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Brooklyn Youth Chorus Is a Grammy Award-Winning Ensemble and Training Program Led by Visionary Founder & Artistic Director Dianne Berkun Menaker
GET TO KNOW Brooklyn Youth Chorus is a Grammy Award-winning ensemble and training program led by visionary Founder & Artistic Director Dianne Berkun Menaker. HIGHLIGHTS Founded in 1992, the Chorus is in its 28th season. Strong reputation as an arts producer, developing and premiering Training Programs serve over 700 students, several original grades 2-12, from all five boroughs of NYC. productions. Top students participate in performance The Chorus is an active commissioner of new ensembles and experience ongoing professional music, with over 120 original works premiered. performance opportunities. Financial aid is offered to over 30% of enrolled Among others, the ensembles have performed students. No student is turned away due to financial need. with the New York Philharmonic, Barbra Streisand, and David Byrne; recorded with The 100% of Chorus students go on to college upon National and Bon Iver; and were featured by graduating. Chanel, rag & bone, and Beyoncé and Jay-Z. MUSIC EDUCATION VOCAL PERFORMANCE Our training programs serve students from all five Our ensembles have performed with the New York boroughs of NYC, representing 70 zip codes and Philharmonic, The National, David Byrne, Barbra 185 schools. We offer programs in multiple Brooklyn Streisand, Arcade Fire, Sir Elton John, Philip Glass, neighborhoods for greater accessibility. And to ensure among others. The Chorus has commissioned new works access to all students regardless of background or by composers such as Caroline Shaw, Toshi Reagon, economic circumstances, the Chorus provides broad Bryce Dessner, and Nico Muhly. Recordings of the financial support for both chorus and elective music Chorus have been featured in various media, including program tuition. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Highly Anticipated Non-Profit Music Venue in Williamsburg, Brooklyn, Announces Opening, Curators, Programming Details and a New Name
For Immediate Release May 8, 2015 Press Contacts: Blake Zidell, John Wyszniewski and Ron Gaskill at Blake Zidell & Associates: 718.643.9052, [email protected], [email protected], [email protected]. HIGHLY ANTICIPATED NON-PROFIT MUSIC VENUE IN WILLIAMSBURG, BROOKLYN, ANNOUNCES OPENING, CURATORS, PROGRAMMING DETAILS AND A NEW NAME Beginning in October, National Sawdust (Formerly Original Music Workshop) Will Provide Composers and Musicians a State-of-the-Art Home for the Creation of New Work and Will Give Audiences and a Place to Discover Genre-Spanning Music at Accessible Ticket Prices Curators to Include Composers Anna Clyne, Bryce Dessner, David T. Little and Nico Muhly; Pianists Simone Dinnerstein and Anne Marie McDermott; Vocalists Helga Davis, Theo Bleckmann and Magos Herrera; and Violinists Miranda Cuckson and Tim Fain Groups and Artists in Residence to Include Brooklyn Rider, Glenn Kotche (Wilco), Alicia Hall Moran and Zimbabwe’s Netsayi Venue Partners and Collaborators Range from Carnegie Hall's Weill Music Institute and the New York Philharmonic’s CONTACT! to Stanford University and Williamsburg-Based El Puente Center for Arts and Culture National Sawdust +, Created by Elena Park, Will Include National Sawdust Talks as well as Performance Series that Offer Leading Directors and Writers, from Richard Eyre to Michael Mayer, a Platform to Share Their Musical Passions Opening Concerts in October to Feature Terry Riley, John Zorn, Roomful of Teeth, Nico Muhly, Bryce Dessner, Fence Bower Jon Rose, Throat Singer Tanya Tagaq and Others Brooklyn, NY (May 7, 2015) - The non-profit National Sawdust, formerly known as Original Music Workshop, is pleased to announce that its highly anticipated, state-of-the-art, Williamsburg, Brooklyn venue will open this fall. -
TRIPTYCH ) (EYES of ONE on ANOTHER Composed by Bryce Dessner
Friday Evening, March 15, 2019 at 8:00 Saturday Evening, March 16, 2019 at 8:00 Power Center Ann Arbor TRIPTYCH (EYES OF ONE ON ANOTHER) Composed by Bryce Dessner Libretto by Korde Arrington Tuttle Featuring Words by Essex Hemphill & Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Music Direction and Conducting by Brad Wells World Premiere and UMS Co-Commission 38th and 39th Performances of the 140th Annual Season Theater Series This weekend’s performances are supported by Level X Talent. This weekend’s performances are funded in part by The Wallace Foundation. Produced in residency with and commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel, music and artistic director. Triptych (Eyes of One on Another) was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Wexner Center for the Arts, Ohio State University, Columbus, OH; the Momentary, Bentonville, AR; Celebrity Series, Boston, MA; and developed in residency with MassMOCA, North Adams, MA. Media partnership provided by WEMU 89.1 FM, Between the Lines, and Metro Times. Special thanks to Chrisstina Hamilton and the Penny Stamps Distinguished Speaker Series, Joel Howell, Amanda Krugliak and the LSA Institute for the Humanities, and Richard Meyer for their participation in events surrounding this weekend’s performances. -
2019–20 Season #Here @Herearts
2019–20 SEASON #HERE @HEREARTS Welcome! Thank you for coming to Lacy Rose & Her Starling Quartet, a SubletSeries@HERE: Co-Op presentation. This program provides artists with discounted space and equipment, as well as technical support. HERE also supports the work of artists at all stages in their careers through our HERE Artist Residency Program (HARP), which develops and produces the work of our 10-13 resident artists, and Visiting Artist presentations for adult and family audiences. Please check out our other performances and events at HERE.org. Like all the work at HERE, this SubletSeries: Co-Op presentation was curated based on the strength and uniqueness of the artist’s vision. We hope to see you HERE again soon. Best, COMING SOON KRISTIN MARTING HERE RAW / Resident Artist Works Founding Artistic Director FEB 23–MAR 1 HERE SUPPORT HERE is extremely grateful for the support and encouragement of an important group of Foundations, Corporations, Government Agencies, Elected Officials, and dedicated individuals. We would not be HERE without them. GOVERNMENT SUPPORT HERE’S programming is made possible with Public Funds from: National Endowment for the Arts; New York State Council on the Arts, with the support of Governor Andrew Cuomo and the New York State Legislature; New York City Department of Cultural Affairs in partnership with the City Council, Office of the Mayor of New York, and Speaker Corey Johnson; The Office of Manhattan Borough President Gale Brewer; and New York State Assembly Member Deborah J. Glick. We are extremely grateful for the support and advocacy of all of our dedicated elected officials: Senator Charles E. -
Social Distancing and Somerville's Current State of Emergency
VOL. 8 NO. 12 SOMERVILLE, MASS. WEDNESDAY, MARCH 18, 2020 TWENTY-FIVE CENTS Inside: Social distancing and Somerville's current state of emergency By Jim Clark As the world at large grapples with the corona- virus emergency, our own local efforts at quell- ing the advance of the deadly illness has taken shape as the city's leadership steps up and issues its calls to action. It has been an almost daily drama, with up- dated directives and advisories overtaking those issued in some cases only hours earlier. We can't go On Friday of last week, Mayor Joseph Curta- back tone issued the following statement: page 3 "The news regarding the COVID-19 has been developing rapidly. I wanted to take this mo- ment to personally update you on Somerville’s actions to curtail the spread of the virus." "The disease officially has been classified as a global pandemic by the World Health Or- ganization. It’s important that we all take this A sign of the times. Social distancing is the new norm. — Photo by Doug Holder public health emergency Continued on page 4 Fun rainy day tips for families On rainy days, it can be tempting to hand chil- dren devices and let them fall down a YouTube rabbit hole. After all, there can be a lot of hours Meet the new to fill when the weather isn’t cooperating with Councilor your weekend plans. page 5 There are better ways to spend those rainy days. With a little creativity, rainy days can be opportunities for fun and educational play. -
The Cocktail Issue Welcome to the April Issue of Our Magazine
The Cocktail Issue Welcome to the April issue of our magazine. Having spent December pub-crawling, Janu- index ary and February bringing you the low-down on the best overall venues in the city, and March comparing Asian and Mediterranean cuisine, 2night’s been pretty active in the last few months. So what better way to unwind 04 than with a creative concoction of well-mixed Special Feature - Mixing it up A roundup of the city’s top spirits? Mixing business with pleasure, we’ve places for cocktails. put together a list of 30 great cocktail bars to relax in. In addition to that, we’re previewing the major films coming out this month – there are some real winners, and some serious post-Oscar stinkers – and have an interview 11 with Niall Holohan of Readers Wives, a Dublin Competitions Win concert tickets indie band generating serious buzz. And if and meals out with 2night! you fancy free stuff, we’ve got that too: turn to page 11 for a chance to go to the Tripod after-show party of the Black Eyed Peas, Shakespears Sister’s long-awaited comeback at The Button Factory, the magnificently 12 misanthropic Mark E. Smith and The Fall, and Music - The Naturals Oxford indie sensations Stornoway. 2night chats to Niall Holohan, Between those attractions, our regular round- lead singer of Readers Wives up of the best events in Dublin this April, and the hundreds of venues we’ve scouted out in the ‘Best of Dublin’ section at the back, we hope you’ll find this issue as tasty as we do. -
Diskurzivní Analýza Crowdfundingové Kampaně Amandy Palmer
Masarykova univerzita Filozofická fakulta Ústav hudební vědy Teorie interaktivních médií Filip Šťastný Diskurzivní analýza crowdfundingové kampaně Amandy Palmer Bakalářská práce Vedoucí práce: Mgr. Viktor Pantůček, Ph.D. 2019 Čestně prohlašuji, že jsem tuto bakalářskou práci vypracoval samostatně s využitím uvedených pramenů a literatury. …………….…………. Filip Šťastný V Brně dne 5. 5. 2019 Na tomto místě bych rád poděkoval vedoucímu práce Mgr. Viktorovi Pantůčkovi, Ph.D. za odborné a organizační vedení při zpracování této práce. Anotace Bakalářská práce „Diskurzivní analýza crowdfundingové kampaně Amandy Palmer“ popisuje crowdfundingové působení umělkyně Amandy Palmer od její kickstarterové kampaně po současné využívání platformy Patreon. První část práce obsahuje úvod do prostředí, které kolem sebe tato umělkyně vytváří. Dále se práce dotýká problematiky crowdfundingu obecně. Ve druhé části je nahlíženo na crowdfundingovou kampaň z různých perspektiv. Cílem této práce je ověřit hypotézu, která říká, že se crowdfunding dá využít a chápat i v jiných rovinách než jen jako prostředek pro výběr financí. Práce dále nahlíží na crowdfunding z různých diskurzů. Ve výsledku by tedy měla vzniknout širší škála vhledů, které mohou čtenáři pomoci s chápáním tohoto fenoménu. Klíčová slova Crowdfunding, crowdfundingová kampaň, Amanda Palmer, diskurzivní analýza, financování, marketing, komunita, participativní umění, nová média, hudební průmysl Annotation This bachelor thesis titled „Discourse analysis of Amanda Palmer's crowdfunding campaign“ describes crowdfunding activities of Amanda Palmer since her Kickstarter campaign up to her use of the Patreon platform. First part of the thesis contains an introduction to the environment around the singer. Next it touches on the problematics of crowdfunding in general. In the second part we observe the crowdfunding campaign from various perspectives. -
May 23–June 11, 2016
FOR RELEASE: March 8, 2016 PROGRAM UPDATES AND Contact: Katherine E. Johnson NEW EVENTS ADDED (212) 875-5718; [email protected] UPDATED May 25, 2016 May 23–June 11, 2016 THREE-WEEK EXPLORATION OF TODAY’S MUSIC PRESENTED BY THE NEW YORK PHILHARMONIC AND TWELVE PARTNERS IN EIGHT VENUES THROUGHOUT NEW YORK CITY NEWLY ADDED: Insights Series: Free NY PHIL BIENNIAL Preview Night with Alan Gilbert, May 11 at David Rubenstein Atrium NY PHIL BIENNIAL Play Dates: Post-Concert Meet-Ups with Composers and Artists #biennialist Social Media Contest Programs for New York City Electroacoustic Music Festival with Works by More Than 30 Composers June 5–7, 2016, at National Sawdust BOULEZ’s Messagesquisse and STUCKY’s Second Concerto for Orchestra Added to Finale Program with Alan Gilbert and the New York Philharmonic In Tribute to the Late Composers June 11 at David Geffen Hall From May 23 to June 11, 2016, the New York Philharmonic and Music Director Alan Gilbert will present the second NY PHIL BIENNIAL, a wide-ranging exploration of today’s music by an array of contemporary and modern composers. A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and in venues throughout the city. The 2016 NY PHIL BIENNIAL will feature works by more than 100 composers, more than half of whom are American, spanning in age and experience from students to iconic legends. Reflecting the Philharmonic’s growing collaborations with music education organizations from New York City to Asia, in the second NY PHIL BIENNIAL the Philharmonic will present new-music programs from some of the country’s top music schools, ranging from high school to university levels, and youth choruses from the East and West Coasts. -
National Sawdust Is a High Tech Music Incubator for Emerging Artists Our Mission Is to Support the Next Generation of Musicians & Composers
National Sawdust is a high tech music incubator for emerging artists Our mission is to support the next generation of musicians & composers National Sawdust is a non profit organization that provides outstanding resources and programmatic support to both emerging and established artists & composers. Centered upon discovery our programming introduces audiences to new artists and introduces artists to new audiences. An incubator for new music, we provide artists the space, time, and resources they need to create their art. National Sawdust is housed within a preserved century- old sawdust factory in Williamsburg, Brooklyn. Venue Design Our venue is a flexible concert hall, recording studio and rehearsal room that provides the highest-quality experience of both un-amplified and amplified music. A stunning visual design works together with cutting-edge acoustic engineering to provide unmatched visual and auditory experiences for audiences and artists alike. Tech Specifications National Sawdust is a proud partner of Meyer Sound. MEYER SOUND CONSTELLATION® Constellation is an integrated system of loudspeakers, microphones, and algorithmic digital signal processing allowing the acoustical properties of the hall to be altered to suit the nature of the event taking place, SPATIAL AUDIO National Sawdust’s Constellation system is hosted on Meyer Sound’s D-Mitri® platform, allowing spatial audio and multichannel surround sound designs to be mapped and played through the Constellation loudspeakers via Meyer SpaceMap®. Programming Highlights Terrace -
Ecstatic Music Festival 2012 Sxip Shirey and Angélica Negrón
Merkin Concert Hall Tuesday, February 7, 2012 at 7:30 pm Kaufman Center presents Ecstatic Music Festival 2012 Sxip Shirey and Angélica Negrón With Special Guests Todd Reynolds, Noveller, Jonny Rodgers and Face the Music, Jenny Undercofler, director ANGÉLICA NEGRÓN/JONNY RODGERS Fluorescente by Angélica Negrón SXIP SHIREY Trains ANGÉLICA NEGRÓN and SXIP SHIREY Asa Nisi Masa TODD REYNOLDS Transamerica FACE THE MUSIC El Gran Caleidoscopio by Angélica Negrón Intermission SXIP SHIREY and TODD REYNOLDS I Live in New York City NOVELLER Before the After NOVELLER and ANGÉLICA NEGRÓN At Dusk JONNY RODGERS/TODD REYNOLDS Spero/Sparrow by Johnny Rodgers SXIP SHIREY/ANGÉLICA NEGRÓN Our Worst Tendencies About the Artists Composer and multi-instrumentalist Angélica Negrón was born in San Juan, Puerto Rico in 1981 and is currently based in Brooklyn, New York. Interested in creating intricate yet simple narratives that evoke intangible moments in time, she writes music for accordions, voices, toys and electronics as well as chamber ensembles and orchestras. Angélica received an early education in piano and violin at the Conservatory of Music of Puerto Rico where she later studied composition. Her music has been performed by janus trio, Cadillac Moon Ensemble, TRANSIT Ensemble, Iktus Percussion Quartet, NYU Symphony Orchestra, the Puerto Rico Symphony Orchestra and Cantori NY (MATA Festival 2011), among others. She holds a master’s degree in music composition from New York University and is currently pursuing a doctorate in music composition at The Graduate Center (CUNY), where she studies with Tania León. Angélica has released several albums with the indie electronic group Balún and ambient chamber ensemble Arturo en el Barco, and co-founded in 2011 the Spanish immersion music program for young children ¡Acopladitos!. -
Triptych (Eyes of One on Another)
2019 Winter/Spring Season Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs Triptych (Eyes of One on Another) Composed by Bryce Dessner Libretto by Korde Arrington Tuttle featuring words by Essex Hemphill & Patti Smith Directed by Kaneza Schaal BAM Howard Gilman Opera House Jun 6—8 at 7:30pm Running time: approx. one hour & 10 minutes, no intermission Featuring Roomful of Teeth with Alicia Hall Moran & Isaiah Robinson Associate director Lilleth Glimcher Music direction & conducting by Brad Wells Set and costume design by Carlos Soto Lighting design by Yuki Nakase Video by Simon Harding Produced by ArKtype / Thomas O. Kriegsmann in cooperation with The Robert Mapplethorpe Foundation 2019 Winter/Spring is programmed by Joseph V. Melillo. Season Sponsor: Major support for the presentation of New York City artists provided by the Rockefeller Brothers Fund’s Charles E. Culpeper Arts and Culture Program Support for the Signature Artists Series provided by the Howard Gilman Foundation Triptych (Eyes of One on Another) Photo: Maria Baranova Contributing choreographer & performer Martell Ruffin Sound design by Damon Lange & Dylan Goodhue / nomadsound.net Production management William Knapp Dramaturgy by Talvin Wilks & Christopher Myers Managing producer ArKtype, J.J. El-Far Associate music director William Brittelle Associate lighting designer Valentina Migoulia Associate video designer Moe Shahrooz Production stage manager