DOCSLIB.ORG

Summer 2012 Boston Symphony Orchestra

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Summer 2012 Boston Symphony Orchestra boston symphony orchestra summer 2012 Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 131st season, 2011–2012 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Vincent M. O’Reilly, Treasurer William F. Achtmeyer • George D. Behrakis • Alan Bressler • Jan Brett • Susan Bredhoff Cohen, ex-officio • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Carmine A. Martignetti • Robert J. Mayer, M.D. • Aaron J. Nurick, ex-officio • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Edward I. Rudman • Arthur I. Segel • Thomas G. Stemberg • Theresa M. Stone • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • Helene R. Cahners • James F. Cleary† • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Dean W. Freed • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • William J. Poorvu • Irving W. Rabb† • Peter C. Read • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. May, Chief Financial Officer • Suzanne Page, Clerk of the Board Board of Overseers of the Boston Symphony Orchestra, Inc. Susan Bredhoff Cohen, Co-Chairman • Peter Palandjian, Co-Chairman • Noubar Afeyan • David Altshuler • Diane M. Austin • Judith W. Barr • Lucille M. Batal • Linda J.L. Becker • Paul Berz • James L. Bildner • Mark G. Borden • Partha Bose • Anne F. Brooke • Stephen H. Brown • Gregory E. Bulger • Joanne Burke • Ronald G. Casty • Richard E. Cavanagh • Carol Feinberg Cohen • Richard F. Connolly, Jr. • Charles L. Cooney • Ranny Cooper • James C. Curvey • Gene D. Dahmen • Jonathan G. Davis • Paul F. Deninger • Ronald F. Dixon • Ronald M. Druker • Alan Dynner • Philip J. Edmundson • Ursula Ehret-Dichter • John P. Eustis II • Joseph F. Fallon • Thomas E. Faust, Jr. • Peter Fiedler • Judy Moss Feingold • Steven S. Fischman • John F. Fish • Sanford Fisher • Jennifer Mugar Flaherty • Robert Gallery • Levi A. Garraway • Robert P. Gittens • Robert R. Glauber • Stuart Hirshfield • Susan Hockfield • Lawrence S. Horn • Jill Hornor • William W. Hunt • Valerie Hyman • Everett L. Jassy • Stephen J. Jerome • Darlene Luccio Jordan, Esq. • Paul L. Joskow • Stephen R. Karp • Robert Kleinberg • John L. Klinck, Jr. • Farla H. Krentzman • Peter E. Lacaillade • Charles Larkin • Robert J. Lepofsky • Nancy K. Lubin • Jay Marks • Jeffrey E. Marshall • Linda A. Mason • Robert D. Matthews, Jr. • C. Ann Merrifield • Dr. Martin C. Mihm, Jr. • Maureen Miskovic • Programs copyright ©2012 Boston Symphony Orchestra Cover photo by Stu Rosner Robert Mnookin • Paul M. Montrone • Sandra O. Moose • Robert J. Morrissey • J. Keith Motley, Ph.D. • Cecile Higginson Murphy • Joseph J. O’Donnell • Vincent Panetta, Jr. • Joseph Patton • Ann M. Philbin • Wendy Philbrick • Claudio Pincus • Lina S. Plantilla, M.D. • Joyce L. Plotkin • Irene Pollin • Jonathan Poorvu • Dr. John Thomas Potts, Jr. • William F. Pounds • Claire Pryor • John Reed • Dr. Carmichael Roberts • Susan Rothenberg • Alan Rottenberg • Joseph D. Roxe • Kenan Sahin • Malcolm S. Salter • Diana Scott • Donald L. Shapiro • Wendy Shattuck • Christopher Smallhorn • Michael B. Sporn, M.D. • Nicole Stata • Margery Steinberg • Patricia L. Tambone • Jean Tempel • Douglas Thomas • Mark D. Thompson • Albert Togut • Diana Osgood Tottenham • Joseph M. Tucci • Robert A. Vogt • David C. Weinstein • Dr. Christoph Westphal • James Westra • Patricia Plum Wylde • Dr. Michael Zinner • D. Brooks Zug Overseers Emeriti Helaine B. Allen • Marjorie Arons-Barron • Caroline Dwight Bain • Sandra Bakalar • George W. Berry • William T. Burgin • Mrs. Levin H. Campbell • Earle M. Chiles • Mrs. James C. Collias • Joan P. Curhan • Phyllis Curtin • Tamara P. Davis • Mrs. Miguel de Bragança • Betsy P. Demirjian • JoAnne Walton Dickinson • Phyllis Dohanian • Harriett Eckstein • George Elvin • Pamela D. Everhart • J. Richard Fennell • Lawrence K. Fish • Myrna H. Freedman • Mrs. Thomas Galligan, Jr. • Mrs. James Garivaltis • Dr. Arthur Gelb • Jordan Golding • Mark R. Goldweitz • Michael Halperson • John Hamill • Deborah M. Hauser • Carol Henderson • Mrs. Richard D. Hill • Marilyn Brachman Hoffman • Roger Hunt • Lola Jaffe • Martin S. Kaplan • Mrs. S. Charles Kasdon • Mrs. Gordon F. Kingsley • David I. Kosowsky • Robert K. Kraft • Benjamin H. Lacy • Mrs. William D. Larkin • Edwin N. London • Frederick H. Lovejoy, Jr. • Diane H. Lupean • Mrs. Charles P. Lyman • Mrs. Harry L. Marks • Joseph B. Martin, M.D. • Joseph C. McNay • Albert Merck • John A. Perkins • May H. Pierce • Dr. Tina Young Poussaint • Daphne Brooks Prout • Patrick J. Purcell • Robert E. Remis • John Ex Rodgers • Roger A. Saunders • Lynda Anne Schubert • Mrs. Carl Shapiro • L. Scott Singleton • Gilda Slifka • Samuel Thorne • Paul M. Verrochi • Robert A. Wells • Mrs. Joan D. Wheeler • Margaret Williams-DeCelles • Richard Wurtman, M.D. † Deceased Tanglewood The Tanglewood Festival On August 13, 15, and 16, 1936, the Boston Symphony Orchestra gave its first concerts in the Berkshire Hills of western Massachusetts; music director Serge Koussevitzky conducted. But those outdoor concerts, attended by a total of 15,000 people, did not take place at Tanglewood: the orchestra performed nearby under a large tent at Holmwood, a former Vanderbilt estate that later became The Center at Foxhollow. In fact, the first Berkshire Symphonic Festival had taken place two summers earlier, at Interlaken, when, organized by a group of music-loving Berkshire summer residents, three outdoor concerts were given by members of the New York Philharmonic, under the direction of composer/conductor Henry Hadley. But after a second concert series in 1935, plans for 1936 proved difficult, for reasons including Hadley’s health and aspects of the musical programming; so the organizing committee instead approached Koussevitzky and the BSO’s Trustees, whose enthusiastic response led to the BSO’s first concerts in the Berkshires. In the winter of 1936, following the BSO’s concerts that summer, Mrs. Gorham Brooks and Miss Mary Aspinwall Tappan offered Tanglewood, the Tappan family estate, with its buildings and 210 acres of lawns and meadows, as a gift to Koussevitzky and the orchestra. The offer was gratefully accepted, a two-weekend festival was planned for 1937, and on August 5 that year, the festival’s largest crowd to date assembled under a tent for the first Tanglewood concert, an all-Beethoven program. At the all-Wagner concert that opened the 1937 festival’s second weekend, rain and thunder twice interrupted the Rienzi Overture and necessitated the omission altogether of the Siegfried Idyll, music too gentle to be heard through the downpour. At the inter- mission, Miss Gertrude Robinson Smith, one of the festival’s founders, made an appeal to raise funds for the building of a permanent structure. The appeal was broadened by means of a printed circular handed out at the two remaining concerts, and within a short time enough money was raised to begin active planning for a “music pavilion.” Eliel Saarinen, the eminent architect selected by Koussevitzky, proposed an elaborate design that went far beyond the festival’s immediate needs, and also well beyond the $100,000 budget. When his second, simplified plans were again deemed too expen- A banner advertising the 1939 Berkshire Symphonic Festival (BSO Archives) sive, he finally wrote that if the Trustees insisted on remaining within their budget, they would have “just a shed...which any builder could accomplish without the aid of an architect.” The Trustees then asked Stockbridge engineer Joseph Franz to further simplify Saarinen’s plans, and the “Shed” he erected—which remains, with modifica- tions, to this day—was inaugurated on August 4, 1938, with the first concert of that year’s festival. It has resounded to the music of the Boston Symphony Orchestra every summer since, except for the war years 1942-45, and has become almost a place of pilgrimage to millions of concertgoers. In 1959, as the result of a collabora- tion between the acoustical consultant Bolt Beranek and Newman and archi- tect Eero Saarinen and Associates, the installation of the then-unique Edmund Hawes Talbot Orchestra Canopy, along with other improve- After the storm of August 12, 1937, which precipitated a fundraising drive ments, produced the Shed’s present for the construction of the Tanglewood Shed (BSO Archives) world-famous acoustics. In 1988, on the occasion of its fiftieth anniversary, the Shed was rededicated as “The Serge Kousse- vitzky Music Shed,” recognizing the far-reaching vision of the BSO’s legendary music director. In 1940, the Berkshire Music Center (now the Tanglewood Music Center) began its operations. By 1941 the Theatre-Concert Hall, the Chamber Music Hall, and several small studios were finished, and the festival had so expanded its activities and reputation for excellence that
Load more

Recommended publications
  • Chuaqui C.V. 2019
    MIGUEL CHUAQUI, Ph.D. Professor Director, University of Utah School of Music 1375 East Presidents Circle Salt Lake City, UT 84112 801-585-6975 [email protected] www.miguelchuaqui.com EDUCATION AND TRAINING 2007: Summer workshops in advanced Max/MSP programming, IRCAM, Paris. 1994 - 96: Post-doctoral studies in interactive electro-acoustic music, Center for New Music and Audio Technologies (CNMAT), University of California, Berkeley. 1994: Ph.D. in Music, University of California, Berkeley, Andrew Imbrie, graduate advisor. 1989: M.A. in Music, University of California, Berkeley. 1987: B.A. in Mathematics and Music, With Distinction, University of California, Berkeley. 1983: Studies in piano performance and Mathematics, Universidad Católica de Chile, Santiago, Chile. 1982: Certificate in Spanish/English translation, Cambridge University, England. 1976 - 1983: Studies in piano performance, music theory and musicianship, Escuela Moderna de Música, Santiago, Chile. WORK HISTORY 2009 – present: Professor, School of Music, University of Utah, Salt Lake City, Utah; Chair, Composition Area, 2008-2014. 2003 - 2009: Associate Professor, School of Music, University of Utah, Salt Lake City, Utah. 1996 - 2003: Assistant Professor, School of Music, University of Utah, Salt Lake City, Utah. 1994 – 1996: Organist and Assistant Conductor, St. Bonaventure Catholic Church, Clayton, California. 1992 - 1996: Instructor, Music Department, Laney College, Oakland, California. Music Theory and Musicianship. 1992 – 1993: Lecturer, Music Department, San Francisco State University, San Francisco, California. (One-year music theory sabbatical replacement position). 1989 – 1992: Graduate Student Instructor, University of California, Berkeley, California. updated 2/19 Miguel Chuaqui 2 UNIVERSITY, PROFESSIONAL, AND PUBLIC SERVICE ADMINISTRATIVE APPOINTMENTS 2015-present: Director, University of Utah School of Music.
    [Show full text]
  • Solzh 19-20 Short
    IGNAT SOLZHENITSYN 2019-20 SHORT BIO {206 WORDS} IGNAT SOLZHENITSYN Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world. Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida. His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman. A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline. CURRENT AS OF: 18 NOVEMBER 2019 PLEASE DESTROY ANY PREVIOUS BIOGRAPHICAL MATERIALS. PLEASE MAKE NO CHANGES, EDITS, OR CUTS OF ANY KIND WITHOUT SPECIFIC PERMISSION..
    [Show full text]
  • 20 · 21 2 · Edito ·
    20 · 21 2 · EDITO · CHERS AMIS, CHÈRES AMIES, « Un livre a toujours deux auteurs, celui qui l’écrit et celui qui le lit ». La période que nous vivons actuellement est extrêmement particulière. En cent quarante-sept ans d’existence, l’Orchestre Colonne a déjà connu des moments Ces mots, de la plume de Jacques Salomé, résonnent en moi comme une pensée de désarroi ou de fragilité, mais jamais une telle incertitude sur l’avenir des spec- d’une vérité fondamentale. tacles vivants n’était venue à ce point inquiéter les esprits. Une œuvre littéraire a ceci de commun avec une œuvre musicale, un tableau ou un geste chorégraphique : elle ne peut vivre que dans le regard de l’autre, Alors, pour faire face à ce trouble, il faut de l’espoir : l’espoir de vous retrouver tous l’écoute de l’autre, l’émotion de l’autre... et cet «autre», fabuleux partenaire de nos ensemble, l’espoir de faire découvrir à de nouveaux auditeurs la profondeur et la émotions, c’est vous. richesse d’un son orchestral, l’espoir de continuer à œuvrer pour cette musique contemporaine en pleine mutation, et l’espoir de faire vivre à nouveau toutes les Oui, nous avons besoin du public, nous avons besoin de vous, parce que votre œuvres magnifiques que vous et nous aimons tant. énergie commune et votre enthousiasme nous subliment. Et au-delà de l’espoir, il y a une certitude : celle d’avoir la joie, pour nous musi- Au terme de ces quelques mois qui nous ont privés de votre écoute, de votre pré- ciens, de nous retrouver bientôt pour jouer à nouveau ensemble, pour vous pré- sence, la pensée de cet écrivain s’impose comme une évidence.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    Mffi — - ,„ :{ ^. ;/j ' "'^/FWS5Sj_£gj. QUADRUM The Mali. At Chkstnut Hill 617-965-5555 Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Eighth Season, 1988-89 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman George H. Kidder, President J. P. Barger, Vice-Chairman Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Eugene B. Doggett Mrs. Robert B. Newman David B. Arnold, Jr. Mrs. John H. Fitzpatrick Peter C. Read Mrs. Norman L. Cahners Avram J. Goldberg Richard A. Smith James F. Cleary Mrs. John L. Grandin Ray Stata Julian Cohen Francis W. Hatch, Jr. William F. Thompson William M. Crozier, Jr. Harvey Chet Krentzman Nicholas T. Zervas Mrs. Michael H. Davis Mrs. August R. Meyer Trustees Emeriti Philip K. Allen E. Morton Jennings, Jr. Mrs. George R. Rowland Allen G. Barry Edward M. Kennedy Mrs. George Lee Sargent Leo L. Beranek Albert L. Nickerson Sidney Stoneman Mrs. John M. Bradley Thomas D. Perry, Jr. John Hoyt Stookey Abram T. Collier Irving W. Rabb John L. Thorndike Mrs. Harris Fahnestock Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. W&iles, Assistant Treasurer Daniel R. Gustin, Clerk Administration Kenneth Haas, Managing Director Daniel R. Gustin, Assistant Managing Director and Manager of Tanglewood Michael G. McDonough, Director of Finance and Business Affairs Anne H. Parsons, Orchestra Manager Costa Pilavachi, Artistic Administrator Caroline Smedvig, Director of Promotion Josiah Stevenson, Director of Development Robert Bell, Data Processing Manager Marc Mandel, Publications Coordinator Helen P.
    [Show full text]
  • Program Book
    I e lson rti ic ire r & ndu r Schedule of Events CHAMBER CONCERTS Wednesday, January 1.O, 2007, 7100 PM Boulder Public Library Canyon Theater,9th & Canyon Friday, January L3, 7 3O PM Rocky Mountain Center for Musical Arts, 200 E. Baseline Rd., Lafayette Program: Songs on Chinese andJapanese Poems SYMPOSIUM Saturday, January L7, 2OO7 ATLAS Room 100, University of Colorado-Boulder 9:00 AM - 4:30 PM 9:00 AM: Robert Olson, MahlerFest Conductor & Artistic Director 10:00 AM: Evelyn Nikkels, Dutch Mahler Society 11:00 AMrJason Starr, Filmmaker, New York City Lunch 1:00 PM: Stephen E Heffiing, Case Western Reserve University, Keynote Speaker 2100 PM: Marilyn McCoy, Newburyport, MS 3:00 PMr Steven Bruns, University of Colorado-Boulder 4:00 PM: Chris Mohr, Denver, Colorado SYMPHONY CONCERTS Saturday, January L3' 2007 Sunday,Janaary L4,2O07 Macky Auditorium, CU Campus, Boulder Thomas Hampson, baritone Jon Garrison, tenor The Colorado MahlerFest Orchestra, Robert Olson, conductor See page 2 for details. Fundingfor MablerFest XXbas been Ttrouid'ed in ltartby grantsftom: The Boulder Arts Commission, an agency of the Boulder City Council The Scienrific and Culrural Facilities Discrict, Tier III, administered by the Boulder County Commissioners The Dietrich Foundation of Philadelphia The Boulder Library Foundation rh e va n u n dati o n "# I:I,:r# and many music lovers from the Boulder area and also from many states and countries [)AII-..]' CAMEI{\ il M ULIEN The ACADEMY Twent! Years and Still Going Strong It is almost impossible to fully comprehend
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 2011
    iT":""" _ » 3i»^T*X' FSSu* ymphoimVorchestr LI A HULY e Berkshires SCHANTZ ALLERJES ntemporary art 3 Elm Street Stockbridge, MA 413.298.3044 BERKSHIRE MONEY MANAGEMENT We?tl ntaJob vt easy to mov&youvportfolio. November 15, 2007 Sample Market Calls (sell) of Berkshire Money Management July 14 2010 (buy) S&P 500 INDEX DAILY DATA 1/02/2001-12/31/2010 March 6, 2009 (buy) © Copyright 201 1 Ned Davis Research, Inc. Further distribution prohibited without prior permission. All Rights Reserved. See NDR Disclaimer at www.ndr.com/copyright.html. For data vendor disclaimers refer to www.ndr.com/vendorinfo/. May 11, 2001 (sell) May 10, 2002 (sell) November 15, 2007 (sell) "Don't get too scientific.just ask yourself; "If [the NASDAQ] pierces the 1600 level "The obvious answer is a temporary position does it feel like a recession? We don't think again, the prudent investor will not hold in cash." it feels as bad as 1990-1991, but it is bad out for another relief rally...the NASDAQ is The stock market fell 48.9% after that sell enough." setting up for a retest of the September signal. [2007] lows of the 1400s." The stock market fell 16.5% until our next buy signal. October 11, 2002 (buy) March 6, 2009 (buy) "Expect a bottom for the S&P 500 at 660 September 28, 2001 (buy) "The VIX broke 50 [on October 10th], and points." that is my buy signal this time." "Equity valuations are better than they have The stock market rose 63.2% from that buy been in years." The stock market rose 80% until our next signal to the end of 2009.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Summer, 1991, Tanglewood
    /JQL-EWOOD . , . ., An Enduring Tradition ofExcellence In science as in the lively arts, fine performance is crafted with aptitude attitude and application Qualities that remain timeless . As a worldwide technology leader, GE Plastics remains committed to better the best in engineering polymers silicones, superabrasives and circuit board substrates It's a quality commitment our people share Everyone. Every day. Everywhere, GE Plastics .-: : ;: ; \V:. :\-/V.' .;p:i-f bhubuhh Seiji Ozawa, Music Director Grant Llewellyn and Robert Spano, Assistant Conductors One Hundred and Tenth Season, 1990-91 Trustees of the Boston Symphony Orchestra, Inc. Nelson J. Darling, Jr., Chairman Emeritus J. P. Barger, Chairman George H. Kidder, President T Mrs. Lewis S. Dabney, Vice-Chairman Archie C. Epps, V ice-Chairman Mrs. John H. Fitzpatrick, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer David B. Arnold, Jr. Avram J. Goldberg Mrs. August R. Meyer Peter A. Brooke Mrs. R. Douglas Hall III Mrs. Robert B. Newman James F. Cleary Francis W. Hatch Peter C. Read John F. Cogan, Jr. Julian T. Houston Richard A. Smith Julian Cohen Mrs. BelaT. Kalman Ray Stata William M. Crozier, Jr. Mrs. George I. Kaplan William F. Thompson Mrs. Michael H. Davis Harvey Chet Krentzman Nicholas T. Zervas Mrs. Eugene B. Doggett R. Willis Leith, Jr. Trustees Emeriti Vernon R. Alden Mrs. Harris Fahnestock Mrs. George R. Rowland Philip K. Allen Mrs. John L. Grandin Mrs. George Lee Sargent Allen G. Barry E. Morton Jennings, Jr. Sidney Stoneman Leo L. Beranek Albert L. Nickerson John Hoyt Stookey Mrs. John M. Bradley Thomas D. Perry, Jr.
    [Show full text]
  • FRENCH SYMPHONIES from the Nineteenth Century to the Present
    FRENCH SYMPHONIES From the Nineteenth Century To The Present A Discography Of CDs And LPs Prepared by Michael Herman NICOLAS BACRI (b. 1961) Born in Paris. He began piano lessons at the age of seven and continued with the study of harmony, counterpoint, analysis and composition as a teenager with Françoise Gangloff-Levéchin, Christian Manen and Louis Saguer. He then entered the Paris Conservatory where he studied with a number of composers including Claude Ballif, Marius Constant, Serge Nigg, and Michel Philippot. He attended the French Academy in Rome and after returning to Paris, he worked as head of chamber music for Radio France. He has since concentrated on composing. He has composed orchestral, chamber, instrumental, vocal and choral works. His unrecorded Symphonies are: Nos. 1, Op. 11 (1983-4), 2, Op. 22 (1986-8), 3, Op. 33 "Sinfonia da Requiem" (1988-94) and 5 , Op. 55 "Concerto for Orchestra" (1996-7).There is also a Sinfonietta for String Orchestra, Op. 72 (2001) and a Sinfonia Concertante for Orchestra, Op. 83a (1995-96/rév.2006) . Symphony No. 4, Op. 49 "Symphonie Classique - Sturm und Drang" (1995-6) Jean-Jacques Kantorow/Tapiola Sinfonietta ( + Flute Concerto, Concerto Amoroso, Concerto Nostalgico and Nocturne for Cello and Strings) BIS CD-1579 (2009) Symphony No. 6, Op. 60 (1998) Leonard Slatkin/Orchestre National de France ( + Henderson: Einstein's Violin, El Khoury: Les Fleuves Engloutis, Maskats: Tango, Plate: You Must Finish Your Journey Alone, and Theofanidis: Rainbow Body) GRAMOPHONE MASTE (2003) (issued by Gramophone Magazine) CLAUDE BALLIF (1924-2004) Born in Paris. His musical training began at the Bordeaux Conservatory but he went on to the Paris Conservatory where he was taught by Tony Aubin, Noël Gallon and Olivier Messiaen.
    [Show full text]
  • Summer Guide
    @summerboston 2011 Summer Guide City of Boston Thomas M. Menino, Mayor It is my great pleasure to welcome you to another exciting summer in the City of Boston. From traditional favorites like the Swan Boats and the Freedom Trail, to newer attractions like the Boston Cyberarts Festival and the Extreme Sailing Series at Boston Harborfest, our city has something for everyone. Boston is where history meets innovation. To keep up with our unique cultural landscape, I invite you to follow us @summerboston. There, you will find the the latest Thomas M. Menino information on free events, parades, festivals and more. Mayor of Boston For those who prefer more traditional methods of receiving information, please call 617-635-3911 or visit www.cityofboston.gov/summer. I hope to see you this summer! Thomas M. Menino Mayor of Boston Mayor Menino is excited to launch @summerboston! Follow it for continuous updates about all the fun summer summerboston activities for the whole family to enjoy here in Boston. @ Thank you to our sponsors: 2. May 1st - August 7th May 1st Chihuly, Through the GREASE --May-- Looking Glass Wang Theatre, World-famous glass artist Citi Performing Arts Center, Dale Chihuly, has revolution- 270 Tremont St., Boston. 1 p.m and 6 p.m. $. ized the art of blown glass Various Dates in May 617-482-9393 Frog Pond Yoga and moving it into the realm of www.citicenter.org Tai Chi Classes large-scale sculpture and Honoring the tranquility of establishing the use of glass, May 1st the reflecting pool, weekly an inherently fragile but also B.B.
    [Show full text]
  • Áé( Áfý%¯Ð¨Ý Ñ˛
    559281bk Hersch 1/8/06 5:27 pm Page 8 AMERICAN CLASSICS MICHAEL HERSCH Symphonies Nos. 1 and 2 Fracta Arraché Michael Hersch would like to thank the Argosy Foundation, Fran Richard, the staff and musicians of the Bournemouth Symphony Orchestra, Andrew Walton, Bournemouth Symphony Ignat Solzhenitsyn, George and Gene Rochberg, Jamie Hersch, Christopher Middleton, Orchestra Jessica Lustig, Michael Lutz, Glenn Petry, Albert Imperato, Louise Barder, and his wife Karen and daughter Abigail Hersch. Marin Alsop 8.559281 8 559281bk Hersch 1/8/06 5:27 pm Page 2 Michael Hersch (b.1971): Symphonies Nos. 1 and 2 • Fracta • Arraché ierten Wiederholung der Anfangslinien überleitet. Eine choralartige, dunkel gefärbte Figur in Fagotten und Klari- Reihe sich steigernder Codas führt zum Augenblick der netten. Ist das vielleicht ein Gebet um Kraft gegen das Intensity and passion always increasing… conductor consistently programmed Hersch’s music Wahrheit: Tatsächlich endet die Symphonie mit einem Böse, das gleich ausgestrahlt werden wird? Auf jeden Fall This marking found in Michael Hersch’s Symphony No. 1 and helped to instill confidence that his voice was a Unisono-C der Glocken. Mag das Leben auch noch so wird der Hörer tatsächlich von dieser sorgenvollen Re- best sums up the American composer’s music. His worthy one. That relationship has continued to this day, düster sein, die Ausdauer wird doch belohnt. flexion durch ein kantiges, hüpfendes Thema „weggeris- output abounds with extreme shifts in dynamics and leading to the present disc of definitive recordings with Arraché, das jüngste Werk auf dieser CD, zeigt deut- sen“, das zu einem dichten, stachligen Allegro führt.
    [Show full text]
  • Chick Corea and Béla Fleck
    Chick Corea and Béla Fleck Thu, April 24 ABOUT THE PROGRAM Royce Hall Chick Corea & Béla Fleck, two master songwriters, musicians, and band leaders 8pm meet in a historic duet of piano and banjo, combining Corea and Fleck’s classic tunes with music from their 2007 Grammy-winning album The Enchantment. With a mix of jazz and pop standards, crossing a myriad of genres, from jazz, PERFORMANCE DURATION: bluegrass, rock, flamenco and gospel, this will be a casual, intimate evening Approximately two hours; with two legends from different musical worlds. One Intermission The original Enchantment recording came about after the two artists had admired each other’s music for several years. Chick had previously recorded PRE-SHOW CONCERT three songs on Béla’s 1994 CD, Tales From the Acoustic Planet, as well as on the SCA Terrace Series featuring group’s 1996 live CD, Live Art. Sean Stevens and Andrew Davis. FREE - ROYCE TERRACE - 7PM Chick, in turn, had enlisted Fleck to perform with him and Bobby McFerrin on the 2002 Rendezvous in New York project. Fleck said that The Enchantment was “one of my greatest experiences as a Supported in part by the musician … playing with my hero, Chick Corea.” Chick returned the compliment Evelyn & Mo Ostin Endowment by saying that for the Performing Arts the album broke new ground for him, with Fleck inspiring him to delve into “unfamiliar territory.” “I love those kinds of challenges, and we had a blast on The Enchantment, which MEDIA SPONSORS: has a totally new kind of sound,” Chick says. ABOUT THE ARTISTS MESSAGE FROM THE CENTER: Chick Corea Since embarking on a solo career in 1966, Chick has been at the We’re incredibly proud to bring two of the most acclaimed forefront of jazz, both as a renowned pianist forging new ground with instrumentalists in the world to the Royce Hall stage.
    [Show full text]