Current, February 09, 1978

Total Page:16

File Type:pdf, Size:1020Kb

Load more

University of Missouri, St. Louis IRL @ UMSL Current (1970s) Student Newspapers 2-9-1978 Current, February 09, 1978 University of Missouri-St. Louis Follow this and additional works at: https://irl.umsl.edu/current1970s Recommended Citation University of Missouri-St. Louis, "Current, February 09, 1978" (1978). Current (1970s). 230. https://irl.umsl.edu/current1970s/230 This Newspaper is brought to you for free and open access by the Student Newspapers at IRL @ UMSL. It has been accepted for inclusion in Current (1970s) by an authorized administrator of IRL @ UMSL. For more information, please contact [email protected]. , - Issue, No.~ 302 , February 9, 1978 UNIVERSITY OF MISSOURI -- ST. LOUIS Weldon Springs group charters land plans Emmons also stated the university ' presently oper­ 'The center would also contain a Biological Study Earl Swift ates a farm on the Weldon Springs property; Center, and nature trails similar to ' those at the The animal behavior, study would include an area in Archeological Research Center. An 8,OOO-acre tract of university ' land near Weldon which facility users could observe the natural habitants ' The final portion of the proposal ca11s for the Springs may be used as a four-faceted educational of Missouri wilderness. Also present in the center, establishment of a Youth ' Agency Training Center. center according to Ardath' Emmons, the University ' of Emmons said, would be an area set aside to 'raise rare This center, Emmons said, would be available to 'train Missouri's vice-president for research. species of anima1s. He said the St. ' Louis Zoo ,is leaders of such youth ' aaencies as Boy Scouts; The Emmons, who served as chairperson of the currently seeking sl\ch an area. center would provide educational programs, a training university's Weldon Springs land use committee, A primate' colony would also be established. area for recreational trainers, and a recreation area for outlined plans for the property ' at an open meeting at Emmons said the National Institutes of Health' are study. UMSL February 2. looking for ... place to raise monkeys. The colony would "There is adequate 'space for all of tlIese and more," The committee's, proposal calls for the establishment apparently~ enclosed by a ten-foot, ' sheet-metal; said Emmons. of an Archeological Research Cent,er, and Animal fence, canteQ inward. ' The meeting was held after Steve Vossmeyer, a Behavior Study Center. The third facet of the proposal made by the Missouri state ' Representative, charged the university ' The archeological center might, 'according to ' Em­ committee would be the establishment of an Ecological , with 'running a "feudal lordship" by permitting use of mons, include archeological trails, horticultural sites Research Center. This center would consist of a river the land to 'persons not affiliated with'the university 'in and an operating, modern farm. ecology 'study site ' on the portion of the property ' that an arbitrary manner. Emmons said the area contains at 'l east 200 borders the Missouri River. According to' one source, the university' gave archeological sites, including the remains of Hamburg, Emmons said the committee would also be interested permission last year for a business to ' cut down trees a pioneer 'town. Emmons said Hamburg might be in the founding of a Bareland Study Area, which would on the property; The university ' was paid S40,OOO. reestablished as an example of an early midwestern make it to 'observe the effects 'of pollution on [See "_Spring," p. 5] Parking fees pay fo, police, travel Dan Crone compliance with the university; Perry said, "that regulation will Expenditures from UMSL have to 'be changed." parking funds have been made He said the University-wide for salaries, wages, travel and !dministration initiates changes communication, over at least the upon the recommendation of the past four years. University proper campus officials. regulations restrict the use of According to ' James S. New­ parking fees to maintenance berry, General Counsel for the , constructlon of parking lots and University of Missouri, "It (com­ garages. pliance with the regulation) is a Regulation 11.0408.03 of the 'question- of interpretation of " University ' of Missouri Rules 'maintenance' ." and Regulations" states, ' All Newberry said it would be a money collected from parking " misuse" of funds only if one fees and violation notices goes took a very narrow interpretation into ' a special fund and is used of the word maintenance. "It is for maintenance of existing park­ not unreasonable," said New­ MAINTAINlNG THE LOTS: A portion of the $25 parldng fee collected from students semester ing lots, construction of new berry, "to have those costs that pays the salaries of some campus pollce_ A university regulatlon restricts the use of parking monies to lots, and the construction of new are not associated with ' building use In construction or maintenance of lots and garages [photo by Terry Vogel]. parking garages.' and grounds protection pro-rated The secretary for the Board of to pay for police time." Curators, and the General Coun­ The second expenditure in­ Council votes on student fees' sel for the University, conflrmed volves 575,933 spent on travel that this regulation is currently and communication from 1972 in effect. ' (the earliest year expenditures Earl Swift three, calling for reduced fees Mays, student body president, is In fiscal year 1975-76, 525,749 were itemized in the Financial for part-time students,' be se­ that it offered a more equitable was spent for salaries and Report Supplements) to 1976. Central Council voted to rec- lected as the fee structure after alternative than the present fee wages. John Perry, vice-chan­ "Travel and Communication" is o om mend the university select an increase this fall. structure, because right now cellor for admitlistrative ser­ the line item classification used the third of three alternatives The alternative would have part-time students pay around vices, said, "Several patrolmen ,in the financial reports of the concerning the method in which students pay 530 per credit hour 70 per cent more than full-time are being paid out of parking University of Missouri. The next semester's fee increase up to 12 hours. A fee of 5360 students for the same education. (fund)." This is done, said largest of these expenditures should be handled, at a Feb­ would be assessed of students It won't make that much differ­ Perry, because "one-half of the was 540,352 in fiscal year 1973- bruary 5 meeting. taking over 12 hours. ence to the full-time student." patrolmen's time is spent polic­ 74. The group also voted to sup­ Under the present fee struc­ According to Mays, the Co­ ing parking lots." Perry said this expenditure port the establishment of an ture, students pay 534 per credit lumbia and Rolla campuses favor Perry also said he does not was for the shuttle bus service optometry school at UMSL. hour up' to nine hours, after alternative one, under which think Academic Services or Gen­ which ran between the E. J. Council passed a motion to which a fee of 5300 is assessed. part-time students would pay eral Services accounts should Korvette ' parking lot and the recommend to the Board of "The main reason we chose have to ' pay for the policing of Curators that alternative number number three," said Charles [See "CouncU," page 2] parking lots. :when asked about [See "Fees," page 2] Bond speaks out on politics, civil rights movement Thomas Tuchlnger "In 1976," he began, " we believe now, Bond was not celebrated the end of the first officially seated until ' two years Politics and the civil rights ' 200 years of the American later, when the U.S. Supreme movement were among topics experiment with ' democracy and Court ruled in his favor. After discussed by Julian Bond, the beginning of four years of serving four terms in the House, Georgia State ' Senator, February potentially great promise. The he was elected to ' the Georgia 1 in J.C. Penney Auditorium. American people wanted a Senate 'in 1974. Bond was a co-founder of the government as good as they "1976 appeared tO 'be the first Student Non-Violent Coordinat­ thought they were, and so they year in which black Americans ing Committee (SNCC) and, in elected a candidate 'who said he finally demonstrated political 1968; became the first black ever ' wanted the best." maturity;" he_ continued. to be nominated for the vicf)­ Bond, 38, first attracted na­ "Ninety-one per cent of the presidency. tional attention in 1965 when he black people voted for the Car­ A near-capacity crowd listened was elected to the Georgia ter-Mondale team. They pro­ to his speech" titled "What's House of Representatives. vided the margin of victory and Next?" which dealt 'with the The House denied Bond his more in 13 states, states which political condition of the United seat because it opposed his gave the winning side 216 of the States and the legacy of the civil views on the Vietnam war. rights movement. ' Though it seems difficult to' [See "Bcmd, ". page 8] Page 2 February 9, 1978 UMSL CURRENT Ne,w ga,age may be built approximately across from Bugg provide space for intramural Dan Crone Lake. Perry said, "This location fields. would provide student parking Perry also said he would like An additional parking garage on a side of campus where no to " upgrade the open lots from may be built at UMSL, accord­ . student parking is presently gravel (the present surface ma­ ing to John Perry, vice-chancel­ available." , terial) to asphalt. This would lor for administrative services. " A drawback to this site," he aid drainage and make snow tThe ultimate decision, Perry said, "is possible turmoil with removal easier in the winter." said, will be made by the Fiscal Bellerive Acres residents." All expenditures for the exist­ Facilities and Maintenance Com­ Several houses in that neighbor­ ing parking structures were met mittee and the Fiscal Resources hood, including the Chancellor's during the 1975-76 fiscal year.
Recommended publications
  • 904 Doing It Great-Which Is What You Want-Takes All the Time I've

    904 Doing It Great-Which Is What You Want-Takes All the Time I've

    q05 904 KOVACSLAND NET!(/ORK ROULETTE "There's television," Roger Gimbel says. The problem was that experimental TV Roger Gimbel. no way to keep the Tonight show going with- 'Oh, did not draw the sort of ratings expected from a network show. lVith out using talk. Every time we tried to get him to do that he'd say, uncomfortable regard not only to Eugene but to all of Ernie's comedy, "the general I'm with that.' It was the wrong spot for him. He wasn't feeling was that we had avery, very good show, but it wasn't catching interested in other people. He was interested in how to create things." on with the audience," remembers Gimbel. "The reaction in the theater Ernie hosted his last Tonight broadcast on Tuesday, lanuary 22, 1957. the preceding Saturday he had made special was a bumpy thing for us, because we felt that if people weren't com- Bu a appearance on ing, it wasn't what the Tonigbt show was supposed to be. Heavier TV that would redirect the course of his career. comedy, more stand-up material, sketch material worked great. Ernie's sketches were entertaining and wildly imaginative, but they didn't al- ways get big laughs." In 1946 a Catskills comic named Jerry Lewis and an Italian-Ameri- In the meantime, Steve Allen was becoming wearied by the effort can baritone named Dean Martin had decided to form a team and try of mounting his full-scale Sunday-night show every week while contin- to climb together out of the small time.
  • Ernie Kovacs Papers, 1940-1962

    Ernie Kovacs Papers, 1940-1962

    http://oac.cdlib.org/findaid/ark:/13030/ft729006px No online items Ernie Kovacs papers, 1940-1962 Finding aid prepared by K. Lopaty and Peggy Alexander; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] ©1998 The Regents of the University of California. All rights reserved. Ernie Kovacs papers, 1940-1962 1105 1 Title: Ernie Kovacs papers Collection number: 1105 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 35.5 linear ft.(71 boxes and 33 oversize boxes) Date: 1940-1962 Abstract: Ernie Kovacs (1919-1962) was one of the leading innovators of comedy in television. He also published a novel and acted in movies. The collection consists of Profuselies cartoons, scripts, recordings of Kovacs' television shows, manuscripts of his novel, Zoomar, as well as personal papers, contracts, financial papers, and scrapbooks. Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library Special Collections Reference Desk for paging information. Creator: Kovacs, Ernie, 1919-1962 Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Papers cannot be copied except with the permission of Edie Adams.
  • JUDGE of BEAUTY Estate of the Honorable Paul H

    JUDGE of BEAUTY Estate of the Honorable Paul H

    STEPHEN GEPPI DIXIE CARTER SANDY KOUFAX MAGAZINE FOR THE INTELLIGENT COLLECTOR SPRing 2009 $9.95 JUDGE OF BEAUTY Estate of the Honorable Paul H. Buchanan Jr. includes works by landmark figures in the canon of American Art CONTENTS HIGHLIGHTS JUDGE OF BEAUTY Estate of the Honorable Paul H. 30 Buchanan Jr. includes works by landmark figures in the canon of American art SUPER COLLectoR A relentless passion for classic American 42 pop culture has turned Stephen Geppi into one of the world’s top collectors IT’S A Mad, Mad, Mad, Mad (MagaZINE) WORLD 50 Demand for original cover art reflects iconic status of humor magazine SIX THINgs I LeaRNed FRom WARREN Buffett 56 Using the legendary investor’s secrets of success in today’s rare-coins market IN EVERY ISSUE 4 Staff & Contributors 6 Auction Calendar 8 Looking Back … 1934 10 News 62 Receptions 63 Events Calendar 64 Experts 65 Consignment Deadlines On the cover: McGregor Paxton’s Rose and Blue from the Paul H. Buchanan Jr. Collection (page 30) Movie poster for the Mickey Mouse short The Mad Doctor, considered one of the rarest of all Disney posters, from the Stephen Geppi collection (page 42) HERITAGE MAGAZINE — SPRING 2009 1 CONTENTS TREAsures 12 MOVIE POSTER: One sheet for 1933’s Flying Down to Rio, which introduced Fred Astaire and Ginger Rogers to the world 14 COI N S: New Orleans issued 1854-O Double Eagle among rarest in Liberty series 16 FINE ART: Julian Onderdonk considered the father of Texas painting Batman #1 DC, 1940 CGC FN/VF 7.0, off-white to white pages Estimate: $50,000+ From the Chicorel Collection Vintage Comics & Comic Art Signature® Auction #7007 (page 35) Sandy Koufax Game-Worn Fielder’s Glove, 1966 Estimate: $60,000+ Sports Memorabilia Signature® Auction #714 (page 26) 2 HERITAGE MAGAZINE — SPRING 2009 CONTENTS AUCTION PrevieWS 18 ENTERTAINMENT: Ernie Kovacs and Edie Adams left their mark on the entertainment industry 23 CURRENCY: Legendary Deadwood sheriff Seth Bullock signed note as bank officer 24 MILITARIA: Franklin Pierce went from battlefields of war to the U.S.
  • Tante Critiche E Ricorsi Alla Tassa-Salute Quando E Quanto

    Tante Critiche E Ricorsi Alla Tassa-Salute Quando E Quanto

    SABATO l'UnitàOGG I 18 OTTOBRE 1986 Il pagamento slitta a dicembre Congresso Anci: 77 governo Probabilmente l'ultimo termine sarà il 20 repliche polemiche ci ha Una lunga discussione a palazzo Chigi Ridurre ripensato L'ultima parola spetta all'Inps Accolta la richiesta del Pei i Comuni: tanti no Concessi due mesi di respiro alle Tante critiche e ricorsi alla tassa-salute proposte ROMA — È certo: il pagamen­ quidata la tredicesima. I termi­ tive di applicazione e difficoltà della mattinata, ha detto che si particolare di discutere sulla provvedimento non corretto». di Craxi to della «tassa della salute» slit­ ni già fissati al 20 e al 31 otto­ organizzative per effettuare i era deciso di non intervenire su base di quanto hanno detto gli Ricordiamo che sul contri­ ta a dicembre. Probabilmente il bre sono prorogati dunque di >agamenti. L'accoglimento del- termini di pagamento della tas­ ordini professionali». Il mini­ buto sanitario sono arrivati nei Dal nostro inviato termine ultimo verrà fissato al due mesi. a nostra richiesta giunge per­ sa sulla salute, aggiungendo: stro del Bilancio, Romita, la­ mesi scorsi migliaia di ricorsi f «Se slittamento ci sarà, sarà de­ sciando palazzo Chigi aveva in­ PADOVA — Una raffica di 20, secondo le indicazioni del «Prendiamo atto con soddi­ tanto opportuno. Questi due alla magistratura da parte dei no. L'Idea di ridurre il nume­ Consiglio dei ministri, ma l'ul­ sfazione — ha dichiarato Ugo mesi di proroga — conclude il ciso in via amministrativa e vece dichiarato che riteneva professionisti. Inoltre, il comi­ ro dei comuni Italiani, lan­ tima parola spetta all'Inps.
  • Jean-Christophe Averty and His US TV Contemporaries

    Jean-Christophe Averty and His US TV Contemporaries

    Document generated on 09/26/2021 9:04 p.m. Cinémas Revue d'études cinématographiques Journal of Film Studies The American Connection: Jean-Christophe Averty and his U.S. TV Contemporaries La filière américaine : Jean-Christophe Averty et ses contemporains d’outre-Atlantique Lynn Spigel La télévision… selon Jean-Christophe Averty Article abstract Volume 26, Number 2-3, Spring 2016 This essay explores the television productions of Ernie Kovacs and Charles and Ray Eames, analyzing their pioneering audio-visual experiments in the URI: https://id.erudit.org/iderudit/1039371ar American network broadcast system of the mid-century period. It examines DOI: https://doi.org/10.7202/1039371ar how their work with TV graphics, montage, collage, sound, video tricks and special effects relates to Jean Christophe Averty’s work in French TV in the See table of contents same period. It explores the “experimental spirit” across the Atlantic before the rise of video art per se, demonstrating how all of these early TV artists challenged dominant conceptions of what TV should be in their respective national and industrial contexts. Finally, it calls for more historical research on Publisher(s) and theoretical inquiry into the complex relationships between art, design and Cinémas commercial TV at mid-century. ISSN 1181-6945 (print) 1705-6500 (digital) Explore this journal Cite this article Spigel, L. (2016). The American Connection: Jean-Christophe Averty and his U.S. TV Contemporaries. Cinémas, 26(2-3), 173–197. https://doi.org/10.7202/1039371ar Tous droits réservés © Cinémas, 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online.
  • AFI PREVIEW Is Published by the Hip Hop Soundtrack

    AFI PREVIEW Is Published by the Hip Hop Soundtrack

    AFI_Preview_Issue58 (FNL1)at.indd 1 8/31/12 11:59 AM Contents Latin american FiLm FestivaL September 20–October 10 2012 AFI Latin American Film Festival ........2 DC Labor FilmFest .....................................9 Now in its 23rd year, the AFI Latin American Film Festival OPENING NIGHT showcases the best filmmaking from Latin America and, with Noir City DC: The 2012 the inclusion of films from Spain and Portugal, celebrates Film Noir Festival ...................................10 Ibero-American cultural connections. This year’s selection Halloween on Screen ............................. of over 50 films makes it the biggest festival yet, featuring 12 international festival favorites, award-winners, local box- Spooky Movie International office hits and debut works by promising new talents. Media Indomina of Courtesy Horror Film Festival ................................13 Look for featured strands in this year’s lineup including: ALIEN: Retrospective ...............................13 Music Movies Family Fun Late-Night Latin Special Engagements .............................14 Calendar ...............................................15 All films are in Spanish with English subtitles Silent Classics with Alloy Orchestra, unless otherwise noted. Opera & Ballet in Cinema and Festival A NOTE TO AUDIENCES: of New Spanish Cinema .........................16 Because films in the AFI Latin American Film Festival have not been evaluated by the MPAA rating system in the US, AFI has made its LOOK FOR THE best effort to inform audiences about any content that could lead To become a Member of AFI visit to a restricted rating if released here. The following is a guide: AFI.com/Silver/JoinNow FiLLY BrOWn sexuality violence drug use language TICKETS In person: filmmakers Youssef Delara and Michael D. Olmos • $11.50 General Admission All showtimes are correct at press time.
  • JAZZBO" COLLINS ORSON BEAN Explains Explains Explains POETRY ORSON BEAN from Furdsville, Arkansas, Comes Further Proof of the MAD WINDOW TEST

    JAZZBO" COLLINS ORSON BEAN Explains Explains Explains POETRY ORSON BEAN from Furdsville, Arkansas, Comes Further Proof of the MAD WINDOW TEST

    ANC OUR PRICE ERNIE KOVACS AL "JAZZBO" COLLINS ORSON BEAN explains explains explains POETRY ORSON BEAN From Furdsville, Arkansas, Comes Further Proof Of THE MAD WINDOW TEST From sunny Furdsville, Arkansas, in the heart of under critical daylight, Melvin suddenly discovered the boll weevil country, comes new convincing new whiteness . new brightness never before proof of the MAD window test. Last week, Melvin possible with plain old newsstand copies of MAD Cowznofski rushed his newly-arrived subscription which are smudged and smeared by the grimy copy of MAD to the open window. Actually, he fingers of no-good cheapskate bums who thumb was planning on throwing it out in disgust. There, through magazines and then don't buy them. Make Your Own Window Test! Subscribe to MAD Today! Mail Coupon (or duplicate) to:'//-^- MAD Subscriptions '(» \\^^ 225 Lafayette Street i?'VSl^\! New York City 12, N. Y. ADDRESS. I want to subscribe to MAD and make my own window test so I can discover CITY. ZONE STATE. new whiteness and new brightness be­ fore I throw each copy out in disgust. I enclose $2.00 for the next nine white AGE SCHOOL OR OCCUPATION. bright un-thumbed subscription issues. Solve your Christmas Gift problem. Give a subscription to MAD. Then, next Christmas, you won't have a gift problem because the person you gave it to this year won't be talking to you. If this is a Christmas gift subscription, and you want a gift card sent advising the receiver you're sending it, include your own name and address and check here .
  • Week's Television Programs

    Week's Television Programs

    WEEK'S MPLETE TELEVISION PROGRAMS THE SUNDAY Clifton East Paterson Fair Lawn Garfield Haledcn Hawthorne Lodi ß 4 Little Falls ":.:.• ' . :.:.,";•': Mountain View ß North Haledon .,.: o Paterson Passaic Pompton Lakes Prospect Park Singac l'otowa Wayne West Paterson MAY 17, 1959 SPACE --- MAN'S LAST FRONTIER VOL. XXX!, No. 20 WHITEand SHAUER, Inc. AGOOD •AME•) : , ,• i•BR '1I " fO' '1'''• •' •l,••. ,I•' •lllll•t•1[J FURNITURE - RUGSAND CARPETS A SPECIALTY .,• QUALITY and LOW P•ICE -- 39Y• '• •e Public-- 435S•t S•t (••eF • Avmue) h••, "T•P••th•••,' -- •4'7.,._ THE IDEAL PL•E TO DINE •ND •INE - • •ECIALTY •'.-• ' ' '"' BROILED LOBSTER-., ' ' DAILY •:, FROGS'LEGS_- SOFT SHELL CI•A•- &I.•U'BFISH- RAIId'•W TROUT - HALIBU'œ - SALMON-- SM'RiMPS - •-ALLO,!•.S -': O¾STEIRS - CLAM - COD FISH - SWORD FISH - DAIL•Y DIIqNiRI 168BELMONT AVE. (Cor. Burhans].HALEDON - - - LAinhodS,q•SS I. PARRILLO ? HE ROLLED 'EM IN THE ISLES -- And now he'll wow 'era in the Btates. When "Kraft Music Hall Presents Dave King" in NBG-TV Network colorcasts Wednesdays beginning May 20, the British co- TheMan from Equitable asks1.- median will' give U.S. audiences generous helpings of the brand .of humor that put him at the head of Britain's laugh parade. Dave ap- praises the American viewer (uppbr left), sees a breakthrough in laugh-resistance (upper right), is gratified at the reaction (lower left) and finally bursts forth in a hearty guffaw as he realizes that laughter is universal. Howbig a MedicalBill could you sta A millionfamilies last year had medical bills that consumedhalf their income-and more! .
  • Danny Kaye • Ernie Kovacs • Bob &

    Danny Kaye • Ernie Kovacs • Bob &

    DANNY KAYE • ERNIE KOVACS • BOB & RAY KVL11 ««*A* NOW IN ITS SECOND PRINTING . ONLY THIS TIME WE USED INK! A FABULOUS CHANCE FOR ALL NEW MAD FANS TO READ WHAT YOU MISSED (and discover how lucky you were!) IN THIS HARD-BOUND, DE LUXE ANTHOLOGY OF MEMORABLE ARTICLES (unavailable in any other form*) from MAD INCLUDING 0 A full-color jacket ... to turn inside out for camouflage! 0 An introduction by Ernie Kovacs ... to tell you why you're crazy to go on! 0 16 pages in vivid color ... to rot your mind and ruin your eyes! 0 A total of 128 pages of unforgettable articles . that got us into the most trouble! NOW ON SALE AT MOST BOOKSTORES! ONLY $2.95 If your regular bookseller does not have "MAD For Keeps", ask him to stock it! •This material originally appeared in MAD Magazines through 1956, and has never before been reprinted in If he refuses, bust 'im one, and mail in! any form. Published by Crown Publishers, Inc., N. Y. use coupon or duplicate • MAD ANTHOLOGY DEPT. 225 Lafayette Street New York 12, N. Y. NAME. Rush my copy of "MAD For Keeps"! I want to discover how lucky I was! ADDRESS. I enclose $2.95, which also happens to be the retail price in book stores. Already I can see I'm not so lucky! CITY. .ZONE STATE. NUMBER 42 NOVEMBER 1958 VITAL FEATURES MAD'S 1958 FOOTBALL PREVIEW.. 6 MAD's consistent record "Conscience is what hurts when everything else feels so good!" for picking All-American Alfred E.
  • The Works of Harvey Kurtzman

    The Works of Harvey Kurtzman

    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Beyond MAD: The Works of Harvey Kurtzman A Thesis Presented by Timothy E. Cole to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Master of Arts in Art History and Criticism Stony Brook University May 2017 Stony Brook University The Graduate School Timothy E. Cole We, the thesis committee for the above candidate for the Master of Arts degree, hereby recommend acceptance of this thesis. Michele H. Bogart -Thesis Advisor Professor, Department of Art History and Criticism Andrew V. Uroskie – Second Reader Director, MA/PhD Program in Art History and Criticism This thesis is accepted by the Graduate School Charles Taber Dean of the Graduate School ii Abstract of the Thesis Beyond MAD: The Works of Harvey Kurtzman by Timothy E. Cole Master of Arts in Art History and Criticism Stony Brook University 2017 Thesis: Harvey Kurtzman was an American cartoonist and editor. He is most famous for writing and editing the parodic comic book MAD from 1952 until 1956 and writing the “Little Annie Fanny” strips for Playboy magazine from 1962 to 1988. Kurtzman is known for his satirical display of popular culture, social critique, and his meticulous work methodologies through satirical engagement.
  • Cinema Arts Centre

    Cinema Arts Centre

    CINEMACINEMA ARTS August 2015 LongLong Island’s Island’s Film Film Window Window C E N T R E onon the the World World CelebratingCelebrating 4241 YearsYears asas Long Long Island’s Island’s Leading Leading Independent Independent Cinema Cinema L IR G E G DI NA A ARY OF A TEE M RIC ISTRESS AME IX EN PHO W o o d y N T A A H ll en L M E ’s A E IRRATION N D O UR F THE TO Membership Matters! WE keep ALL funds raised by membership, but HALF of our ticket sales goes to the distributor SUPPORT LONG ISLAND’S LEADING NOT-FOR-PROFIT, INDEPENDENT CINEMA l Individual Membership $55 Pay only $7.00 for regular tickets (save $5.00 each time) Pay only $6.00 for Mon-Fri matinees (save $6.00) Two FREE tickets upon joining or renewing Cinema monthly Program Guide mailed to your home Member discounts on all Special Events and Workshops Discounts at restaurants and businesses with membership card Ability to purchase Express Passes (More Savings and No waiting on line!) Special Members-only previews of the hottest new films! l Dual Membership $100 - Same benefits as Individual Members, plus: Membership cards for two people Four FREE tickets instead of two upon joining or renewing l Young Film Fan $30 - Same benefits as Individual Members: Special invitation to free screening once per month (must provide e-mail address) Must be 25 or younger or be a full-time student, with valid ID l Senior Membership $40 - Same benefits as Individual Members: Must be 62 with valid ID l Sponsor Membership $250 - Same benefits as Dual Members, plus: Call ahead and purchase advance tickets by phone Name listed in Cinema Lobby Insider’s Newsletter from the CAC Programming Directors, mailed annually l Other Membership Levels with additional benefits Call Rene Bouchard, Director of Development, 631.423.7610 x.18 for details on Patron, Director’s Circle and Cinema Friend membership levels as well as additional membership levels.
  • Don Byron Has Been a Singular Voice in an Astounding Range of Musical

    Don Byron has been a singular voice in an astounding range of musical contexts, exploring widely divergent traditions while continually striving for what he calls “a sound above genre.” As clarinetist, saxophonist, composer, arranger, and social critic, he redefines every genre of music he plays, be it classical, salsa, hip-hop, funk, rhythm & blues, klezmer, or any jazz style from swing and bop to cutting-edge downtown improvisation. He has been consistently voted best clarinetist by critics and readers alike in leading international music journals since being named “Jazz Artist of the Year” by Down Beat in 1992. Acclaimed as much for his restless creativity as for his unsurpassed virtuosity as a player, Byron has presented a multitude of projects at major music festivals around the world, including recent performances in Vienna, San Francisco, Hong Kong, London, Monterey, New Zealand, and on New York's Broadway. BEGINNINGS: Born and raised in the Bronx, Byron was exposed to a wide variety of music by his father, who played bass in calypso bands, and his mother, a pianist. His taste was further refined by trips to the symphony and ballet and by many hours spent listening to Dizzy Gillespie, Miles Davis and Machito recordings. He formalized his music education by studying classical clarinet with Joe Allard while playing and arranging salsa numbers for high school bands on the side. He later studied with George Russell in the Third Stream Department of the New England Conservatory of Music and, while in Boston, also performed with Latin