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Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Sophie's World
Sophie’s World Jostien Gaarder Reviews: More praise for the international bestseller that has become “Europe’s oddball literary sensation of the decade” (New York Newsday) “A page-turner.” —Entertainment Weekly “First, think of a beginner’s guide to philosophy, written by a schoolteacher ... Next, imagine a fantasy novel— something like a modern-day version of Through the Looking Glass. Meld these disparate genres, and what do you get? Well, what you get is an improbable international bestseller ... a runaway hit... [a] tour deforce.” —Time “Compelling.” —Los Angeles Times “Its depth of learning, its intelligence and its totally original conception give it enormous magnetic appeal ... To be fully human, and to feel our continuity with 3,000 years of philosophical inquiry, we need to put ourselves in Sophie’s world.” —Boston Sunday Globe “Involving and often humorous.” —USA Today “In the adroit hands of Jostein Gaarder, the whole sweep of three millennia of Western philosophy is rendered as lively as a gossip column ... Literary sorcery of the first rank.” —Fort Worth Star-Telegram “A comprehensive history of Western philosophy as recounted to a 14-year-old Norwegian schoolgirl... The book will serve as a first-rate introduction to anyone who never took an introductory philosophy course, and as a pleasant refresher for those who have and have forgotten most of it... [Sophie’s mother] is a marvelous comic foil.” —Newsweek “Terrifically entertaining and imaginative ... I’ll read Sophie’s World again.” — Daily Mail “What is admirable in the novel is the utter unpretentious-ness of the philosophical lessons, the plain and workmanlike prose which manages to deliver Western philosophy in accounts that are crystal clear. -
Biografieën Van De Kandidaten Voor De Statutaire Verkiezingen
Gewone algemene vergadering van 17 mei 2021 Voorstelling van de kandidaten voor de statutaire verkiezingen + Uittreksel uit het verslag van de ondernemingsraad van 27 april 2021 Voorstelling van de kandidaten voor de statutaire verkiezingen (in alfabetische volgorde) Inhoudstafel > Bestuursorgaan 3 Yves Barbieux 4 Jo Casters 5 Pierre Gillet 6 Luc Gulinck 7 Jan Hautekiet 9 Rudy Leonet 11 Serge Ramaekers 13 Anthony Sinatra 15 Joannes Thuy 17 > College voor muziekrechten 19 Air Booster SRL (vertegenwoordigd door Frédéric Herbays) 20 Studio Entertainment BV (vertegenwoordigd door Petra Vonck) 21 Marie Warnant 23 > College voor toneel-, literaire en audiovisuele rechten en beeldende kunsten 25 Eva Cools 26 David Haremza 28 > Uittreksel uit het verslag van de ondernemingsraad van 27 april 2021 30 Gewone algemene vergadering • Sabam 17 mei 2021 • 2 > Bestuursorgaan Gewone algemene vergadering • Sabam 17 mei 2021 • 3 Yves Barbieux Op mijn zesde kreeg ik de smaak voor muziek te pakken. Niet dankzij de muziekacademie, die ik nooit heb afgemaakt (maar waar ik wel dwarsfluit leerde spelen en partituren leerde lezen). Maar wel als gevolg van de aankoop van een Bontempi-orgel: ofwel weet u niet waar ik het over heb, ofwel weet u het wel, en in beide gevallen raadt u wel dat ik geen jonge componist meer ben. Ik probeerde liedjes van Renaud en Brassens op het gehoor na te spelen en begon toen mijn eigen stukjes te schrijven. Later ontwikkelde ik een voorliefde voor Keltische muziek en dankzij mijn fluitopleiding kon ik vlot de Ierse fluiten en de doedelzak leren bespelen. Na een paar cafébandjes was mijn eerste serieuze © Béa Huart © Béa muzikale project 'Coïncidence', dat we met zes vrienden hebben opgestart tijdens onze studententijd in Louvain- La-Neuve. -
Geographic Perspectives on Contemporary / Smooth Jazz
GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ By WILLIAM ROBERT FLYNN Bachelor of Music in Classical Guitar Performance California State University, Fullerton Fullerton, California 2000 Master of Applied Geography Texas State University San Marcos, Texas 2001 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY December, 2014 GEOGRAPHIC PERSPECTIVES ON CONTEMPORARY / SMOOTH JAZZ Dissertation Approved: Dr. G. Allen Finchum Dissertation Adviser Dr. Brad A. Bays Dr. Jonathan C. Comer Dr. Thomas Lanners Outside Committee Member ii ACKNOWLEDGEMENTS Completing this dissertation and my doctoral program at Oklahoma State University would not have been possible without the support of many people over the past ten years. I would like to start with my advisor and chair, Dr. Allen Finchum, who not only happens to share my interest in smooth jazz, but has always been there for me. One could not ask for a better mentor, as he was always so giving of his time, whether we were discussing my research, talking about my experiences as a graduate instructor, or him just taking an interest in my personal life. I feel blessed to have been able to work with such a special graduate committee, comprised of Dr. Jon Comer, Dr. Brad Bays, and Dr. Tom Lanners. Dr. Comer sparked my passion for quantitative methods and spatial analysis, and Dr. Bays taught my very first course at OSU, a wonderful and stimulating seminar in historical geography. With Dr. Lanners, I could not have asked for a better fit for my outside committee member, and I feel privileged to have been able to work with a musician of his caliber. -
Media Pack 2013/14
MEDIA Flashback:PACK The Very Best of IMAGINATION2013 /14 THE FULL MEDIA CAMPAIGN COVERING RADIO, TV, PRINT, DIGITAL, SOCIAL MEDIA, LIVE PROMOTION & COMPETITIONS CONTENTS “ IMAGINATION Featuring Leee John” Flashback: The Very Best of 1. ALBUM PRESS RELEASE ReleaseD In The UK (Sony Music): 7th 2. LEEE JOHN BIOG October 2013 3. RADIO - NATIONAL 4. RADIO – REGIONAL & INDEPENDENT 5. TV 6. PRINT 7. DIGITAL 8. SOCIAL MEDIA 9. LIVE 10. TESTIMONIALS 11. COMPETITION PROMO 12. CONTACTS LEEE JOHN FIFTEEN ESSENTIAL TRACKS History records that Imagination had hits in no fewer than 28 countries worldwide. FEATURING: TWO NEW IMAGINATION TRACKS – THE FIRST IN OVER 25 YEARS In the UK alone, their proud record included five consecutive gold albums and five top ten hits, nine top 40s and an even dozen chart singles in total. At the height of One of the most unique, genre defining and flamboyant soul groups of the past three Imagination fever, as one of the most recognised groups on TV and stage, one tour decades Imagination will return on 7 October 2013 with Flashback: The Very Best of had them playing seven nights in a row at London’s Dominion Theatre. Imagination via Sony Music. Featuring 13 uplifting soul classics that helped cement Imagination’s dominance of the charts in the early 1980’s, the album also contains two The Imagination legacy continued in the form of samples and adaptations by other brilliant new Imagination tracks, the first recorded as Imagination in over 25 years. major contemporary stars. In 1998, on their self-titled debut album, Destiny’s Child (complete with Beyoncé), recorded Illusion, which quoted from ‘Just An Illusion’. -
B.Z.N. Video Opnamen
BZN TV-LIJST 1966 – 2018 BZN TV SPECIALS BZN TV SPECIALS (1/13) No. Programma Datum Uit Liedjes Tijdsduur Bron 001a. Making a name / BZN in Frankrijk 02/09/77 In my heart (opgenomen in studio) + N1700 (TROS) Dreamin’ (opgenomen in studio) + Mon Amour (in Monaco) * + * (ook op DVD SINGLES COLLECTION) * (ook op DVD MOMENTS IN TIME) Montmartre (in Parijs Montmartre) + L’adieu (in Monaco/Nice, in Parijs bij Eiffeltoren en in de studio) + Sevilla (in de studio) (studio wrs. opgenomen op 27/08/77?) N.B. in deze special en clips heeft Anny d’r voet in het gips 23:21 001b. Making a name / BZN in Frankrijk 02/09/77 Mon Amour (in Monaco) Uit Beeld & (TROS) Montmartre (in Parijs Montmartre) Geluid Archief L’adieu (in Monaco/Nice, in Parijs bij Eiffeltoren, instrumental loopt langer door bij Eiffeltoren maar eind van het lied is zwart, waar de special teruggaat naar de studio) 11:27 002. You’re Welcome / BZN in Tenerife 15/06/78 Sailing + Play the mandoline + Uit TROS (TROS) Vive l’amour + Lady McCorey * Archief * (ook op DVD SINGLES COLLECTION) + Just take my hand + Don’t break my heart + Hey Mister 26:44 003. Summer Fantasy / BZN in Holland 16/08/79 Summernights + Drink the wine + N1700 (Hoorn / Middelie / Enkhuizen / 18/01/80 Oh me oh my + Dreamland + Scheveningen / Volendam) Marching on + Singing in the rain + (NCRV) A la campagne + interviews met de BZN leden over hun vroegere vak 25:41 004. Green Valleys / BZN in Schotland 27/09/80 Yellow rose + The valley + N1700 (NCRV) 20/06/81 Rockin’ the trolls * * (ook op DVD SINGLES COLLECTION) + May we always be together + Goodnight + Red balloon aftiteling origineel van onder naar boven, 24:45 aftiteling herh. -
An Arundel Tomb SUMMARY Instinctual to People: That Love Continues Even After We Die
Get hundreds more LitCharts at www.litcharts.com An Arundel Tomb SUMMARY instinctual to people: that love continues even after we die. The effigies of the earl and countess lie next to each other, their THEMES stone faces faded with time. Their medieval clothes have been rendered in stone as well: the man wears armor, while the woman is depicted as dressed in stiff cloth. The two small stone TIME AND IMPERMANENCE dogs at the couple's feet make the scene feel a little less Philip Larkin’s “An Arundel Tomb” is a complex poem serious. that—as the title suggests—uses observations of a The tomb is plain-looking, which makes sense given that it was tomb as its starting point. This tomb belongs to an earl and sculpted before the 1600s before the Baroque period of art countess from the 14th century. The poem takes a close and and architecture. There really isn't much to note about the unflinching look at the tension between what the tomb was tomb until you see that the earl is holding his empty left-hand intended to represent at the time of construction—the earl and glove in his right hand. And then you see, in a striking yet lovely countess’s importance and status—and the reality of how it has moment of surprise, that the earl's free hand is holding that of been perceived throughout the hundreds of years that followed. his wife. On the one hand, the tomb is an image of permanence: cast in The earl and countess would never have imagined lying like that stone, something of the earl and countess has, in a very literal for such a long time. -
Unlocking Her Diary: the “Confessional” in U.S
Vassar College Digital Window @ Vassar Senior Capstone Projects 2020 Unlocking her diary: the “Confessional” in U.S. female singer- songwriting of the 1990s Leah Cates Vassar College Follow this and additional works at: https://digitalwindow.vassar.edu/senior_capstone Recommended Citation Cates, Leah, "Unlocking her diary: the “Confessional” in U.S. female singer-songwriting of the 1990s" (2020). Senior Capstone Projects. 967. https://digitalwindow.vassar.edu/senior_capstone/967 This Open Access is brought to you for free and open access by Digital Window @ Vassar. It has been accepted for inclusion in Senior Capstone Projects by an authorized administrator of Digital Window @ Vassar. For more information, please contact [email protected]. Unlocking Her Diary: The “Confessional” in U.S. Female Singer-Songwriting of the 1990s Leah Cates Vassar College April 24, 2020 Table of Contents Introduction The Personal is Powerful: Reclaiming Relegation to the Confessional Realm Chapter 1 “Every time I see your face / I get all wet between my legs”: Revealing the Reality of Female Sexual Desire Chapter 2 “Yes, I wore a slinky red thing / Does that mean I should spread?”: Unmasking Sexual Violence and Resisting Rape Culture Chapter 3 “The child in her womb can hear the tears / That the Black man cries”: Redefining Beauty Standards and Inviting Men to Girl World Conclusion Confessional Diary as Protest Anthem: The Legacy of 1990s Female Singer-Songwriters Content Warning: This thesis discusses sexual violence, including rape, sexual assault, -
Assemblée Générale Ordinaire Du 17 Mai 2021
AssembléeAssemblée générale ordinaire du 17 mai 2021 Présentation des candidat.e.s aux élections statutaires + Extrait du procès-verbal du conseil d’entreprise du 27 avril 2021 Présentation des candidat.e.s pour les élections statutaires (par ordre alphabétique) Sommaire > L’organe d’administration 3 Yves Barbieux 4 Jo Casters 5 Pierre Gillet 6 Luc Gulinck 7 Jan Hautekiet 9 Rudy Leonet 11 Serge Ramaekers 13 Anthony Sinatra 15 Joannes Thuy 17 > Collège des droits musicaux 19 Air Booster SRL (représentée par Frédéric Herbays) 20 Studio Entertainment BV (représentée par Petra Vonck) 21 Marie Warnant 23 > Collège des droits dramatiques, littéraires, audiovisuels et arts visuels 25 Eva Cools 26 David Haremza 28 > Extrait du procès-verbal du conseil d’entreprise du 27 avril 2021 30 Assemblée générale ordinaire • Sabam 17 mai 2021 • 2 > Organe d’administration Assemblée générale ordinaire • Sabam 17 mai 2021 • 3 Yves Barbieux C’est à l’âge de six ans que j’ai pris goût à la musique. Non pas grâce à l’académie de musique que je n’ai jamais terminée (mais qui m’a permis d’apprendre la flûte traversière et de pouvoir lire des partitions). Mais bien suite à l’achat d’un orgue Bontempi : soit vous ne savez pas de quoi je parle, soit vous savez et dans les deux cas, vous devinez que je ne suis plus un jeune compositeur. A l’oreille, j’ai essayé de reproduire des chansons de Renaud et de Brassens et j’ai commencé à écrire mes propres morceaux. Plus tard, j’ai pris goût à la musique celtique et mon apprentissage de la flûte m’a permis d’apprendre facilement les flûtes irlandaises et la cornemuse. -
ABOUT the POET and HIS POETRY William Blake
ABOUT THE POET AND HIS POETRY William Blake William Blake was born in London on November 28, 1757, to James, a hosier, and Catherine Blake. Two of his six siblings died in infancy. From early childhood, Blake spoke of having visions—at four he saw God ―put his head to the window‖; around age nine, while walking dathrough the countryside, he saw a tree filled with angels. Although his parents tried to discourage him from ―lying," they did observe that he was different from his peers and did not force him to attend conventional school. He learned to read and write at home. At age ten, Blake expressed a wish to become a painter, so his parents sent him to drawing school. Two years later, Blake began writing poetry. When he turned fourteen, he apprenticed with an engraver because art school proved too costly. One of Blake‘s assignments as apprentice was to sketch the tombs at Westminster Abbey, exposing him to a variety of Gothic styles from which he would draw inspiration throughout his career. After his seven-year term ended, he studied briefly at the Royal Academy. In 1782, he married an illiterate woman named Catherine Boucher. Blake taught her to read and to write, and also instructed her in draftsmanship. Later, she helped him print the illuminated poetry for which he is remembered today; the couple had no children. In 1784 he set up a printshop with a friend and former fellow apprentice, James Parker, but this venture failed after several years. For the remainder of his life, Blake made a meager living as an engraver and illustrator for books and magazines. -
Top 10 Forever.' the Album Is Obviously Des-Still Strong, Ranging from the Hypno-Becherian Tined for a Long Run in the Best Sellers
ALBUM REVIEWS Covay's funky 'Letter Full Of Tears'built around sharp, stabbingorSHAKIN' PYRAMIDS:Celts and and the bluesy 'This Night Won't Lastflowing guitar lines. The material isCobras (Virgin V2216) Prod: Roger Top 10 Forever.' The album is obviously des-still strong, ranging from the hypno-Becherian tined for a long run in the best sellers. tic 'Days On The Mountain' (the ROLLING STONES: Still Life (Amer- The Scottish trio that seem to be able current 12 -inch single) and 'ClearIt ican Concert 1981) (Rolling Stones to play anywhere from a market square CUN 39115) Prod: Glimmer Twins Away' to the haunting and slowerto a concert hall have made a debut titletrack and current 7 -inch single The Stones' timely release of the best Top 40 album that shows of their versatility in 'Postcard From Waterloo'. Devotees R&B cuts from the recent American) the rock 'n' roll stakes and should win tour certainly makes the best of theVARIOUS: Hit List (Warwick WWwill again devour and adore, but it isthem many friends. The Pyramids hard to see any real chart success cavernous acoustics available at the5123) Prod: Various have called in a fair number of rocking giant stadia they played last year, andFor the price of a 20 -track hits compila-despite 'Waterloo's' melodic andsession persons to add to the basic tion, Warwick has decided to extendcommercial strength and the factsound, and throw in some interesting provides a good idea of what British that Virgin will be fully behind the audiences are hearing on the Britishthe 'twofer' concept to throw in a 45 covers as well as showcasing their artist. -
Spyro Gyra, Euge Groove, Roy Ayers,Lonnie Liston Smith, Ronnie
120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org For Immediate Release: Media Contact: Jason Nichols E: [email protected] P: 757-441-2345 Spyro Gyra, Euge Groove, Roy Ayers,Lonnie Liston Smith, Ronnie Laws, Tom Browne, Pieces of a Dream, and Najee Performing Live in Concert at the 2017 Norfolk Waterfront Jazz Festival Hampton Roads’ longest running outdoor Jazz Festival! Norfolk, Virginia (February 7, 2017) –Norfolk Festevents announces National recording artists Spyro Gyra, Euge Groove, Roy Ayers, Lonnie Liston Smith, Ronnie Laws, Tom Browne, Pieces of a Dream, and Najee to appear live in concert at the 35th Annual Norfolk Waterfront Jazz Festival at Town Point Park, along the Downtown Norfolk Waterfront, Virginia. Scheduled to perform live in concert on Friday, July 14, 2017, are Pieces of a Dream and Najee. Scheduled to perform on Saturday, July 15, 2017, are Euge Groove, Spryo Gyra, Roy Ayers, Lonnie Liston Smith, Ronnie Laws, and Tom Browne. A special guest headliner is to be announced for Friday, July 14, 2017 in the coming days. 120 W. Main Street, Norfolk, VA 23510 • Phone (757) 441-2345 • Fax (757) 441-5198 • festevents.org The 35th Annual Norfolk Waterfront Jazz Festival returns for two nights along the Downtown Norfolk Waterfront, Friday, July 14th and Saturday, July 15, 2017, 5pm-11pm each day. Hampton Roads’ longest running outdoor Jazz Festival featuring legendary sounds of top National Smooth Jazz and R&B Recording Artists. In its’ 35th year, this effervescent Jazz Festival is sure to be exciting with this amazing line up.