Fresh Leaves

Total Page:16

File Type:pdf, Size:1020Kb

Fresh Leaves A FRESH LEAVES FROM THU EDITED DY JOHN D. VOSE, ESQ., FORMER EDITOR OF "THE NEW YORE PIOAIUVU.' ~ebIue~, en1Krge~, an~ co~ectc~, b~ tJe ~uttO~. WITH SPLENDID ILLUSTRATIONS~ NEW YORK: BUNNELL & PRICE, 121 FULTON-STRXET. 1S52. i FRANCIS TIJKE Y, ESQ., CITY MARSHAL 01 DO8T0N~ bitrd, accoidlug to act of Congress, is the year One Thousand Eight Hundred and Flfty-tw% AS A SLIGHT TESTIMONIAL FOR PUBLIC SERVICES, FAITHFULLY RENDERED), BY DUNNELL & PRICE, AMID THE STORM OF POLITICAL FACTION, In the Clerk's Odlee of the District Court of the United States for the Southern District of Now York. THIS WORK ~u 3L~es#ectfutt~ ~e~iIcate~,, BY THE AUTHOR PREFACE. MosT of my readers are aware that the present work has previously made its appearance in the columns of a widely circulated journal of this city, on which I had the honor for a long period of being engaged as the principal editor; and during which period I wrote, from week to week, a series of arti. des, which I may say, without laying myself exposed to the charge of egotism, most undoubtedly formed the basis of the present literary reputation of the New York Picayune. It must be obvious to every one that the performances of a writer for a public journal, situated as I was then, have a great claim to their consideration. A man who, for instance, receives a polite note from the printer in the evening, stating that his compositors are "standing for copy," and that it is necessary that they should be furnished with four or five columns by the next morning, has hut little time for reflection or references. It is said that Homer followed the rule of keeping his works nine years in his study before he presented them to the public. A man who has time to keep his writings by him even one year would, doubtlessly, make many alterations in his compositions. 'Many an idea, hastily conceived, would be withdrawn; and many a warm expres- sion, created by a vivid imagination, would be set aside; therefore, every in- dividual who takes up this book, and may happen to meet with a passage which is not quite in accordance with his own views, ought to consider that a reader is to be regarded in the same light as an invited guest to a banquet, where the host has prepared a variety of dishes. Should there be one not exactly in accordance with his taste, it remains for him to choose from the others. Since the first publication of this work, the Author has been greatly amused, on various occasions, by the receipt of communications (some of them couched in no very gentle terms,) demanding a full and entire explanation as to the characters introduced; and there has been no end of the polite little perfumed I~illet-douz from the fair sex, containing a great many "strictly confidential" inquiries, which, the author is sorry to add, will be totally out of his province to reply to in the manner desired. Half a dozen young gentlemen have already laid claim to the character of Danforth, and each of them has the most distinct recollection of an afair with a certain individual similar to the one set forth in these pages. Others have been making vain speculations, in order to iden. PREFACE. vi PREFACE. tify the young ladies of' Warren and Amity streets, and no labor has been spared to discover the "Dandy" himself, while the Author has had many hair-breadth escapes from hard-looking men and big sticks. With all due respect to the feelings of these gentlemen, I would say they invariably labor under mistaken ideas. That there are characters introduced in this work which are n~t under assumed names, I will not deny; but if there should be one of my readers who may discover a similarity between him- FRESH LEAVES self and that of a character clothed in all the deformities of vice and igno- rance, I sincerely trust that he will give these pages an attentive perusal, and FROM THE finally be led to a full conviction of his follies, and work out for himself a glo- rious reformation, which would be the accomplishment of one of the great ob- jects for which this work was intended. It may not be out of place to make a remark here on the various imposi- DIARY OF A BROADWAY DANDY tions which have been practiced by certain individuals ~ipon the proprietors of some of the principal saloons of New York, spoken of in this work. There is not 1 a class of people who are made the dupes of' unprincipled men to a greater ex- tent than the proprietors of our hotels. Loafers and swindlers are constantly MY FIRST ENTREE. on the alert about these places, to practise their roguery; and the Author can only express a regret that his name should have been used by these vermin to - EN I first made my grand entree into the world, it occasioned an everlasting talk all over town. Records prove it. All the old accomplish their knavish designs. women about the neighborhood discussed the important event while Much credit devolves upon the artists, (Mr Boyd, the designer, and Mr. - drinking tea or taking snufi and many wonderful predictions were made. Although the snow was over eighteen inches deep on a Avery, the engraver,) for their masterly performances of the illustrations. level, and as light as a feather-bed at the time I gave my first bel- The outside cut contains striking likenesses of the originals, and the expression low, yet the old grey-haired minister of the cross waded through it, and beside my dear mother's couch offered up a most fervent prayer which 'is there displayed is alone a sufficient proof of the great alAlities of these to the throne of God. The people did nut exactly order the church- gentlemen. bells to be rung in honor of the glorious event, but they were so much delighted that it was a matter of surprise that they did not resort to some such an expedient in order to express their The Author embraces the present opportunity of returning his sincere joy. Two of my aunts, it is said, walked quite a distance during a heavy easterly storm, on thanks to his numerous friends, connected with the press, for the flattering the evening of the day I was born, to a church conference-meeting, so as to improve the oppor- tunity of informing many an old acquaintance in regard to the new-born nephew. The fact of manner in which they have noticed the publication of this work; and although the matter is, all hands, even down to the cook, ostler, and chambermaid, were, as the old say- he is to many of them an entire stranger, he trusts that the day is not far dis- ing runs, "half tickled to death," to find it in their power to record my birth, and the conclu- sion of the kitchen debate, or in other wotds, the verdict rendered by "kitchen testimony," taut when he will have the pleasure of meeting each and every one of them, to was, that "if I lived I would become one of the boys"-a regular thorough-bred "chip of the realize those enjoyments which are inspired by a social intercourse of men of old block." Before I was two hours old, my dad, who of course was foil of joy and glory, p laced on my little finger a plain gold ring, sealing a certain vow at the same time with a kise. kindred min4s. My informant (our old family nurse) says, within thirty hours of my arrival, my parents had decided to New York, April, 1852. name me H~zrry, and that such was immediately recorded in the fasn~ly bible by my father's own hand. Besides which they also informed the parson and his pious lady, that when one month old, I should be publicly christened in church. Peg Miller-(the old family nurse)-tells me that my father gave the solemn-looking elder quite a large piece of gold coin as a present on that occasion, and then ordered his carriage to take them to their home. Peg declares that it was a great time, and, indeed, it must have been. Her knowledge of "past events" has often put me in mind of the late Major Noah, who was so highly gifted in the same way. T so happens that I am not a New Yorker by birth, although my parents, have re- sided in the City of Nations ever since they were married. I was boi'n at my grandpa's mansion in a small town claimed as a portion of the Presbyterian State of Connecticut. During the first week of my existence, a steady train of visitors were constantly arriving for the express purpose of getting a peep at me, as it was reported that I was like a picture-neat and beautiful as wax-work. Some p dyj t black eyes, some eulogised my little hands, others paid homage to - my small feet, and the verdict of opinion was that Harry was a fine fat boy, and possessed extraordinary looks. Two or (busy of small gossip notoriety) could not three~of the neighbors 4 old women - day on an average, just for the purposerefrain of kissing from me,"popping and seeing in" aif ozenI had timesunder- a gone any change since their last visit, while, at the same time, my father was so delighted 5 4 FRESH LEAVES FROM THE DIARY OF A BROADWAY DANDY.
Recommended publications
  • James Fenimore Cooper and the Genteel Hero of Romance
    INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation.
    [Show full text]
  • Courier Gazette : June 6, 1893
    T he Courier-Gazette. T W O DOLLARS A YRAR V olu m e 48. IN A D V A N C K ROCKLAND, MAINE, TUESDAY JUNE G, 1893 Entered a* Second Clans M ail Matter N l MBRJi 22 The place to.. GIRLS WANTED CITY CHAT. Thomaston extension is now fairly launched, MEMORIAL i'AY OUTLOOK. CHURCH MATTERS’ i natmakcra, Pantmakern and Veatraakera in a id with a decent amount of fair weather this mediately Call on or write b unch w ill be jnearly if not quite completed The Usual Elaborate Observance In Lace HAVE 20.21 • .1. 11. LA It KIN ft CO., 321 Main Ht. Here and There About Our Rapidly i Memonal Dav was all mat could be desired. A Meeting of Sunday School Workers --------------------------------------------------------------------------- Growing City. by the middle of July. This City.—The Oration. , For once it did not s’orm THEM in Thomaston. WANTED. Memorial Dav, 1.893, will bn remembered At 165 Broadway 3500 chairs t j mend w ithout o o CLEANED ND wasn’t “ Friend One day last week ns two gentlemen who The Maine Bflptist Sunday School Workers’ Curtains! regard to th* ir kind or condition. Prices accord- as one of tho most impressive celebrations The Gonnecticti’ Legislature decrees that the Iiik to amount of material used and labor. Frlte** ns presented hive •sailed the seas over,” gray-bearded and And Done up equal to new la at 11 of the day ever held here. The afternoon <tars and stripe* shall 11 »at over every school- Institute w ill he held in Thomaston, Thursday, Feb.
    [Show full text]
  • Walt Whitman & the Class Struggle
    walt whitman & the class struggle the iowa whitman series Ed Folsom, series editor andrew lawson Walt Whitman & the class struggle University of Iowa Press iowa city University of Iowa Press, Iowa City 52242 Copyright © 2006 by the University of Iowa Press http://www.uiowa.edu/uiowapress All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Lawson, Andrew, 1959 Jul.– Walt Whitman and the class struggle / Andrew Lawson. p. cm.—(The Iowa Whitman series) Includes bibliographical references and index. isbn 0-87745-973-8 (cloth) 1. Whitman, Walt, 1819–1892—Political and social views. 2. Literature and society—United States—History—19th century. 3. Social classes in literature. 4. Social conflict in literature. I. Title. II. Iowa Whitman series. ps3242.s58.l39 2006 2005053817 06 07 08 09 10 c 54321 contents Acknowledgments vii Abbreviations ix Introduction: The Whitman Myth xi 1 Sex, Class, and Commerce 1 2 The American 1848 29 3 The Class Struggle in Language 57 Postscript: Material Resistance 101 Notes 105 Bibliography 137 Index 153 acknowledgments In its early stages the research for this book was supported by sabbatical leave and a travel grant given by the School of Humanities and Social Sci- ences at Sta∂ordshire University.
    [Show full text]
  • From Wall Street to Astor Place: Historicizing Melville's `Bartleby'
    Barbara From Wall Street to Astor Place: Historicizing Foley Melville's "Bartleby" In recent years critics have been calling for a re­ grounding of mid-nineteenth-century American li terature-of the ro­ mance in particular- in politics and history. John McWilliams ap­ plauds the contemporary "challenge to the boundaqless and abstract qualities of the older idea of the Romance's neutral territory." George Dekker notes that recent attempts to "rehistoricize the American ro­ mance'' have entailed an "insist[ence] that our major romancers have always been profoundly concerned with what might be called the men­ tal or ideological 'manners' of American society, and that their seem­ ingly anti-mimetic fictions both represent and criticize those man­ ners. " 1 But Herman Melville's "Bartleby. the Scrivener: A Story of Wall Street" (1853) has to this point been exempted from a thorough­ going historical recontextualization; its subtitle remains to be fully explained. Not all readings of the tale, to be sure, have been "boundaryless and abstract." Critics interested in the tale's autobiographical dimen­ sion have interpreted it as an allegory of the writer's fate in a market society. noting specific links with Melville's own difficult authorial career. Scholars concerned wilh the story's New York setting have discovered some important references to contemporaneous events. Marxist critics have argued that "Bartleby" offers a portrait of the increasing alienation of labor in the rationalized capitalist economy that took shape in the mid-nineteenth-century United States.2 But such critical enterprises have remained largely separate, with the result that biography.
    [Show full text]
  • Broadway Theatre
    Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager.
    [Show full text]
  • The Link to James Fenimore Cooper?
    THE POUGHKEEPSIE FACTOR: THE LINK TO JAMES FENIMORE COOPER? BY NORMAN BARRY I. INTRODUCTION (REVISED NOV. 2018) The year 2011 produced several revelations concerning the early distribution of “The Helmsman of Lake Erie.” The Baltimore Sun no longer topped the list of publications of “The Helmsman,” and the Wisconsin Argus no longer headed the list of “A”-versions. Instead, The Poughkeepsie Journal and Eagle was head of the pack: A-VERSION: NAME PLACE B-VERSION: NAME PLACE DATE DATE 1845: 1845: 1 19 JULY 1845 POUGHKEEPSIE POUGHKEEPSIE, JOURNAL & EAGLE NEW YORK 2 26 JULY 1845 MAINE CULTIVATOR HALLOWELL, & HALLOWELL MAINE WEEKLY GAZETTE 3 14 AUG. 1845 MOHAWK COURIER LITTLE FALLS, NEW YORK 4 30 AUG. 1845 BALTIMORE SUN BALTIMORE, MARYLAND 02 SEPT. 1845 MADISON, 5 WISCONSIN ARGUS WISCONSIN TERRITORY As of October 2018, the publishing landscape of “The Helmsman” experienced no less than a Copernican Revolution. The first publication of the John Maynard sketch was no longer located in the United States, but in London, England: A-VERSION: NAME PLACE B-VERSION: NAME PLACE DATE DATE 1845: 1845: 1 07 JUNE 1845 THE CHURCH OF LONDON, ENGLAND MAGAZINE ENGLAND 2 14 JUNE 1845 THE LANCASTER LANCASTER, GAZETTE ENGLAND 3 19 JULY 1845 POUGHKEEPSIE POUGHKEEPSIE, JOURNAL & EAGLE NEW YORK 4 26 JULY 1845 MAINE CULTIVATOR HALLOWELL, & HALLOWELL MAINE WEEKLY GAZETTE 5 14 AUG. 1845 MOHAWK COURIER LITTLE FALLS, NEW YORK 6 30 AUG. 1845 BALTIMORE SUN BALTIMORE, MARYLAND 02 SEPT. 1845 MADISON, 7 WISCONSIN ARGUS WISCONSIN TERRITORY 1 The discovery of The Church of England Magazine as the very first publication of “The Helmsman of Lake Erie” in no way diminishes the importance of Poughkeepsie as the first place of publication in the United States.
    [Show full text]
  • Co-Ed in Serious Condition After Being Stabbed Friday Six Arrested in SCU
    Lowenstein comes Wednesday, October 11, 1972 Grothe to kick off to campus Friday Spar .111 Dal 1 tv faculty book talks Allard K. Lowenstein. former Brooklyn. N.1. Faculty book talks begin today with Dr. Peter ...ngressman who was the spearhead of tilt, crothe's review of the New Totalitarians.- hi Dump 'Anson" campaign in 1968. will speak N. Huntf ord. The talks, which are open to riday, Oct. 13 at noon and 1 p.m. students and bacilli y, are held each Wednesda% The former legislator's noon address is in the at 12:30 in Room A of the Spartan Cafeteria. allege Union Umunhum Room. His 1 p.m. talk 0 Dr. Grothe is one of the originators of th, in IC 141. Peace Corps. and is a lecturer for the Political Serving California State University at San Jose Since 1934 Will I. Der/dr! lit-rutI Future of Women's Center hinges Council decision on By Virsinie Golden will be reopened.- money would revert," McDonald said. The Women's Center at SISU may become a lanice Osborne. spokesman for the women's Margie Bernard. of the women's Center, said thing of the past if AS. Council today does not Center, said that the center was willing to open that action had been taken to stop the reversion. reverse its decision of last week, and approve its doors to any members of the Council who but was not successful. She stated that a letter the center's request for funding for this year. were interested in what was going on.
    [Show full text]
  • The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
    (Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're
    [Show full text]
  • A Thematic Study of James Fenimore Cooper's Nautical Fiction. Philip Neil Cooksey Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1977 A Thematic Study of James Fenimore Cooper's Nautical Fiction. Philip Neil Cooksey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cooksey, Philip Neil, "A Thematic Study of James Fenimore Cooper's Nautical Fiction." (1977). LSU Historical Dissertations and Theses. 3102. https://digitalcommons.lsu.edu/gradschool_disstheses/3102 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image.
    [Show full text]
  • A Study of Art Unions in the United States of America in the Nineteenth Century
    Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1990 A Study of Art Unions in the United States of America in the Nineteenth Century Jane Aldrich Dowling Adams Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/828 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. A STUDY OF ART UNIONS IN THE UNITED STATES OF AMERICA IN THE NINETEENTH CENTURY JANE ALDRICH DOWLING ADAMS BS, Carnegie-Mellon University, 1954 Submitted to the Faculty of the School of the Arts Virginia Commonwealth University in Partial Fulfillment of the Requirements for the Degree Master of Arts I RICHMOND, VIRGINIA April 1990 Acknowledgments Jean Ashton, Thomas Dunnings and Mary Carey, New Yor~ Historical Society Library; Gloria Deak, New York Public Library Art Division; Barbara Reed and Claudia Yatsevitch, Sherman Art Library, Dartmouth College; Virginia Close, Gloria Densmore, Marcy Bouton and Nancy Markee, Baker Library, Dartmouth College; Polly Gould, Howe Library, Hanover, NH; Shirlee Mitchell, Hanover, NH, Anneliese Harding, Goethe Institute, Boston; Sue W. Reed, Boston Museum of Fine Arts Print Division; Sally Pierce, Boston Athenaeum Print Department; Wendy Marcus, Roberta Zonghi and Giuseppe Bisaccia, Boston Public Library; Bob Brown, Archives of American Art, Boston; Steven B. Jareckie, Worcester Art Museum; Mary Ellen Goeke, Pat Rutledge and Mona Chapin, Cincinnati Art Museum; James Hunt, Claire Passero, Melissa Hermann, Cincinnati Public Library; Frances Forman, Cincinnati Historical Society Library; Molly Carver, Sandusky Public Library; Helen Hansen, Follet House Museum Library, Sandusky; Anne Steinfeldt, Chicago Historical Society Library, Wilson S.
    [Show full text]
  • Literature of the Sea and Social Class in Antebellum America
    “The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America Bryan Charles Sinche A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English. Chapel Hill 2006 Approved by Advisor: Philip F. Gura Reader: William L. Andrews Reader: Joy S. Kasson Reader: Timothy Marr Reader: Eliza C. Richards © 2006 Bryan C. Sinche ALL RIGHTS RESERVED ii Abstract Bryan C. Sinche: “The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America (Under the direction of Philip F. Gura) In “The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America, I argue that fictional and non-fictional antebellum sea literature offers a valuable lens through which to critique authorial responses to race, social class, and economic mobility. The antebellum sailor populating the pages of the sea narrative was often celebrated as a representative American figure and a source of national pride despite the fact that, as a member of the antebellum working classes, he was a living testament to the limits of economic and social advancement in a nation where such limits were supposedly nonexistent. Authors used this disconnect, as well as the extra-national settings and generic conventions unique to the sea narrative, both to illuminate foundational American ideals and expose the failure of those ideals to improve materially the lives of sailors. In first section of The Test of Salt Water, I draw on writings by common sailors as well as well- known narratives authored by upper-class former seamen such as James Fenimore Cooper and Richard Henry Dana to map the rhetorical battles that helped to define the sailor within antebellum class hierarchies.
    [Show full text]
  • Pop / Rock Misto
    CATALOGO LP prezzo POP / ROCK MISTO 2967 BRITISH EUROPEAN LP 3LP 100-TH WINDOW - MASSIVE ATTACK EUR 120,00 209 CASTLE BRITISH EUROPEAN 2LPLP ACKER BILK:THE COLLECTION EUR 23,30 35 BRITISH EUROPEAN LP AGNES BERNELLE - FATHER'S LYING DEAD ON THE IRONINGEUR BOARD 15,50 8283 ARISTA AIR SUPPLY - JUST AS I AM EUR 19,50 9564 ARISTA (Audiophile LP) ALLMAN BROTHERS BAND - BROTHERS ON THE ROAD EUR 19,50 505 FLYING FISH USA AZTEC TWO-STEP/SEE IT WAS LIKE THIS...AN ACOUSTIC RETROSPEC.EUR 14,50 163 CASTLE BRITISH EUROPEAN 2LPLP BARBARA DICKSON EUR 23,30 8620 ART BILL HALEY - GREATEST HITS EUR 15,50 15 BRITISH EUROPEAN LP - Heavy VinylBILL WELLS TRIO - ALSO IN WHITE EUR 22,50 4 AUDIOPHARM 3 LP BRAZILECTRO 3 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 5 AUDIOPHARM 3 LP BRAZILECTRO 4 - Artisti Vari - Jazz-Samba and Electronic Music: EURBossa & Latin 34,00 - - composta da uno dei più popolari DJ nel mondo - Paco De La Cruz 18 CASTLE BRITISH EUROPEAN LP CHICAGO: CHICAGO 8 \ STREET PLAYER EUR 23,30 8619 ART CLIFF RICHARD - GREATEST HITS EUR 15,50 71302 GOLD CASTLE COLLINS JUDY /TRUST YOUR HEART EUR 13,90 166 CASTLE BRITISH EUROPEAN 2LPLP ELKIE BROOKS EUR 23,30 74213 BRITISH EUROPEAN LP 2 LP FRANK ZAPPA - SAMPLER - YOU CAN'T DO THAT ON STAGE ANYMOREEUR 18,50 229 CASTLE BRITISH EUROPEAN 2LPLP GARY NUMAN - THE COLLECTION EUR 23,30 129 CASTLE BRITISH EUROPEAN 2LPLP JUDY GARLAND - THE COLLECTION - LIVE! EUR 23,30 130 CASTLE BRITISH EUROPEAN 2LPLP MANTOVANI AND HIS ORCHESTRA - THE COLLECTION EUR 23,30 4402 CARTHAGE REC.
    [Show full text]