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Review Statement of World Biosphere Reserve [ July 2013 ]
Review Statement of World Biosphere Reserve [ July 2013 ] Prefeace According to the Resolution 28 C/2.4 on Statutory Framework of MAB (Man and Biosphere) Program passed on the 28th session of the UNESCO General Conference, Article 4 has been clearly identified as the criteria which shall be followed by biosphere reserves. In addition, it is stipulated in Article 9 that a Decennium Review shall be conducted on the world biosphere reserve every a decade, this Review shall be based on the report prepared by the relevant authority; the Review result shall be submitted to the relevant national secretariat. The related text of Statutory Framework is attached in Annex 3. This Review Statement will be helpful for each country preparing national reports and update data as stipulated in Article 9, and the secretariat timely accessing to data associated with the biosphere reserve. This Statement shall contribute to the inspection of MAB ICC on the biosphere reserve, and judge whether it can meet all criteria mentioned in Article 9 of the Legal Framework, especially three major functions. It shall be noted that is required to specify how the biosphere reserve achieves the various criteria in the last part of the Statement (Criteria and Progress). The information from Decennium Review will be used by UNESCO for the following purposes: (a) Inspection of the relevant autorities of International Advisory Committee and MAB ICC on the biosphere reserve; and (b) the world's information system, especially the UNESCO's MAB network and publications, so as to promote communication among people concerned the world biosphere reserve and influence each other. -
Dressing for the Times: Fashion in Tang Dynasty China (618-907)
Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks. -
Strong Cultures and Subcultures in Dynamic Organizations
02-091 The Role of Subcultures in Agile Organizations Alicia Boisnier Jennifer A. Chatman1 1 The second author wrote this paper while a Marvin Bower Fellow at the Harvard Business School and is grateful for their support. We also thank Elizabeth Mannix, Rita McGrath, and an anonymous reviewer for their insightful suggestions. Copyright © 2002 by Alicia Boisnier and Jennifer A. Chatman Working papers are in draft form. This working paper is distributed for purposes of comment and discussion only. It may not be reproduced without permission of the copyright holder. Copies of working papers are available from the author. The Role of Subcultures in Agile Organizations Alicia Boisnier and Jennifer A. Chatman1 Haas School of Business University of California, Berkeley May 24, 2002 To appear in, R. Petersen and E. Mannix, Leading and managing people in dynamic organizations. Forthcoming, 2002. 1 The second author wrote this paper while a Marvin Bower Fellow at the Harvard Business School and is grateful for their support. We also thank Elizabeth Mannix, Rita McGrath, and an anonymous reviewer for their insightful suggestions. 2 Organizations face increasingly dynamic environments characterized by substantial, and often unpredictable technological, political, and economic change. How can organizations respond rapidly to such changes or become more agile? Organizational agility, according to Lee Dyer, “requires a judicious mix of stability and reconfigurability” (2001: 4). We consider an unlikely source of agility: organizational culture. This may seem like an odd juxtaposition since strong unitary cultures exert a stabilizing force on organizations by encouraging cohesion, organizational commitment, and desirable work behaviors among members (e.g., Deal & Kennedy, 1982; Nemeth & Staw, 1989; O'Reilly & Chatman, 1986). -
2 the Cultural Economy of Fandom JOHN FISKE
2 The Cultural Economy of Fandom JOHN FISKE Fandom is a common feature of popular culture in industrial societies. It selects from the repertoire of mass-produced and mass-distributed entertainment certain performers, narratives or genres and takes them into the culture of a self-selected fraction of the people. They are then reworked into an intensely pleasurable, intensely signifying popular culture that is both similar to, yet significantly different from, the culture of more ‘normal’ popular audiences. Fandom is typically associated with cultural forms that the dominant value system denigrates – pop music, romance novels, comics, Hollywood mass-appeal stars (sport, probably because of its appeal to masculinity, is an exception). It is thus associated with the cultural tastes of subordinated formations of the people, particularly with those disempowered by any combination of gender, age, class and race. All popular audiences engage in varying degrees of semiotic productivity, producing meanings and pleasures that pertain to their social situation out of the products of the culture industries. But fans often turn this semiotic productivity into some form of textual production that can circulate among – and thus help to define – the fan community. Fans create a fan culture with its own systems of production and distribution that forms what I shall call a ‘shadow cultural economy’ that lies outside that of the cultural industries yet shares features with them which more normal popular culture lacks. In this essay I wish to use and develop Bourdieu’s metaphor of 30 THE CULTURAL ECONOMY OF FANDOM describing culture as an economy in which people invest and accumulate capital. -
Proquest Dissertations
Daoxuan's vision of Jetavana: Imagining a utopian monastery in early Tang Item Type text; Dissertation-Reproduction (electronic) Authors Tan, Ai-Choo Zhi-Hui Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 25/09/2021 09:09:41 Link to Item http://hdl.handle.net/10150/280212 INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are In typewriter face, while others may be from any type of connputer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overiaps. ProQuest Information and Learning 300 North Zeeb Road, Ann Arbor, Ml 48106-1346 USA 800-521-0600 DAOXUAN'S VISION OF JETAVANA: IMAGINING A UTOPIAN MONASTERY IN EARLY TANG by Zhihui Tan Copyright © Zhihui Tan 2002 A Dissertation Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of DOCTOR OF PHILOSOPHY In the Graduate College THE UNIVERSITY OF ARIZONA 2002 UMI Number: 3073263 Copyright 2002 by Tan, Zhihui Ai-Choo All rights reserved. -
Transmission of Han Pictorial Motifs Into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8
DOI: 10.4312/as.2019.7.2.47-86 47 Transmission of Han Pictorial Motifs into the Western Periphery: Fuxi and Nüwa in the Wei-Jin Mural Tombs in the Hexi Corridor*8 ∗∗ Nataša VAMPELJ SUHADOLNIK 9 Abstract This paper examines the ways in which Fuxi and Nüwa were depicted inside the mu- ral tombs of the Wei-Jin dynasties along the Hexi Corridor as compared to their Han counterparts from the Central Plains. Pursuing typological, stylistic, and iconographic approaches, it investigates how the western periphery inherited the knowledge of the divine pair and further discusses the transition of the iconographic and stylistic design of both deities from the Han (206 BCE–220 CE) to the Wei and Western Jin dynasties (220–316). Furthermore, examining the origins of the migrants on the basis of historical records, it also attempts to discuss the possible regional connections and migration from different parts of the Chinese central territory to the western periphery. On the basis of these approaches, it reveals that the depiction of Fuxi and Nüwa in Gansu area was modelled on the Shandong regional pattern and further evolved into a unique pattern formed by an iconographic conglomeration of all attributes and other physical characteristics. Accordingly, the Shandong region style not only spread to surrounding areas in the central Chinese territory but even to the more remote border regions, where it became the model for funerary art motifs. Key Words: Fuxi, Nüwa, the sun, the moon, a try square, a pair of compasses, Han Dynasty, Wei-Jin period, Shandong, migration Prenos slikovnih motivov na zahodno periferijo: Fuxi in Nüwa v grobnicah s poslikavo iz obdobja Wei Jin na območju prehoda Hexi Izvleček Pričujoči prispevek v primerjalni perspektivi obravnava upodobitev Fuxija in Nüwe v grobnicah s poslikavo iz časa dinastij Wei in Zahodni Jin (220–316) iz province Gansu * The author acknowledges the financial support of the Slovenian Research Agency (ARRS) in the framework of the research core funding Asian languages and Cultures (P6-0243). -
Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Sunrise and Sunset Azimuths in the Planning of Ancient Chinese Towns Amelia Carolina Sparavigna
Sunrise and Sunset Azimuths in the Planning of Ancient Chinese Towns Amelia Carolina Sparavigna To cite this version: Amelia Carolina Sparavigna. Sunrise and Sunset Azimuths in the Planning of Ancient Chinese Towns. International Journal of Sciences, Alkhaer, UK, 2013, 2 (11), pp.52-59. 10.18483/ijSci.334. hal- 02264434 HAL Id: hal-02264434 https://hal.archives-ouvertes.fr/hal-02264434 Submitted on 8 Aug 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. 1Department of Applied Science and Technology, Politecnico di Torino, Italy Abstract: In the planning of some Chinese towns we can see an evident orientation with the cardinal direction north-south. However, other features reveal a possible orientation with the directions of sunrise and sunset on solstices too, as in the case of Shangdu (Xanadu), the summer capital of Kublai Khan. Here we discuss some other examples of a possible solar orientation in the planning of ancient towns. We will analyse the plans of Xi’an, Khanbalik and Dali. Keywords: Satellite Imagery, Orientation, Archaeoastronomy, China 1. Introduction different from a solar orientation with sunrise and Recently we have discussed a possible solar sunset directions. -
Origins of Chinese Political Philosophy: Studies in the Composition and Thought of the Shangshu (Classic of Documents)
饒宗頤國學院院刊 第五期 417 2018 年 5 月 頁 417– 445 Origins of Chinese Political Philosophy: Studies in the Composition and Thought of the Shangshu (Classic of Documents). Edited by Martin KERN and Dirk MEYER. Leiden and Boston: Brill, 2017. Pp. vi+508. Edward L. SHAUGHNESSY East Asian Languages and Civilizations, The University of Chicago The publication of a major English-language book on the Shang shu 尚書 (Elevated documents) or Shu jing 書經 (Classic of documents), the second of the Chinese classics, should surely count as a major milestone in the Western study of early China. As the editors note in their Introduction, the Shang shu has inspired all aspects of Chinese political philosophy for over two thousand years now. Yet, as they also say, “In some kind of reverse—and bizarre— Book Reviews correlation, the Shangshu is as important to the Chinese political tradition as it is neglected in Western scholarship” (p. 2). Their claim just above this that “major Western works on the Shangshu can be counted on two hands, with fingers to spare” is only a bit exaggerated.1 In this volume we now have fourteen studies in just over 500 pages, that directly address at least fourteen different chapters of the Shang shu, not to mention two chapters of the 1 True, I count only eight or nine such studies listed in the various bibliographies attached at the end of each chapter, but they do not even include mention of such classic studies as Paul Pelliot, “Le Chou King en caractères anciens et le Chang Chou che wen,” Mémoires concernant l’Asie Orientale 2 (1916): 123–77, or Benjamin Elman, “Philosophy (I-Li) versus Philology (K’ao-cheng): The Jen-hsin tao-hsin Debate,” T’oung Pao 2nd ser. -
Marriage Customs in Shandong During the Ming and Qing
2018 4th International Conference on Social Science and Management (ICSSM 2018) ISBN: 978-1-60595-190-4 Marriage Customs in Shandong During the Ming and Qing Dynasties from the Novel of Marriages to Awaken the World Chang-Lin WU a, Wen-Jing YU * East China Traffic University, College of Humanities, Nanchang of China, 330013 [email protected] , *[email protected] Keywords: Marriages to Awaken the World ; Ming and Qing Dynasties; Shandong, Marriage customs. Abstract. Marriages to Awaken the World is a long chapter novel in late Ming and early Qing Dynasty. This book takes the marriage of two generations as the plot framework, and the author is very concerned about family marriage. This novel depicts many marriage customs, including three aspects of talking about marriage and preparing for marriage, wedding ceremony and custom after marriage. It helps us to have a comprehensive understanding of the social functions and regional culture of Shandong in Ming and Qing Dynasties by sorting out marriage customs in Marriages to Awaken the World . Introduction Marriages to Awaken the World is a long chapter novel written in the background of Shandong local culture. The book takes the marriage between two generations as the plot frame, which truly reflects the marriage customs and local customs in Shandong province. It provides effective data for later generations to study the literature, culture and folk customs of the Ming and Qing dynasties in Shandong province. Premarital Customs Talk about Marriage Talking about marriage is arranged by the command of parents and the words of a matchmaker. The matchmaker is a middleman, representing the parents of both sides. -
Law, Literature, and Gender in Tang China: an Exploration of Bai Juyi's
NORMAN HO- PAGE PROOF (DO NOT DELETE) 7/8/2009 3:51 AM Law, Literature, and Gender in Tang China: An Exploration of Bai Juyi’s Selected Panwen on Women Norman P. Ho (侯孟沅)* I. INTRODUCTION Since the birth of the law and literature field in the 1970s,1 scho- lars working in the West have primarily focused their attention on analysis of legal issues in American and European literary master- pieces. More recently, academics have begun to explore the inter- sections between law and literature in the literary traditions of late imperial and modern China.2 However, very little scholarly atten- * J.D. candidate and Global Law Scholar (class of 2012), Georgetown University Law Cen- ter. A.M. in Regional Studies-East Asia (Chinese History), Harvard University (2009). Harvard-Yenching Institute Fellow, Department of History, Peking University (2007-2008); A.B. cum laude in History, Harvard University (2007). I would like to thank Professor Wai-yee Li for her extremely helpful comments and suggestions about my translations of Bai Juyi‘s panwen and on this paper in general, as well as her encouragement for pursuing research on this topic. Many thanks also to Professor Xiaofei Tian for first introducing me to panwen as a literary genre. 1 Most scholars credit James Boyd White, currently L. Hart Wright Collegiate Professor of Law at the University of Michigan Law School, and his seminal book: THE LEGAL IMAGINATION: STUDIES IN THE NATURE OF LEGAL THOUGHT AND EXPRESSION (Boston: Little, Brown, 1973), with creating the field. See Professor White‘s faculty website at http://cgi2.www.law.umich.edu/_FacultyBioPage/ facultybiopagenew.asp?ID=14. -
The Later Han Empire (25-220CE) & Its Northwestern Frontier
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2012 Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Wai Kit Wicky Tse University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Asian History Commons, Asian Studies Commons, and the Military History Commons Recommended Citation Tse, Wai Kit Wicky, "Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier" (2012). Publicly Accessible Penn Dissertations. 589. https://repository.upenn.edu/edissertations/589 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/589 For more information, please contact [email protected]. Dynamics of Disintegration: The Later Han Empire (25-220CE) & Its Northwestern Frontier Abstract As a frontier region of the Qin-Han (221BCE-220CE) empire, the northwest was a new territory to the Chinese realm. Until the Later Han (25-220CE) times, some portions of the northwestern region had only been part of imperial soil for one hundred years. Its coalescence into the Chinese empire was a product of long-term expansion and conquest, which arguably defined the egionr 's military nature. Furthermore, in the harsh natural environment of the region, only tough people could survive, and unsurprisingly, the region fostered vigorous warriors. Mixed culture and multi-ethnicity featured prominently in this highly militarized frontier society, which contrasted sharply with the imperial center that promoted unified cultural values and stood in the way of a greater degree of transregional integration. As this project shows, it was the northwesterners who went through a process of political peripheralization during the Later Han times played a harbinger role of the disintegration of the empire and eventually led to the breakdown of the early imperial system in Chinese history.