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Curran San Francisco Announces Cast for the Bay Area Premiere of Soft Power a Play with a Musical by David Henry Hwang and Jeanine Tesori
FOR IMMEDIATE RELEASE Curran Press Contact: Julie Richter, Charles Zukow Associates [email protected] | 415.296.0677 CURRAN SAN FRANCISCO ANNOUNCES CAST FOR THE BAY AREA PREMIERE OF SOFT POWER A PLAY WITH A MUSICAL BY DAVID HENRY HWANG AND JEANINE TESORI JUNE 20 – JULY 10, 2018 SAN FRANCISCO (March 6, 2018) – Today, Curran announced the cast of SOFT POWER, a play with a musical by David Henry Hwang (play and lyrics) and Jeanine Tesori (music and additional lyrics). SOFT POWER will make its Bay Area premiere at San Francisco’s Curran theater (445 Geary Street), June 20 – July 8, 2018. Produced by Center Theatre Group, SOFT POWER comes to Curran after its world premiere at the Ahmanson Theatre in Los Angeles from May 3 through June 10, 2018. Tickets for SOFT POWER are currently only available to #CURRAN2018 subscribers. Single tickets will be announced at a later date. With SOFT POWER, a contemporary comedy explodes into a musical fantasia in the first collaboration between two of America’s great theatre artists: Tony Award winners David Henry Hwang (M. Butterfly, Flower Drum Song) and Jeanine Tesori (Fun Home). Directed by Leigh Silverman (Violet) and choreographed by Sam Pinkleton (Natasha, Pierre, & the Great Comet of 1812), SOFT POWER rewinds our recent political history and plays it back, a century later, through the Chinese lens of a future, beloved East-meets-West musical. In the musical, a Chinese executive who is visiting America finds himself falling in love with a good-hearted U.S. leader as the power balance between their two countries shifts following the 2016 election. -
36Th Annual Lucille Lortel Awards Announcement
FOR IMMEDIATE RELEASE Press Contact: Chris Kanarick [email protected] O: 646.893.4777 THE OFF-BROADWAY LEAGUE & LUCILLE LORTEL THEATRE TO PRESENT AN ORIGINAL FILMED PROGRAM FOR THE 36TH ANNUAL LUCILLE LORTEL AWARDS SPECIAL CELEBRATION OF THE OFF-BROADWAY COMMUNITY – ON-STAGE, BEHIND THE SCENES, AND IN THE AUDIENCE – WILL PREMIERE ON SUNDAY, MAY 2, 2021 New York, NY (April 14, 2021) – In an unprecedented year without live theatre to recognize, The Off- Broadway League and the Lucille Lortel Theatre will present the 2021 Lucille Lortel Awards as a celebration of all the people who create Off-Broadway excellence. The pre-taped special will honor the writers, actors, directors, choreographers, designers, musicians, stagehands, producers, theatre staff, and the audiences who all contribute to the incomparable magic of Off-Broadway theatre. Featuring testimonials from members of the community, as well as fun facts, video footage from past awards shows, the Lucille Lortel Vault, and more, the program will premiere Sunday, May 2, at 7:00PM on www.lortelawards.org and will, as always, be a benefit for The Actors Fund. The 36th Annual Lucille Lortel Awards will feature an appearance by Bebe Neuwirth, Vice Chair, Board of Trustees, The Actors Fund, as well as Quincy Tyler Bernstine, Tracee Chimo Pallero, Edmund Donovan, Scott Elliott, Will Eno, Stephen McKinley Henderson, Bill Irwin, Francis Jue, Judy Kuhn, Grace McLean, Annette O'Toole, Larry Owens, Tonya Pinkins, Daryl Roth, Kristen Schaal, Jeremy Shamos, Susan Stroman, Jason Tam, and more; a brand-new performance choreographed by actor and dancer Reed Luplau; comedy sketches by the improv group The Foundation; a monologue by Phillip Taratula as Pam Goldberg; a musical performance by Crystal Monee Hall, Allen René Louis, and Michael McElroy; and an original song by Bobby Daye in memory of Off-Broadway community members who lost their lives this past year. -
Shakespeare on Film, Video & Stage
William Shakespeare on Film, Video and Stage Titles in bold red font with an asterisk (*) represent the crème de la crème – first choice titles in each category. These are the titles you’ll probably want to explore first. Titles in bold black font are the second- tier – outstanding films that are the next level of artistry and craftsmanship. Once you have experienced the top tier, these are where you should go next. They may not represent the highest achievement in each genre, but they are definitely a cut above the rest. Finally, the titles which are in a regular black font constitute the rest of the films within the genre. I would be the first to admit that some of these may actually be worthy of being “ranked” more highly, but it is a ridiculously subjective matter. Bibliography Shakespeare on Silent Film Robert Hamilton Ball, Theatre Arts Books, 1968. (Reissued by Routledge, 2016.) Shakespeare and the Film Roger Manvell, Praeger, 1971. Shakespeare on Film Jack J. Jorgens, Indiana University Press, 1977. Shakespeare on Television: An Anthology of Essays and Reviews J.C. Bulman, H.R. Coursen, eds., UPNE, 1988. The BBC Shakespeare Plays: Making the Televised Canon Susan Willis, The University of North Carolina Press, 1991. Shakespeare on Screen: An International Filmography and Videography Kenneth S. Rothwell, Neil Schuman Pub., 1991. Still in Movement: Shakespeare on Screen Lorne M. Buchman, Oxford University Press, 1991. Shakespeare Observed: Studies in Performance on Stage and Screen Samuel Crowl, Ohio University Press, 1992. Shakespeare and the Moving Image: The Plays on Film and Television Anthony Davies & Stanley Wells, eds., Cambridge University Press, 1994. -
Spring Preview Spring World Premiere Previewchildren’S Or Teens’ Show SAN FRANCISCO
THEATRE BAY AREA 2016 spring preview spring World Premiere previewChildren’s or Teens’ Show SAN FRANCISCO 3Girls Theatre Company 3girlstheatre.org Thick House 1695 18th St. Z Below 470 Florida St. ` 2016 Salon Reading Series (By resident & associate playwrights) Thru 6/19 ` Low Hanging Fruit (By Robin Bradford) Z Below 7/8-30 ` 2016 New Works Festival Thick House David Naughton, Abby Haug & Lucas Coleman in 42nd Street Moon's production of 8/22-28 The Boys From Syracuse. Photo: David Allen 42nd Street Moon ` The Colored Museum American Conservatory Theater (By George C. Wolfe; dirs. Velina Brown, L. 42ndstreetmoon.org act-sf.org Peter Callender, Edris Cooper-Anifowoshe Geary Theater Eureka Theatre & Michael Gene Sullivan) 415 Geary St. 215 Jackson St. Thru 3/6 Strand Theater ` The Boys from Syracuse ` Antony and Cleopatra 1127 Market St. (By R. Rodgers, G. Abbott & L. Hart; dir. (By Shakespeare; dir. Jon Tracy) Greg MacKellan) 5/6-29 ` The Realistic Joneses 3/23-4/17 (By Will Eno; dir. Loretta Greco) Geary Theater ` The Most Happy Fella AlterTheater Ensemble 3/9-4/3 altertheater.org 4/27-5/15 ACT Costume Shop ` The Unfortunates (By Frank Loesser; dir. Cindy Goldfield) 1117 Market St. (By J. Beavers, K. Diaz, C. Hurt, I. Merrigan African-American Shakespeare & R.; dir. Shana Cooper) ` Vi [working title] Strand Theater Company (By Michelle Carter) Thru 4/10 african-americanshakes.org 6/2-19 Buriel Clay Theater 762 Fulton St. All information listed comes directly from publicity information supplied to Theatre Bay Area by the producing companies. Please contact companies or venues directly with questions. -
Theatrical Reviews Section
Theatrical Reviews Soft Power. Dir. Leigh Silverman. Play and lyrics by David Henry Hwang. Perf. Francis Jue, Conrad Ricamora, and Alyse Alan Louis. Center Theatre Group (Los Angeles), 2018. Imagine a future in which the United States is no longer a global superpower but, instead, China is, and the rest of the world comes to understand American culture through highly-visualized, -verbalized, and -physicalized gestures generated by Chinese musicals. Commissioned by Los Angeles’ Center Theatre Group for their 50th anniversary season in 2018, David Henry Hwang’s Soft Power asked audiences to do just that, displacing those who are primarily used to, perhaps even unquestioningly comfortable with, the deep-seated stereotypes and assumptions that American popular culture continues to produce about Asia – if only for a few brief hours. In response to the frustrating orientalism and misappropriations found specifically in “Asian” musicals like The King and I and Miss Saigon, Hwang’s work functions as a loving critique of the broad strokes and generalities about Asian countries and cultures that Western musical theater has generated. Through a metatheatrical framing device, color-conscious casting and acting choices, and the excess and exaggeration highlighted by its set design and musical numbers, Soft Power flips the Americentric worldview upside- down to present a complex, farcical representation of America, embracing musical theatre’s form while simultaneously pushing back against the very sociocultural and political power system(s) that produce knowledges about other cultures. In a series of metatheatrical moves, a dramatized version of Hwang named DHH (Francis Jue) serves as the show’s protagonist who meets with a Chinese producer (Xue Xing, played by Conrad Ricamora) about his The Popular Culture Studies Journal, Vol. -
Black Women's Music Database
By Stephanie Y. Evans & Stephanie Shonekan Black Women’s Music Database chronicles over 600 Africana singers, songwriters, composers, and musicians from around the world. The database was created by Dr. Stephanie Evans, a professor of Black women’s studies (intellectual history) and developed in collaboration with Dr. Stephanie Shonekon, a professor of Black studies and music (ethnomusicology). Together, with support from top music scholars, the Stephanies established this project to encourage interdisciplinary research, expand creative production, facilitate community building and, most importantly, to recognize and support Black women’s creative genius. This database will be useful for music scholars and ethnomusicologists, music historians, and contemporary performers, as well as general audiences and music therapists. Music heals. The purpose of the Black Women’s Music Database research collective is to amplify voices of singers, musicians, and scholars by encouraging public appreciation, study, practice, performance, and publication, that centers Black women’s experiences, knowledge, and perspectives. This project maps leading Black women artists in multiple genres of music, including gospel, blues, classical, jazz, R & B, soul, opera, theater, rock-n-roll, disco, hip hop, salsa, Afro- beat, bossa nova, soka, and more. Study of African American music is now well established. Beginning with publications like The Music of Black Americans by Eileen Southern (1971) and African American Music by Mellonee Burnim and Portia Maultsby (2006), -
Jeanne Sakata Joel De La Fuente Lisa Rothe
PRESENTS BY Jeanne Sakata STARRING Joel de la Fuente SCENIC DESIGNER COSTUME DESIGNER LIGHTING DESIGNER SOUND DESIGNER Mikiko Suzuki MacAdams Margaret E. Weedon Cat Tate Starmer Daniel Kluger PRODUCTION STAGE MANAGER CASTING Mary K. Botosan Pat McCorkle, Katja Zarolinski, CSA BERKSHIRE PRESS REPRESENTATIVE DIGITAL ADVERTISING NATIONAL PRESS REPRESENTATIVE Charlie Siedenburg The Pekoe Group Matt Ross Public Relations DIRECTED BY Lisa Rothe SPONSORED IN PART BY Carol and Alfred Maynard & Dick Ziter and Eric Reimer Hold These Truths was first produced in 2007 by East West Players in Los Angeles, California, under the title of Dawn’s Light: The Journey of Gordon Hirabayashi. It was commissioned in 2004 by Chay Yew, former Director of the Center Theater Group’s Asian Theatre Workshop, and further developed with the Lark Play Development Center, the New York Theatre Workshop, and the Epic Theatre Ensemble. Hold These Truths received its New York Premiere at the Epic Theatre Ensemble in October 2012. ST. GERMAIN STAGE MAY 22–JUNE 8, 2019 CAST Gordon Hirabayashi ............................................................................. Joel de la Fuente* STAFF Production Stage Manager .................................................................... Mary K. Botosan* Stage Management Intern ........................................................................ Melina Yelovich Master Electrician/Light Board Operator ...................................................Joey Rainone IV Sound Engineer .............................................................................................. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title "Do It Again": Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy's Margins Permalink https://escholarship.org/uc/item/4297q61r Author Baltimore, Samuel Dworkin Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins A dissertation submitted in partial satisfaction of the requirements for the degree Doctor of Philosophy in Musicology by Samuel Dworkin Baltimore 2013 ABSTRACT OF THE DISSERTATION “Do It Again”: Comic Repetition, Participatory Reception and Gendered Identity on Musical Comedy’s Margins by Samuel Dworkin Baltimore Doctor of Philosophy in Musicology University of California, Los Angeles, 2013 Professor Raymond Knapp, Chair This dissertation examines the ways that various subcultural audiences define themselves through repeated interaction with musical comedy. By foregrounding the role of the audience in creating meaning and by minimizing the “show” as a coherent work, I reconnect musicals to their roots in comedy by way of Mikhail Bakhtin’s theories of carnival and reduced laughter. The audiences I study are kids, queers, and collectors, an alliterative set of people whose gender identities and expressions all depart from or fall outside of the normative binary. Focusing on these audiences, whose musical comedy fandom is widely acknowledged but little studied, I follow Raymond Knapp and Stacy Wolf to demonstrate that musical comedy provides a forum for identity formation especially for these problematically gendered audiences. ii The dissertation of Samuel Dworkin Baltimore is approved. -
Artistas Começados Com a Letra "T" Não Encontrou O Artista Desejado? Oi Velox Internet 9.378 Artistas Envie Uma Letra De Música Dele! Internet Com Alta Velocidade
13/04/13 Listagem de artistas - letra T CIFRA CLUB PALCO MP3 FÓRUM NOTÍCIAS AUDIOWARE GUITAR BATTLE FORME SUA BANDA Entrar Músicas Artistas Estilos Musicais Playlists Promoções Destaques Mais O que você quer ouvir? buscar página inicial t artistas começados com a letra "T" Não encontrou o artista desejado? Oi Velox Internet 9.378 artistas Envie uma letra de música dele! Internet com Alta Velocidade. Planos de Até 15 Mega. Aproveite! oi.com.br/OiVelox ordem alfabética mais acessados adicionados recentemente busque por artistas na letra T Utilize o Gmail O Gmail é prático e divertido. Experimente! As Tall As Lions The Bride The Rednecks Tô de Boa É fácil e gratuito. Mail.Google.com As Tandinhas & Imagem.com The Bride Wore Black The Reds Tô De Tôka As Tchutchucas The Bridges The Redskins To Destination As Tequileiras The Briefs The Redwalls To Die For Curtir 4,1 milhões As Tequileiras do Funk The Briggs The Reepz To Dream of Autumn As The Blood Spills The Brighams The Reflection To Each His Own Seguir @letras As The Plot Thickens The Bright Light Social Hour The Refreshments To Elysium As the Sea Parts The Bright Road The Refugees To Fly As The Sky Falls The Bright Side The Regents To Have Heroes As The Sun Sets The Bright Star Alliance The Reign Of Kindo To Heart As The World Fades The Brightlife The Reindeer Section To Kill As They Burn The Brightwings The rej3ctz To Kill Achilles As They Sleep The Brilliant Green The Relationship Tó Leal As Tigresas The Brilliant Things The Relay Company To Leave A Trace As Tigresas do Funk The Brinners -
THE REST I MAKE up a Film by Michelle Memran
Documentary Feature US, 2018, 79 minutes, Color, English www.wmm.com THE REST I MAKE UP A film by Michelle Memran The visionary Cuban-American dramatist and educator Maria Irene Fornes spent her career constructing astonishing worlds onstage and teaching countless students how to connect with their imaginations. When she gradually stops writing due to dementia, an unexpected friendship with filmmaker Michelle Memran reignites her spontaneous creative spirit and triggers a decade-long collaboration that picks up where the pen left off. The duo travels from New York to Havana, Miami to Seattle, exploring the playwright's remembered past and their shared present. Theater luminaries such as Edward Albee, Ellen Stewart, Lanford Wilson, and others weigh in on Fornes’s important contributions. What began as an accidental collaboration becomes a story of love, creativity, and connection that persists even in the face of forgetting. WINNER! Audience Award, Best Documentary: Frameline Film Festival 2018 WINNER! Jury Award for Best Documentary, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! AARP Silver Image Award, Reeling: Chicago LGBTQ+ Int’l Film Festival WINNER! Jury Award for Best Documentary, OUTshine Film Festival Special Mention, Queer Porto 4 - International Queer Film Festival One of the “Best Movies of 2018” Richard Brody, THE NEW YORKER "A lyrical and lovingly made documentary." THE NEW YORK TIMES "Intimate and exhilarating...Fornes exerts a hypnotic force of stardom, while her offhanded yet urgent remarks resound with life-tested literary authority. " THE NEW YORKER "A story of spontaneity, creativity, genius and madness. It showcases the life, inspiration and virtuosity of Fornes." MIAMI HERALD "A tender exploration of Fornes’ life and the meaning of memory." CONDÉ NAST’S THEM "Fabulous. -
Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television
Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television A Thesis Submitted to School of Geography, Politics, and Sociology For the Degree of Doctor of Philosophy Cheng Qian September, 2019 !i Negotiating Images of the Chinese: Representations of Contemporary Chinese and Chinese Americans on US Television ABSTRACT China's rise has led to increased interest in the representation of Chinese culture and identity, espe- cially in Western popular culture. While Chinese and Chinese American characters are increasingly found in television and films, the literature on their media representation, especially in television dramas is limited. Most studies tend to focus on audience reception with little concentration on a show's substantive content or style. This thesis helps to fill the gap by exploring how Chinese and Chinese American characters are portrayed and how these portrayals effect audiences' attitude from both an in-group and out-group perspective. The thesis focuses on four popular US based television dramas aired between 2010 to 2018. Drawing on stereotype and stereotyping theories, applying visual analysis and critical discourse analysis, this thesis explores the main stereotypes of the Chinese, dhow they are presented, and their impact. I focus on the themes of enemies, model minor- ity, female representations, and the accepted others. Based on the idea that the media can both con- struct and reflect the beliefs and ideologies of a society I ask how representational practice and dis- cursive formations signify difference and 'otherness' in relation to Chinese and Chinese Americans. I argue that while there has been progress in the representation of Chinese and Chinese Americans, they are still underrepresented on the screen. -
Haunted Happenings 451 DELAWARE AVE DELMAR NY 12054-3042 Events Around the Capital District Give Residents Goosebumjjs 1",11
,--'-LJI '--~-'L~'" PU8UC UBRARY INf\I\ Nor C'~f'\'"!i\,-,UU\I' ATE ',,'''.1;! ..• __·_· .... _··FIRM f2t)5.f JSlI,} J(}..08-200l1 BETHLEHEMPUBLIC LIBRARY Haunted happenings 451 DELAWARE AVE DELMAR NY 12054-3042 Events around the Capital District give residents goosebumjJs 1",11 .. 1.11\ .... 1.1 .. 1.. 1•• 11.11 .... 1.. 1.. 1.11.1 .. 1 See Page 21 Area News Serving the Towns of Bethlehem &.New Scotland Cunningham seeks first . Grady runs for supervisor Elections full term as supervisor Candidate says business dence Party, the Republicans Tuesday, Nov. 6 is Election Technology and 'smart' as Albany County executive, and . background can help have endorsed him as their su Day, For more coverage, see Cunningham, after a three-year run pervisor candidate. pages 3 and 14. growth are key issues as Albany County legislator, will with town's bottom line Grady considers himself a bottom-line man, and believes in campaign attempt to win election to his first full two-year term as Bethlehem that's the talent he can best By KATHERINE McCARTHY bring to town government. supervisor on the Democratic and mccarthyk@spotlightnews:com By JIM CUOZZO Independence party lines. "As a businessman, I was re [email protected] "It .had been. my intention at Jim Grady is passionate sponsible for 'X' amount of dol some point to run for this office," about the town of Bethlehem. lars, and I'd have to make the Jack Cunningham's introduction numbers work,'~ Grady said. "I to came in his Bethlehem said Cunningham, who was appoint· So passionate that the 44- ed to the position by the Bethlehem year-old native is making a run had to make the bottom line years when he worked happen.