?: An Animated Conversation with Noam Chomsky 154 Programa 1: Ritual y cine-trance | Ritual and Cine-trance ¿Es feliz el hombre que es alto?: una conversación animada con Noam Chomsky 156 Programa 2: Mirar lo invisible | Seeing the Invisible 60 Jodorowsky’s Dune | Dunas de Jodorowsky 158 Programa 3: Autoetnografías | Self-ethnographies 62 The Look of Silence | La mirada del silencio 160 Programa 4: El sexto sentido | The Sixth Sense 64 Merchants of Doubt | Mercaderes de la duda 162 Programa 5: Umbrales sensoriales | Sensory Thresholds 66 Point and Shoot | Apunte y dispare 164 Programa 6: El tren de las experiencias | The Train of Experiences 68 The Salt of the Earth | La sal de la tierra 70 Supermensch: The Legend of Shep Gordon | Supermensch: la leyenda de Shep Gordon 166 RTR RETROSPECTIVA 72 The Visit | La visita 170 Programa 1: Nouvelle vague | Nueva ola | New Wave 74 PUL PULSOS 171 Programa 2: Podría ser cualquier lugar, pero es París | It Could Be Anyplace, But It’s Paris 172 Programa 3: Fijar una imagen. -
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Berlinale 2007 MUKHSIN Generation MUKHSIN Kplus MUKHSIN MUKHSIN Regie: Yasmin Ahmad Malaysia 2006 Darsteller Orked Sharifah Aryana Syed Länge 94 Min. Zainal Rashid Format 35 mm, 1:1.85 Mukhsin Mohd. Syafie bin Farbe Naswip Pak Atan Irwan Iskandar bin Stabliste Abidin Buch Yasmin Ahmad Mak Inom Sharifah Aleya Syed Inom Yan Zainal Rashid Kamera Keong Low Kak Yam Adibah Noor binti Schnitt Affandi Jamaluddin Mohd. Omar Ausstattung Ujang Yem Rafiq Ashidiq bin Produzent Ahmad Puad Onah Abdull Aziz Co-Produzent Dhojee Rosnah Yems Vater Muhammad Zaili bin Kassim Sulan Co-Produktion MHZ Film, Petaling Yems Mutter Norlela binti Yahmad Jason Ng. Choo Seong Produktion Hussein Sallehuddin bin Abu Grand Brilliance Sdn. Bhd. Bakar 3rd fl, North Wing, Sri Pentas, No. 3, Mak Senah Mislina binti Persiaran Bandar Utama, Bandar Utama Mohd. Syafie bin Naswip, Sharifah Aryana Syed Zainal Rashid Mustaffa PTM-47800 Petaling, Selangor Darul Ehsan Tel.: 77 26 63 33 Fax: 77 26 68 85 MUKHSIN [email protected] Mukhsin ist ein Junge, Orked ein Mädchen, und irgendwann im Leben beginnt die Zeit, wo das wichtig wird. Orked kommt aus einer starken Weltvertrieb Familie und hat keine Scheu, mit Jungen zu spielen. Als sie dabei Mukhsin Grand Brilliance Sdn. Bhd. begegnet, werden sie schnell beste Freunde. Er baut einen zweiten Sitz an 3rd fl, North Wing, Sri Pentas, No. 3, Persiaran Bandar Utama, Bandar Utama sein Fahrrad, und so reisen die beiden allein durch Alleen bis auf die Wiesen PTM-47800 Petaling, Selangor Darul Ehsan hinaus, um Drachen steigen zu lassen. Abends sitzen sie auf dem Ast eines Tel.: 77 26 63 33 Baumes und träumen. -
Yasmin Ahmad: Auteuring a New Malaysian Cinematic Landscape
Yasmin Ahmad: Auteuring a New Malaysian Cinematic Landscape Lee Yuen Beng School of Communication, Universiti Sains Malaysia, MALAYSIA [email protected] ABSTRACT Since P. Ramlee, no other filmmaker but Yasmin Ahmad has been capable of creating a significant impact in Malaysian cinema. She achieved this through her films that have persistently challenged not only the conventions of Malaysian cinema, but also daringly exposed societal taboos and its hypocrisies on the cinematic screen. All her six films differ from the conservative, unadventurous and conventional Malaysian films that revolve around the tiresome, "tried and tested", monotonous entertainment containing elements of love (suka), sadness (duka) and humour (jenaka). Her films, which are criticisms about the failings of the Malaysian society and in particular the Malays, employ cosmopolitan themes of humour, love and humanism to move beyond merely focusing on race and ethnicity. In doing so, her films paradoxically employ the "sensitive" issue of interethnic relations to highlight the struggles faced by common Malaysians within and between cultures and religions. By highlighting the everyday problems faced by everyday people, Yasmin Ahmad has extensively altered the Malaysian cinematic landscape by removing demarcations along racial, ethnic, religion, cultural, age and gender lines. This allows her films to move beyond being focused on multiculturalism and to contest more socially, culturally and politically issues closely related to Malaysians. This consistent demonstration of -
1997 Sundance Film Festival Awards Jurors
1997 SUNDANCE FILM FESTIVAL The 1997 Sundance Film Festival continued to attract crowds, international attention and an appreciative group of alumni fi lmmakers. Many of the Premiere fi lmmakers were returning directors (Errol Morris, Tom DiCillo, Victor Nunez, Gregg Araki, Kevin Smith), whose earlier, sometimes unknown, work had received a warm reception at Sundance. The Piper-Heidsieck tribute to independent vision went to actor/director Tim Robbins, and a major retrospective of the works of German New-Wave giant Rainer Werner Fassbinder was staged, with many of his original actors fl own in for forums. It was a fi tting tribute to both Fassbinder and the Festival and the ways that American independent cinema was indeed becoming international. AWARDS GRAND JURY PRIZE JURY PRIZE IN LATIN AMERICAN CINEMA Documentary—GIRLS LIKE US, directed by Jane C. Wagner and LANDSCAPES OF MEMORY (O SERTÃO DAS MEMÓRIAS), directed by José Araújo Tina DiFeliciantonio SPECIAL JURY AWARD IN LATIN AMERICAN CINEMA Dramatic—SUNDAY, directed by Jonathan Nossiter DEEP CRIMSON, directed by Arturo Ripstein AUDIENCE AWARD JURY PRIZE IN SHORT FILMMAKING Documentary—Paul Monette: THE BRINK OF SUMMER’S END, directed by MAN ABOUT TOWN, directed by Kris Isacsson Monte Bramer Dramatic—HURRICANE, directed by Morgan J. Freeman; and LOVE JONES, HONORABLE MENTIONS IN SHORT FILMMAKING directed by Theodore Witcher (shared) BIRDHOUSE, directed by Richard C. Zimmerman; and SYPHON-GUN, directed by KC Amos FILMMAKERS TROPHY Documentary—LICENSED TO KILL, directed by Arthur Dong Dramatic—IN THE COMPANY OF MEN, directed by Neil LaBute DIRECTING AWARD Documentary—ARTHUR DONG, director of Licensed To Kill Dramatic—MORGAN J. -
Emanuele Serrelli Nathalie Gontier Editors Explanation, Interpretation
Interdisciplinary Evolution Research 2 Emanuele Serrelli Nathalie Gontier Editors Macroevolution Explanation, Interpretation and Evidence Interdisciplinary Evolution Research Volume 2 Series editors Nathalie Gontier, Lisbon, Portugal Olga Pombo, Lisbon, Portugal [email protected] About the Series The time when only biologists studied evolution has long since passed. Accepting evolution requires us to come to terms with the fact that everything that exists must be the outcome of evolutionary processes. Today, a wide variety of academic disciplines are therefore confronted with evolutionary problems, ranging from physics and medicine, to linguistics, anthropology and sociology. Solving evolutionary problems also necessitates an inter- and transdisciplinary approach, which is why the Modern Synthesis is currently extended to include drift theory, symbiogenesis, lateral gene transfer, hybridization, epigenetics and punctuated equilibria theory. The series Interdisciplinary Evolution Research aims to provide a scholarly platform for the growing demand to examine specific evolutionary problems from the perspectives of multiple disciplines. It does not adhere to one specific academic field, one specific school of thought, or one specific evolutionary theory. Rather, books in the series thematically analyze how a variety of evolutionary fields and evolutionary theories provide insights into specific, well-defined evolutionary problems of life and the socio-cultural domain. Editors-in-chief of the series are Nathalie Gontier and Olga Pombo. The -
BRITISH BEATLES FAN CLUB MAGAZINES - Jetzt Auch in Deutschland Erhältlich, Natürlich Im Beatles Museum … Einzelheft: 4,50 Euro Inkl
InfoMail 18.07.15: Die BRITISH BEATLES FANCLUB-Magazine /// MANY YEARS AGO InfoMails abbestellen oder umsteigen (täglich, wöchentlich oder monatlich): Nur kurze Email schicken. Hallo M.B.M.! Hallo BEATLES-Fan! BRITISH BEATLES FAN CLUB MAGAZINES - jetzt auch in Deutschland erhältlich, natürlich im Beatles Museum … Einzelheft: 4,50 Euro inkl. Versand 10er Abo: 40,00 Euro inkl. Versand für aktuelles Heft und die nächsten neun. Weitere Info und/oder bestellen: Einfach Abbildung anklicken Auch Abbildungen in pdf-Datei anklickbar. Ausgaben 55 bis 53 - Jedes Heft 4,50 Euro inkl. Versand Juni 2015: BEATLES-Fanmagazin BRITISH BEATLES FAN CLUB MAGAZINE - ISSUE 55. Heft; Hochformat: A5; 40 Seiten; viele Farb- und Schwarzweiß-Fotos; englischsprachig. Inhalt: cover photo: 1970 - JOHN LENNON. / Editorial. / THE BEATLES - A Day in the Life. / Media Watch. / Coming Up - Forthcoming Events incl. PAUL McCARTNEY's OUT THERE! 2015 USA & EUROPE and RINGO STARR & HIS ALL-STARR BAND TOUR 2015. / CYNTHIA LENNON 1939 - 2015 - "Just smile and love but don't cry". / RINGO STARR & HIS ALL-STARR BAND TOUR 2015: 1st March 2015 - Planetario Galileo Galilei, Buenos Aires, Argentina. / PAUL McCARTNEY's OUT THERE!: 28th April 2015 - Nihon Budokan Hall, Tokyo, Japan; 23rd May 2015 - O2 Arena, London, UK; 24th May 2015 - O2 Arena, London, UK. / Paperback Writers: BEST OF THE BEATLES - THE SACKING OF PETE BEST: THE BEATLES THROUGH HEADPHONES; JOHN LENNON - THE COLLECTED ARTWORK; CONFESSIONS OF BEATLEMANIAC; WINGS OVER NEW ORLEANS; MY KID BROTHER'S BAND A.K.A. THE BEATLES; THE BEATLES - THE HOUSE THAT JACK BUILT; SOME FUN TONIGHT!; PAUL McCARTNEY - RECORDING SESSIONS 1969 - 2013. / FAB FOUR On DVD: A MUSICARES TRIBUTE TO PAUL McCARTNEY. -
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CENTER FOR SOUTHEAST ASIAN STUDIES UNIVERSITY OF HAWAI‘I AT MĀNOA CSEAS Bulletin Aloha from the Director Aloha and greetings. I am very Several films won prizes, the most notable pleased to report on the recent achieve- being the festival’s Golden Orchid for ments of the Center for Southeast Asian Best Feature, which went to Berbagi Suami Studies. (Love for Share), from Indonesia. INSIDE THIS ISSUE The jewel in our crown for the Director Nia Dinata and actress Jajang academic year 2006-07 was undoubtedly C. Noer were our guests. Another signifi- 1 the initiation of an ambitious subtitling cant film was Gubra (Anxiety), written and FACULTY project for Southeast Asian film, which directed by Yasmin Ahmad. Producer Aloha and Welcome, Conferences was conceived during our weekly Elyna Shukri and actress Sharifah and Papers, Research and Travel, screenings of Southeast Asian films on Amani attended the festival, and last Awards and Fellowships, Publica- campus. The workshop was held last April the Center organized a retrospec- tions, etc. summer, and the special class conducted tive of all of Ahmad’s films at the by John McGlynn (who came from Ja- Honolulu Academy of Arts. We were 2 karta) resulted in the subtitling of ten honored that Yasmin herself found time STUDENTS films from Southeast Asia which have in her busy schedule to come to this retro- Awards and Fellowships, Research never been viewed overseas. In the first spective, and the large audiences who and Travel, Conferences, etc. stages of this project we see the distribu- attended very much appreciated her gra- tion of these films to universities and cious and open responses to their ques- 3 colleges as an important addition to the tions. -
National Film Board of Canada, 2017 Cat
National Film Board of Canada 2016–2017 Departmental Results Report The Honourable Mélanie Joly, P.C., M.P. Minister of Canadian Heritage © National Film Board of Canada, 2017 Cat. No. NF1-5E-PDF ISSN 2560-9238 2016–2017 Departmental Results Report Table of Contents Minister’s message ............................................................................ 1 Commissioner’s message ................................................................... 3 Results at a glance ............................................................................ 5 Raison d’être, mandate and role: who we are and what we do ................ 7 Raison d’être ................................................................................. 7 Mandate and role ........................................................................... 7 Operating context and key risks .......................................................... 9 Operating context .......................................................................... 9 Key risks .................................................................................... 10 Results: what we achieved ............................................................... 13 Programs .................................................................................... 13 Program 1.1: Audiovisual Production ....................................................... 13 Program 1.2: Accessibility and Audience Engagement ..................................... 20 Internal Services ........................................................................