National Sawdust Is a High Tech Music Incubator for Emerging Artists Our Mission Is to Support the Next Generation of Musicians & Composers
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Brooklyn Youth Chorus Is a Grammy Award-Winning Ensemble and Training Program Led by Visionary Founder & Artistic Director Dianne Berkun Menaker
GET TO KNOW Brooklyn Youth Chorus is a Grammy Award-winning ensemble and training program led by visionary Founder & Artistic Director Dianne Berkun Menaker. HIGHLIGHTS Founded in 1992, the Chorus is in its 28th season. Strong reputation as an arts producer, developing and premiering Training Programs serve over 700 students, several original grades 2-12, from all five boroughs of NYC. productions. Top students participate in performance The Chorus is an active commissioner of new ensembles and experience ongoing professional music, with over 120 original works premiered. performance opportunities. Financial aid is offered to over 30% of enrolled Among others, the ensembles have performed students. No student is turned away due to financial need. with the New York Philharmonic, Barbra Streisand, and David Byrne; recorded with The 100% of Chorus students go on to college upon National and Bon Iver; and were featured by graduating. Chanel, rag & bone, and Beyoncé and Jay-Z. MUSIC EDUCATION VOCAL PERFORMANCE Our training programs serve students from all five Our ensembles have performed with the New York boroughs of NYC, representing 70 zip codes and Philharmonic, The National, David Byrne, Barbra 185 schools. We offer programs in multiple Brooklyn Streisand, Arcade Fire, Sir Elton John, Philip Glass, neighborhoods for greater accessibility. And to ensure among others. The Chorus has commissioned new works access to all students regardless of background or by composers such as Caroline Shaw, Toshi Reagon, economic circumstances, the Chorus provides broad Bryce Dessner, and Nico Muhly. Recordings of the financial support for both chorus and elective music Chorus have been featured in various media, including program tuition. -
2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Highly Anticipated Non-Profit Music Venue in Williamsburg, Brooklyn, Announces Opening, Curators, Programming Details and a New Name
For Immediate Release May 8, 2015 Press Contacts: Blake Zidell, John Wyszniewski and Ron Gaskill at Blake Zidell & Associates: 718.643.9052, [email protected], [email protected], [email protected]. HIGHLY ANTICIPATED NON-PROFIT MUSIC VENUE IN WILLIAMSBURG, BROOKLYN, ANNOUNCES OPENING, CURATORS, PROGRAMMING DETAILS AND A NEW NAME Beginning in October, National Sawdust (Formerly Original Music Workshop) Will Provide Composers and Musicians a State-of-the-Art Home for the Creation of New Work and Will Give Audiences and a Place to Discover Genre-Spanning Music at Accessible Ticket Prices Curators to Include Composers Anna Clyne, Bryce Dessner, David T. Little and Nico Muhly; Pianists Simone Dinnerstein and Anne Marie McDermott; Vocalists Helga Davis, Theo Bleckmann and Magos Herrera; and Violinists Miranda Cuckson and Tim Fain Groups and Artists in Residence to Include Brooklyn Rider, Glenn Kotche (Wilco), Alicia Hall Moran and Zimbabwe’s Netsayi Venue Partners and Collaborators Range from Carnegie Hall's Weill Music Institute and the New York Philharmonic’s CONTACT! to Stanford University and Williamsburg-Based El Puente Center for Arts and Culture National Sawdust +, Created by Elena Park, Will Include National Sawdust Talks as well as Performance Series that Offer Leading Directors and Writers, from Richard Eyre to Michael Mayer, a Platform to Share Their Musical Passions Opening Concerts in October to Feature Terry Riley, John Zorn, Roomful of Teeth, Nico Muhly, Bryce Dessner, Fence Bower Jon Rose, Throat Singer Tanya Tagaq and Others Brooklyn, NY (May 7, 2015) - The non-profit National Sawdust, formerly known as Original Music Workshop, is pleased to announce that its highly anticipated, state-of-the-art, Williamsburg, Brooklyn venue will open this fall. -
TRIPTYCH ) (EYES of ONE on ANOTHER Composed by Bryce Dessner
Friday Evening, March 15, 2019 at 8:00 Saturday Evening, March 16, 2019 at 8:00 Power Center Ann Arbor TRIPTYCH (EYES OF ONE ON ANOTHER) Composed by Bryce Dessner Libretto by Korde Arrington Tuttle Featuring Words by Essex Hemphill & Patti Smith Directed by Kaneza Schaal Featuring Roomful of Teeth with Alicia Hall Moran and Isaiah Robinson Music Direction and Conducting by Brad Wells World Premiere and UMS Co-Commission 38th and 39th Performances of the 140th Annual Season Theater Series This weekend’s performances are supported by Level X Talent. This weekend’s performances are funded in part by The Wallace Foundation. Produced in residency with and commissioned by University Musical Society, University of Michigan, Ann Arbor, MI. Co-produced by Los Angeles Philharmonic, Gustavo Dudamel, music and artistic director. Triptych (Eyes of One on Another) was co-commissioned by BAM; Luminato Festival, Toronto, Canada; Stavros Niarchos Foundation Cultural Center, Athens, Greece; Cincinnati Opera, Cincinnati, OH; Cal Performances, UC Berkeley, Berkeley, CA; Stanford Live, Stanford University, Stanford, CA; Adelaide Festival, Australia; John F. Kennedy Center for the Performing Arts for performance as part of DirectCurrent 2019; ArtsEmerson: World on Stage, Emerson College, Boston, MA; Texas Performing Arts, University of Texas at Austin, Austin, TX; Holland Festival, Amsterdam; Wexner Center for the Arts, Ohio State University, Columbus, OH; the Momentary, Bentonville, AR; Celebrity Series, Boston, MA; and developed in residency with MassMOCA, North Adams, MA. Media partnership provided by WEMU 89.1 FM, Between the Lines, and Metro Times. Special thanks to Chrisstina Hamilton and the Penny Stamps Distinguished Speaker Series, Joel Howell, Amanda Krugliak and the LSA Institute for the Humanities, and Richard Meyer for their participation in events surrounding this weekend’s performances. -
May 23–June 11, 2016
FOR RELEASE: March 8, 2016 PROGRAM UPDATES AND Contact: Katherine E. Johnson NEW EVENTS ADDED (212) 875-5718; [email protected] UPDATED May 25, 2016 May 23–June 11, 2016 THREE-WEEK EXPLORATION OF TODAY’S MUSIC PRESENTED BY THE NEW YORK PHILHARMONIC AND TWELVE PARTNERS IN EIGHT VENUES THROUGHOUT NEW YORK CITY NEWLY ADDED: Insights Series: Free NY PHIL BIENNIAL Preview Night with Alan Gilbert, May 11 at David Rubenstein Atrium NY PHIL BIENNIAL Play Dates: Post-Concert Meet-Ups with Composers and Artists #biennialist Social Media Contest Programs for New York City Electroacoustic Music Festival with Works by More Than 30 Composers June 5–7, 2016, at National Sawdust BOULEZ’s Messagesquisse and STUCKY’s Second Concerto for Orchestra Added to Finale Program with Alan Gilbert and the New York Philharmonic In Tribute to the Late Composers June 11 at David Geffen Hall From May 23 to June 11, 2016, the New York Philharmonic and Music Director Alan Gilbert will present the second NY PHIL BIENNIAL, a wide-ranging exploration of today’s music by an array of contemporary and modern composers. A flagship project of the New York Philharmonic, the NY PHIL BIENNIAL brings together an international roster of composers, performers, and curatorial voices for concerts presented both on the Lincoln Center campus and in venues throughout the city. The 2016 NY PHIL BIENNIAL will feature works by more than 100 composers, more than half of whom are American, spanning in age and experience from students to iconic legends. Reflecting the Philharmonic’s growing collaborations with music education organizations from New York City to Asia, in the second NY PHIL BIENNIAL the Philharmonic will present new-music programs from some of the country’s top music schools, ranging from high school to university levels, and youth choruses from the East and West Coasts. -
Triptych (Eyes of One on Another)
2019 Winter/Spring Season Brooklyn Academy of Music Adam E. Max, BAM Board Chair Katy Clark, President William I. Campbell and Nora Ann Wallace, David Binder, Artistic Director BAM Board Vice Chairs Triptych (Eyes of One on Another) Composed by Bryce Dessner Libretto by Korde Arrington Tuttle featuring words by Essex Hemphill & Patti Smith Directed by Kaneza Schaal BAM Howard Gilman Opera House Jun 6—8 at 7:30pm Running time: approx. one hour & 10 minutes, no intermission Featuring Roomful of Teeth with Alicia Hall Moran & Isaiah Robinson Associate director Lilleth Glimcher Music direction & conducting by Brad Wells Set and costume design by Carlos Soto Lighting design by Yuki Nakase Video by Simon Harding Produced by ArKtype / Thomas O. Kriegsmann in cooperation with The Robert Mapplethorpe Foundation 2019 Winter/Spring is programmed by Joseph V. Melillo. Season Sponsor: Major support for the presentation of New York City artists provided by the Rockefeller Brothers Fund’s Charles E. Culpeper Arts and Culture Program Support for the Signature Artists Series provided by the Howard Gilman Foundation Triptych (Eyes of One on Another) Photo: Maria Baranova Contributing choreographer & performer Martell Ruffin Sound design by Damon Lange & Dylan Goodhue / nomadsound.net Production management William Knapp Dramaturgy by Talvin Wilks & Christopher Myers Managing producer ArKtype, J.J. El-Far Associate music director William Brittelle Associate lighting designer Valentina Migoulia Associate video designer Moe Shahrooz Production stage manager -
Newspeak for Nearly a Decade
A Note from the Curator... Mar. 2013), Requiem 21.5: Violin Concerto, commissioned by Symphony Nova Scotia David T Little Presents: (2012) and Amplify, Multiply, Remix and Redfine: in memory of Les Paul (for 21 electric Tim Brady’s Symphony #3, Atacama, draws its inspiration from a book of poems by guitars & orchestra), commissioned for the 2010 Winnipeg Symphony Orchestra New Chilean-born poet Elias Letelier—a text that evokes the political terror of the Pinochet era Music Festival. His most recent international success was the June 2010 production of in Chile. Given America’s role in Pinochet’s rise to power, it felt vital to bring the work here, excerpts from 24 Frames – Trance at the Bang on a Can Marathon in New York City, as as we continue to examine our role in the world. I believe it to be an important new work, well as a 6-city East Coast US tour in September 2012. and I am very happy to share it with you all in its US Premiere. Brady regularly tours North America, Europe, Asia and Australia as an electric guitar Many years ago, when I first heard Tim Brady’s Revolutionary Songs, I knew it was only a soloist, performing his own music as well as new works which he commissions from matter of time before we would do something together. He has his own amplified other composers in his effort to create a new voice for the electric guitar. He has ensemble, Bradyworks, and I’ve lead Newspeak for nearly a decade. Tim’s work often performed at many leading venues including The South Bank Centre and the ICA engages political topics; I do the same in my own works and with Newspeak. -
SOUND from the BENCH Music by Ted Hearne Conducted by Donald Nally
SOUND FROM THE BENCH Music by Ted Hearne conducted by Donald Nally Performed by The Crossing Katy Avery Michael Jones Jessica Beebe Heather Kayan Karen Blanchard Mark Laseter Steven Bradshaw Chelsea Lyons Colin Dill Maren Montalbano Micah Dingler Rebecca Myers Robert Eisentrout Becky Oehlers Allie Faulkner Daniel Schwartz Ryan Fleming Rebecca Siler Joanna Gates Daniel Spratlan Dimitri German Elisa Sutherland Steven Hyder Jason Weisinger with instrumentalists Taylor Levine, electric guitar James Moore, electric guitar Ron Wiltrout, drums/percussion lighting design by Ian King sound design by Garth MacAleavey text for Sound from the Bench by Jena Osman produced by Beth Morrison Morrison Projects creative producer Beth Morrison general manager Jecca Barry production manager James Fry associate producer Mariel O’Connell company manager Liene Camarena Fogele Produced in association with The Crossing Special Thanks to Frederick Morrsion and Catherine Lord Sound from the Bench, an album recorded by Ted Hearne, Donald Nally and The Crossing and produced by Nick Tipp, will be released next month on Cantaloupe Music. See cantaloupemusic.com for more details. PROGRAM Consent (2014) Ripple (2012) Privilege (2010) 1. motive/mission 2. casino 3. burning tv song 4. they get it 5. we cannot leave [Break] Sound from the Bench (2014, rev. 2016) 1. How to throw your voice 2. Mouth piece 3. (Ch)oral argument 4. Simple surgery 5. When you hear ABOUT THE ARTISTS: TED HEARNE (b. 1982, Chicago) is a Los Angeles-based composer, singer and bandleader noted for his “voracious curiosity” (NewMusicBox), “tough edge and wildness of spirit,” and “fresh and muscular” music (The New York Times), who “writes with…technical assurance and imaginative scope” (San Francisco Chronicle). -
SOUND from the BENCH Music by Ted Hearne Conducted by Donald Nally
SOUND FROM THE BENCH Music by Ted Hearne conducted by Donald Nally Performed by The Crossing Katy Avery Michael Jones Jessica Beebe Heather Kayan Karen Blanchard Mark Laseter Steven Bradshaw Chelsea Lyons Colin Dill Maren Montalbano Micah Dingler Rebecca Myers Robert Eisentrout Becky Oehlers Allie Faulkner Daniel Schwartz Ryan Fleming Rebecca Siler Joanna Gates Daniel Spratlan Dimitri German Elisa Sutherland Steven Hyder Jason Weisinger with instrumentalists Taylor Levine, electric guitar James Moore, electric guitar Ron Wiltrout, drums/percussion lighting design by Bruce Steinberg sound design by Garth MacAleavey text for Sound from the Bench by Jena Osman produced by Beth Morrison Morrison Projects creative producer Beth Morrison general manager Jecca Barry production manager James Fry associate producer Mariel O’Connell company manager Liene Camarena Fogele Produced in association with The Crossing Special Thanks to Frederick Morrsion and Catherine Lord Sound from the Bench, an album recorded by Ted Hearne, Donald Nally and The Crossing and produced by Nick Tipp, will be released next month on Cantaloupe Music. See cantaloupemusic.com for more details. PROGRAM Consent (2014) Ripple (2012) Privilege (2010) 1. motive/mission 2. casino 3. burning tv song 4. they get it 5. we cannot leave [Break] Sound from the Bench (2014, rev. 2016) 1. How to throw your voice 2. Mouth piece 3. (Ch)oral argument 4. Simple surgery 5. When you hear ABOUT THE ARTISTS: TED HEARNE (b. 1982, Chicago) is a Los Angeles-based composer, singer and bandleader noted for his “voracious curiosity” (NewMusicBox), “tough edge and wildness of spirit,” and “fresh and muscular” music (The New York Times), who “writes with…technical assurance and imaginative scope” (San Francisco Chronicle). -
Ceighth Blackbird | PROGRAM NOTES 18-19 Acoustic
CEighth Blackbird | PROGRAM NOTES 18-19 Acoustic Touring Program Program Page: Nina Shekhar: ice ‘n’ SPICE (2018) Fjóla Evans: Eroding (2017) Angélica Negrón: Quimbombó (2010) Holly Harrison: Lobster Tales and Turtle Soup (2016) INTERMISSION Nathalie Joachim: Madam Bellegarde (2018) Jonathan Bailey Holland: The Clarity of Cold Air (2013) Viet Cuong: Electric Aroma (2017) Julius Eastman: Stay On It (1973) Ice ‘n’ SPICE, Electric Aroma, and Eroding were commissioned by Jay and Elizabeth Schlichting for the Blackbird Creative Lab. Lobster Tales and Turtle Soup was commissioned for Eighth Blackbird by Musica Viva Australia with support from Geo6 Stearn and the Hildegard Project. Eighth Blackbird Nathalie Joachim, flutes Nick Photinos, cello Michael Maccaferri, clarinets Matthew Duvall, percussion Yvonne Lam, violin Lisa Kaplan, piano Eighth Blackbird is Ensemble-in-Residence at the University of Richmond. Nathalie Joachim is a Burkart Flutes & Piccolos artist. Michael J. Maccaferri is a D'Addario Woodwinds Artist. Matthew Duvall proudly endorses Pearl Drums and Adams Musical Instruments, Vic Firth Sticks and Mallets, Zildjian Cymbals, and Black Swamp Percussion Accessories. Lisa Kaplan is a Steinway Artist. www.sacms.org Program Notes: Nina Shekhar: ice ‘n’ SPICE (2018) Nina Shekhar (b. 1995) is a Michigan-based composer whose music explores the intersection of identity, vulnerability, love, and laughter. Her works have been performed by leading artists such as ETHEL, soprano Tony Arnold, Kaleidoscope Chamber Orchestra, and saxophonist Jan Berry Baker and have been featured by the Metropolitan Museum of Art, National Flute Association, North American Saxophone Alliance, I Care if You Listen, TUTTI Festival, Bowdoin International Music Festival, and New Music on the Point. -
10.22 Afterhours
Saturday, october 17, 2015 7:30 10.22pm AFTERHOURS National Sawdust Roomful of Teeth Brad Wells, artistic director Estelí Gomez, soprano Martha Cluver, soprano Caroline Shaw, alto Virginia Warnken, alto Eric Dudley, tenor Thomas McCargar, baritone Taylor Ward, baritone Cameron Beauchamp, bass TED HEARNE...........................................Coloring Books (World Premiere) Intermission MISSY MAZZOLI......................................Vesper Sparrow CALEB BURHANS...................................No and Beneath ANNA CLYNE...........................................Pocket Book VIII (World Premiere) ERIC DUDLEY..........................................Suonare / to sound WILLIAM BRITTELLE..............................High Done No Why To THE PROGRAM And you are not the guy and still you fit the description –roar— still you fit the description because there is only one guy who is always the guy fitting TED HEARNE: Coloring Book the description. Composer, singer, and bandleader Ted Hearne draws on a wide breadth of influences ranging across music’s full terrain, to create intense, personal and multi-dimensional works. Law of This is what it looks like. You know this is wrong. This is not what it looks like. You need to be Mosaics, Ted’s 30-minute piece for string orchestra, will see performances this year by the quiet. This is wrong. You need to close your mouth now. This is what it looks like. You can’t Chicago Symphony Orchestra and San Francisco Symphony, and was named one of The drive yourself sane. You are not the guy. New Yorker’s most notable albums of 2014 by Alex Ross. Recent and upcoming works include And you are not the guy and still you fit the description because there is only one guy who is commissions from the LA Philharmonic, eighth blackbird, A Far Cry, Yarn/Wire and Roomful of always the guy fitting the description. -
Cal Perf December Insert 2.Indd
Saturday, December 14, 2019, 8pm Zellerbach Playhouse Eighth Blackbird Nathalie Joachim, flutes Nick Photinos, cello Zachary Good, clarinets* Matthew Duvall, percussion Matthew Albert, violin* Lisa Kaplan, piano Guest Artist Pamela Z, electronics and vocals PROGRAM Nina SHEKHAR ice ‘n’ SPICE (2018, Bay Area Premiere) Viet CUONG Electric Aroma (2017, Bay Area Premiere) Fjóla EVANS Eroding (2017, Bay Area Premiere) Holly HARRISON Lobster Tales and Turtle Soup (2016, Bay Area Premiere) INTERMISSION Andy AKIHO Karakurenai (2007) Jonathan Bailey HOLLAND The Clarity of Cold Air (2013) Pamela Z Quatre Couches and Badagada Pamela Z Ways of Looking (2019, Bay Area Premiere) Looking – Name – Um – Very Ice ‘n’ SPICE, Electric Aroma, and Eroding were commissioned by Justus and Elizabeth Schlichting for the Blackbird Creative Lab. Lobster Tales and Turtle Soup was commissioned for Eighth Blackbird by Musica Viva Australia with support from Geo6 Stearn and the Hildegard Project. Ways of Looking was commissioned for Eighth Blackbird by the Los Angeles Philharmonic Association, Gustavo Dudamel, Music and Artistic Director, with additional support from Elizabeth and Justus Schlichting. * For this performance, clarinetist Zachary Good and violinist Matthew Albert perform with Eighth Blackbird during vacancies in those positions. Eighth Blackbird is Ensemble-in-Residence at the University of Richmond. Matthew Duvall proudly endorses Pearl Drums and Adams Musical Instruments, Vic Firth Sticks and Mallets, Zildjian Cymbals, and Black Swamp Percussion Accessories. Lisa Kaplan is a Steinway Artist. Cal Performances’ 2019–20 season is sponsored by Wells Fargo. 15 PROGRAM NOTES Nina Shekhar Blackbird, Justus and Elizabeth Schlichting, ice ‘n’ SPICE (2018, Bay Area Premiere) and everyone at the Blackbird Creative Lab for Nina Shekhar (b.