Fall 2018 News

Total Page:16

File Type:pdf, Size:1020Kb

Fall 2018 News FALL 2018 NEWS National Council priority sale October 25 Donor advance sale November 1 General public on sale November 8 PHOTO: SHAREN BRADFORD FALL 2018 NEWS 04 Sponsor Profile 05 Insider's Guide to Getting the Best Seats 06 Join ASFB in Israel 07 ASFB On Tour 08 2018-19 Winter Season 10 Sponsor Profile 11 Bringing The Nutcracker to the Stage 12 Special Events 14 ASFB in France PHOTO: ROSALIE O'CONNOR ASPEN SANTA FE BALLET NATIONAL COUNCIL Dolly Gray-Bussard Leigh Moiola and Charles Dale Jeffrey Grinspoon and Jon Foley Charlotte Moss and Barry Friedberg Bebe Schweppe, Founder National Council Chairs: Sarah Broughton & Nic DuBrul Celeste and Jack Grynberg Edward Lee Mulcahy Tom Mossbrucker, Artistic Director Rita and Jeffrey Adler Sarah and Josh Gurwitz Stephanie and Michael Naidoff Jean-Philippe Malaty, Executive Director Tracy and Dennis Albers Henrietta and Terence Hall Jane and Marc Nathanson Barbara Allen Will Halm and Marcellin Simard David Newberger BOARD OF TRUSTEES Judi and Alan Altman Pamela and Richard Hanlon Leah and Tom Paalman Kelley Purnell, President Karin Bannerot Julia Hansen Melinda and Norman Payson Jay R. Lerner, Vice President Susan Beckerman Robin and Carl Hardin Esther Pearlstone Leigh Moiola, Vice President Linda Bedell Cindi and Daniel Hart Amy and John Phelan Denise Jurgens, Treasurer Barbara and Bruce Berger Michael Hauger Doren Madey Pinnell Michael Hauger, Assistant Treasurer Rod Boren Barbara and Peter Hearst James Posch A. Charles Forte, Secretary Patricia and Charley Brewer Jamie and Bush Helzberg Carolyn Powers Barbara Gold, Assistant Secretary Geri and Steve Briggs Bobbie and Tat Hillman Carol Prins and John Hart Judith Zee Steinberg, Past President Paula Brodin Janie Hire Kelley and Mark Purnell Sarah Broughton and John Rowland Jessica Hite Nancy and Richard Rogers Barbara Berger Ramona Bruland and Michael Goldberg Sharon and John Hoffman Lorraine and Mark Schapiro Sarah Broughton Joseph M. Bryan, Jr. Sarah Shields Horton Robyn and Craig Scott Ramona Bruland Jacolyn and John Bucksbaum Joanne Houck and Tim Singletary James Seitz Ruth Carver Kay Bucksbaum Peggy and Alan Hunt Deborah and Bob Sharpe Angela Cunniffe Ruth Carver Soledad and Robert Hurst George and Teena Shaw Claire Dewar Bunni and Paul Copaken Liba Icahn Lois Siegel Tony DiLucia Susan Crown and Bill Kunkler Denise Jurgens and Kevin Messerschmidt Sandy and Art Soares Nicholas DuBrul Angela and Charles Cunniffe Toni and James Kaplan Erika and Karim Souki Laurie Farber-Condon Frances D'Alessio and Jason Saslow Laura and Michael Kaplan Susan Sparks John Galante David Daniels Marianne and Richard Kipper Orli and Bill Staley Keith Gorges Scott Davidson Anabel and John Konwiser Vickie and Gaines B. Stanley, Jr. Jeffrey Grinspoon Yoly and Mark Davis Carolyn Landis Judith Zee Steinberg and Paul Hoenmans Toni Kaplan Claire Dewar Mary Anne and Bruce Larsen Billy Stoltz Jean-Philippe Malaty Tony DiLucia and Nick Lincoln Judy and Leonard Lauder Dana and Andrew Stone Tom Mossbrucker Gary Dontzig Lawrence Lazarus Jon Stryker and Slobodan Randjelović Leah Paalman Melanie Doskocil Gloria Lehr Connie and Paul Taddune Melinda Payson Ocean Munds-Dry and Randy Dry Katherine LeMieux-Rodman and Bill Rodman Marianna and Mark Tanguay Esther Pearlstone Maja and Nicholas DuBrul Bobette and Jay R. Lerner Michiko and Gary Tarna Billy Stolz Gayle Embrey Pamela Levy and Rick Crandall Bill Thornton Rachel Zimmerman Zoe Eskin Jonathan Lewis and Mark Zitelli Jackie and Glenn Tilton Anthony Fama and Scott Brown Melony and Adam Lewis Alia Tutor TRUSTEES EMERITI Betsy Fifield Toby Devan Lewis Sherry and Eddie Wachs Bebe Schweppe Sistie Fischer Patricia and David Link Angi Wang Betty Weiss † Robin Fitzpatrick Mona Look-Mazza and Tony Mazza Margie and Keith Weber Sarah Kennedy Flug Nance and Ramon Jose Lopez Patti and Jay Webster Charles Forte Diane and Charles Lott Carrie and Joe Wells Mary Ann Frenzel Catherine and John Maas Gail and Lenny Weinglass Jessica and John Fullerton Susan and Larry Marx Tamara and Frank Woods Connie and David Girard-diCarlo Mary McAlpin Elisha and Jeffrey Zander Mira and Donald Glen Linda McCausland and Peter Nicklin Tita and Gene Zeffren Barbara Gold Barbara and Pat McMahon Kevon Zehner and Ron Ritchhart Andi and Jim Gordon Robin Merlo and Michael Lescander Rachel and Paul Zimmerman Keith Gorges Laurie Michaels and David Bonderman PHOTO: MICHELE CARDAMONE Dear Friends, Aspen Santa Fe Ballet enters its 23rd season with optimism and excitement for all that lies ahead. This will be a year punctuated by notable national and international touring, and, as always, a vibrant series of performances in our home communities of Santa Fe and Aspen. Our 2018-19 season kicked off in great style as Aspen Santa Fe Ballet made its anticipated return to France, performing at the prestigious Festival Le temps d’aimer la danse à Biarritz. Joining us on the trip were twenty dedicated National Council members who spent five days enjoying the rich culture of the Basque region and cheering on our dancers as they soaked in the thunderous applause at the magnificent Théâtre du Casino de Biarritz overlooking the Atlantic Ocean. (pg 14) We invite you to travel with us again as we cross the ocean to make our second appearance in Israel. We are honored to be invited back to this culturally-rich epicenter of dance with an extended two-week tour that includes six performances in Tel-Aviv, as well as appearances in Yagur, Modiin, and Jerusalem. (pg 6) Our milestone collaboration with pianist Joyce Yang was a clear winner last season, garnering great interest around the country. This season, Ms. Yang will join us to perform this dynamic program in Dallas, Denver, Scottsdale, and in New York with a week-long run at the Joyce Theater—our ninth appearance! (pg 7) ASFB’s dance-company-in-residence status at the stunning Soroya Performing Arts Center (formerly Valley Performing Arts Center) on the campus of CSUN in Northridge was originally slated for three consecutive years. Due to the success of this partnership, we are happy to announce that our residency status has been extended into the foreseeable future with our fourth appearance scheduled for January 2019. This year’s summer galas in both Aspen and Santa Fe were inspired by the famed New York dance club, Studio 54. Our entire year hinges on the success of these celebrations and these events did not disappoint! We are grateful to all of you who came to dance the night away and showed your commitment to our company through your generosity. (pg 12) Preparations are currently underway for Aspen Santa Fe Ballet’s annual production of The Nutcracker. One of the season’s biggest endeavors, the company expands with the addition of eighteen guest performers who supplement our cast of ASFB dancers and more than 120 children from The School of Aspen Santa Fe Ballet. Don’t miss this holiday classic. (pg 11) Given the popularity of performances such as The Nutcracker, we have put together a few tips and tricks that will help ensure you get access to your preferred seats. (pg 5) We invite you to mark your calendars for our upcoming ticket on-sale dates and join us for another great season of dance! Your enthusiasm and support mean everything to us. Tom Mossbrucker Jean-Philippe Malaty 3 PROUDLY SUPPORTS ASPEN SANTA FE BALLET FEATURING INTERIORS COLORADO MIDWINTER 2018 The Adventure Issue EXPLORATION STORIES, GEAR GUIDES & THE VALLEY'S ULTIMATE BUCKET LIST PLUS An Update With Colin Jost, Gone Surfi ng: William Finnegan & Simi Hamilton's Must-Haves STAY CONNECTED WITH US FOR THE LATEST IN ASPEN HAPPENINGS @ASPENMAGAZINE @ASPENMAGAZINEMODERNLUXURY.COM ASPENMAGAZINE MODERNLUXURY.COM/ASPEN • 970.710.7178 Insider’s Guide to Getting the Best Seats We all know the scenario: things move along in your daily life at a How can I save some money? breakneck pace and suddenly you realize you haven’t yet bought tickets The various colors on the online seating charts are the clearest for an upcoming performance that’s just days away. You quickly follow representation of ticket price and location. If you buy on the cusp of two the ‘Buy Tickets’ links from ASFB’s website and discover that all the colors, or price zones (for example, a $94 and a $74), your average price premium seats are already taken! per ticket decreases by blending price points together. ASFB is thankful for its loyal audience members who are responsible It is also worth noting that the $36 ticket price is very popular and likely for continually selling out performance after performance. With most to sell out quickly due to limited inventory. By purchasing tickets early, programs offered for one night only, the chances of finding tickets you ensure that you’ll have access to our cheapest ticket price. available at the door, or even the day before, have become increasingly slim. Ticket prices have not increased in over two years, making the Why do prices seem to change? premium seats an incredible value that many jump on right away. We hope that the following answers to common questions will prove helpful Just like airline tickets, prices may vary leading up to the performance in ensuring that you always find the seat that you want. date depending upon availability and popularity. Ticket prices are likely to increase the closer you are to the performance date, so you will find Why should I purchase tickets during the donor pre-sale windows? the cheapest ticket price by buying early. If you have purchased tickets to an ASFB performance in the last couple But really, why should I buy early? of years, you will have noticed that tickets go on sale in waves: first comes the National Council priority sale, then the donor advance sale, In addition to all of the aforementioned reasons (best availability and and finally tickets become available to the general public.
Recommended publications
  • Israeli) Star of Hope Agamograph 29 X 31 Cm (11 X 12 In.) Signed Lower Right, Numbered '8/25' Lower Left
    1* Yaacov Agam b.1928 (Israeli) Star of Hope agamograph 29 x 31 cm (11 x 12 in.) signed lower right, numbered '8/25' lower left $1,500-1,800 2* Yaacov Agam b.1928 (Israeli) Untitled color silkscreen mounted on panel 57 x 62 cm (22 x 24 in.) signed lower right, numbered 'L/CXLIV' lower left $400-500 3 Menashe Kadishman 1932-2015 (Israeli) Sheep head acrylic on canvas 30 x 30 cm (12 x 12 in.) signed lower left and again on the reverse $450-550 4 Menashe Kadishman 1932-2015 (Israeli) Motherland charcoal on paper 27 x 35 cm (11 x 14 in.) signed lower right $150-220 5 Menashe Kadishman 1932-2015 (Israeli) Valley of sadness pencil on paper 27 x 35 cm (11 x 14 in.) signed lower right $100-150 6* Ruth Schloss 1922-2013 (Israeli) 1 Girl in red dress, 1965 oil on canvas 74 x 50 cm (29 x 20 in.) signed lower right Provenance: Private collection, USA. $3,500-4,000 7 Sami Briss b.1930 (Israeli, French) Doves oil on wood 8 x 10 cm (3 x 4 in.) signed lower center $500-650 8 Nahum Gilboa b.1917 (Israeli) Rural landscape with wooden bridge mixed media on canvasboard 23 x 30 cm (9 x 12 in.) signed lower right, signed and titled on the reverse $1,800-2,200 9 Audrey Bergner b.1927 (Israeli) Flutist oil on canvas 40 x 30 cm (16 x 12 in.) signed lower right, signed and titled on the reverse $4,800-5,500 10 Yohanan Simon 1905-1976 (Israeli) Vegetarian Evolution, 1971 oil on canvas 46 x 54 cm (18 x 21 in.) signed in English lower left, signed in Hebrew and dated lower right, signed, dated and titled on the stretcher $8,000-10,000 11* Yohanan Simon 1905-1976 (Israeli) Wedding, 1969 2 oil on canvas 15 x 23 cm (6 x 9 in.) signed in English lower left and in Hebrew lower right $2,200-2,500 12 Menashe Kadishman 1932-2015 (Israeli) Fallow deer iron cut-out 34 x 30 x 2 cm (13 x 12 x 1 in.) initialled $1,400-1,600 13 Naftali Bezem b.
    [Show full text]
  • Université De Pau Et Des Pays De L'adour
    Université de P au et des Pays de l’Adour ECOLE DOCTORALE 481 SCIENCES SOCIALES ET HUMANITES Thèse de doctorat L’ART CONTEMPORAIN D U MOYEN-ORIENT ENTRE TRADITIONS ET NOUVEAUX DEFIS Présenté par Madame Susanne DRAKE Sous la direction de Madame Evelyne TOUSSAINT Membres du jury : Madame Evelyne TOUSSAINT, professeur à Aix-Marseille Université, précédemment professeur à l'U niversité de Pau et des Pays de l’Adour Monsieur Rémi LABRUSSE , Professeur d’ Université de Paris Ouest Nanterre-La Défense Monsieur Dominique DUSSOL , Professeur de l’Université de Pau et des Pays de l’Adour Monsieur Eric BONNET , Professeur de l’Université de Paris VIII Date de soutenance : 10 Juin 2014 1 Résumé fran çais et mots clefs Dans les pays du Moyen Orient, nous sommes face à une réalité complexe, qui est encore peu comprise en Europe. Les médias nous dépeignent souvent une société majoritairement islamique fondamentaliste. Cette image, qui pourrait relever d’une représentation tardive du Moyen Orient par l’Occident est empreinte de problématiques d’ordre économique et soci étal. Une analyse précise permet de mettre au jour des singularités nationales et intranationales. Les développements artistiques profitent de ces sources multiples. Pour inclure les artistes du Moyen Orient dans l’histoire de l’art du monde , et comprendre les œuvres d’art contemporain, nous nous sommes servis de plusieurs approches. O utre l’analyse esthétique et la recherche d’influences formelles, il s’agit de comprendre les positions politiques de l'artiste, sa psychologie, son rôle dans la société, mais aussi la place de la religion dans la vie publique, la valeur attribuée à l’art contemporain et sa réception dans la société.
    [Show full text]
  • Self-Portraits in the Poetry of Dahlia Ravikovitch
    Lamentations of a Lovelorn Soul: Self-portraits in the Poetry of Dahlia Ravikovitch by Laura Wiseman A thesis submitted in conformity with the requirements for the degree of Ph.D. Hebrew Language and Literature Near and Middle Eastern Civilizations University of Toronto © Copyright by Laura Wiseman 2010 Lamentations of a Lovelorn Soul: Self-portraits in the Poetry of Dahlia Ravikovitch Laura Wiseman Ph.D. Hebrew Language and Literature Near and Middle Eastern Civilizations University of Toronto 2010 Abstract The poetry of Dahlia Ravikovitch presents as self-writing nestled in the wide embrace of non-linear écriture féminine. Each poem offers a glimpse of the persona: body and soul, the music of her voice and the perspective of her spirit. Together the poems comprise verbal self-portraits of a lovelorn soul, torn between impulses to fully remember and deliberately forget. Through years of love, life, disappointment, bouts of depression and renewed promise, Dahlia Ravikovitch continued to compose. Through the crystals of poetry the speaker examines, from varying angles and in multiple refractions of light, those figures of alterity who are her self. For Ravikovitch poetry was the only neutral space in which her self could comfortably exist and, even so, not always. The poet-persona experiences love in unsuitable proportions. She receives too little; she goes ‘overboard’ and ‘out of bounds’ in giving too much. She experiences love, even when accessible, as an affliction. She suffers love. She laments love. ii The persona performs her malaise through contrasting physical sensations, idiosyncrasies and profound cravings. Her personal thermostat is erratic. She exhibits pronounced wardrobe-predilections.
    [Show full text]
  • 2020 Annual Reporting to the State of Connecticut
    2020 ANNUAL REPORTING TO THE STATE OF CONNECTICUT The documentation included in the 2020 Annual Reporting to the State of Connecticut for the University of Connecticut Foundation, Incorporated is submitted in accordance with Public Act No. 16-93 Section 4-37f. November 19, 2020 Submitted by Scott M. Roberts President and CEO Table of Contents Introduction by UConn Foundation President and CEO Scott M. Roberts ......................................3 FY2020 Auditor’s Opinion on Conformance of Operating Procedures ........................................ 4 Officers and Members of the UConn Foundation Board of Directors ..........................................5 2020 Annual Report .................................................................................... 6 FY2020 Audited Financial Statements, Management Letter, and Audit Reports of the UConn Foundation ....... 22 Internal Control Observations. 47 Agreement between UConn and the UConn Foundation ................................................... 52 Whistleblower Policy of the UConn Foundation ........................................................... 74 Conflicts of Interest Policy of the UConn Foundation ...................................................... 77 FY2019 UConn Foundation IRS Form 990 ................................................................84 Bylaws of the UConn Foundation .......................................................................144 FY2020 Summary of Disbursements to UConn Supported by the UConn Foundation .........................157 FY2020
    [Show full text]
  • Jewish Federation the STRE
    THE STRENGTH OF A PEOPLE. Jewish Federation THE POWERTHE OF S CTRENGTHOMMUNITY. OF A PEOPLE. Jewish FedOF GRANDerat RAPIDionS THE POWER OF COMMUNITY. OF GRAND RAPIDS JULY 2021 For Everything There is a Season... by Marni Vyn JFGR Board Chair This is my final note to you as Board Chair of the Jewish Federation. It’s been an honor to serve the Federation and support our Jewish community in this role over these past three years. I am confident in the future of our organization with its talented staff, generous donors Marni Vyn and committed volunteers. I will remain an active board member, and my passion for inspiring vibrant Jewish life remains strong. We’ve seen so many changes over the past three years. The adage, “The only constant in life is change,” has never been more true. Most notably, Covid-19 affected every aspect of our daily lives and impacted how Federation does it important work. Nicole and the staff adapted quickly to ensure that our social services could still be provided to those in need. The team updated the website into a comprehensive community resource. They transformed in-person programs into virtual formats, including Campaign Kick-off, PJ Library events and The Jewish Film Festival. If you viewed the video from the annual meeting that was sent by email in mid-June, you know how much JFGR contributed to our community this past year alone. I’d like to mention two projects I’m most excited about: • Leaders from across the Jewish community came together in 2018 to explore the creation of a unified Jewish campus with Temple Emanuel and Congregation Ahavas Israel that includes the Federation’s office.
    [Show full text]
  • Message Has Been an Integral Sense of Individualism
    i~vmu1n camrnone[l"lrre5-fe ea1e~r5fa~iftc ~ArsI~ .un en, , ., uence to, a weslC rn l .r _ e e carre a tons .c n e eer ) w:M' e' I .' - a n re lana artls , suc a~ . ose of oun a~s~ln¥an ar Lst.s 't; acfirJ rou ro .Ld l- to av a ur to an ar s auo.renc In e c w a l , 0 a e t.he i r rtwor .0 cr -Eo-en er t wor . tat, lS a 1 ton~lder L on wnen compare 0 f e Stue a E ~eSL-ern cnurrance ru.cn . .rti.ca anc -conorm.c real-ms a one w I st.i.c , ver llth, the nurnaru.s ,S ress b"\ rnerlcan nd l-~ae . lS S • PJ..lO OJ ) presse eQP e, t e opera· e at i.ons II ) 'twe nPc es lan-SJ an. r i.c ns: .sra l as leen rceo b e ea a ar ev 1 conr i. ct etwee. tee rt.ern nc . e. e 1,s S la , e . , u l g . en- ~a~r azedlmaOlar . ... - -. - . - . er uwat entl .ryear~VOl. )t ~ov ~rl· - - ,. •• -·0 - - - - e a l S s,~ ac- .or . lo~~a lS s a -.~.- .-.~.-'" ,s mee , 0 talk anc zro Dee eaqes .f.ra a an t anslcmon ot .( Tletnam te eranbtrom ,recrult t..rou lwar ex- )erience :::0hlS eCOffilnq:.an artlsf. n ~ke an' )Ub l medl.a t rles ot war tr urn ,In hl~ ~2.l::l ~Eg!J-~ErYQ~~vte~nl~~n::Fne£3.r1d~2JR-?-2t tofr~ Art can..
    [Show full text]
  • June 1980 CAA Newsletter 8 Announcements Shows by Professional Publications
    er Volume 5, Number 2 June 1980 1981 annual meeting: call for papers and panelists The 1981 CAA annual meeting will be held in San Francisco and, £n been identified as slaves, concubines, or dancing girls. While it is true accordance with the new shortened and later schedule, will take place that women were engaged in those occupations, it is true that women Thursday, February 26 through Saturday, February 28. The San were also politically powerful, wealthy, and patrons of the arts. Papers Francisco Hilton will serve as headquarters hotel. are invited dealing with the iconography of female images in Asian Art history sessions have been planned by Wanda Corn, Mills Col­ and Islamic art as well as discussing the role of women as patrons. lege. Studio sessions have been planned by George Neubert, Oakland Museum. Listed below are the topics they have selected. Those Alexander the Great: His Impact on Classical and Post-Classical wishing to participate in any session should write to the chairman of Art. H.A. Shapiro, Dept. of Art, Newcomb College, Tulane Universi­ that session before October I, 1980. ty, New Orleans, La. 70118. Reminders: (1) No one may participate in more than one session. (2) Participation in sessions in two successive years, while not prohib­ The Court Style in Thirteenth-Century France. Harvey Stahl, ited, is discouraged. (3) Abstracts may be submitted to more than one Art History Dept., Manhattanville College, Purchase, N.Y. 10577. specific topic session provided that the respective chairmen are in­ Papers should pertain to the definition, sources, or dissemination of formed of the multiple submission.
    [Show full text]
  • Welcome to Student Ballet 1 PLUS! from the Director's Desk
    301 North Harrison Street, Princeton, N.J. 08540 phone: (609)921-7758 fax: (609)921-3249 Photo: Horst Frankenberger Horst Photo: From the Director’s Desk Welcome to Student Ballet 1 PLUS! This link contains all of the information you need to register for 2016–2017 at Princeton Ballet School. Please be sure to read through each of these elements as you prepare to register; there is new information you will want to be aware of. Table of contents: • Student Ballet 1 PLUS information • Class schedule • Fees and registration information • Registration form • Student uniform order form (Giselle of Princeton) » Orders received after July 15 may not be available in time for the start of classes (more detailed information can be found on the order form) • Princeton Ballet School Handbook » Includes uniform requirements » Includes school calendar • Directions to our studios • Links to 2016 Summer Programs (located at the end of class schedules) • Preliminary NUTCRACKER audition information 2016 –2017 Schedule of Classes Student Ballet 1 PLUS Leotard color: MAROON. For more information see the handbook. Student Ballet 1 PLUS students must register for 3 classes from this list. STUDENT BALLET 1 PLUS: (choose three) LOCATION DAY TIME ROOM TEACHER CODE Cranbury Monday 4:15–5:45 p.m A Bellis CG+ 1 Princeton Tuesday 5:30–7:00 p.m. Orphanides (C) Levy PG+ 1 Wednesday 4:30–6:00 p.m. Orphanides (C) Mero PG+ 2 Friday 5:30–7:00 p.m. Orphanides (C) Bellis PG+ 3 -------------------------------------- INTERMEDIATE BALLET FOR BOYS: This class may be substituted for one of your three Student Ballet 1 PLUS classes, or taken as a fourth class at no additional charge.
    [Show full text]
  • "'Gone to Soldiers': Feminism and the Military in Israel." Israeli Family And
    ~~~ Related Interest ISRAELI FAMILY Gender and Israeli Society; Women's Time Hannah Naveh (cd.) AND COMMUNITY Israeli In Search lsabar and Settler Women's Time Replacing Ourselves; Gender, Place and Memory in the Modern}ewish Baumel and Tova Cohen New Women's Writing from Israel Risa Domb (ed.) Editor Israeli Historical Re~)isionism; From Left to Right Anita Shapira and Derek J. Penslar (eds.) HANNAHNAVEH Aviv University Double }eoj)ardy: Gender and the Holocaust Judith TV-dol' Baumel Irish Women's Diane UrCihart and Alan Hayes Gender, Colonialism and Educatirm: The Politics of /'i..-I;"r;","rro Goodman and lane Martin (eds.) ~ VALLENTINE MITCHELL LONDON • PORTLAND, OR This volume of essays by prominent researchers in Israeli history and society is the first of two interconnected volumes that engage in women's time in two modes: the first is that of recounting stories and histories of women, along with other marginalized groups, categories and classes, and placing them back into history; the second is that of applying a feminist gaze to the dominant order and reason to expose its policies of inc.lusion/exclusion. The studies in this volume illuminate the complex and multifaceted nature of issues of feminist concern, from the gendered aspects of historiography and national commemoration, to an emphasis on the heterogeneity of the body of Jewish women in Israel: while some may perceive the goal of stepping into the public sphere as the manifestation of women's interests and lights as a class, others, who do the same, regard their actions in compliance with national interests. Women's time is based on a procedure of resistance to self-evident truths and knowledge, which are too often constructed within the terms of androcentrism and patriarchy.
    [Show full text]
  • Untitled Pastel Crayons on Paper 40 X 56 Cm (16 X 22 In.) Signed Lower Left
    About your next sale About your sale Title of the sale Interiors 19 Place and date of the sale August 7, 2016| Tel Aviv Hours 7:00 pm Buyer Premium % 15% commission Place and Dates of the exhibition (before the sale) Matsart Tel Aviv Gallery 15 Frishman St. Tel Aviv Opening hours of the exhibition PREVIEW & AUCTION 15 Frishman St. Tel Aviv Sun-Thu 10 am - 6 pm Fri - 10 am - 3 pm Names of the valuators Oren Migdal / Lucien Krief Expert Email + number phone used by customers to ask you questions about the Alice Martinov-Levin sale [email protected] +972-2-625109 / +972-3-3810001 1 Yaacov Eisenberg 1897-1966 (Israeli) Jerusalem etching 11 x 24 cm (4 x 9 in.) signed and located 'Jerusalem' lower right Other Notes: Location: Israel. For estimated delivery time please contact us. $120-180 2 Menashe Kadishman 1932-2015 (Israeli) Motherland iron sculpture 33 x 60 x 12 cm (13 x 23 x 5 in.) signed Other Notes: Location: Israel. For estimated delivery time please contact us. $3,800-4,500 3 Hermann Struck 1876-1944 (Israeli) Landscape etching 13 x 9 cm (5 x 4 in.) signed lower left Other Notes: Location: Israel. For estimated delivery time please contact us. $75-85 4 Abel Pann 1883-1963 (Israeli, Latvian) Expulsion etching 83 x 66 cm (32 x 26 in.) signed lower right, titled lower left Other Notes: Location: Israel. For estimated delivery time please contact us. $750-850 1 5* Shmuel Charuvi 1897-1965 (Israeli) Kinneret, 1950 oil on canvas 34 x 51 cm (13 x 20 in.) signed and dated lower right Other Notes: Location: Israel.
    [Show full text]
  • Download Issue
    1 SSUSSUSSexex JewJewISHISH nnewewSS wHAt’S InSIde.... Freedom oF SPeeCH | wHAt IS SArId? | Centre For GermAn-JewISH StUdIeS ProGrAmme | wHAt’S on | And more november 2014 • CHeSHvAn / KISLev 5775 • ISSUe 246 Whats 2 Pause for thought 3 So there we all were, in bed… (Bet that caught your eye!) The Yom Tovim are over and so, it seems, the last of the summer sun for 2014. The weather changed and with it came the lurgies: the colds, the flu and even tonsillitis. Though we didn’t have much time to lie about and rest. Neither, it seems, does our community. Turn to page 20 and you’ll see just how busy we all are going to be. There we all were, in bed. (Bet that caught your eye!) And that’s a good thing. As we came out of our sickbeds, we realised that Cheshvan brings a return of everyday life and after a month of Holy Days plus an added Shabbat UK, a little normality is a good thing. See you around the community, enjoying the multitude of activities and events. EDITORIAL BOARD Doris Levinson / Stephanie Megitt SJN brings local news, events, articles, reviews, David Seidel/ Michael Rich announcements, people, congregations, TECHNICAL ADVISOR Brian Megitt communities, contacts and more. Delivered at the start of each month, SJN is run entirely by ADMINISTRATOR Bernard Swithern volunteers for reporting, editing and circulating Administrative Assistants Ivor Sorokin, Lydia Swithern each edition. It has become the cornerstone of COMMUNAL DIARY [email protected] the Jewish community across the region. COVER IMAGE Joe Davis
    [Show full text]
  • 2018 Annual Report
    Leading the way 2018 ANNUAL REPORT National Jewish Health The lungs are arguably the most important organ in the body. Humans can survive weeks without food and days without water, but only minutes without oxygen inhaled through the lungs. At National Jewish Health, we know that when you can’t breathe, nothing else matters. That is why we are leading the way to better breathing for all. CONTENTS Leadership Letter 3 Leading in Care 4 Leading in Education and Research 14 Collaborations 26 Financial Report 34 Faculty, Officers & Leaders 38 Giving 44 Events 54 Honor Role of Philanthropy 63 LEADING THE WAY 1 Michael Salem, MD, FACS Richard N. Baer President and CEO Chair, Board of Directors 2 National Jewish Health 2018 Leading the Way How do you become a leading institution? There are and translational research countless books and articles written about being a leader, scientists are pushing forward, but only a few organizations consistently lead the way. developing new ways to repair and regrow the lung. National Jewish Health work to help premature is the leading respiratory infants survive, thrive and Our flourishing and successful hospital in the nation, and develop. We also explain collaborations with other has been for 119 years. We how our work translates into health care institutions have led the way in research, meaningful change such as in Denver, New York and education and care, always aligning school schedules Philadelphia are leading the seeking to improve the lives with teenagers’ biology, so way toward development of of our patients. How was this learning improves.
    [Show full text]