Examining the Science Identity Development Of
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Black Pearls
Number 22 The Journal of the AMERICAN BOTANI CAL COUNCU.. and the HERB RESEARCH FOUNDATION Hawthorn -A Literature Review Special Report: Black Pearls - Prescription Drugs Masquerade as Chinese Herbal Arthritis Formula FROM THE EDITOR In This Issue his issue of HerbalGram offers some good news and some herbal combination for use in rheumatoid arthritis and related bad news. First the good news. Our Legal and Regulatory inflammatory conditions, this product has been tested repeatedly Tsection is devoted to a recent clarification by the Canadian and shown positive for the presence of unlabeled prescription drugs. Health Protection Branch (Canada's counterpart to our FDA)of its Herb Research Foundation President Rob McCaleb and I have willingness to grant "Traditional Medicine" status to many medici spent several months researching the latest resurgence in sales of nal herb products sold in Canada under the already existing approval this and related products. We have made every attempt to follow up process for over-the-counter remedies. This announcement has on many avenues to determine whether these products contain un been hailed as a positive step by almost everyone with whom we labeled drugs, and whether or not they are being marketed fraudu have talked, both in academia and in the herb industry. lently. Herb marketers and consumers alike should be concerned More good news is found in the literature review on Hawthorn. whenever prescription drugs are presented for sale as "natural" and Steven Foster has joined Christopher Hobbs in preparing a compre "herbal." You will find our report on page 4. hensive view of a plant with a long history of use as both food and In addition, we present the usual array of interesting blurbs, medicine. -
134TH COMMENCEMENT James E
134 th Commencement MAY 2021 Welcome Dear Temple graduates, Congratulations! Today is a day of celebration for you and all those who have supported you in your Temple journey. I couldn’t be more proud of the diverse and driven students who are graduating this spring. Congratulations to all of you, to your families and to our dedicated faculty and academic advisors who had the pleasure of educating and championing you. If Temple’s founder Russell Conwell were alive to see your collective achievements today, he’d be thrilled and amazed. In 1884, he planted the seeds that have grown and matured into one of this nation’s great urban research universities. Now it’s your turn to put your own ideas and dreams in motion. Even if you experience hardships or disappointments, remember the motto Conwell left us: Perseverantia Vincit, Perseverance Conquers. We have faith that you will succeed. Thank you so much for calling Temple your academic home. While I trust you’ll go far, remember that you will always be part of the Cherry and White. Plan to come back home often. Sincerely, Richard M. Englert President UPDATED: 05/07/2021 Contents The Officers and the Board of Trustees ............................................2 Candidates for Degrees James E. Beasley School of Law ....................................................3 Esther Boyer College of Music and Dance .....................................7 College of Education and Human Development ...........................11 College of Engineering ............................................................... -
John Coltrane Black Pearls Mp3, Flac, Wma
John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Style: Hard Bop, Post Bop MP3 version RAR size: 1737 mb FLAC version RAR size: 1797 mb WMA version RAR size: 1227 mb Rating: 4.2 Votes: 154 Other Formats: APE VQF ADX AAC ASF MP1 MP3 Tracklist Hide Credits Black Pearls A1 13:05 Written-By – Billy Graham* Lover Come Back To Me A2 7:25 Written-By – Hammerstein*, Romberg* Sweet Sapphire Blues B 18:20 Written-By – R. Weinstock* Companies, etc. Recorded At – Van Gelder Studio, Hackensack, New Jersey Credits Bass – Paul Chambers Drums – Art Taylor Liner Notes [Apr. 1964] – Michael Gold Piano – Red Garland Recorded By – Rudy Van Gelder Supervised By [Supervision] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd Notes Blue center labels with trident on right. Jacket manufactured without "Stereo" printed on front cover; instead has a "Stereo" sticker. Recorded in Hackensack, NJ, May 23, 1958. Barcode and Other Identifiers Matrix / Runout (Side A runout): STEREO PRST·7316·A· VAN GELDER Matrix / Runout (Side B runout): STEREO PRST·7316·B· VAN GELDER Other versions Title Category Artist Label Category Country Year (Format) PR 7316, PRST John Black Pearls Prestige, PR 7316, PRST US 1964 7316 Coltrane (LP, Album) Prestige 7316 Black Pearls Prestige, PR 7316, P-7316, John PR 7316, P-7316, (LP, Album, Prestige, Germany Unknown OJC-352 Coltrane OJC-352 RE) Prestige Black Pearls John DOL729 (LP, Album, DOL DOL729 Europe 2013 Coltrane RE, 140) Prestige, Black Pearls Original -
Prestige Label Discography
Discography of the Prestige Labels Robert S. Weinstock started the New Jazz label in 1949 in New York City. The Prestige label was started shortly afterwards. Originaly the labels were located at 446 West 50th Street, in 1950 the company was moved to 782 Eighth Avenue. Prestige made a couple more moves in New York City but by 1958 it was located at its more familiar address of 203 South Washington Avenue in Bergenfield, New Jersey. Prestige recorded jazz, folk and rhythm and blues. The New Jazz label issued jazz and was used for a few 10 inch album releases in 1954 and then again for as series of 12 inch albums starting in 1958 and continuing until 1964. The artists on New Jazz were interchangeable with those on the Prestige label and after 1964 the New Jazz label name was dropped. Early on, Weinstock used various New York City recording studios including Nola and Beltone, but he soon started using the Rudy van Gelder studio in Hackensack New Jersey almost exclusively. Rudy van Gelder moved his studio to Englewood Cliffs New Jersey in 1959, which was close to the Prestige office in Bergenfield. Producers for the label, in addition to Weinstock, were Chris Albertson, Ozzie Cadena, Esmond Edwards, Ira Gitler, Cal Lampley Bob Porter and Don Schlitten. Rudy van Gelder engineered most of the Prestige recordings of the 1950’s and 60’s. The line-up of jazz artists on Prestige was impressive, including Gene Ammons, John Coltrane, Miles Davis, Eric Dolphy, Booker Ervin, Art Farmer, Red Garland, Wardell Gray, Richard “Groove” Holmes, Milt Jackson and the Modern Jazz Quartet, “Brother” Jack McDuff, Jackie McLean, Thelonious Monk, Don Patterson, Sonny Rollins, Shirley Scott, Sonny Stitt and Mal Waldron. -
Untitled Paint¬ Teaches Creative Writing in San Ing
FIELD FIELD CONTEMPORARY POETRY AND POETICS NUMBER 58 SPRING 1998 OBERLIN COLLEGE PRESS EDITORS Pamela Alexander Martha Collins Alberta Turner David Walker David Young BUSINESS Heather Smith MANAGER EDITORIAE Elizabeth Antalek ASSISTANT FIELD gratefully acknowledges support from the Ohio Arts Council. Published twice yearly by Oberlin College. Subscriptions and manuscripts should be sent to FIELD, Rice Hall, Oberlin College, Oberlin, Ohio 44074. Manuscripts will not be returned unless accompanied by a stamped self-addressed en¬ velope. Subscriptions $14.00 a year/$24.00 for two years/single issues $7.00 postpaid. Back issues 1, 4, 7, 16, 18-25, 27-33, 35-56: $12.00 each. Issues 2-3, 5-6, 8-15, 17, 26, 34 are out of print. Copyright © 1998 by Oberlin College. ISSN: 0015-0657 This issue of Field is dedicated to Stuart Friebert who served the magazine richly and faithfully in many capacities from its founding in 1969 until his retirement in 1997. CONTENTS Mary Baine Campbell 7 The Michael Jackson Interview Marcia Southwick 9 Black Pearls 10 The Tunnel of Love Margaret Shipley 11 Definition 12 Retired Thorpe Moeckel 13 Free Samples 14 Late Morning in the Under- Atmosphere Terese Svoboda 16 Shakes 17 The Rule of K Michele Glazer 19 Home is a Stone House Jane Cooper 20 Olympic Rain Forest 21 Mourning Picture 22 Nothing I Meant to Keep Donna Stonecipher 23 Album 24 All That Glitters Lee Upton 25 War Spouses 26 Soup at Dawn 28 The Ruin 29 Mossed Headland Elizabeth Trotter 31 Weather Changes Nancy Willard 33 The Boardwalk Mary Elizabeth Bailey -
The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places. -
5000 Collegiate Words with Brief Definitions
5000 Collegiate Words with Brief Definitions – Amass an Ivy League Vocabulary! 5000 Collegiate Words with Brief Definitions – Amass an Ivy League Vocabulary! 7-CD Edition: All you have to do is listen 15 minutes a day for 4 weeks to absorb 5000 words. SAT math and more free at www.FreeVocabulary.com 7-CD Edition: All you have to do is listen 15 minutes a day for 4 weeks to absorb 5000 words. SAT math and more free at www.FreeVocabulary.com abase v. To lower in position, estimation, or the like; degrade. accredit v. To give credit or authority to. aeronaut n. One who navigates the air, a balloonist. altercate v. To contend angrily or zealously in words. abbess n. The lady superior of a nunnery. accumulate v. To become greater in quantity or number. aeronautics n. the art or practice of flying aircraft alternate n. One chosen to act in place of another, in case of the absence or incapacity of that other. abbey n. The group of buildings which collectively form the dwelling-place of a society of accuracy n. Exactness. aerostat n. A balloon or other apparatus floating in or sustained by the air. alternative n. Something that may or must exist, be taken or chosen, or done instead of monks or nuns. accurate adj. Conforming exactly to truth or to a standard. aerostatics n. The branch of pneumatics that treats of the equilibrium, pressure, and something else. abbot n. The superior of a community of monks. accursed adj. Doomed to evil, misery, or misfortune. mechanical properties. -
Uptown Conversation : the New Jazz Studies / Edited by Robert G
uptown conversation uptown conver columbia university press new york the new jazz studies sation edited by robert g. o’meally, brent hayes edwards, and farah jasmine griffin Columbia University Press Publishers Since 1893 New York Chichester, West Sussex Copyright © 2004 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin All rights reserved Library of Congress Cataloging-in-Publication Data Uptown conversation : the new jazz studies / edited by Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin. p. cm. Includes index. ISBN 0-231-12350-7 — ISBN 0-231-12351-5 1. Jazz—History and criticism. I. O’Meally, Robert G., 1948– II. Edwards, Brent Hayes. III. Griffin, Farah Jasmine. ML3507.U68 2004 781.65′09—dc22 2003067480 Columbia University Press books are printed on permanent and durable acid-free paper. Printed in the United States of America c 10 9 8 7 6 5 4 3 2 1 p 10 9 8 7 6 5 4 3 2 1 contents Acknowledgments ix Introductory Notes 1 Robert G. O’Meally, Brent Hayes Edwards, and Farah Jasmine Griffin part 1 Songs of the Unsung: The Darby Hicks History of Jazz 9 George Lipsitz “All the Things You Could Be by Now”: Charles Mingus Presents Charles Mingus and the Limits of Avant-Garde Jazz 27 Salim Washington Experimental Music in Black and White: The AACM in New York, 1970–1985 50 George Lewis When Malindy Sings: A Meditation on Black Women’s Vocality 102 Farah Jasmine Griffin Hipsters, Bluebloods, Rebels, and Hooligans: The Cultural Politics of the Newport Jazz Festival, 1954–1960 126 John Gennari Mainstreaming Monk: The Ellington Album 150 Mark Tucker The Man 166 John Szwed part 2 The Real Ambassadors 189 Penny M. -
List of Hairstyles
List of hairstyles This is a non-exhaustive list of hairstyles, excluding facial hairstyles. Name Image Description A style of natural African hair that has been grown out without any straightening or ironing, and combed regularly with specialafro picks. In recent Afro history, the hairstyle was popular through the late 1960s and 1970s in the United States of America. Though today many people prefer to wear weave. A haircut where the hair is longer on one side. In the 1980s and 1990s, Asymmetric asymmetric was a popular staple of Black hip hop fashion, among women and cut men. Backcombing or teasing with hairspray to style hair on top of the head so that Beehive the size and shape is suggestive of a beehive, hence the name. Bangs (or fringe) straight across the high forehead, or cut at a slight U- Bangs shape.[1] Any hairstyle with large volume, though this is generally a description given to hair with a straight texture that is blown out or "teased" into a large size. The Big hair increased volume is often maintained with the use of hairspray or other styling products that offer hold. A long hairstyle for women that is used with rich products and blown dry from Blowout the roots to the ends. Popularized by individuals such asCatherine, Duchess of Cambridge. A classic short hairstyle where it is cut above the shoulders in a blunt cut with Bob cut typically no layers. This style is most common among women. Bouffant A style characterized by smooth hair that is heightened and given extra fullness over teasing in the fringe area. -
All Blues: a Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1998 All Blues: A Study of African-American Resistance Poetry. Anthony Jerome Bolden Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Bolden, Anthony Jerome, "All Blues: A Study of African-American Resistance Poetry." (1998). LSU Historical Dissertations and Theses. 6720. https://digitalcommons.lsu.edu/gradschool_disstheses/6720 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type o f computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
John Coltrane Black Pearls Mp3, Flac, Wma
John Coltrane Black Pearls mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Jazz Album: Black Pearls Country: US Released: 1964 Style: Hard Bop, Post Bop MP3 version RAR size: 1323 mb FLAC version RAR size: 1397 mb WMA version RAR size: 1305 mb Rating: 4.7 Votes: 928 Other Formats: AU AIFF MIDI DMF VQF VOC ADX Tracklist Hide Credits Black Pearls A1 13:11 Composed By – Billy Graham* Lover Come Back To Me A2 7:25 Composed By – O. Hammerstein*, S. Romberg* Sweet Sapphire Blues B 18:14 Composed By – Robert Weinstock* The Believer C 13:45 Composed By – McCoy Tyner Nakatini Serenade D1 11:02 Composed By – Calvin Massey* Do I Love You Because You're Beautiful D2 5:10 Composed By – R. Rodgers-O. Hammerstein* Companies, etc. Distributed By – Fantasy Records Recorded At – Van Gelder Studio, Hackensack, New Jersey Remastered At – Fantasy Studios Phonographic Copyright (p) – Prestige Credits Art Direction – Tony Lane Bass – Paul Chambers Drums – Arthur Taylor* (tracks: A1 to B, D2), Louis Hayes (tracks: C, D1) Engineer [Original Recording] – Rudy Van Gelder Liner Notes – Al Young Piano – Red Garland Remastered By [1974] – Brian Gardner Supervised By [Original Recording] – Bob Weinstock Tenor Saxophone – John Coltrane Trumpet – Donald Byrd (tracks: A1 to D1), Freddie Hubbard (tracks: D2) Notes Recorded at Van Gelder Studios, Hackensack, N.J., May 23, 1958 (A1, A2, B) and January 10, 1958 (C, D1). D2 recorded December 26, 1958. Sides 1 and 2 originally issued as Black Pearls (Prestige 7316) Sides 3 and 4 as The Believer (P-7292) Promotional copy not for sale is printed on all 4 labels and engraved on back sleeve's upper left corner. -
A Feminist Perspective on New Orleans Jazzwomen
A FEMINIST PERSPECTIVE ON NEW ORLEANS JAZZWOMEN Sherrie Tucker Principal Investigator Submitted by Center for Research University of Kansas 2385 Irving Hill Road Lawrence, KS 66045-7563 September 30, 2004 In Partial Fulfillment of #P5705010381 Submitted to New Orleans Jazz National Historical Park National Park Service 419 Rue Decatur New Orleans, LA 70130 This is a study of women in New Orleans jazz, contracted by the National Park Service, completed between 2001 and 2004. Women have participated in numerous ways, and in a variety of complex cultural contexts, throughout the history of jazz in New Orleans. While we do see traces of women’s participation in extant New Orleans jazz histories, we seldom see women presented as central to jazz culture. Therefore, they tend to appear to occupy minor or supporting roles, if they appear at all. This Research Study uses a feminist perspective to increase our knowledge of women and gender in New Orleans jazz history, roughly between 1880 and 1980, with an emphasis on the earlier years. A Feminist Perspective on New Orleans Jazzwomen: A NOJNHP Research Study by Sherrie Tucker, University of Kansas New Orleans Jazz National Historical Park Research Study A Feminist Perspective on New Orleans Jazz Women Sherrie Tucker, University of Kansas September 30, 2004 Table of Contents Acknowledgments ................................................................................................ iii Introduction ...........................................................................................................1