Theme and Moral Values in “Closer Than Veins” by Outlandish
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Journal of Arts & Humanities
Journal of Arts & Humanities Constructing an ‘Outlandish’ Narrative of Self: The Role of Music in Muslim Experience Reem M Hilal1 ABSTRACT This paper explores the way in which Muslims, particularly those in the Diaspora, use music as an alternative medium to negotiate a narrative of self that reflects their performance of their faith and the issues that concern them. The focus will be on the music of the Danish based music group Outlandish. Specifically, music has become an important space to dismantle and reformulate discussions on identity and offers insight into the way language, religion, and resistance are deployed in a medium with increasing currency. Outlandish has garnered an international audience; through mediums such as YouTube, their music resonates with Muslims and other minority groups in the diaspora faced with similar issues of identification. This paper addresses the questions: how is music employed to construct narratives of self that challenge boundaries? How does music engage the issue of representation for those who face exclusion? How can their work be read in the contemporary setting where globalization has brought different cultural worldviews into contact, at times producing dialogue and constructive exchange and at other times leading to discernible violence, engendering a more pronounced sense of alienation and exclusion? Through their music, Outlandish expresses the ways in which what differentiates between people binds them through a process of recognition, to borrow from Judith Butler. Focusing on Outlandish’s music, I examine the role of music in the negotiation and construction of narratives of self by contemporary Muslims that counter those that have been constructed for and against them. -
Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Bookere/Managements Kontakt Kontaktmail Adresse Postnummer/By Hjemmeside Telefon Note
Bookere/managements Kontakt Kontaktmail Adresse Postnummer/by Hjemmeside Telefon Note Volbeat, L.O.C., Soleima, Thøger 3rd Tsunami Jesper Frydenlund [email protected] Ewaldsgade 9, 1 + 2 2200 København N www.3rd-tsunami.com 35348348 Dixgaard, Lord Siva m.fl. Mek Pek, Anna Spejlæg, Jan Alive Music APS Mek Falk/Adm. Direktør [email protected] Borggade 1, 2. TH. 8000 Aarhus C http://www.alivemusic.dk 70202208 Svarrer m.fl. Peter Sørensen, [email protected] Thomas Helmig, D.A.D., Tina Beatbox Booking Ravnsborggade 2, 1. sal 2200 København N http://beatboxbooking.dk 28810094 Dickow, Trentemøller, Choir Of Hans Emil Hansen [email protected] Young Believers m.fl. Koncertarrangør - primært Mads Sørensen & Xenia Nørrebrogade 52C, 3. http://www. Beatbox Entertainment info@beatboxentertainment 2200 København N koncerter & shows med Grigat TV beatboxentertainment.dk .dk internationale bands i DK Morten Elley [email protected] 70127722 Martin Rintza [email protected] 42365685 MØ, Chinah, Av Av Av, Rasmus http://www.birdseyeagency. Birdseye Sarah Sølvsteen [email protected] Kronprinsensgade 1 1114 København K 70127722 Walter, Phlake, Sekouia, dk Kellermensch, De Eneste To m.fl. Theis Smedegaard [email protected] 70127722 Nicolai Demuth [email protected] 28770677 Oh Land, Savage Rose, Nelson Bullet Booking Jesper Kemp [email protected] Kongelundsvej 88F 2300 København S http://bulletbooking.dk/ 20601145 Can, D/Troit m.fl. Carpark North, Alex Vargas, Anya, Copenhagen Music Rasmus Søby [email protected] Prags Boulevard 47 2300 København S http://cphmusic.dk 40741877 Lukas Graham, Saveus m.fl. Copenhagen Music Jimmi Riise [email protected] Ryesgade 12, 2 8000 Aarhus C Event booking & production rasmus@damsholt. -
My Voice Is My Weapon: Music, Nationalism, and the Poetics Of
MY VOICE IS MY WEAPON MY VOICE IS MY WEAPON Music, Nationalism, and the Poetics of Palestinian Resistance David A. McDonald Duke University Press ✹ Durham and London ✹ 2013 © 2013 Duke University Press All rights reserved Printed in the United States of America on acid- free paper ♾ Cover by Heather Hensley. Interior by Courtney Leigh Baker Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data McDonald, David A., 1976– My voice is my weapon : music, nationalism, and the poetics of Palestinian resistance / David A. McDonald. pages cm Includes bibliographical references and index. isbn 978-0-8223-5468-0 (cloth : alk. paper) isbn 978-0-8223-5479-6 (pbk. : alk. paper) 1. Palestinian Arabs—Music—History and criticism. 2. Music—Political aspects—Israel. 3. Music—Political aspects—Gaza Strip. 4. Music—Political aspects—West Bank. i. Title. ml3754.5.m33 2013 780.89′9274—dc23 2013012813 For Seamus Patrick McDonald Illustrations viii Note on Transliterations xi Note on Accessing Performance Videos xiii Acknowledgments xvii introduction ✹ 1 chapter 1. Nationalism, Belonging, and the Performativity of Resistance ✹ 17 chapter 2. Poets, Singers, and Songs ✹ 34 Voices in the Resistance Movement (1917–1967) chapter 3. Al- Naksa and the Emergence of Political Song (1967–1987) ✹ 78 chapter 4. The First Intifada and the Generation of Stones (1987–2000) ✹ 116 chapter 5. Revivals and New Arrivals ✹ 144 The al- Aqsa Intifada (2000–2010) CONTENTS chapter 6. “My Songs Can Reach the Whole Nation” ✹ 163 Baladna and Protest Song in Jordan chapter 7. Imprisonment and Exile ✹ 199 Negotiating Power and Resistance in Palestinian Protest Song chapter 8. -
What If Pakistan Fails? India Isn’T Worried
C. Raja Mohan What If Pakistan Fails? India Isn’t Worried ... Yet The issue of failed states has risen to the forefront of international relations in the last few years, with Pakistan widely considered as a potential case. The Indian establishment has closely followed U.S. debate over the prospect of Pakistan weakening and disintegrating. Although many Indians relish this thought, as it would weaken its historical adversary, few decisionmakers in New Delhi are convinced that the likelihood of this pros- pect lies just around the corner. India is currently in no rush to prepare for such a contingency. Some in New Delhi suspect that attempts to diagnose Pakistan with failed-state syndrome merely serve to perpetuate the long-standing alliance between Washington and Islamabad. Pakistani rulers have been adept at manipulating Washington’s fears of political uncertainty in their nation. At every stage, Washington tends to argue that the current regime in Islamabad is indeed indispensable and often advises New Delhi to ease up on immedi- ate disputes with its western neighbor. New Delhi recognizes Washington’s enduring political dependence on Islamabad, especially on Pakistan’s mili- tary, in order to pursue its political interests in south and southwest Asia. Washington’s decision, for whatever reason, to discretely handle the Abdul Qadeer Khan affair—the so-called father of the Pakistani bomb whose ex- tensive network of nuclear proliferation was unveiled earlier this year—con- firms New Delhi’s assessment that Washington will allow Islamabad to get away with anything. Washington declared Khan an individual offender and allowed the Pakistani government to pardon Khan rather than consider him part of a system in Pakistan that has deliberately promoted the spread of weapons of mass destruction. -
Sophie's World
Sophie’s World Jostien Gaarder Reviews: More praise for the international bestseller that has become “Europe’s oddball literary sensation of the decade” (New York Newsday) “A page-turner.” —Entertainment Weekly “First, think of a beginner’s guide to philosophy, written by a schoolteacher ... Next, imagine a fantasy novel— something like a modern-day version of Through the Looking Glass. Meld these disparate genres, and what do you get? Well, what you get is an improbable international bestseller ... a runaway hit... [a] tour deforce.” —Time “Compelling.” —Los Angeles Times “Its depth of learning, its intelligence and its totally original conception give it enormous magnetic appeal ... To be fully human, and to feel our continuity with 3,000 years of philosophical inquiry, we need to put ourselves in Sophie’s world.” —Boston Sunday Globe “Involving and often humorous.” —USA Today “In the adroit hands of Jostein Gaarder, the whole sweep of three millennia of Western philosophy is rendered as lively as a gossip column ... Literary sorcery of the first rank.” —Fort Worth Star-Telegram “A comprehensive history of Western philosophy as recounted to a 14-year-old Norwegian schoolgirl... The book will serve as a first-rate introduction to anyone who never took an introductory philosophy course, and as a pleasant refresher for those who have and have forgotten most of it... [Sophie’s mother] is a marvelous comic foil.” —Newsweek “Terrifically entertaining and imaginative ... I’ll read Sophie’s World again.” — Daily Mail “What is admirable in the novel is the utter unpretentious-ness of the philosophical lessons, the plain and workmanlike prose which manages to deliver Western philosophy in accounts that are crystal clear. -
Biografieën Van De Kandidaten Voor De Statutaire Verkiezingen
Gewone algemene vergadering van 17 mei 2021 Voorstelling van de kandidaten voor de statutaire verkiezingen + Uittreksel uit het verslag van de ondernemingsraad van 27 april 2021 Voorstelling van de kandidaten voor de statutaire verkiezingen (in alfabetische volgorde) Inhoudstafel > Bestuursorgaan 3 Yves Barbieux 4 Jo Casters 5 Pierre Gillet 6 Luc Gulinck 7 Jan Hautekiet 9 Rudy Leonet 11 Serge Ramaekers 13 Anthony Sinatra 15 Joannes Thuy 17 > College voor muziekrechten 19 Air Booster SRL (vertegenwoordigd door Frédéric Herbays) 20 Studio Entertainment BV (vertegenwoordigd door Petra Vonck) 21 Marie Warnant 23 > College voor toneel-, literaire en audiovisuele rechten en beeldende kunsten 25 Eva Cools 26 David Haremza 28 > Uittreksel uit het verslag van de ondernemingsraad van 27 april 2021 30 Gewone algemene vergadering • Sabam 17 mei 2021 • 2 > Bestuursorgaan Gewone algemene vergadering • Sabam 17 mei 2021 • 3 Yves Barbieux Op mijn zesde kreeg ik de smaak voor muziek te pakken. Niet dankzij de muziekacademie, die ik nooit heb afgemaakt (maar waar ik wel dwarsfluit leerde spelen en partituren leerde lezen). Maar wel als gevolg van de aankoop van een Bontempi-orgel: ofwel weet u niet waar ik het over heb, ofwel weet u het wel, en in beide gevallen raadt u wel dat ik geen jonge componist meer ben. Ik probeerde liedjes van Renaud en Brassens op het gehoor na te spelen en begon toen mijn eigen stukjes te schrijven. Later ontwikkelde ik een voorliefde voor Keltische muziek en dankzij mijn fluitopleiding kon ik vlot de Ierse fluiten en de doedelzak leren bespelen. Na een paar cafébandjes was mijn eerste serieuze © Béa Huart © Béa muzikale project 'Coïncidence', dat we met zes vrienden hebben opgestart tijdens onze studententijd in Louvain- La-Neuve. -
The Lost Towns of Honduras
William V. Davidson The Lost Towns of Honduras. Eight once-important places that dropped off the maps, with a concluding critical recapitulation of documents about the fictitious Ciudad Blanca of La Mosquitia. Printed for the author Memphis, Tennessee, USA 2017 i The Lost Towns of Honduras. ii In Recognition of the 100th Anniversary of the Honduran Myth of Ciudad Blanca – The last of the “great lost cities” that never was. Design by Andrew Bowen Davidson North Carolina State University Raleigh, North Carolina, USA Cover Photograph: Church ruin, Celilac Viejo By author 1994 All rights reserved Copyright © 2017 William V. Davidson Memphis, Tennessee, USA iii Table of Contents Table of Contents iv Preface v I. Introduction 1 II. Nueva Salamanca (1544-1559) 4 III. Elgueta (1564-1566) 20 IV. Teculucelo (1530s - 1590) 26 V. Cárcamo/Maitúm (1536-1632) 31 VI. Munguiche (1582-1662) 39 VII. Quesaltepeque (1536-1767) 45 VIII. Cayngala (1549-1814) 51 IX. Cururú (1536-1845) 56 X. Concluding Remarks 65 XI. Ciudad Blanca (1917-Never Was) 67 XII. Concluding Remarks 125 Bibliography 127 iv Preface Over the last half century my intention has been to insert a geographical perspective into the historical study of indigenous Honduras. Historical research, appropriately, focuses on "the what,” “the who," and "the when.” To many historians, "the where," the geographical component, is much less important, and, indeed, is sometimes overlooked. One of my students once reflected on the interplay of the two disciplines: “Historical geography, in contrast to history, focuses on locations before dates, places before personalities, distributions before events, and regions before eras. -
Musikselskaber 2012 – Tal Og Perspektiver?
MUSIK- SELSKABER 2012 tal og perspektiver Musikselskaber 2012 - tal og perspektiver s. 2 FOTO: sophie bech FORORD Det danske musikmarked er i rivende ud- Det betyder ikke, at alle udfordringer er for- vikling. Det viser tallene for 2012 tydeligere svundet som dug for solen, og at vi nu skal end et stjerneskud på en mørk nattehim- læne os selvtilfredse tilbage i stolen. Vi har mel. For første gang nogensinde er den digi- stadig en vigtig opgave med at skabe trans- tale omsætning for salg af indspillet musik parens, så de massive mængder data, digi- større end den fysiske. Og selvom vi også i taliseringen fører med sig, giver mening for 2012 oplevede et mindre fald i den samlede verden omkring os. Og så skal vi fortsætte omsætning, er det med blot 3 % tale om den med den progressive forbrugerorienterede mindste nedgang siden årtusindeskiftet. tilgang til det digitale marked, der er på vej til at bringe os ud af tusmørket og ind i en Hvad der imidlertid er endnu mere inte- ny spændende virkelighed. ressant, er de digitale vækstkurver, vi har set i det forgangne år. Indtægterne fra Vi er der ikke helt endnu, men målet er streamingtjenester som Spotify, WiMP og klart. Vi vil være med til at forme en bære- Play er næsten fordoblet i 2012, og de udgør dygtig fremtid hvor det, at vi forbruger og allerede nu en fjerdedel af musikselskaber- deler musik med hinanden, er positivt for nes samlede omsætning. Og vi er først lige både danske musikelskere, danske musik- begyndt. Samtidig fortsætter danskerne selskaber og danske musikere. -
Geographic Perspectives on Contemporary / Smooth Jazz
GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber. -
Media Pack 2013/14
MEDIA Flashback:PACK The Very Best of IMAGINATION2013 /14 THE FULL MEDIA CAMPAIGN COVERING RADIO, TV, PRINT, DIGITAL, SOCIAL MEDIA, LIVE PROMOTION & COMPETITIONS CONTENTS “ IMAGINATION Featuring Leee John” Flashback: The Very Best of 1. ALBUM PRESS RELEASE ReleaseD In The UK (Sony Music): 7th 2. LEEE JOHN BIOG October 2013 3. RADIO - NATIONAL 4. RADIO – REGIONAL & INDEPENDENT 5. TV 6. PRINT 7. DIGITAL 8. SOCIAL MEDIA 9. LIVE 10. TESTIMONIALS 11. COMPETITION PROMO 12. CONTACTS LEEE JOHN FIFTEEN ESSENTIAL TRACKS History records that Imagination had hits in no fewer than 28 countries worldwide. FEATURING: TWO NEW IMAGINATION TRACKS – THE FIRST IN OVER 25 YEARS In the UK alone, their proud record included five consecutive gold albums and five top ten hits, nine top 40s and an even dozen chart singles in total. At the height of One of the most unique, genre defining and flamboyant soul groups of the past three Imagination fever, as one of the most recognised groups on TV and stage, one tour decades Imagination will return on 7 October 2013 with Flashback: The Very Best of had them playing seven nights in a row at London’s Dominion Theatre. Imagination via Sony Music. Featuring 13 uplifting soul classics that helped cement Imagination’s dominance of the charts in the early 1980’s, the album also contains two The Imagination legacy continued in the form of samples and adaptations by other brilliant new Imagination tracks, the first recorded as Imagination in over 25 years. major contemporary stars. In 1998, on their self-titled debut album, Destiny’s Child (complete with Beyoncé), recorded Illusion, which quoted from ‘Just An Illusion’. -
President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue De La Loi 200 1049 Brussels Belgium
President Jean-Claude Juncker Wednesday, 29 June 2016 European Commission Rue de la Loi 200 1049 Brussels Belgium Re. Securing a sustainable future for the European music sector Dear President Juncker, As recording artists and songwriters from across Europe and artists who regularly perform in Europe, we believe passionately in the value of music. Music is fundamental to Europe’s culture. It enriches people’s lives and contributes significantly to our economies. This is a pivotal moment for music. Consumption is exploding. Fans are listening to more music than ever before. Consumers have unprecedented opportunities to access the music they love, whenever and wherever they want to do so. But the future is jeopardised by a substantial “value gap” caused by user upload services such as Google’s YouTube that are unfairly siphoning value away from the music community and its artists and songwriters. This situation is not just harming today’s recording artists and songwriters. It threatens the survival of the next generation of creators too, and the viability and the diversity of their work. The value gap undermines the rights and revenues of those who create, invest in and own music, and distorts the market place. This is because, while music consumption is at record highs, user upload services are misusing “safe harbour” exemptions. These protections were put in place two decades ago to help develop nascent digital start-ups, but today are being misapplied to corporations that distribute and monetise our works. Right now there is a unique opportunity for Europe’s leaders to address the value gap.