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Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election. -
36Th Annual Lucille Lortel Awards Announcement
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 THE OFF-BROADWAY LEAGUE & LUCILLE LORTEL THEATRE TO PRESENT AN ORIGINAL FILMED PROGRAM FOR THE 36TH ANNUAL LUCILLE LORTEL AWARDS SPECIAL CELEBRATION OF THE OFF-BROADWAY COMMUNITY – ON-STAGE, BEHIND THE SCENES, AND IN THE AUDIENCE – WILL PREMIERE ON SUNDAY, MAY 2, 2021 New York, NY (April 14, 2021) – In an unprecedented year without live theatre to recognize, The Off- Broadway League and the Lucille Lortel Theatre will present the 2021 Lucille Lortel Awards as a celebration of all the people who create Off-Broadway excellence. The pre-taped special will honor the writers, actors, directors, choreographers, designers, musicians, stagehands, producers, theatre staff, and the audiences who all contribute to the incomparable magic of Off-Broadway theatre. Featuring testimonials from members of the community, as well as fun facts, video footage from past awards shows, the Lucille Lortel Vault, and more, the program will premiere Sunday, May 2, at 7:00PM on www.lortelawards.org and will, as always, be a benefit for The Actors Fund. The 36th Annual Lucille Lortel Awards will feature an appearance by Bebe Neuwirth, Vice Chair, Board of Trustees, The Actors Fund, as well as Quincy Tyler Bernstine, Tracee Chimo Pallero, Edmund Donovan, Scott Elliott, Will Eno, Stephen McKinley Henderson, Bill Irwin, Francis Jue, Judy Kuhn, Grace McLean, Annette O'Toole, Larry Owens, Tonya Pinkins, Daryl Roth, Kristen Schaal, Jeremy Shamos, Susan Stroman, Jason Tam, and more; a brand-new performance choreographed by actor and dancer Reed Luplau; comedy sketches by the improv group The Foundation; a monologue by Phillip Taratula as Pam Goldberg; a musical performance by Crystal Monee Hall, Allen René Louis, and Michael McElroy; and an original song by Bobby Daye in memory of Off-Broadway community members who lost their lives this past year. -
Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions. -
Theatrical Reviews Section
Theatrical Reviews Soft Power. Dir. Leigh Silverman. Play and lyrics by David Henry Hwang. Perf. Francis Jue, Conrad Ricamora, and Alyse Alan Louis. Center Theatre Group (Los Angeles), 2018. Imagine a future in which the United States is no longer a global superpower but, instead, China is, and the rest of the world comes to understand American culture through highly-visualized, -verbalized, and -physicalized gestures generated by Chinese musicals. Commissioned by Los Angeles’ Center Theatre Group for their 50th anniversary season in 2018, David Henry Hwang’s Soft Power asked audiences to do just that, displacing those who are primarily used to, perhaps even unquestioningly comfortable with, the deep-seated stereotypes and assumptions that American popular culture continues to produce about Asia – if only for a few brief hours. In response to the frustrating orientalism and misappropriations found specifically in “Asian” musicals like The King and I and Miss Saigon, Hwang’s work functions as a loving critique of the broad strokes and generalities about Asian countries and cultures that Western musical theater has generated. Through a metatheatrical framing device, color-conscious casting and acting choices, and the excess and exaggeration highlighted by its set design and musical numbers, Soft Power flips the Americentric worldview upside- down to present a complex, farcical representation of America, embracing musical theatre’s form while simultaneously pushing back against the very sociocultural and political power system(s) that produce knowledges about other cultures. In a series of metatheatrical moves, a dramatized version of Hwang named DHH (Francis Jue) serves as the show’s protagonist who meets with a Chinese producer (Xue Xing, played by Conrad Ricamora) about his The Popular Culture Studies Journal, Vol. -
AIDS at 30: Patient Advocacy Makes an Impact Your FDA Submission Documents Are Serious
GLOBAL ggff forumAPRIL 2013 VOL 5 • ISSUE 2 INFORM ADVISE REACH EDUCATE IN THIS ISSUE DIA 2013 49TH ANNUAL MEETING PREVIEW: “ADVANCING ALZHEIMER’S INNOVATION: A CALL TO ACTION” Chaired by Meryl Comer President, Geoffrey Beene Foundation Alzheimer’s Initiative AIDS at 30: Patient Advocacy Makes an Impact Your FDA submission documents are serious. So are their translations. When translating documents for FDA submission such as dossiers, CRFs, labeling, adverse event reports, and product information, Corporate Translations understands the critical need for accuracy Our rigorous translation process includes multiple quality inspections, guaranteeing the most accurate translations quickly and cost-effectively. We stand by the quality of our translations by providing a certification of accuracy with each document. Partnering with Corporate Translations allows you to prepare your submissions with confidence. That’s why Corporate Translations is the preferred supplier of ISO 9001 translation and linguistic validation solutions to the world’s leading life science companies. www.corptransinc.com 1-855-727-6003 Translation | Back Translation | Desktop Publishing| Independent Review | Editing | Proofreading CORPORATE TRANSLATIONS Driven by Definition ® Process Cyan PMS 2935 PMS 296 ggff CONTENTSCONTENTSTOGETHER, WE CAN CHANGE THE WORLD * ART AS ACTIVISM * ORGS WE LOVE TO SUPPORT LEARNLEARN FIGHT LOVE Your FDA submission documents FIGHT are serious. So are their translations. LOVE INFORM ADVISE REACH EDUCATE When translating documents for FDA submission such as dossiers, CRFs, 10 54 64 108 labeling, adverse event reports, and product information, Corporate Peter Staley UNLEASHING THE POWER OF P HOTO: © Acts Up HOW TO SURVIVE A PLAGUE W illiam Lucas W Translations understands the critical need for accuracy Our rigorous alker translation process includes multiple quality inspections, guaranteeing Open Forum 6 AIDS Advocacy 46 the most accurate translations quickly and cost-effectively. -
Jeanne Sakata Joel De La Fuente Lisa Rothe
PRESENTS BY Jeanne Sakata STARRING Joel de la Fuente SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Mikiko Suzuki MacAdams Margaret E. Weedon Cat Tate Starmer Daniel Kluger PRODUCTION STAGE MANAGER CASTING Mary K. Botosan Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL ADVERTISING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Lisa Rothe SPONSORED IN PART BY Carol and Alfred Maynard & Dick Ziter and Eric Reimer Hold These Truths was first produced in 2007 by East West Players in Los Angeles, California, under the title of Dawn’s Light: The Journey of Gordon Hirabayashi. It was commissioned in 2004 by Chay Yew, former Director of the Center Theater Group’s Asian Theatre Workshop, and further developed with the Lark Play Development Center, the New York Theatre Workshop, and the Epic Theatre Ensemble. Hold These Truths received its New York Premiere at the Epic Theatre Ensemble in October 2012. ST. GERMAIN STAGE MAY 22–JUNE 8, 2019 CAST Gordon Hirabayashi ............................................................................. Joel de la Fuente* STAFF Production Stage Manager .................................................................... Mary K. Botosan* Stage Management Intern ........................................................................ Melina Yelovich Master Electrician/Light Board Operator ...................................................Joey Rainone IV Sound Engineer .............................................................................................. -
December 1946) James Francis Cooke
Gardner-Webb University Digital Commons @ Gardner-Webb University The tudeE Magazine: 1883-1957 John R. Dover Memorial Library 12-1946 Volume 64, Number 12 (December 1946) James Francis Cooke Follow this and additional works at: https://digitalcommons.gardner-webb.edu/etude Part of the Composition Commons, Ethnomusicology Commons, Fine Arts Commons, History Commons, Liturgy and Worship Commons, Music Education Commons, Musicology Commons, Music Pedagogy Commons, Music Performance Commons, Music Practice Commons, and the Music Theory Commons Recommended Citation Cooke, James Francis. "Volume 64, Number 12 (December 1946)." , (1946). https://digitalcommons.gardner-webb.edu/etude/65 This Book is brought to you for free and open access by the John R. Dover Memorial Library at Digital Commons @ Gardner-Webb University. It has been accepted for inclusion in The tudeE Magazine: 1883-1957 by an authorized administrator of Digital Commons @ Gardner-Webb University. For more information, please contact [email protected]. /frtvw in thy dark- sheets shm-ethTtis O lit-tle town of B«tti-U-hem! H hopes and fears of all the /ears bove thy deep and dream-less alvepTh arc met in thee to -ni PHILLIPS BROOKS Jlvihor* . merly of the New Friends of Music; Louis DR. SERGE KOUSSEVITZKY’S programs Fourestier, of the Paris Opera; and An- for the current season of the Boston tonio Votto, formerly assistant to Tos- Symphony Orchestra include five new canini at La Scala in Milan. which were com- symphonies, three of COMPANY, missioned by the Koussevitzky Music THE AMERICAN OPERA operatic venture, Foundation. One of these is by Oliver Philadelphia’s newest October 24 Messiaen, contemporary French com- had an auspicious opening on RUCTION Mozart’s comic opera, poser; another is Walter Piston’s Third when it presented the Harem,” under PIANO Symphony; the third is Aaron Copland’s “The Abduction from MODERN direction of Vernon Hammond, mu- NOTE Third Symphony. -
Adventuring with Books: a Booklist for Pre-K-Grade 6. the NCTE Booklist
DOCUMENT RESUME ED 311 453 CS 212 097 AUTHOR Jett-Simpson, Mary, Ed. TITLE Adventuring with Books: A Booklist for Pre-K-Grade 6. Ninth Edition. The NCTE Booklist Series. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-0078-3 PUB DATE 89 NOTE 570p.; Prepared by the Committee on the Elementary School Booklist of the National Council of Teachers of English. For earlier edition, see ED 264 588. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 00783-3020; $12.95 member, $16.50 nonmember). PUB TYPE Books (010) -- Reference Materials - Bibliographies (131) EDRS PRICE MF02/PC23 Plus Postage. DESCRIPTORS Annotated Bibliographies; Art; Athletics; Biographies; *Books; *Childress Literature; Elementary Education; Fantasy; Fiction; Nonfiction; Poetry; Preschool Education; *Reading Materials; Recreational Reading; Sciences; Social Studies IDENTIFIERS Historical Fiction; *Trade Books ABSTRACT Intended to provide teachers with a list of recently published books recommended for children, this annotated booklist cites titles of children's trade books selected for their literary and artistic quality. The annotations in the booklist include a critical statement about each book as well as a brief description of the content, and--where appropriate--information about quality and composition of illustrations. Some 1,800 titles are included in this publication; they were selected from approximately 8,000 children's books published in the United States between 1985 and 1989 and are divided into the following categories: (1) books for babies and toddlers, (2) basic concept books, (3) wordless picture books, (4) language and reading, (5) poetry. (6) classics, (7) traditional literature, (8) fantasy,(9) science fiction, (10) contemporary realistic fiction, (11) historical fiction, (12) biography, (13) social studies, (14) science and mathematics, (15) fine arts, (16) crafts and hobbies, (17) sports and games, and (18) holidays. -
Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television
Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television A Thesis Submitted to School of Geography, Politics, and Sociology For the Degree of Doctor of Philosophy Cheng Qian September, 2019 !i Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television ABSTRACT China's rise has led to increased interest in the representation of Chinese culture and identity, espe- cially in Western popular culture. While Chinese and Chinese American characters are increasingly found in television and films, the literature on their media representation, especially in television dramas is limited. Most studies tend to focus on audience reception with little concentration on a show's substantive content or style. This thesis helps to fill the gap by exploring how Chinese and Chinese American characters are portrayed and how these portrayals effect audiences' attitude from both an in-group and out-group perspective. The thesis focuses on four popular US based television dramas aired between 2010 to 2018. Drawing on stereotype and stereotyping theories, applying visual analysis and critical discourse analysis, this thesis explores the main stereotypes of the Chinese, dhow they are presented, and their impact. I focus on the themes of enemies, model minor- ity, female representations, and the accepted others. Based on the idea that the media can both con- struct and reflect the beliefs and ideologies of a society I ask how representational practice and dis- cursive formations signify difference and 'otherness' in relation to Chinese and Chinese Americans. I argue that while there has been progress in the representation of Chinese and Chinese Americans, they are still underrepresented on the screen. -
Macy's Strike Heats Up
Volume 12 Issue 7 Charges of Union Busting Macy’s Strike Heats Up by Ray O’Loughlin Firestone-Roderick told Sentinel U.S.A. The streets around Macy’s and Em- that “ There are many rumors circulating poriunkCapwell’s San Francisco stores about the issues in the strike and most were quieter this week. A court order are untrue. We are not cutting anyone’s restraining enthusiastic pickets was be benefits or anyone’s wages.” Although ing strictly enforced by the police who she could not elaborate on the details, have arrested 13 strikers so far. As the she explained Macy’s position as “ offer strike by 3300 members of Department ing another benefit package” for new Store Employees Local 1100 approached workers. its fifth week, longer than most had ex That proposal to leave present pected to be away from their jobs, employees at present benefit levels but negotiators were still far from agreeing hire new people under a system of reduc on a new 3-year contract. Worse still, ed benefits was denounced by workers following Macy’s offer of a two-tiered on Monday’s picket lines. “ They want to system of wages and benefits, many slice the union in half,” said Gunter Posner, an 11 year veteran stock clerk, AIDS Health Prelect stati (I to r) top row; Tim Sally, John Acevedo, Judy Macks; bottom row: began to fear that the real aim of the James Dllley, Ed Morales, Ernest Andrews, William Vitiello. See story page 3. stores* owners was to undermine and “At the next contract, they’re hoping the eventually get rid of the union. -
Equity Tmplate
SEPTEMBER “The greatest tragedy in life 2011 is not death; the greatest tragedy takes place when our Volume 96 talents and capabilities are Number 7 underutilized and allowed to rust while we are living.” EQUITYNEWS —Amma A Publication of Actors’ Equity Association • NEWS FOR THE THEATRE PROFESSIONAL • www.actorsequity.org • Periodicals Postage Paid at New York, NY and Additional Mailing Offices First Membership Meeting of Production Contract Negotiations Update the 2011-2012 Season he negotiations for the a presentation of their proposals. side is listening intently to what Production Contract have The afternoon of the first day the other says and a better will be held on been in full swing since was devoted to the start of understanding about positions is Monday, October 10, 2011 – Western Region (11 am) T the last week of July. The two discussions and signaled that emerging. That open dialogue Monday, October 10, 2011 – Central Region (1 pm) sides have met more than a both sides were ready to do and the examination of the Friday, October 14, 2011 – Eastern Region (2 pm) dozen times and the talks are business. issues are allowing for these The Western Regional Meeting will convene on Monday, progressing slowly through each Negotiations can be a slow negotiations to be productive. October 10, 2011 at 11 am in the Bellamy Board Room in the of the proposals. process, as each side presents Still too early (at press time) to Equity office, 6755 Hollywood Boulevard, The first session set a new their point of view or holds report specifics, it is the intent of 5th Floor, Hollywood, CA. -
Little Women, Or, Meg, Jo, Beth And
i; UNIVERSITY OF N.C. AT CHAPEL HILL llllllllili 00022092959 This BOOK may be kept out TWO WEEKS ONLY, and is subject to a fine of FIVE CENTS a day thereafter. It was taken out on the day indicated below: T^^-p,^ / ^-. V /^ ^/ .^..^•/'^^ ; / '-' itjL f They all drew to the tire, mother in the hi^r chair, with Beth at her feet; Meg and Amy perched on either arm of the chair, and Jo leaning on the back. — Page 12. LITTLE WOMEN MEG, JO, BETH AND AMY BY LOUISA M. ALCOTT ILLUSTRATED BY MAY ALCOTT BOSTON ROBERTS BROTHERS 1S69 Entered according to Act of Congress, in the year 1868, by LOUISA M. ALCOTT, In the Clerk's office of the District Court of the District of Massachusetts. Stebeotyped bt Innes & Regas, 55 Water Street, Boston. Presswork by John Wilson and Son. .-^t^^ cS, i^ '^^ZuCl-^^ Digitized by tine Internet Archive in 2011 with funding from University of North Carolina at Chapel Hill http://www.archive.org/details/littlewonienormeg01alco CONTENTS. CHAPTER I. PAGE Playing Pilgrims 7 CHAPTER II. A Merry Christmas . ' ^3 CHAPTER III. The Laurence Boy 39 CHAPTER IV. Burdens 54 CHAPTER V. Being Neighborly 71 CHAPTER VI. Beth finds the Palace Beautiful 88 CHAPTER VII. Amy's Valley of Humiliation 98 CHAPTER VIII. Jo meets Apollyon 108 CHAPTER IX. Meg goes to Vanity Fair 124 CHAPTER X. P. The C. and P. O. , 147 CHAPTER XI. Experiments 158 iv Contents. CHAPTER XII. PAGE Camp Laurence ... 174 CHAPTER XIII. Castles in the Air * 202 CHAPTER XIV. Secrets ai6 CHAPTER XV.