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Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection
Cézanne and the Modern: Masterpieces of European Art from the Pearlman Collection Paul Cézanne Mont Sainte-Victoire, c. 1904–06 (La Montagne Sainte-Victoire) oil on canvas Collection of the Henry and Rose Pearlman Foundation, on long-term loan to the Princeton University Art Museum TEACHER’S STUDY GUIDE WINTER 2015 Contents Program Information and Goals .................................................................................................................. 3 Background to the Exhibition Cézanne and the Modern ........................................................................... 4 Preparing Your Students: Nudes in Art ....................................................................................................... 5 Artists’ Background ...................................................................................................................................... 6 Modern European Art Movements .............................................................................................................. 8 Pre- and Post-Visit Activities 1. About the Artists ....................................................................................................................... 9 Artist Information Sheet ........................................................................................................ 10 Modern European Art Movements Fact Sheet .................................................................... 12 Student Worksheet ............................................................................................................... -
COLOR in the CONSTRUCTED RELIEF a Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fulfilment Of
COLOR IN THE CONSTRUCTED RELIEF A Thesis Submitted to the Faculty of Graduate Studies and Research in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Department of Art College of Arts and Science University of Saskatchewan Saskatoon, Saskatchewan by David Stewart Geary Saskatoon, Saskatchewan 0 1985 D.S.Geary The author has agreed that the Library, University of Saskatchewan, may make this thesis freely available for inspection. Moreover, the author has agreed that permission for extensive copying of this thesis for scholarly purposes may be granted by the professor or professors who super- vised the thesis work recorded herein or, in their absence, by the Head of the Department or the Dean of the College in which the thesis work was done. It is understood that due recognition will be given to the University of Saskatchewan in any use of the material in this thesis. Copying or publi- cation or any other use of the thesis for financial gain, without the approval of the University of Saskatchewan and the author's written permission, is prohibited. Requests for permission to copy or to make any other use of material in this thesis in whole or in part should be addressed to: Head of the Department of Art University of Saskatchewan Saskatoon, Canada. ACKNOWLEDGEMENTS I wish to express my appreciation and thanks to Professor Eli Bornstein for his invaluable help and support in the form of advice, assistance and example during the course of my graduate studies and before. Also I wish to thank the College of Graduate Studies and Research who provided me with much needed financial assistance in the form of scholarships. -
Musee Des Annees 30
MUSEE DES ANNEES 30 Inauguré en décembre 1998 au sein de l’Espace Landowski, le musée des Années 30 présente un panorama de l’art figuratif de l’entre-deux-guerres. Ses collections s’organisent autour de peintures, sculptures, d’objets d’art décoratifs et de maquettes d’architecture. MODALITES DES VISITES TACTILES Les visites tactiles s’organisent autour des œuvres originales. Sont exclues les œuvres en plâtre et céramique ainsi que les meubles et les maquettes d’architecture. Merci d’ôter les bijoux pour effectuer la visite. Le musée se répartit en 4 niveaux. Un ascenseur et un escalier permettent la circulation dans ces différents niveaux. Les toilettes sont situées au sous-sol. REZ-DE-CHAUSSÉE La sculpture monumentale Une place de choix est dédiée aux sculpteurs – 32 ateliers à Boulogne-Billancourt entre 1920 et 1940 – qui ont participé aux grandes expositions et aux grands décors de l’entre- deux-guerres : Paul Landowski, Alfred Janniot, Robert Wlérick, Joseph Bernard, Charles Despiau, Jan et Joël Martel... Raymond SUBES et Jean MAYODON, Grilles d’intérieur, vers 1942, fer forgé et céramique émaillée Auteur d’une œuvre abondante, Raymond Subes sait s’adapter au style en vogue ce qui lui permet de rester d’actualité des années 20 à 1960. Un grand nombre de commandes prestigieuses viennent récompenser son talent (grilles du Musée des Colonies, nombreuses ferronneries pour les paquebots, de quarante-deux épées d’académiciens...). Ici, les grilles ajourées en fer forgé noir, composées d'entrelacs, lignes courbes élégantes ; reçoivent en leurs centres un médaillon en forme d'amande, œuvres du céramiste Jean Mayodon. -
Curriculum Vitae 1
Golan/Curriculum Vitae 1 Romy Golan Ph.D Program in Art History The Graduate Center, City University of New York 365 Fifth Avenue, New York, NY 10016-4309 email: [email protected] CURRICULUM VITAE Education: Ph. D. Courtauld Institute of Art, University of London, England, 1989 Dissertation: "A Moralized Landscape: The Organic Image of France Between the Two World Wars" M.A. Courtauld Institute of Art, University of London, 1982 (Thesis: "Roberto E. Matta, 1937-1947: The Last Phase of Surrealism") M.A course, History Department, Tel Aviv University, Israel, 1981 (Thesis: "Ideological Paradoxes in Nazi Architecture") B.A. Courtauld Institute of Art, University of London, 1980 Enrolled in Bezalel School of Fine Arts, Jerusalem, Israel, 1976-77 French Baccalaureat. Lycée Français Chateaubriand, Rome, Italy (with honors), 1976 Awards and Fellowships: -I Tatti, Harvard University Center for Italian Renaissance, Florence (Fall 2018) -Italian Academy of Columbia University Fellowship (2014) -Sterling and Francis Clark Art Institute Fellowship (2013) -Samuel and Ronnie Heyman Prize for outstanding scholarly publication by Junior Faculty Members of the Humanities at Yale for Modernity and Nostalgia: Art and Politics in France between the Wars (1995) -Frederick W. Hilles publication grant (1994) -A. Whitney Griswold Faculty Research grant (1993) -Henry Allen Moe Prize for Catalogues of Distinction in the Arts for co-authorship of The Circle of Montparnasse: Jewish Artists in Paris 1905-1945 (1985) -Distinction for M.A thesis, Courtauld Institute -
The Ethiopian Israeli Artist Whose 'Black Art' Gives Power To
11/05/2019, 1325 Page 1 of 1 Log in Subscribe now Saturday, May 11, 2019. Search Iyyar 6, 5779 Time in Israel: 3:11 PM Israel News All sections Teva - U.S. U.S. - Iran Israel - Gaza 747 Erdogan Iran - U.S. Eurovision 2019 Jerusalem holds off evicting gallery Haaretz | News A photo album Haaretz | News Istanbul shatters Haaretz | News Vicious protests that hosted anti-occupation NGO from the State of Israel’s first Erdogan’s dream at Israeli-Palestinian memorial year are a sign of Israel's demise Recommended by Home > Israel News Trending Now The Ethiopian Israeli Artist Whose 'Black Art' Gives Power to Greedy Jews and Why Does Hannah the People 'Lovely Bitches': Arendt's 'Banality of Nirit Takele says she has always painted about the disadvantaged Israel’s Eurovision Evil' Still Anger Ethiopian community; it’s not some stream of ‘black art’ shown for Video Draws Fire Israelis? the trendy in New York or London Vered Lee | Send me email alerts May 10, 2019 8:51 PM Share Tweet Zen Subscribe 40 U.S. States Sue What Happened Teva for 'Multi-billion When Palestinian Dollar Fraud on the Women Took Charge American People' of Their Village Israeli artist Nirit Takele, April 2019. Credit: Meged Gozani ● The Ethiopian music scene in Israel begins to take center stage ● 'It was meant to be an African party in Tel Aviv. But I was the only African there' ● Hot, black Israeli rap duo bubbles over on YouTube In the past month Nirit Takele secluded herself in the studio of her home in north Tel Aviv and painted intensively for 10 to 16 hours a day. -
The Philip I. and Muriel M. Berman Papers: Collection I
² ² ² The Philip I. and Muriel M. Berman Papers: Collection I Held by Special Collections, Linderman Library Lehigh University, Bethlehem, Pennsylvania 18015 Call No.: SC MS 095 Berman Papers Page 1 of 154 rev. 05/24/2006 Biographical Sketch Philip Isaac Berman and Muriel Mallin Berman, husband and wife – the “amazing Bermans” as they were often called – worked together as a team throughout the fifty-five years of their marriage, in raising their family, managing their businesses, making frequent trips abroad, collecting art, and planning philanthropy. This biographical sketch is therefore an account, not of one person alone, but of two together, who devoted a great deal of their astonishing energy and considerable fortune to philanthropy and public service, in their home city of Allentown, their home state of Pennsylvania, and around the world, especially in Israel. Philip Berman was born on June 28, 1915, in Pennsburg, Pennsylvania, son of Joseph and Dora (Feingold) Berman. In 1932 he enrolled at Ursinus College in Collegeville, Pennsylvania, but in 1933 returned home to join the family trucking business, from which he built his fortune. On September 23, 1942, he married Muriel Mallin. In the same week, however, he also joined the U.S. Marine Corps, with which he served in the South Pacific during World War II. Muriel Mallin Berman was born on June 21 1914, in Pittsburgh, Pennsylvania, daughter of Solomon and Dora (Cooperman) Mallin. From The Pennsylvania State College of Optometry in Philadelphia she earned her doctorate in 1938 and maintained her license in optometry until 1984. In 1945 Philip Berman was relieved of active duty with the Marine Corps. -
CUBISM and ABSTRACTION Background
015_Cubism_Abstraction.doc READINGS: CUBISM AND ABSTRACTION Background: Apollinaire, On Painting Apollinaire, Various Poems Background: Magdalena Dabrowski, "Kandinsky: Compositions" Kandinsky, Concerning the Spiritual in Art Background: Serial Music Background: Eugen Weber, CUBISM, Movements, Currents, Trends, p. 254. As part of the great campaign to break through to reality and express essentials, Paul Cezanne had developed a technique of painting in almost geometrical terms and concluded that the painter "must see in nature the cylinder, the sphere, the cone:" At the same time, the influence of African sculpture on a group of young painters and poets living in Montmartre - Picasso, Braque, Max Jacob, Apollinaire, Derain, and Andre Salmon - suggested the possibilities of simplification or schematization as a means of pointing out essential features at the expense of insignificant ones. Both Cezanne and the Africans indicated the possibility of abstracting certain qualities of the subject, using lines and planes for the purpose of emphasis. But if a subject could be analyzed into a series of significant features, it became possible (and this was the great discovery of Cubist painters) to leave the laws of perspective behind and rearrange these features in order to gain a fuller, more thorough, view of the subject. The painter could view the subject from all sides and attempt to present its various aspects all at the same time, just as they existed-simultaneously. We have here an attempt to capture yet another aspect of reality by fusing time and space in their representation as they are fused in life, but since the medium is still flat the Cubists introduced what they called a new dimension-movement. -
2011 Newsletter
Connecting Cultures Around The World CHAIRMAN IN MEMORIAM Isaac Stern Israeli Artists Around the World CHAIRMAN EMERITA Vera Stern - The Cultural Connection - OFFICERS William A. Schwartz, PRESIDENT Barbara Samuelson, VICE PRESIDENT The impact of Israeli culture keeps expanding. Every Linda Schonfeld, SECRETARY Joseph E. Hollander, TREASURER year, our scholarship recipients are winning seats in Jonathan E. Goldberg, ASSISTANT SECRETARY Stephanie Feldman, ASSISTANT TREASURER the most prestigious orchestras, earning top prizes at international film festivals, showing in respected BOARD OF DIRECTORS Sanford L. Batkin galleries, and performing on Broadway. All over the Diane Belfer Ann Bialkin world, AICF artists are sharing their passion with the Renée Cherniak* world. For this reason, we are creating an international Lonny Darwin Debby B. Edelsohn* cultural calendar and database to connect artists, Stephanie Feldman Avri Fuchs donors, and audiences. Jonathan E. Goldberg Charlotte S. Hattenbach* Ora Holin Joseph E. Hollander Stephanie Katzovicz Jane Stern Lebell Bradley Lubin Wendy Marks Marguerite Perkins-Mautner* Helen Sax Potaznik The Artist Network Sandra Rothman Tamar Rudich Barbara Samuelson Linda Schonfeld Renée Schreiber William A. Schwartz Romie Shapiro Carol Starley* *Chapter President EXECUTIVE DIRECTORS David Homan, USA Orit Naor, Israel ARTS ADVISORY COMMITTEE Jacques d’Amboise Milton Babbitt Menashe Kadishman Joseph Kalichstein Tel Aviv Zubin Mehta Itzhak Perlman Dina Recanati For many of our artists, their first steps are in Tel Aviv. John Rubinstein There’s a reason for this—Richard Florida’s The Rise of the Robert Sherman Creative Class ranks Tel Aviv among the top twenty cities in Joan Miklin Silver Neil Simon the world for global creativity. -
Stories of Becomingan Art Educator
Stories of Becoming an Art Educator: Opening a Closed As part of my research dissertation I collected tales of Israeli art Door teachers and studied the ways they negotiated their teaching identi- Nurit Cohen Evron ties within and against their schools’ normative discourses. I learned 1 Faculty of the Arts, Beit-Berl College, Israel that being and becoming an art teacher involved an ongoing pro- cess of negotiation between personal and professional experiences, ABstraCT knowledge and beliefs, and the school’s discourse. Their beliefs and This paper describes recollections of my personal experiences in Israel and identities couldn’t be separated from the socio-cultural environments their interplay with my decisions as an art educator. These stories are examples of how the borders between the professional, the personal, and the institu- and the discourses in which and through which they were constantly tional are blurred. Becoming and being an art educator in a country which is (re)constructed (Cohen Evron, 2004). Our identities as teachers are deeply affected by a long-standing, deep-rooted, stubborn, and violent conflict, I neither fixed nor are they an inventory of knowledge or technical pro- struggle to find ways to teach art in a meaningful way and to react to the culture cedures of teaching experience. We continually reconstruct our views of conflict through critical art pedagogy. of ourselves in relation to others, workplace characteristics, profes- sional purposes, and cultures of teaching. Furthermore, we bring to Becoming an Art Educator our teaching profession our personal and institutional biographies The question of what is involved in the process of becoming a good (Connelly & Clandinin, 1999; Sivertsen, 1994). -
ISRAELISCHE GRAFIK.Pdf
RUBRIK AUSGABE 3 | 2015 21 Yigal Ozeri, geb. 1958 in Israel, lebt in New York Fotos: Slobodan Ciric Fotos: Die INW lädt vom 11. Oktober bis 15. Oktober zu einer Ausstellung ein, welche im Theater Nestroyhof Hamakom, Nestroyplatz 1, 1020 Wien im Rahmen der israelischen Theaterwoche (siehe S. 41) stattfindet und die einen Querschnitt israelischer Grafik bietet. Der Kurator dieser Präsentation ist der in Israel sehr bekannten Kunst- und Kulturmanager Doron Polak. Die Werke sind auch käuflich zu erwerben. Unter dem Titel „Rishumon” gibt es zusätzlich eine bemerkens- werte und berührende Darbietung zweier Künstler, die zeitlose Themen wortlos, begleitet mit Musik von Shaul Ben Amitai, auf die Bühne bringen – schauspielerisch Svetlana Ben und malerische Interpretation Ophira Avisar. Ein Ereignis das man nicht versäumen möge. In der Beilage finden Sie einige Künstler dieser sehenswerten Ausstellung. ISRAELISCHE KUNSTGRAPHIK HENIE WESTBROOK ie führt uns zu einem Rundgang durch Ozeri nützt die Techniken der Graphik, um Lea Nikel lebte und arbeitete in Tel Aviv, bole auf, indem er ihnen über ihren wichtige Stationen der Kunstentwicklung sich neben seinen Collagen wieder seinen Paris und New York, studierte in den Studios Symbolwert hinaus, neue Bedeutung scha. Israels, von den Anfängen in der Man- zeichnerischen Ursprüngen zuzuwenden. mit Streichmann und Stemazky und zeichnet Er situiert sie innerhalb der Modernen Kunst Sdatszeit bis zu zeitgenössischen Arbeiten und Auch Zvika Kantor arbeitet im Druckmedium sich durch einen unverkennbar lyrischen Ex- und platziert sie gleichzeitig innerhalb der is- vermittelt uns die Ausstellung ein who is who parallel zu seinen Computerarbeiten. pressionismus, starker Farbigkeit und kalligra- raelischen Kunst. der israelischen Kunstszene – von der Grün- In der Ausstellung wird eine Graphik von phischen Elementen aus. -
Israeli & International Art Jerusalem 16 April 2009
ISRAELI & INTERNATIONAL ART JERUSALEM 16 APRIL 2009 SPECIAL PESACH AUCTION ISRAELI AND INTERNATIONAL ART KING DAVID HOTEL JERUSALEM THURSDAY, 16 APRIL 2009 9:00 P.M. 1 בס”ד Auction Preview MATSART GALLERY, 21 King David St., Jerusalem April 2 -16 : Sun.-Thu. (including Hol-Hamoed) 11 am - 10 pm Fri. 11 am - 3 pm Sat. and Holidays 9.30 pm - 12 am Wed. April 8 (Erev Pesach) by appointment only Thu. April 16, 11 am - 2 pm Private viewing is available by appointment Online auction on : www.artfact.com Online Catalogue : www.artonline.co.il Auction 111, 16 April 2009 9:00 pm King David Hotel, Jerusalem. Special preview of selected lots Auction 112 (June 2009) on view in the gallery.(See highlights on p. 106 -113) ימי תצוגה גלריה מצארט, דוד המלך 21 ירושלים 16-2 אפריל. ראשון - חמישי ׁׂׂ)כולל חול המועד( 11:00 - 22:00 שישי 11:00 - 15:00, שבת ומוצאי חג 21:30 - 24:00 רביעי, 6 אפריל )ערב פסח( לפי תיאום מראש. חמישי, 16 אפריל 11:00 - 14:00 המכירה גם באתר : www.artfact.co.il הקטלוג און-ליין בכתובת: www.artonline.co.il מכירה 111 16 באפריל 2009, 21:00, מלון המלך דוד, ירושלים מבחר פריטים ממכירה 112 )יוני 2009( יוצגו בגלריה בימי התצוגה המקדימה )ראה יצירות נבחרות בעמ’ 113-106( 3 מנהל ובעלים Director and Owner לוסיאן קריאף Lucien Krief מנכ”ל Executive Director אורי רוזנבך Uri Rosenbach [email protected] [email protected] מומחים Specialists אורן מגדל Oren Migdal מומחה לאמנות ישראלית Expert Israeli Art [email protected] [email protected] לוסיאן קריאף Lucien Krief מומחה לאסכולת פריז Expert Ecole de Paris [email protected] [email protected] שירות לקוחות Client Relations אורי רוזנבך Uri Rosenbach ברברה אפלבאום Barbara Apelbaum [email protected] [email protected] כספים Client Accounts סטלה קוסטה Stella Costa [email protected] [email protected] לוגיסטיקה ומשלוחים Logistics and Shipping רייזי גודווין Reizy Goodwin [email protected] [email protected] MATSART AUCTIONEERS AND APPRAISERS 21 King David St. -
Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b.