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Super Bowl Advertisers Embrace Diversity
SUPER BOWL ADVERTISERS EMBRACE DIVERSITY... CAUTIOUSLY Big Game marketers look to better represent women and minorities without offending anyone By Jeanine Poggi This year’s crop of Super Bowl commercials will feature two drag queens, an all-female cast, Ellen DeGeneres and her wife, and a “Queer Eye” guy. It's a step in better representing modern society by casting more diverse ethnicities, lifestyles and cultural perspectives in the Big Game. It’s an effort that shouldn’t further fracture a divided nation, but Sabra Chief Marketing Officer Jason Levine says, “Inclusive Credit: Illustration by Tam Nguyen marketing, even under the best intentions, can find itself feeding into the divisiveness of the country.” And if there is one goal nearly all Super …of the celebrities that appeared Bowl LIV advertisers have, it’s to not alienate a particular group or political in Super Bowl LIII commercials, ideology. 25 were male while just 13 were female, according to data from To that end, those who are at least attempting to recast Super Bowl E-Poll Market Research. commercials, which historically have not been friendly to women or minorities, are doing so in the least controversial way possible--—by cushioning them with humor. Making space For its second consecutive Super Bowl ad, Olay was inspired by shows like Amazon’s “The Marvelous Mrs. Maisel” and “Fleabag” in its effort to depict women in roles typically held by men, especially in the fields of science and technology. Starring an all-female cast of celebrities, including YouTuber Lilly Singh, comedian Busy Philipps, Taraji P. -
15.8.2014 15,894 Brand Name (In Chinese) 品牌名稱(中文) Product
Generation Date: 15.8.2014 List of Small Volume Exemption Products 已獲小量豁免產品名單 Total Number of SVE products: 15,894 (已獲小量豁免產品總數): Brand Name (in Product Name (in Chinese) Brand Name (in English) Product Name (in English) Exemption End Date Effective Date for Exemption No. Chinese) 產品名稱 (中文) 品牌名稱 (英文) 產品名稱 (英文) (豁免終止日期) Revocation of (豁免編號) 品牌名稱 (中文) Exemption (豁免撤銷生效日期) Nil Nil Nil Sanko Rice Roll with Seaweed 2015/07/31 N/A 14-007124 Nil Nil Nil Sanko Rice Cracker - Castard 2015/07/31 N/A 14-007123 Nil Nil Nil Wonderland Panda - Choco Ball 2015/07/31 N/A 14-007083 Nil Nil Nil Wonderland Candy - Animal Assort 2015/07/31 N/A 14-007082 Nil Nil Nil Asahi Ice Limone 2015/07/31 N/A 14-007081 Nil Nil Nil Asahi Ice Grapefruit 2015/07/31 N/A 14-007079 Nil Nil Nil MARUESU SNACK - WASABI SOY SAUCE TASTE 2015/07/31 N/A 14-007078 Nil Nil Nil MARUESU SNACK - HOKKAIDO CHEESE TASTE 2015/07/31 N/A 14-007072 Nil Nil Nil KASUGAI BEACH SODA CANDY 2015/07/31 N/A 14-007071 Nil Nil Nil Nissin Corn Flakes 2015/07/31 N/A 14-007070 Nil Nil Nil MARUESU SNACK - MAYONNAISE TASTE 2015/07/31 N/A 14-007069 Nil Nil Nil KASUGAI UME AME 2015/07/31 N/A 14-007068 Nil Nil Nil Bonchi Wheat Snack - Seaweed 2015/07/31 N/A 14-007067 Nil Nil Nil Bonchi Wheat Snack - Spicy 2015/07/31 N/A 14-007066 Nil Nil Nil Kasugai Gummy Candy - Muscat Flavor 2015/07/31 N/A 14-007065 Nil Nil Nil Kasugai Gummy Candy - Grape Flavor 2015/07/31 N/A 14-007064 Nil Nil Nil Kasugai Gummy Candy - Peach Flavor 2015/07/31 N/A 14-007063 Nil Nil Nil Bonchi Rice Snack 2015/07/31 N/A 14-007062 Nil Nil Nil Nissin -
The Hunger Games: an Indictment of Reality Television
The Hunger Games: An Indictment of Reality Television An ELA Performance Task The Hunger Games and Reality Television Introductory Classroom Activity (30 minutes) Have students sit in small groups of about 4-5 people. Each group should have someone to record their discussion and someone who will report out orally for the group. Present on a projector the video clip drawing comparisons between The Hunger Games and shows currently on Reality TV: (http://www.youtube.com/watch?v=wdmOwt77D2g) After watching the video clip, ask each group recorder to create two columns on a piece of paper. In one column, the group will list recent or current reality television shows that have similarities to the way reality television is portrayed in The Hunger Games. In the second column, list or explain some of those similarities. To clarify this assignment, ask the following two questions: 1. What are the rules that have been set up for The Hunger Games, particularly those that are intended to appeal to the television audience? 2. Are there any shows currently or recently on television that use similar rules or elements to draw a larger audience? Allow about 5 to 10 minutes for students to work in their small groups to complete their lists. Have students report out on their group work, starting with question #1. Repeat the report out process with question #2. Discuss as a large group the following questions: 1. The narrator in the video clip suggests that entertainments like The Hunger Games “desensitize us” to violence. How true do you think this is? 2. -
Fatima Mechtab, There Is Only One Remedy: More Mocktails!
MyGayToronto.com - Issue #45 - April 2017 Photo by Chris Teel - christeel.ca My Gay Toronto page: 1 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 2 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 3 MyGayToronto.com - Issue #45 - April 2017 My Gay Toronto page: 4 MyGayToronto.com - Issue #45 - April 2017 Alaska Thunderfuck and Bianca Del Rio werq the queens who Werq the World RAYMOND HELKIO Queens Werq the World is coming to the Danforth Music Hall on Friday May 26, 2017. Get your tickets early because a show this epic only comes around once in a while. Alaska Thunderfuck, Alys- sa Edwards, Detox, Latrice Royale and Shangela, plus from season nine of RuPaul’s Drag Race, Aja, Peppermint, Sasha Velour and Trinity Taylor. Shangela recently told Gay Times Magazine “This is the most outrageous and talented collection of queens that have ever toured together. We’re calling this the Werq the World tour because that’s exactly what these Drag Race stars will be doing for fans: Werqing like they’ve never Werqued it before!” I caught up with Alaska and Bianca to get the dish on the upcoming show and the state of drag. My Gay Toronto page: 5 MyGayToronto.com - Issue #45 - April 2017 What is the most loving thing you’ve ever seen another contestant on RDR do? Alaska: Well I do have to say, when I saw Bianca hand over her extra waist cincher to Adore, I was very mesmerized by the compassion of one queen helping out another, and Drag Race is such a competitive competition and you always want the upper hand, I think that was so mething so genuine and special. -
“Rupaul's Drag Race” Season Nine Premiere!
FOR IMMEDIATE RELEASE: SOUTH FLORIDA’S VERY OWN THE GRAND RESORT AND SPA IS A NEW PROUD SPONSOR OF VH1’S “RUPAUL'S DRAG RACE” SEASON NINE PREMIERE! FORT LAUDERDALE, FL – Saturday, March 25, 2017: RuPaul’s Drag Race kicked off their season nine premiere on VH1 on Friday, March 24th at 8:00 pm EST. During its first episode, Emmy Awarder Winner, RuPaul awarded contestant, Nina Bo’nina Brown, a trip to Fort Lauderdale Beach’s, The Grand Resort and Spa. The prize included a one week stay, for two, in the 2 bedroom, 2 bathroom Grand Penthouse that boasts an 800 square foot private, ocean view terrace with a Jacuzzi and outdoor shower. Also included in this prize package will be airfare for two, and a complimentary massage and facial. The total prize value of $6,000. Casey Koslowski, Proprietor of The Grand, states that he looks forward to seeing Nina and his guest, at his award- winning spa-resort and sunning themselves on Fort Lauderdale Beach very soon! The Grand Resort and Spa is Fort Lauderdale’s premiere gay-owned and operated men’s spa- resort that first opened in 1999. With 33 well-appointed rooms and suites, it is located just steps from the beach and convenient to all of Fort Lauderdale’s attractions and nightlife. As Fort Lauderdale’s first gay resort with its own full-service day spa and hair studio, they offer guests an experience that is unique and wonderfully indulgent. From a relaxing Swedish massage to a haircut before your night on the town, the talented staff can accommodate all your needs – guaranteed to “Exceed Expectations.” A sample of the property’s awards and accolades include “Certificate of Excellence, Hall of Fame” – TripAdvisor; “Editor’s Choice” – Man About World; “#1 in Fort Lauderdale” – Pink Choice Award; "Best Small Hotel or Resort in the World" - Out Traveler Award Winner; "Top 10 Resorts" - The Travel Channel; "One of the top 10 gay-owned spas in the United States" – Out Traveler Magazine; “USA TODAY 10 BEST” – USA TODAY. -
Bob the Drag Queen and Peppermint's Star Studded “Black Queer Town Hall”
FOR IMMEDIATE RELEASE BOB THE DRAG QUEEN AND PEPPERMINT’S STAR STUDDED “BLACK QUEER TOWN HALL” IS A REMINDER: BLACK QUEER PEOPLE GAVE US PRIDE Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Tiq Milan, Shea Diamond, Alex Newell, and Basit Among Participants NYC Pride and GLAAD to Support Three Day Virtual Event to Raise Funds for Black Queer Organizations and NYC LGBTQ Performers on June 19, 20, 21 New York, NY, Friday, June 12, 2020 – Advocates and entertainers Peppermint and Bob the Drag Queen, today announced the “Black Queer Town Hall,” one of NYC Pride’s official partner events this year. NYC Pride and GLAAD, the global LGBTQ media advocacy organization, will stream the virtual event on YouTube and Facebook pages each day from 6:30-8pm EST beginning on Friday, June 19 and through Sunday, June 21, 2020. Performers and advocates slated to appear include Laverne Cox, Mj Rodriguez, Angelica Ross, Todrick Hall, Monet X Change, Isis King, Shea Diamond, Tiq Milan, Alex Newell, and Basit. Peppermint and Bob the Drag Queen will host and produce the event. For a video featuring Peppermint and Bob the Drag Queen and more information visit: https://www.gofundme.com/f/blackqueertownhall The “Black Queer Town Hall” will feature performances, roundtable discussions, and fundraising opportunities for #BlackLivesMatter, Black LGBTQ organizations, and local Black LGBTQ drag performers. The new event replaces the previously announced “Pride 2020 Drag Fest” and will shift focus of the event to center Black queer voices. During the “Black Queer Town Hall,” a diverse collection of LGBTQ voices will celebrate Black LGBTQ people and discuss pathways to dismantle racism and white supremacy. -
Kimmel Center Cultural Campus Presents Critically-Acclaimed Drag Theatre Show Spectacular Sasha Velour's Smoke & Mirrors
Tweet It! Drag icon @Sasha_Velour’s revolutionary show “Smoke & Mirrors” will be at the @KimmelCenter on 11/12. The effortless blend of drag, visual art, and magic is a can’t-miss! More info @ kimmelcenter.org Press Contact: Lauren Woodard Jessica Christopher 215-790-5835 267-765-3738 [email protected] [email protected] KIMMEL CENTER CULTURAL CAMPUS PRESENTS CRITICALLY-ACCLAIMED DRAG THEATRE SHOW SPECTACULAR SASHA VELOUR’S SMOKE & MIRRORS, COMING TO THE MERRIAM THEATER NOVEMBER 12, 2019 "Smoke & Mirrors is a spellbinding tour de force." - Forbes “The intensely personal [Smoke & Mirrors] shows what a top-of-her-game queen Velour really is, both as an artist and as a storyteller.” - Paper Magazine "[Velour’s] most spectacular stage gambit yet." - Time Out New York FOR IMMEDIATE RELEASE (Philadelphia, PA, October 9, 2019) – Sasha Velour’s Smoke & Mirrors, the critically-acclaimed one-queen show by global drag superstar and theatre producer, Sasha Velour, will come to the Kimmel Center Cultural Campus’ Merriam Theater on November 12, 2019 at 8:00 p.m., as part of the show’s 23-city North American tour. This is Velour’s first solo tour, following her win of RuPaul’s Drag Race Season 9, and sold-out engagements of Smoke & Mirrors in New York City, Los Angeles, London, Australia, and New Zealand this year. “Sasha Velour is a drag superstar, as well as an astonishing talent in the visual arts,” said Anne Ewers, President and CEO of the Kimmel Center for the Performing Arts. “Smoke & Mirrors invites audiences to experience the depths of Velour that have yet to be explored in the public eye. -
Reality Television 1
Reality Television 1 Reality Television: Understanding the Genre and Viewer Motivations and Effects Matthew Lombard Mahdee T. Ali Min-Ju Chung Matthew Dissinger Amanda Scheiner Kendra Todd (All authors except first author are students) Department of Broadcasting, Telecommunications and Mass Media School of Communications and Theater Temple University Philadelphia, PA 19122 Phone: (215) 204-7182 E-mail: [email protected] A class project by the students and instructor of BTMM 5114 Communication Research Methods in Spring 2003 Reality Television 2 Reality Television: Toward Understanding the Genre and Viewer Motivations and Effects Abstract This paper examines the appeal behind and the potential effects of the recent phenomenonal growth in reality television programming. As part of a review of the limited scholarly research but substantial popular commentary about these programs, a specific definition that captures the core characteristics of the genre is presented, the key characteristics of 130 current programs are reported, and the results of an exploratory online survey regarding the reasons people watch these programs and the effects of this viewing is presented. Reality Television 3 Reality Television: Understanding the Genre and Viewer Motivations and Effects ”What new could be said about reality shows? Well, with programs like 'American Idol,' 'The Bachelor,' and 'Joe Millionaire' dominating the airwaves and receiving high TV ratings, the demand for these shows is apparent. But the important question is, why?” (Hudson, 2003) Over 10 million people watched the season premier of the fourth installment of ABC’s The Bachelor/Bachelorette franchise (http://www.chron.com/cs/CDA/story.hts/ae/tv/1858168). FOX’s Joe Millionaire finale in spring 2003 drew 40 million viewers and 40% of adults 18-49 watching television at the time (Local & National Audiences, 2003). -
Tom Rubnitz / Dynasty Handbag
TOM RUBNITZ / DYNASTY HANDBAG 9/25/2012 PROGRAM: TOM RUBNITZ The Mother Show, video, 4 mins., 1991 Made for TV, video, 15 mins., 1984 Drag Queen Marathon, video, 5 mins., 1986 Strawberry Shortcut, video, 1:30 mins., 1989 Pickle Surprise, video, 1:30 mins., 1989 DYNASTY HANDBAG The Quiet Storm (with Hedia Maron), video, 10 mins., 2007 Eternal Quadrangle, video, 20 mins., 2012 WHITE COLUMNS JIBZ CAMERON JOSH LUBIN-LEVY What does it mean to be a great performer? In a rather conventional sense, great performing is often associated with a sense of interiority, becoming your character, identifying with your role. In that sense, a great performer could become anyone else simply by looking deep within herself. Of course, there’s a long history of performance practices that reject this model. Yet whether it is a matter of embracing or rejecting what is, so to speak, on the inside, there is an overarching belief that great performers are uniquely adept at locating themselves and using that self to build a world around them. It is no surprise then that today we are all expected to be great performers. Our lives are filled the endless capacity to shed one skin for another, to produce multiple cyber-personalities on a whim. We are hyperaware that our outsides are malleable and performative—and that our insides might be an endless resource for reinventing and rethinking ourselves (not to mention the world around us). So perhaps it’s almost too obvious to say that Jibz When I was a youth, say, about 8, I played a game in the Cameron, the mastermind behind Dynasty Handbag, is an incredible woods with my friend Ocean where we pretended to be hookers. -
Public Opinion and Discourse on the Intersection of LGBT Issues and Race the Opportunity Agenda
Opinion Research & Media Content Analysis Public Opinion and Discourse on the Intersection of LGBT Issues and Race The Opportunity Agenda Acknowledgments This research was conducted by Loren Siegel (Executive Summary, What Americans Think about LGBT People, Rights and Issues: A Meta-Analysis of Recent Public Opinion, and Coverage of LGBT Issues in African American Print and Online News Media: An Analysis of Media Content); Elena Shore, Editor/Latino Media Monitor of New America Media (Coverage of LGBT Issues in Latino Print and Online News Media: An Analysis of Media Content); and Cheryl Contee, Austen Levihn- Coon, Kelly Rand, Adriana Dakin, and Catherine Saddlemire of Fission Strategy (Online Discourse about LGBT Issues in African American and Latino Communities: An Analysis of Web 2.0 Content). Loren Siegel acted as Editor-at-Large of the report, with assistance from staff of The Opportunity Agenda. Christopher Moore designed the report. The Opportunity Agenda’s research on the intersection of LGBT rights and racial justice is funded by the Arcus Foundation. The statements made and views expressed are those of The Opportunity Agenda. Special thanks to those who contributed to this project, including Sharda Sekaran, Shareeza Bhola, Rashad Robinson, Kenyon Farrow, Juan Battle, Sharon Lettman, Donna Payne, and Urvashi Vaid. About The Opportunity Agenda The Opportunity Agenda was founded in 2004 with the mission of building the national will to expand opportunity in America. Focused on moving hearts, minds, and policy over time, the organization works with social justice groups, leaders, and movements to advance solutions that expand opportunity for everyone. Through active partnerships, The Opportunity Agenda synthesizes and translates research on barriers to opportunity and corresponding solutions; uses communications and media to understand and influence public opinion; and identifies and advocates for policies that improve people’s lives. -
160 Emmy Photographs by Tommy Garcia/The Jude Group Grooming by Grace Phillips/State Management
Randy Barbato and Fenton Bailey 160 EMMY PHOTOGRAPHS BY TOMMY GARCIA/THE JUDE GROUP GROOMING BY GRACE PHILLIPS/STATE MANAGEMENT FOR MORE THAN A QUARTER-CENTURY, RANDY BARBATO AND FENTON BAILEY’S WORLD OF WONDER HAS TACKED CLOSELY TO THE CULTURAL ZEITGEIST, EMBRACING — AS BAILEY PUTS IT — “THE UNEXAMINED AND THE UNCONSIDERED.” SAYS BARBATO: “OUR WORK TYPICALLY HAS A CONNECTION TO PEOPLE WHO FEEL MARGINALIZED OR JUDGED.” BY MICHAEL GOLDMAN TelevisionAcademy.com 161 USHING INTO THE CONFERENCE ROOM ON THE TOP FLOOR OF THE 1930S ART DECO BUILDING THEY OWN ON HOLLYWOOD BOULEVARD, RANDY BARBATO AND FENTON BAILEY APOLOGIZE FOR THEIR LATENESS. THEY’VE JUST COME FROM THE EDIT ROOM, WHERE THEY LOCKED THE FINAL CUT OF MENENDEZ: BLOOD BROTHERS, A TV MOVIE THEY COPRODUCED AND CODIRECTED FOR A JUNE DEBUT ON LIFETIME. Blood Brothers is one of hundreds of projects made by World of Won- English television. That show explored the camcorder revolution, building on der, the production company they have jointly operated since 1991. Bailey a theme that helped launch Barbato and Bailey’s producing careers. and Barbato have flourished by crossing genres and media platforms, and by Fascinated by New York public-access television, the duo created their spotlighting extreme and often controversial topics, including tabloid news, first TV show, Manhattan Cable, out of public-access clips in 1991. It was a gender roles, LGBT issues and, more generally, almost all aspects of human hit in the U.K. and led to more programs there, like the one that eventually sexuality. earned Nevins’s attention. She hired them in 1993 to produce HBO’s Shock “Sex is the engine or driving force of who humans are,” Bailey says. -
Harsh Realities: Substantial Similarity in the Reality Television Context
HARSH REALITIES: SUBSTANTIAL SIMILARITY IN THE REALITY TELEVISION CONTEXT Daniel Fox* TABLE OF CONTENTS I. INTRODUCTION ........................................... 224 II. THE "SIMPLE" LIFE: DEVELOPMENT AND EVOLUTION OF SUBSTANTIAL SIMILARITY ANALYSIS IN THE SECOND AND NINTH CIRCUITS .................................... 227 A. The Basic Elements of Copyright Infringement ....... 227 B. Substantial Similarity: Introduction and Related D octrines ............................................ 227 C. The Test for Substantial Similarity: Second and Ninth Circuit Formulations ................................. 230 1. Second Circuit: Bifurcating "Similarity" . ........ 230 2. Ninth Circuit: Extrinsic-Intrinsic Distinction ..... 231 III. THE BIGGEST LOSER(S): METCALF AND CBS ............ 234 A . M etcalf v. Bochco ................................... 235 1. O verview ........................................ 235 2. A nalysis ......................................... 237 B. CBS v. A BC ......................................... 242 1. O verview ........................................ 242 2. A nalysis ......................................... 245 IV. EXTREME MAKEOVER?: POST METCALF JURISPRUDENCE .......................................... 248 * Editor, UCLA Law Review, Volume 54. J.D. Candidate, UCLA School of Law, 2007; A.B., Harvard University, 2004. I thank Professor David Ginsburg for his invaluable gui- dance, insight, and support at every stage of this Comment's development. I also thank Eliot Hamlisch, Jen Ringel, Eric Black, Matt Segneri, Allison