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Modernization of Asian Theatres, 258 Index

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Modernization of Asian Theatres, 258 Index Index A Bangsawan, 88–90, 94, 227–237 Abhinaya, 117 Beijing opera, 5, 42, 104, 109, 129, 130, 132, Abhjnan Shankuntalam, 120 136, 141, 143, 151, 160 Adaptations, 10, 15, 19–21, 27, 69, 71, 74, 88, Bharat Muni, 117 116, 129, 130, 132, 135, 140–142, 147, Boria, 87 153, 154, 157, 158, 160–163, 169, 206, Both Are Timid Guys, 147 242, 243 Brecht, 75, 129, 139, 142, 187, 189, 190, A Doll’s House, 19, 21, 34, 47, 139 192, 199 Agha Hashra Kashmiri, 123 Bungakuza, 241, 242, 246 Ahārya Abhinaya, 119 Alterity, 185–188, 190–191 Ambiguity, 188–190 C Amir Khusro, 115 Cai Zengjie, 158 Another self, 192–196, 198 Cantonese opera, 78, 80, 104 Antonin Artaud, 187, 189 Cao Yu, 49, 153–156, 159, 162 A Pure Evening Feast (Chunjie de yeyan), Cathay Theatre, 154 155–157 Chang Wo-chun (1902–1955), 44 Arth, 118 Charles Wilkes (1798 – 1877), 103 Arts Theatre of Singapore Chen Duxiu 陳獨秀, 66, 81 (新加坡艺术剧场), 112 Cheng Yanqiu, 160 The Association of Earth and Moon Cheung Wai-yin (張維賢, 1905–1977), 42, (Towolhoe: 土月會 1923-1932), 28 44–46, 50–52, 54, 56 The Association of Theatre Arts Chinese Artistic Theatre Society (Zhongguo (Keugyesul Hyophoe: 劇藝術協會 yishu jushe), 155 1920-1923), 28 Chinese Books and Magazines Corporation Astor Theatre 普慶戲院, 80 (Zhongguo tushu zazhi gongsi), 158 Asuras, 118 Chinese calligraphy, 132, 176 A third eye, 200–201 Chinese Theatre Movements (The), 150 Avant-garde experimental theatre, 141 Chinese tight dresses (旗袍Chi Pao), 134 Ayurveda, 117, 120 Chitose Beiha (1855–1918), 16 Chokun Tamagusuku (1684–1734), 204, 245 Chunliu she 春柳社 (Spring Willow Society), B 145, 165 Bae Guja (裵龜子:1905-2003), 36 Chunyang she 春陽社 (Spring Sunshine Baihua (vernacular language), 157 Society), 70 Bangsal, 87 © The Editor(s) and, if applicable, The Author(s) 2019 257 Y. Nagata, R. Chaturvedi (eds.), Modernization of Asian Theatres, https://doi.org/10.1007/978-981-13-6046-6 258 Index Civilization New-Drama Troupe (开明新剧 G 团), 109 Gabogeongjang (The Joson’s Modern Classic period, 116 Reformation), 23, 24 Classical, 13, 14, 74, 81, 89, 119, 120, 124, Gailiang xiju zhi jihua (改良戲劇之計畫), 76 130, 142, 147, 166, 168, 186–188, 190, Gao Xingjian, 185–201 205, 218, 245, 248, 252 Genealogy of Kumiodori, 203–224 Classics, 33, 71, 129–143, 171–178, 182, 187, Gilt (Du jin), 153–155 194, 204, 206, 209, 211, 212, 215, 218, Girish Chand Ghosh, 122 219, 239, 248 Global, 129, 133, 140–142 Comic romance, 138–139 Globalization, 83, 130, 142 The Contemporary Legend Theater, 133 Grammar (Wenfa) (The), 160 Conventional Drama Training Center Great National Company, 121 (正劇傳習所), 45 Guan Xinyi (关新艺), 112 Gubbi Theatre Company, 121 Guo Lantian, 154 D Gwangdae (Korean actors before Dabus, 87 modernization), 25 Daily of the Republic (Minguo Ribao), 157 Dasrupak, 120 Datong Corporation, 157 H Dharma, 118 Hainanese opera, 104 Dialectics, 109, 116, 129, 143 Hakka opera, 141 DiaoRujun, 159, 160 Ham Seduk (咸世德:1915-1950), 32 Dikir barat, 87 Hamlet, 59, 98, 207, 224, 244 Dinner (Wancan), 156 Hanabusa Ryugai (1872–1906), 20 Displacement, 190 Hanamichi, 12–14, 210, 218 Drain Inspector’s Report, 123 Henan Bangzi, 141 Dramatic Performance Act, 122, 124 Heopyeulsa (協律社), 25, 26 History of French Literature, 149, 150 History of Mr. Bolisong’s Travel (Bolisong E xiansheng de lüxing ji) (The), 158 Eastern Times (Shibao) (The), 147 Hokkien opera, 104 Edward Said, 133, 140 Homogenizing, 142 Engeki-kairyo-kai (Theatre Reform Hong Haesong (洪海星:1893–1957), 31, 33, Society), 13 34, 36 Essays on Theatre, 146 Hong Shen 洪深, 72 Eugene Labiche, 145–162 Hou Yao, 49, 56 Eugene Sribe, 146 Huajiju (burlesque), 147, 148 Evolution Society 進化團, 73, 74, 77 Huaju (spoken drama), 64, 151, 183, 188 Experimental drama, 252 Huaju 話劇, 64, 151, 165, 166, 183, 188 108 Heroes: Tales from Water Margin, 129–133 F Hu Shi, 56, 60, 81, 82, 145, 146, Fake with Joy (Huan tian xi di), 157 152, 156 Fashions, 2, 76, 142 Hyun Chul (玄哲:1891∼1965), KAPF Fifth Veda, 117 (Korea Artista Proleta Federatio Five methods 五法 (hands, eyes, heart, in Esperanto), 29, 30 footwork, methodology), 132 Foucault, M., 136, 187 Four Gon-Fu 四功 (singing, reciting, acting, I fighting), 132 Ibsen, 4, 19–22, 31, 34, 47, 51, 58, 81, 95, French Literature ABC, 149 138, 139, 145–148 Freud’s Interpretation of Dreams, 136 Ichikawa Danjuro IX (1838–1903), 12–14 Fukuchi Ochi (1841–1906), 14–20 Ichikawa Kumehachi (1846–1913), 16 Index 259 Ideologies of the Raj, 122 La Poudre aux yeux (Sands Bewildering Iha Fuyū, 208, 209, 215, 222, 245 People’s Eyes), 150–159, 162 Ihm Sunggu (林聖九) (1887–1921), 26, 27 Law Grass Society (Qiancaoshe), 157 Ii Yoho (1871–1932), 15 Le Chapeau de paille d’Italie (The Italian I-Lien Drama Society (艺联剧团), 113 Straw Hat), 151 Intercultural theatre, 129, 130, 136, 139–142 Lee Gisae (李基世:1890?–1930?), 27 Ito Hirobumi (1841–1909), 11–14, 17 Lee Kwangrae (李光來:1908–1968), Izawa Shuji (1851–1917), 10 32, 34 Le Voyage de Monsieur Perrichon, 157–162 Lin Chen (林晨), 112 J Little Theater Movement, 46 Jaejakgughoe (制作劇會), 37 Liu Musen, 158, 159 Jean Giraudoux, 247, 248 Liu Renxin (刘仁心), 112 Jianhe 健鶴, 76 Liveness, 143 Jing Qian (静倩), 111 Li Xinke (李星可), 112 Jingju, 130, 132, 142, 167, 169, 179 Local, 14, 26, 36, 45, 75, 77, 78, 83, Jonas Daniel Vaughan (1825–1891), 87, 88, 105, 106, 109–112, 122, 103, 104 129, 130, 132, 141, 143, 153, 207, Journey to the West, 140 228, 229 Junji Kinoshita, 239 Lokdharmi tradition, 124 Lord McCauley, 121 Lu Jingruo 陸鏡若, 71 K Luo Dazhang (罗大章), 112 Kaiming yanju wui 開明演劇會 (Liberal Lu Xun (鲁迅), 188 plays-performing club), 67 Kalam Hamidi (Oct. 24,1936-), 90, 92, 93 Kalidasa, 120 M Kamakiri-za (螳螂座), 57 Macbeth, 223, 224 Kaoru Morimoto (1912–1946), 239–252 Mahabharata, 87, 116, 139 Kaoru Osanai, 46, 52, 58, 59 Main peteri, 87 Kathakali, 141 Makyung, 87 Kawakami Otojiro (1864–1911), 15, 19, 21, Manyo-shu, 245 42, 206, 207 Measure for Measure, 129–143 Kawatake Mokuami (1816–93), 13 Menora, 87, 232 Keechak Vadha, 123 Metamorphosis, 101–113 Kim Jarim (1926–1994), 37 Mianzi (face), 161 Kim Jinsoo (金鎭壽:1909–1966), 32 Michel Foucault’s Discipline and Kim Wujin (金祐鎭:1897–1926), 28, 29, 31 Punish, 136 Kim Youngpal (1904-?), 30 Michio Kato (1918-1953), 239–252 King Lear, 141 Ming Fong Theatrical Company (民烽劇團), Kirloskar Sangeet Natak Mandal, 121 46, 50–52, 56, 58 Krida, 118 Ming Fong Theatrical Study Group (民烽演劇 Kuda kepang, 87 研究會), 46 Kudeken Baychin, 242 Modernity, 2–4, 6, 9, 12, 41, 101–113, 115, Kumiodori, 203–224 116, 118–124, 141, 148, 151, 167, Kuo Pao Kun (郭宝琨) (1932–2002), 113 185–201, 227 Modernization, 1, 9–38, 63, 64, 68, 76, 83, 87, 115–124, 129, 133, 147, 148, 150, L 165–183, 185–186, 203, 205, 207, 212, Lacan’s psychoanalysis, 136 215, 217, 239, 241 Lady of the Camellias (The), 145, 150 Modern-Spoken-Chinese New Drama Society La Fontaine, 159 (白话新剧社), 107, 109 La Jeunesse (Xin qingnian), 60, 81, 82, 145, Modern-Spoken-Chinese Theatre Company 147, 148 (仁声白话剧社), 108, 110 260 Index Modern theatre, 1, 4–6, 13, 20, 32, 37, 38, 70, P 88, 99, 121, 124, 146, 147, 150, 151, Pan Chuanlin, 157 153, 154, 156, 162, 188, 211, 227, 228 Park Hyunsuk (1926-present), 37 Monthly Magazine of Novel Park SeungHee (朴勝喜:1901-1964), 28, (Xiaoshuoyuebao), 149 29, 38 Mori Ogai (1862–1922), 13, 18, 21 Parsi theatre, 120–124, 228, 229, 236 Morita Kan’ya (1846–1897), 11 Peacock Screen (Kongque ping), 160, 161 Mubiaoxi 幕表戲 (synopsis play), 74 Peking opera, 67, 69, 72, 79, 132, 192, 199 Mustapha Kamil Yassin, 89, 90, 94–96, 98 People’s Theatre, Cha Bumsuk (1924-2006), Muwaixi 幕外戲 (interludes), 71, 74, 89, 28, 36–38, 152, 214 90, 232 Perception, 5, 45, 76, 83, 92, 119, 185–201 Performance studies, 129, 132, 142 Peter Brook, 88, 139, 191 N Pioneer of Literature and Arts (Wenyixianfeng) Nakamura Nakazo III (1809–86), 11 (The), 156, 160 Nakamura Sojuro (1835–89), 11 Popular Modern-Spoken-Chinese Theatre Nanyang new drama (南洋新剧), 111 Company (通俗白话剧团), 108 National College of Dramatic Arts, 153, Prayog, 118 156, 159 Problem plays, 138–139, 147, 154 National tradition, 142 Psychoanalysis, 136 National Wind & Fantasy Scenery Ensemble (国风幻景班), 107 Natyashastra, 117, 119, 120 Q Neel Darpan (Indigo Mirror), 122 Qingping Theatre 清平戲院, 80 Neutral actor, 192–201 Quju (amusing play), 157 New Culture Movement (China), 109, 145 Qu Yuan 『屈原』( ), 47, 60 New Drama Comrades Society 新劇同志會 (Xinjutongzhihui), 71 New Moon (Xinyue), 152, 154 R New Moon Bookstore Race Between the Tortoise and the Hare (Xinyueshudian), 152 (Guitujingzou) (The), 159 New Moon Society (Xinyueshe), 152 Ramayana, 87, 116 New North (Xin Beifang), 158 Randai, 87 New People Society 新民社, 73 Reality, 32, 63, 109, 111, 113, 124, 136, 140, Nihon engei kyokai (Japan Performing Arts 153, 183, 186, 188, 191 Society), 18 Records of the Grand Historian (Shiji), 147 No Name Society (Weiming she), 158 Retheatricalization, 130, 133–134, 136, Nostalgia, 142 141, 142 Rodat, 87 Ryoujin-za (獵人座), 46, 56 O Ryukyu history plays, 208, 214 Okinawan drama, 205, 211 Ryukyu kageki (opera), 204, 211, 215–220 Okinawan identity, 208, 209 Okinawa-shibai (play), 203, 223 Onnagata, 13, 14, 214, 216, 229 S Onoe Kikugoro V (1844–1903), 11 Saba, 87, 230 Orientalism, 133, 140, 209 Sada-yakko (1872–1946), 12, 19 The Oriental Theatre (Dongyang Keukjang: Sa-mil Theatre (「三一劇場」), 52 東洋劇場), 36 Sandiwara plays, 89, 94 The Orphan of Zhao (赵氏孤儿), 185 Sands Bewildering People’s Eyes (Miyan de Original Theatrical Company, 121 shazi), 147, 156 The “Other”, 97, 140, 195 Satyendra Nath Tagore, 122 Ouyang Yuqian 歐陽予倩, 64, 68, 69, 71, 73, Seng Kong Theatrical Study Group (星光演劇 76, 145, 156 研究會), 44–46, 50, 56 Index 261 Senior Celebrity Goodwill Society Takarazuka, 239, 240 (耆音善社), 106 The Tale of the Bamboo Cutter, 247 Seth Pestonji Framji, 121 The Tale of the Bamboo-Cutter, 247, 248, Shaharom Husain (Nov.
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