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James Fenimore Cooper and the Genteel Hero of Romance
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Courier Gazette : June 6, 1893
T he Courier-Gazette. T W O DOLLARS A YRAR V olu m e 48. IN A D V A N C K ROCKLAND, MAINE, TUESDAY JUNE G, 1893 Entered a* Second Clans M ail Matter N l MBRJi 22 The place to.. GIRLS WANTED CITY CHAT. Thomaston extension is now fairly launched, MEMORIAL i'AY OUTLOOK. CHURCH MATTERS’ i natmakcra, Pantmakern and Veatraakera in a id with a decent amount of fair weather this mediately Call on or write b unch w ill be jnearly if not quite completed The Usual Elaborate Observance In Lace HAVE 20.21 • .1. 11. LA It KIN ft CO., 321 Main Ht. Here and There About Our Rapidly i Memonal Dav was all mat could be desired. A Meeting of Sunday School Workers --------------------------------------------------------------------------- Growing City. by the middle of July. This City.—The Oration. , For once it did not s’orm THEM in Thomaston. WANTED. Memorial Dav, 1.893, will bn remembered At 165 Broadway 3500 chairs t j mend w ithout o o CLEANED ND wasn’t “ Friend One day last week ns two gentlemen who The Maine Bflptist Sunday School Workers’ Curtains! regard to th* ir kind or condition. Prices accord- as one of tho most impressive celebrations The Gonnecticti’ Legislature decrees that the Iiik to amount of material used and labor. Frlte** ns presented hive •sailed the seas over,” gray-bearded and And Done up equal to new la at 11 of the day ever held here. The afternoon <tars and stripe* shall 11 »at over every school- Institute w ill he held in Thomaston, Thursday, Feb. -
Walt Whitman & the Class Struggle
walt whitman & the class struggle the iowa whitman series Ed Folsom, series editor andrew lawson Walt Whitman & the class struggle University of Iowa Press iowa city University of Iowa Press, Iowa City 52242 Copyright © 2006 by the University of Iowa Press http://www.uiowa.edu/uiowapress All rights reserved Printed in the United States of America Design by Richard Hendel No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The University of Iowa Press is a member of Green Press Initiative and is committed to preserving natural resources. Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Lawson, Andrew, 1959 Jul.– Walt Whitman and the class struggle / Andrew Lawson. p. cm.—(The Iowa Whitman series) Includes bibliographical references and index. isbn 0-87745-973-8 (cloth) 1. Whitman, Walt, 1819–1892—Political and social views. 2. Literature and society—United States—History—19th century. 3. Social classes in literature. 4. Social conflict in literature. I. Title. II. Iowa Whitman series. ps3242.s58.l39 2006 2005053817 06 07 08 09 10 c 54321 contents Acknowledgments vii Abbreviations ix Introduction: The Whitman Myth xi 1 Sex, Class, and Commerce 1 2 The American 1848 29 3 The Class Struggle in Language 57 Postscript: Material Resistance 101 Notes 105 Bibliography 137 Index 153 acknowledgments In its early stages the research for this book was supported by sabbatical leave and a travel grant given by the School of Humanities and Social Sci- ences at Sta∂ordshire University. -
From Wall Street to Astor Place: Historicizing Melville's `Bartleby'
Barbara From Wall Street to Astor Place: Historicizing Foley Melville's "Bartleby" In recent years critics have been calling for a re grounding of mid-nineteenth-century American li terature-of the ro mance in particular- in politics and history. John McWilliams ap plauds the contemporary "challenge to the boundaqless and abstract qualities of the older idea of the Romance's neutral territory." George Dekker notes that recent attempts to "rehistoricize the American ro mance'' have entailed an "insist[ence] that our major romancers have always been profoundly concerned with what might be called the men tal or ideological 'manners' of American society, and that their seem ingly anti-mimetic fictions both represent and criticize those man ners. " 1 But Herman Melville's "Bartleby. the Scrivener: A Story of Wall Street" (1853) has to this point been exempted from a thorough going historical recontextualization; its subtitle remains to be fully explained. Not all readings of the tale, to be sure, have been "boundaryless and abstract." Critics interested in the tale's autobiographical dimen sion have interpreted it as an allegory of the writer's fate in a market society. noting specific links with Melville's own difficult authorial career. Scholars concerned wilh the story's New York setting have discovered some important references to contemporaneous events. Marxist critics have argued that "Bartleby" offers a portrait of the increasing alienation of labor in the rationalized capitalist economy that took shape in the mid-nineteenth-century United States.2 But such critical enterprises have remained largely separate, with the result that biography. -
Broadway Theatre
Broadway theatre This article is about the type of theatre called “Broad- The Broadway Theater District is a popular tourist at- way”. For the street for which it is named, see Broadway traction in New York City. According to The Broadway (Manhattan). League, Broadway shows sold a record US$1.36 billion For the individual theatre of this name, see Broadway worth of tickets in 2014, an increase of 14% over the pre- Theatre (53rd Street). vious year. Attendance in 2014 stood at 13.13 million, a 13% increase over 2013.[2] Coordinates: 40°45′21″N 73°59′11″W / 40.75583°N The great majority of Broadway shows are musicals. His- 73.98639°W torian Martin Shefter argues, "'Broadway musicals,' cul- minating in the productions of Richard Rodgers and Os- car Hammerstein, became enormously influential forms of American popular culture” and helped make New York City the cultural capital of the nation.[3] 1 History 1.1 Early theatre in New York Interior of the Park Theatre, built in 1798 New York did not have a significant theatre presence un- til about 1750, when actor-managers Walter Murray and Thomas Kean established a resident theatre company at the Theatre on Nassau Street, which held about 280 peo- ple. They presented Shakespeare plays and ballad op- eras such as The Beggar’s Opera.[4] In 1752, William The Lion King at the New Amsterdam Theatre in 2003, in the Hallam sent a company of twelve actors from Britain background is Madame Tussauds New York to the colonies with his brother Lewis as their manager. -
The Link to James Fenimore Cooper?
THE POUGHKEEPSIE FACTOR: THE LINK TO JAMES FENIMORE COOPER? BY NORMAN BARRY I. INTRODUCTION (REVISED NOV. 2018) The year 2011 produced several revelations concerning the early distribution of “The Helmsman of Lake Erie.” The Baltimore Sun no longer topped the list of publications of “The Helmsman,” and the Wisconsin Argus no longer headed the list of “A”-versions. Instead, The Poughkeepsie Journal and Eagle was head of the pack: A-VERSION: NAME PLACE B-VERSION: NAME PLACE DATE DATE 1845: 1845: 1 19 JULY 1845 POUGHKEEPSIE POUGHKEEPSIE, JOURNAL & EAGLE NEW YORK 2 26 JULY 1845 MAINE CULTIVATOR HALLOWELL, & HALLOWELL MAINE WEEKLY GAZETTE 3 14 AUG. 1845 MOHAWK COURIER LITTLE FALLS, NEW YORK 4 30 AUG. 1845 BALTIMORE SUN BALTIMORE, MARYLAND 02 SEPT. 1845 MADISON, 5 WISCONSIN ARGUS WISCONSIN TERRITORY As of October 2018, the publishing landscape of “The Helmsman” experienced no less than a Copernican Revolution. The first publication of the John Maynard sketch was no longer located in the United States, but in London, England: A-VERSION: NAME PLACE B-VERSION: NAME PLACE DATE DATE 1845: 1845: 1 07 JUNE 1845 THE CHURCH OF LONDON, ENGLAND MAGAZINE ENGLAND 2 14 JUNE 1845 THE LANCASTER LANCASTER, GAZETTE ENGLAND 3 19 JULY 1845 POUGHKEEPSIE POUGHKEEPSIE, JOURNAL & EAGLE NEW YORK 4 26 JULY 1845 MAINE CULTIVATOR HALLOWELL, & HALLOWELL MAINE WEEKLY GAZETTE 5 14 AUG. 1845 MOHAWK COURIER LITTLE FALLS, NEW YORK 6 30 AUG. 1845 BALTIMORE SUN BALTIMORE, MARYLAND 02 SEPT. 1845 MADISON, 7 WISCONSIN ARGUS WISCONSIN TERRITORY 1 The discovery of The Church of England Magazine as the very first publication of “The Helmsman of Lake Erie” in no way diminishes the importance of Poughkeepsie as the first place of publication in the United States. -
Co-Ed in Serious Condition After Being Stabbed Friday Six Arrested in SCU
Lowenstein comes Wednesday, October 11, 1972 Grothe to kick off to campus Friday Spar .111 Dal 1 tv faculty book talks Allard K. Lowenstein. former Brooklyn. N.1. Faculty book talks begin today with Dr. Peter ...ngressman who was the spearhead of tilt, crothe's review of the New Totalitarians.- hi Dump 'Anson" campaign in 1968. will speak N. Huntf ord. The talks, which are open to riday, Oct. 13 at noon and 1 p.m. students and bacilli y, are held each Wednesda% The former legislator's noon address is in the at 12:30 in Room A of the Spartan Cafeteria. allege Union Umunhum Room. His 1 p.m. talk 0 Dr. Grothe is one of the originators of th, in IC 141. Peace Corps. and is a lecturer for the Political Serving California State University at San Jose Since 1934 Will I. Der/dr! lit-rutI Future of Women's Center hinges Council decision on By Virsinie Golden will be reopened.- money would revert," McDonald said. The Women's Center at SISU may become a lanice Osborne. spokesman for the women's Margie Bernard. of the women's Center, said thing of the past if AS. Council today does not Center, said that the center was willing to open that action had been taken to stop the reversion. reverse its decision of last week, and approve its doors to any members of the Council who but was not successful. She stated that a letter the center's request for funding for this year. were interested in what was going on. -
The Snow Miser Song 6Ix Toys - Tomorrow's Children (Feat
(Sandy) Alex G - Brite Boy 1910 Fruitgum Company - Indian Giver 2 Live Jews - Shake Your Tuchas 45 Grave - The Snow Miser Song 6ix Toys - Tomorrow's Children (feat. MC Kwasi) 99 Posse;Alborosie;Mama Marjas - Curre curre guagliò still running A Brief View of the Hudson - Wisconsin Window Smasher A Certain Ratio - Lucinda A Place To Bury Strangers - Straight A Tribe Called Quest - After Hours Édith Piaf - Paris Ab-Soul;Danny Brown;Jhene Aiko - Terrorist Threats (feat. Danny Brown & Jhene Aiko) Abbey Lincoln - Lonely House - Remastered Abbey Lincoln - Mr. Tambourine Man Abner Jay - Woke Up This Morning ACID MOTHERS TEMPLE - Are We Experimental? Adolescents - Democracy Adrian Sherwood - No Dog Jazz Afro Latin Vintage Orchestra - Ayodegi Afrob;Telly Tellz;Asmarina Abraha - 808 Walza Afroman - I Wish You Would Roll A New Blunt Afternoons in Stereo - Kalakuta Republik Afu-Ra - Whirlwind Thru Cities Against Me! - Transgender Dysphoria Blues Aim;Qnc - The Force Al Jarreau - Boogie Down Alabama Shakes - Joe - Live From Austin City Limits Albert King - Laundromat Blues Alberta Cross - Old Man Chicago Alex Chilton - Boplexity Alex Chilton;Ben Vaughn;Alan Vega - Fat City Alexia;Aquilani A. - Uh La La La AlgoRythmik - Everybody Gets Funky Alice Russell - Humankind All Good Funk Alliance - In the Rain Allen Toussaint - Yes We Can Can Alvin Cash;The Registers - Doin' the Ali Shuffle Amadou & Mariam - Mon amour, ma chérie Ananda Shankar - Jumpin' Jack Flash Andrew Gold - Thank You For Being A Friend Andrew McMahon in the Wilderness - Brooklyn, You're -
A Thematic Study of James Fenimore Cooper's Nautical Fiction. Philip Neil Cooksey Louisiana State University and Agricultural & Mechanical College
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1977 A Thematic Study of James Fenimore Cooper's Nautical Fiction. Philip Neil Cooksey Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Cooksey, Philip Neil, "A Thematic Study of James Fenimore Cooper's Nautical Fiction." (1977). LSU Historical Dissertations and Theses. 3102. https://digitalcommons.lsu.edu/gradschool_disstheses/3102 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
A Study of Art Unions in the United States of America in the Nineteenth Century
Virginia Commonwealth University VCU Scholars Compass Theses and Dissertations Graduate School 1990 A Study of Art Unions in the United States of America in the Nineteenth Century Jane Aldrich Dowling Adams Virginia Commonwealth University Follow this and additional works at: https://scholarscompass.vcu.edu/etd Part of the Arts and Humanities Commons © The Author Downloaded from https://scholarscompass.vcu.edu/etd/828 This Thesis is brought to you for free and open access by the Graduate School at VCU Scholars Compass. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of VCU Scholars Compass. For more information, please contact [email protected]. A STUDY OF ART UNIONS IN THE UNITED STATES OF AMERICA IN THE NINETEENTH CENTURY JANE ALDRICH DOWLING ADAMS BS, Carnegie-Mellon University, 1954 Submitted to the Faculty of the School of the Arts Virginia Commonwealth University in Partial Fulfillment of the Requirements for the Degree Master of Arts I RICHMOND, VIRGINIA April 1990 Acknowledgments Jean Ashton, Thomas Dunnings and Mary Carey, New Yor~ Historical Society Library; Gloria Deak, New York Public Library Art Division; Barbara Reed and Claudia Yatsevitch, Sherman Art Library, Dartmouth College; Virginia Close, Gloria Densmore, Marcy Bouton and Nancy Markee, Baker Library, Dartmouth College; Polly Gould, Howe Library, Hanover, NH; Shirlee Mitchell, Hanover, NH, Anneliese Harding, Goethe Institute, Boston; Sue W. Reed, Boston Museum of Fine Arts Print Division; Sally Pierce, Boston Athenaeum Print Department; Wendy Marcus, Roberta Zonghi and Giuseppe Bisaccia, Boston Public Library; Bob Brown, Archives of American Art, Boston; Steven B. Jareckie, Worcester Art Museum; Mary Ellen Goeke, Pat Rutledge and Mona Chapin, Cincinnati Art Museum; James Hunt, Claire Passero, Melissa Hermann, Cincinnati Public Library; Frances Forman, Cincinnati Historical Society Library; Molly Carver, Sandusky Public Library; Helen Hansen, Follet House Museum Library, Sandusky; Anne Steinfeldt, Chicago Historical Society Library, Wilson S. -
Literature of the Sea and Social Class in Antebellum America
“The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America Bryan Charles Sinche A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English. Chapel Hill 2006 Approved by Advisor: Philip F. Gura Reader: William L. Andrews Reader: Joy S. Kasson Reader: Timothy Marr Reader: Eliza C. Richards © 2006 Bryan C. Sinche ALL RIGHTS RESERVED ii Abstract Bryan C. Sinche: “The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America (Under the direction of Philip F. Gura) In “The Test of Salt Water”: Literature of the Sea and Social Class in Antebellum America, I argue that fictional and non-fictional antebellum sea literature offers a valuable lens through which to critique authorial responses to race, social class, and economic mobility. The antebellum sailor populating the pages of the sea narrative was often celebrated as a representative American figure and a source of national pride despite the fact that, as a member of the antebellum working classes, he was a living testament to the limits of economic and social advancement in a nation where such limits were supposedly nonexistent. Authors used this disconnect, as well as the extra-national settings and generic conventions unique to the sea narrative, both to illuminate foundational American ideals and expose the failure of those ideals to improve materially the lives of sailors. In first section of The Test of Salt Water, I draw on writings by common sailors as well as well- known narratives authored by upper-class former seamen such as James Fenimore Cooper and Richard Henry Dana to map the rhetorical battles that helped to define the sailor within antebellum class hierarchies. -
Pop / Rock Misto
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