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Amid the Coronavirus Pandemic, Remember “Thanks for the Memory” Oscar-Winning
Back to Newsroom (/newsroom) Leo Robin Music Amid the Coronavirus Pandemic, Remember "Thanks for the Memory" Oscar-Winning Lyricist Leo Robin Who Served on The Hollywood Office of Music War Council During WWII - The Hollywood Walk of Fame Should Install #LeosLostStar" Awarded to Him 30 Years Ago Tuesday, April 28, 2020 3:18 PM SHERMAN OAKS, CA / ACCESSWIRE / April 28, 2020 / Turning on the radio back in 1944 you would have heard the most celebrated jazz musicians such as Louis Armstrong and Lionel Hampton and vocalists such as Frank Sinatra, Judy Garland, Dinah Washington and actress Marlene Dietrich singing the wartime song "No Love, No Nothin'." Lyricist Leo Robin wrote the heartfelt lyrics to this song during World War II when romantic and sentimental songs about the girls left behind captured the mood of the country. In The Great Jazz and Pop Vocal Albums, Will Friedwald gives his interpretation, "this no-frills love song is refreshingly straightforward. No frills, no love, no nothin', in fact -- it's all about the deprivation of the 'love-sick girl' on the home front is suffering; [...] there's an obvious parallel with wartime rationing and shortages. It was near impossible to get sugar, rubber, tires, or gasoline, among other goods and the same thing applied to love, she's not getting any of that either." Today's songwriters and musicians amid the Coronavirus pandemic follow in the footsteps of those during World War II in writing and performing songs that capture the mood of the country during this new war against what President Trump calls the "invisible enemy." For example, Alicia Keys, a 15-time Grammy winner, debuted her new powerful anthem "Good Job" to honor the unsung heroes in her own life during a CNN global town hall addressing the latest developments in the Covid-19 pandemic. -
John Pizzarelli and Freddy Cole: Celebrating the Centenary of Nat
TD Jazz Concerts John Pizzarelli and Freddy Cole: Celebrating the centenary of Nat King Cole @ 100 Thursday, February 14, 2019 at 8:00pm Pre-concert Talk at 7:00pm This is the 913th concert in Koerner Hall John Pizzarelli, vocals & guitar Mike Karn, bass Konrad Paszkudzki, piano Freddy Cole, piano & vocals Elias Bailey, bass Randy Napoleon, guitar Quentin Baxtor, drums John Pizzarelli World-renowned guitarist and singer John Pizzarelli, established as one of the prime contemporary interpreters of the Great American Songbook, has expanded that repertoire by including the music of Paul McCartney, Joni Mitchell, Neil Young, Tom Waits, Antônio Carlos Jobim, and The Beatles. Having concentrated on the music of Paul McCartney, Johnny Mercer, and Frank Sinatra over the last two years, Pizzarelli has returned to the bossa nova of Jobim with his 2017 release Sinatra & Jobim @ 50. With co- vocalist Daniel Jobim, grandson of the legendary Brazilian composer, the two explore songs Sinatra and Jobim recorded, as well as add new songs flavoured with the spirit of the classic Francis Albert Sinatra and Antonio Carlos Jobim album. Pizzarelli has toured North America, South America, Asia, and Europe, performing shows centered on Frank Sinatra’s centennial, the songs of Johnny Mercer, and a McCartney program, in which his quartet is joined by strings and a horn section. He also tours on a double bill with pianist Ramsey Lewis. While plenty of jazz greats influenced his work, Nat King Cole has been Pizzarelli’s hero and foundation over the last 25 years. He devoted two albums to his music, Dear Mr. -
Sing-Along Words for Greenbelt Songs
SEVEN-SONG SING-ALONG Beginner’s Luck: Toe-Tapping Tunes From Greenbelt’s First Year (I’VE GOT) BEGINNER’S LUCK Music by George Gershwin • Lyrics by Ira Gershwin From Shall We Dance (1937) I’ve got beginner’s luck The first time that I’m in love, I’m in love with you Gosh, I’m lucky! I’ve got beginner’s luck They told me beginners win, now I know it’s true Gosh, I’m fortunate! This thing we’ve begun Is much more than a pastime For this time is the one Where the first time is the last time I’ve got beginner’s luck Lucky through and through ‘Cause the first time that I’m in love, I’m in love with you BLOSSOMS ON BROADWAY Music by Ralph Rainger • Lyrics by Leo Robin From Blossoms On Broadway (1937) There are blossoms on Broadway when I’m walking with you Blossoms where trees never grew I forget the crowd and the loud rumble of cars And all the bright lights turn into stars There is magic on Broadway when you’re smiling at me Magic my heart never knew What a joy to be blissfully wandering through The blossoms on Broadway with you I WANT TO BE HAPPY Music by Vincent Youmans • Lyrics by Irving Caesar From No, No, Nanette (1925) I want to be happy But I won’t be happy Till I make you happy, too Life’s really worth living When we are mirth giving Why can’t I give some to you? When skies are gray and you say you are blue I’ll send the sun smiling through I want to be happy But I won’t be happy Till I make you happy, too BLUE SKIES Music and Lyrics by Irving Berlin From Betsy (1926) I was blue just as blue as I could be Every day was a cloudy day for me Then good luck came a-knocking at my door Skies were gray, but they’re not gray anymore Blue skies Smiling at me Nothing but blue skies do I see Bluebirds singing a song Nothing but blue birds all day long Never saw the sun shining so bright Never saw things going so right Noticing the days hurrying by When you’re in love, my how they fly Blue days All of them gone Nothing but blue skies from now on AVALON Music and Lyrics by Al Jolson, Vincent Rose and B.G. -
MTO 11.4: Spicer, Review of the Beatles As Musicians
Volume 11, Number 4, October 2005 Copyright © 2005 Society for Music Theory Mark Spicer Received October 2005 [1] As I thought about how best to begin this review, an article by David Fricke in the latest issue of Rolling Stone caught my attention.(1) Entitled “Beatles Maniacs,” the article tells the tale of the Fab Faux, a New York-based Beatles tribute group— founded in 1998 by Will Lee (longtime bassist for Paul Schaffer’s CBS Orchestra on the Late Show With David Letterman)—that has quickly risen to become “the most-accomplished band in the Beatles-cover business.” By painstakingly learning their respective parts note-by-note from the original studio recordings, the Fab Faux to date have mastered and performed live “160 of the 211 songs in the official canon.”(2) Lee likens his group’s approach to performing the Beatles to “the way classical musicians start a chamber orchestra to play Mozart . as perfectly as we can.” As the Faux’s drummer Rich Pagano puts it, “[t]his is the greatest music ever written, and we’re such freaks for it.” [2] It’s been over thirty-five years since the real Fab Four called it quits, and the group is now down to two surviving members, yet somehow the Beatles remain as popular as ever. Hardly a month goes by, it seems, without something new and Beatle-related appearing in the mass media to remind us of just how important this group has been, and continues to be, in shaping our postmodern world. For example, as I write this, the current issue of TV Guide (August 14–20, 2005) is a “special tribute” issue commemorating the fortieth anniversary of the Beatles’ sold-out performance at New York’s Shea Stadium on August 15, 1965—a concert which, as the magazine notes, marked the “dawning of a new era for rock music” where “[v]ast outdoor shows would become the superstar standard.”(3) The cover of my copy—one of four covers for this week’s issue, each featuring a different Beatle—boasts a photograph of Paul McCartney onstage at the Shea concert, his famous Höfner “violin” bass gripped in one hand as he waves to the crowd with the other. -
Tommy Dorsey 1 9
Glenn Miller Archives TOMMY DORSEY 1 9 3 7 Prepared by: DENNIS M. SPRAGG CHRONOLOGY Part 1 - Chapter 3 Updated February 10, 2021 TABLE OF CONTENTS January 1937 ................................................................................................................. 3 February 1937 .............................................................................................................. 22 March 1937 .................................................................................................................. 34 April 1937 ..................................................................................................................... 53 May 1937 ...................................................................................................................... 68 June 1937 ..................................................................................................................... 85 July 1937 ...................................................................................................................... 95 August 1937 ............................................................................................................... 111 September 1937 ......................................................................................................... 122 October 1937 ............................................................................................................. 138 November 1937 ......................................................................................................... -
Die 1950Er 321 Titel, 12,9 Std., 1,15 GB
Seite 1 von 13 -Die 1950er 321 Titel, 12,9 Std., 1,15 GB Name Dauer Album Künstler 1 Sing baby sing (ft Valente Caterina) 2:58 Alexander Peter 2 It's simply grand 2:00 Rockin' Rollin' High School Vol.4 - Sampler - 1983 (LP) Allen Milton 3 Youthful lover 2:20 Rockin' Rollin' High School Vol.6 - Sampler - 1983 (LP) Allen Milton 4 In the mood 2:49 Andrew Sisters The Andrew Sisters 5 Rum and Coca Cola 3:08 Oldies The Andrew Sisters 6 Boogie woogie bugle boy 2:44 Songs Of World War 2 The Andrew Sisters 7 Three little fishies (itty bitty pool) 2:37 The Andrew Sisters 8 Lonely boy 2:32 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 9 Diana 2:18 Jukebox RTL - Comp JJJJ (CD1-VBR) Anka Paul 10 Put your head on my shoulder 2:39 Million Sellers (The Fifties) Vol.03 - Comp 1992 (CD-VBR) Anka Paul 11 High society calypso 2:12 As Time Goes By - Disc 2 Armstrong Louis 12 Hello Dolly 2:26 Wonderful World Of Musical - Comp 1999 (CD2-VBR) Armstrong Louis 13 Onkel Satchmo's lullaby 2:26 Das waren Schlager 59/60 - Comp (LP) Armstrong Louis & die kleine Gabriele 14 Just ask your heart 2:28 Billboard Top 100 - 1959 Avalon Frankie 15 Jim Dandy 2:12 Baker LaVern 16 Ice cream 3:27 Oldies But Goldies (LP OrangeGrün 1980) Barber Chris 17 Petite fleur 2:43 40 Hits From The 50s & 60s - Sampler (LP2) Barber Chris 18 Kiss me honey honey kiss me 2:23 Beyond the sea Bassey Shirley 19 Banana boat song 3:03 Rock Party Volume 3 - Comp JJJJ (CD-VBR) Belafonte Harry 20 Rainy night in Georgia 3:50 Best Of Soul Classics - Comp 2005 (CD3-VBR) Benton Brook 21 Rock and roll music 2:31 The Great Twenty-Eight Berry Chuck 22 Sweet little sixteen 3:01 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck 23 Brown eyed handsome man 2:16 The Rolling Stone Magazines 500 Greatest Songs Of All Time Berry Chuck -Die 1950er Seite 2 von 13 Name Dauer Album Künstler 24 Johnny B. -
“N” ROLL and SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL Mccartney, MUHAMMAD ALI and MANY MORE…
JULIEN’S AUCTIONS ANNOUNCES HISTORICAL ROCK “N” ROLL AND SPORTS AUCTION FEATURING LADY GAGA, CHER, BONO, JOHN LENNON, PAUL McCARTNEY, MUHAMMAD ALI AND MANY MORE… Beverly Hills, CA - Monday, November 7th, 2011 - Julien‟s Auctions, the world‟s premiere entertainment and celebrity auction house will once again make history when the doors open for a star studded auction that includes items from the worlds of Rock „n Roll, Sports, the Royal family and political memorabilia on Thursday, December 1, 2011 through Sunday, December 4, 2011 at the Julien‟s Auctions gallery in Beverly Hills. Julien‟s will highlight the rock „n roll portion of the auction event with a very rare offering of items from the Fame Monster herself, Lady Gaga. The award winning multi-platinum music icon‟s unmatched style can be seen on stage, in print, on billboards and at Julien‟s gallery. Her famous structured dress worn for the cover of Madame Figaro magazine in 2001 will be offered for auction. The now famous costume designed by and is estimated to sell for $10,000 - $20,000. Additionally the prop gun used in Lady Gaga‟s music video for “Born This Way,” will also be offered with an estimate of $6,000-$8,000. When you hear the words rock royalty, any collector knows it must mean The Beatles, The Rolling Stones or U2 amongst others. Included are stage worn outfits from the Beatles that have been on display at the Rock „n Roll Hall of Fame and Museum. These include John Lennon‟s stage worn collarless suit by D.A. -
Title Composer Lyricist Arranger Cover Artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc
Title Composer Lyricist Arranger Cover artist Publisher Date Notes Wabash Blues Fred Meinken Dave Ringle Leo Feist Inc. 1921 Wabash Cannon Ball Wm Kindt Wm Kindt NPS Calumet Music Co. 1939 High Bass arranged by Bill Burns Wabash Moon Dave Dreyer Dave Dreyer Irving Berlin Inc. 1931 Wagon Wheels Peter DeRose Billy Hill Shapiro, Bernstein & Co. 1934 Wagon Wheels Peter DeRose Billy Hill Geoffrey O'Hara Shapiro, Bernstein & Co., Inc. 1942 Arranged for male voices (T.T.B.B.) Wah-Hoo! Cliff Friend Cliff Friend hbk Crawford Music Corp. 1936 Wait for Me Mary Charlie Tobias Charlie Tobias Harris Remick Music Corp. 1942 Wait Till the Cows Come Home Ivan Caryll Anne Caldwell Chappell & Company Ltd 1917 Wait Till You Get Them Up In The Air, Boys Albert Von Tilzer Lew Brown EEW Broadway Music Corp. 1919 Waitin' for My Dearie Frederick Loewe Alan Jay Lerner Sam Fox Pub. Co. 1947 Waitin' for the Train to Come In Sunny Skylar Sunny Skylar Martin Block Music 1945 Waiting Harold Orlob Harry L. Cort Shapiro, Bernstein & Co. 1918 Waiting at the Church; or, My Wife Won't Let Me Henry E. Pether Fred W. Leigh Starmer Francis, Day & Hunter 1906 Waiting at the End of the Road Irving Berlin Irving Berlin Irving Berlin Inc. 1929 "Waiting for the Robert E. Lee" Lewis F. Muir L. Wolfe Gilbert F.A. Mills 1912 Waiting for the Robert E. Lee Lewis F. Muir L. Wolfe Gilbert Sigmund Spaeth Alfred Music Company 1939 Waiting in the Lobby of Your Heart Hank Thompson Hank Thompson Brenner Music Inc 1952 Wake The Town and Tell The People Jerry Livingston Sammy Gallop Joy Music Inc 1955 Wake Up, America! Jack Glogau George Graff Jr. -
Blueprint for the Arts N Music Letter from the Chancellor
Grades PreK - 12 - PreK Grades For Teaching and Learning in Learning and Teaching For Office of Arts and Special Projects New York City Department of Education 52 Chambers Street, Room 205 New York, New York 10007 Phone: 212.374.0300 Fax: 212.374.5598 Email: [email protected] website: schools.nyc.gov/artseducation New York City Department of Education © 2005 Carmen Fariña, Chancellor Second Edition (2008) Contributors Third Edition (2015) Contributors Dorita Gibson, Senior Deputy Chancellor Phil Weinberg, Deputy Chancellor of Teaching Music Curriculum Development Co-Chairs Music Educators, Music Curriculum Development Co-Chairs New York City Department of Education and Learning Barbara Murray, Director of Music Programs Barbara Murray, Director of Music Anna Commitante, Senior Executive Director, Office of Arts and Special Projects, Donald Christiansen Robert Lamont, Music Consultant Curriculum, Instruction & Professional Learning New York City Department of Education Roberta Feldhusen Paul King, Executive Director, Office of Arts and Shellie Bransford, Music Consultant Janet Grice Special Projects Elizabeth Norman, Director of Education, Elizabeth Guglielmo Music Educators, St. Luke’s Orchestra New York City Department of Education First Edition (2004) Contributors Jaime Jacobs Gregory Pierson, Director of Education, Maria Schwab Eric Dalio Music Curriculum Development Co-Chairs Brooklyn Philharmonic Thomas Toriello Elaine Fauria Nancy Shankman, Director of Music/ George Wanat Ian Kanakaris Deputy Senior Instructional Manager for Arts Education Moishe Weidenfeld Music from the Inside Out Contributors Portia Lagares Thomas Cabaniss, Director of Education, Jerome Korman, Project Director, Music Consultant, New York Philharmonic Office of Arts and Special Projects Cultural and University Community Music Educators, Nancy Shankman, Director of Music, Deputy Senior Dr. -
Inventory of American Sheet Music (1844-1949)
University of Dubuque / Charles C. Myers Library INVENTORY OF AMERICAN SHEET MUSIC (1844 – 1949) May 17, 2004 Introduction The Charles C. Myers Library at the University of Dubuque has a collection of 573 pieces of American sheet music (of which 17 are incomplete) housed in Special Collections and stored in acid free folders and boxes. The collection is organized in three categories: African American Music, Military Songs, and Popular Songs. There is also a bound volume of sheet music and a set of The Etude Music Magazine (32 items from 1932-1945). The African American music, consisting of 28 pieces, includes a number of selections from black minstrel shows such as “Richards and Pringle’s Famous Georgia Minstrels Songster and Musical Album” and “Lovin’ Sam (The Sheik of Alabami)”. There are also pieces of Dixieland and plantation music including “The Cotton Field Dance” and “Massa’s in the Cold Ground”. There are a few pieces of Jazz music and one Negro lullaby. The group of Military Songs contains 148 pieces of music, particularly songs from World War I and World War II. Different branches of the military are represented with such pieces as “The Army Air Corps”, “Bell Bottom Trousers”, and “G. I. Jive”. A few of the delightful titles in the Military Songs group include, “Belgium Dry Your Tears”, “Don’t Forget the Salvation Army (My Doughnut Girl)”, “General Pershing Will Cross the Rhine (Just Like Washington Crossed the Delaware)”, and “Hello Central! Give Me No Man’s Land”. There are also well known titles including “I’ll Be Home For Christmas (If Only In my Dreams)”. -
Iianrijfstfr Su? Tttng I? Ralji TBB WBATHUB
£ t » W dues grown by ths unemployed of Manchester last summer tn the gar AVERAOB DAH.T omcmJETION E DANCE STILL SEEK REPORT dens supplied by the charity depart tor the Month of Beptaaber. IBM TBB WBATHUB ment ami the American legion. Fetoeaot of D. 8. Wenthor lliiriaii. l^'FoIiah WooMo's Bodetjr. When the gardenera Were provid Hartford Z. P. W. A. ed with seeds and fertilizer last ta a BUI, North Bt. ON HOME GARDENS spring, each wap given a blank on 5 , 5 7 1 rCniDAT, OCTOBBR IB which to make a report to Mr. Msmhor of tho Audit Fair, sUghHy warmer toirigM! for OaotmnM. AdndMtoa S6c Bchrend. Only a few returns have Bnroaa of Olieiilatioiis Simd^r partly dondy. been mnd«i (to date. Mr. Behrend iianrijfstfr Su? tttng I? ralJi Bat Few Have Responded to requests that the remaining re- I>ortB bo returned to him Immediate I VOL.l v .. NO. 17. (ClaaatBed Advertlaing on Pago lU.) ABOUT TOWN ly. Additional blanks for the pur MANCHESTER, CONN., SATURDAY. OCTOBER 19, 1935. (TWELVE PAGES) PRICE THREE CENTg Hea for Information On pose are available tn his office. \4iooitxx*9 Junior Flfo md Drum UMsa U ffolngr to enlarge lU mem- Produce Raised. b «M lp by adding glrla to the roater. Smart New Styles for Saturday Shoppers HUNKS RETURN 700 ARE BUSY Roads and Water May Hold Italy’s Fate Any local glrla wishing to Join ATLANTIC e h ^ d leave their names at Con- Albert B. Bchrend, assistant su No. 2 FURNACE OIL mn'a restaurant, Phone 3808 or ace perintendent of charity, has been OF I^ROHIBrnON ilMEDITERRANEAN SHIPS Mhjor Danny Shea during the week. -
Bruce Springsteen & the E Street Band Beyoncé Coldplay Guns N
Gross Average Average Total Average Cities Rank Millions Artist Ticket Price Tickets Tickets Gross Shows Agency 1 268.3 Bruce Springsteen & The E Street Band 111.48 36,464 2,406,591 4,064,939 66/76 BPB Consulting / Creative Artists Agency 2 256.2 Beyoncé 114.59 48,642 2,237,542 5,573,702 46/49 Creative Artists Agency 3 241.0 Coldplay 90.05 60,828 2,676,425 5,477,701 44/60 Paradigm Talent Agency / X-ray Touring 4 188.4 Guns N’ Roses 111.00 48,490 1,697,164 5,382,317 35/44 United Talent Agency / Int’l Talent Booking 5 167.7 Adele 109.59 34,777 1,530,196 3,811,364 44/107 WME / International Talent Booking 6 163.3 Justin Bieber 92.70 20,484 1,761,642 1,898,837 86/115 Creative Artists Agency 7 110.6 Paul McCartney 127.43 28,924 867,712 3,685,852 30/36 Marshall Arts / MPL Communications 8 97.0 Garth Brooks 69.29 56,000 1,400,000 3,880,000 25/102 WME 9 90.9 The Rolling Stones 122.33 74,343 743,425 9,094,136 10/14 AEG Live 10 85.5 Celine Dion 146.26 30,766 584,560 4,500,000 19/78 ICM Partners / CDA Productions / Solo Agency 11 84.3 Drake 112.08 19,793 752,141 2,218,421 38/56 WME 12 84.1 Luke Bryan 59.00 21,597 1,425,423 1,274,242 66/81 WME 13 82.2 Madonna 216.01 19,033 380,669 4,111,410 20/33 Live Nation Global Touring 14 76.6 Billy Joel 109.67 41,086 698,459 4,505,882 17/28 Artist Group International 15 73.9 Black Sabbath 77.29 14,940 956,139 1,154,688 64/65 CAA / International Talent Booking 16 69.5 Kenny Chesney 76.32 32,512 910,330 2,481,195 28/30 Dale Morris & Associates 17 66.6 Cirque du Soleil - “Toruk - The First Flight” 69.56 21,760 957,446 1,513,636 44/293 Cirque du Soleil 18 65.5 Muse 69.18 24,916 946,805 1,723,684 38/64 United Talent Agency 19 62.9 Iron Maiden 66.00 17,018 953,030 1,123,214 56/59 Creative Artists Agency / K2 Agency 20 61.4 Rihanna 85.63 12,153 717,038 1,040,678 59/64 WME 21 60.1 Maroon 5 68.88 22,373 872,531 1,541,026 39/42 WME / International Talent Booking / CAA 22 58.5 Elton John 110.61 8,530 528,885 943,548 62/92 Howard Rose Agency / Rocket Music Ent.