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http://oac.cdlib.org/findaid/ark:/13030/c8df6wrm No online items Finding Aid for the Raphael Montanez Ortiz Papers 1934 - 2015 Processed by Phil Wagner . UCLA Chicano Studies Research Center UCLA Chicano Studies Research Center 144 Haines Hall Box 951544 Los Angeles, CA 90095-1544 Phone: (310) 206-6052 Fax: (310) 206-1784 URL: http://www.chicano.ucla.edu/ ©2016 The Regents of the University of California. All rights reserved. Finding Aid for the Raphael 200 1 Montanez Ortiz Papers 1934 - 2015 Descriptive Summary Title: Raphael Montanez Ortiz Papers, Date (inclusive): 1934 - 2015 Collection number: 200 Creator: Montanez Ortiz, Raphael 1934 - Extent: 35 linear feet Repository: University of California, Los Angeles. Library. UCLA Chicano Studies Research Center Los Angeles, California 90095-1490 Abstract: Museo del Barrio cofounder Raphael Montanez Ortiz is a multi media artist who gained recognition at the vanguard of the Destructivist movement of the mid 1960s with his manifestos and piano destruction performances. He is also known for his pioneering experimental film and video work, which has been exhibited worldwide. He is currently Distinguished Professor in Visual Arts at Rutgers University. This collection consists mainly of manuscripts, performance scripts, exhibition documentation, audio visual materials, ephemera and Ortiz's personal research papers. Researchers who would like to indicate errors of fact or omissions in this finding aid can contact the research center at www.chicano.ucla.edu Physical location: COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Chicano Studies Research Center Library and Archive for paging information. Language of Material: Collection materials in English Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Chicano Studies Research Center Library and Archive for paging information. Publication Rights Copyright has not been assigned to the UCLA Chicano Studies Research Center. All requests for permission to publish must be submitted in writing to the Chicano Studies Research Center Library. Permission for publication is given on behalf of the UCLA Chicano Studies Research Center as the owner of the physical item and is not intended to include or imply permission from the copyright holder, which must also be obtained. Preferred Citation [Identification of item], Raphael Montanez Ortiz Papers, 200, UCLA Chicano Studies Research Center, University of California, Los Angeles. Acquisition Information Collection donated by Raphael Montanez Ortiz. Deed on file at the UCLA Chicano Studies Research Center archive office. Biography Museo del Barrio cofounder Raphael Montanez Ortiz is a multi media artist who gained recognition at the vanguard of the Destructivist movement of the mid 1960s with his live piano destruction performances. He is also known for his pioneering experimental film and video work, which has been exhibited worldwide. He is currently Distinguished Professor in Visual Arts at Rutgers University. This collection consists mainly of manuscripts, performance scripts, exhibition documentation, audio visual materials, ephemera and Ortiz's personal research papers. Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects Destructivism Found Footage Museo del Barrio Raphael Montanez Ortiz Finding Aid for the Raphael 200 2 Montanez Ortiz Papers 1934 - 2015 Video Art Series 1. Manuscripts Box 1, Folder 1 Raphael Montanez Ortiz 1956 Physical Description: Papers Scope and Content Note Misc. handwritten notes, Pratt years: on images, objects, space, color theory Box 1, Folder 2 Raphael Montanez Ortiz 1957 Physical Description: Papers Scope and Content Note Misc. handwritten notes, Pratt years: on images, objects, space, color theory Box 1, Folder 3 Raphael Montanez Ortiz 1958 Physical Description: Papers Scope and Content Note Misc handwritten notes, Pratt years: on images, objects, space, color theory Box 1, Folder 4 Raphael Montanez Ortiz 1958 Physical Description: Papers Scope and Content Note Misc handwritten notes, Pratt years: on psychology, neurology, anatomy Box 1, Folder 5 Raphael Montanez Ortiz 1958 Physical Description: Papers Scope and Content Note Handwritten poem by Ortiz: "Brass Babies Die" Box 1, Folder 6 Raphael Montanez Ortiz 1959 Physical Description: Papers Scope and Content Note Misc. handwritten notes, Pratt years: on Freud Beyond the Pleasure Principle Box 1, Folder 7 Raphael Montanez Ortiz [1959] Physical Description: Papers Scope and Content Note 1 page handwritten notes, Pratt years: Sublimation Box 1, Folder 8 Raphael Montanez Ortiz 1960 Physical Description: Papers Scope and Content Note 9 page essay, Pratt years: A Treatiseless Treatise Based on a Themeless Theme of Formless Form Note includes original and MS photocopy Finding Aid for the Raphael 200 3 Montanez Ortiz Papers 1934 - 2015 Series 1.Manuscripts Box 1, Folder 9 Raphael Montanez Ortiz 1960 Physical Description: Papers Scope and Content Note Misc. handwritten notes, Pratt years: on civilization, sublimation, art education, Mondrian, the principle of unity Box 1, Folder 10 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note Misc handwritten notes, Pratt years: on civilization and art education, Journal of Psychology, regression, and art school lesson plan Box 1, Folder 11 Raphael Montanez Ortiz 1962 Physical Description: Papers Scope and Content Note Misc handwritten notes, Pratt years: on felt needs and artistic process Box 1, Folder 12 Raphael Montanez Ortiz ca. 1959-1964 Physical Description: Bound Notebook Scope and Content Note Ortiz Dream Diary Box 1, Folder 13 Raphael Montanez Ortiz 1959 Physical Description: Papers Scope and Content Note 1 handwritten page: dream record Box 1, Folder 14 Raphael Montanez Ortiz 1960 Physical Description: Papers Scope and Content Note 2 page handwritten student paper: the Visual Reflex Note typed transcription attached Box 1, Folder 15 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note 2 page essay: Science and Art Note two typed copies in folder Box 1, Folder 16 Raphael Montanez Ortiz 1961 Physical Description: 8x5 notecard Scope and Content Note handwritten essay abstract, Pratt Years: Animism and the Art Object Box 1, Folder 17 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note 1 handwritten page: Pratt Institute on non-objective ornamental sculpture Finding Aid for the Raphael 200 4 Montanez Ortiz Papers 1934 - 2015 Series 1.Manuscripts Box 1, Folder 18 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note 2 pages handwritten notes: Happenings Box 1, Folder 19 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note 3 pages handwritten transcription: excerpts from Norman Brown, Life against Death Box 1, Folder 20 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note Misc handwritten notes, Pratt years: Freud, biography and various works Box 1, Folder 22 Raphael Montanez Ortiz [1961] Physical Description: Papers Scope and Content Note Student essay, Pratt years: A Report and Review of Nikolaus Pevsners Box 1, Folder 23 Raphael Montanez Ortiz 1961 Physical Description: Papers Scope and Content Note Typed report, Pratt years: on Hypnotizability by Charles A. Knehr Box 1, Folder 24 Raphael Montanez Ortiz Papers Physical Description: Typed report, Pratt years: on Conditions for Creative Problem Solving by L. Richard Hoffman Box 1, Folder 25 Papers ca. 1962 Physical Description: Papers Scope and Content Note Destructivism, A Manifesto Note Various drafts, including early handwritten version Box 1, Folder 26 Raphael Montanez Ortiz 1952 Physical Description: Papers Scope and Content Note Air Force discharge papers. Box 2, Folder 1 Raphael Montanez Ortiz 1962 Physical Description: 8x5 notecard Scope and Content Note Handwritten notes, Pratt Years: A Result of Reading Studys [sic] of Sensory Deprivation Box 2, Folder 2 Raphael Montanez Ortiz 1962 Physical Description: 8x5 notecard Scope and Content Note Handwritten notes, Pratt Years: Zen and Intuition Finding Aid for the Raphael 200 5 Montanez Ortiz Papers 1934 - 2015 Series 1.Manuscripts Box 2, Folder 3 Raphael Montanez Ortiz 1962 Physical Description: Papers Scope and Content Note 10 page student essay, Pratt years: The Creative Thesis Note Including drafts Box 2, Folder 4 Raphael Montanez Ortiz 1962 Physical Description: Papers Scope and Content Note 1 page handwritten notes, Pratt years: A Novel, The Art of Art Box 2, Folder 5 Raphael Montanez Ortiz [1963] Physical Description: Papers Scope and Content Note 1 page transcription: Statement by Dr. Richard Huelsenbeck Note including MS preservation photocopies Box 2, Folder 6 Raphael Montanez Ortiz 1963 Physical Description: Papers Scope and Content Note 6 page typed essay, Pratt years: A New Philosophy of Art Note Including handwritten draft and MS carbon copy Box 2, Folder 7 Raphael Montanez Ortiz [1964] Physical Description: Papers Scope and Content Note 19 page typed essay, Pratt years: The Science of Art Eductation Note including handwritten draft and MS preservation photocopy Box 2, Folder 8 Raphael Montanez Ortiz 1964 Physical Description: Papers Scope and Content Note 1 page typed artist bio with Ortiz handwritten revisions, Pratt Years Note including MS preservation photocopy Box 2, Folder
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    by Stockhausen for American performance. Moorman's reac- Judson Hall on 57th Street and included jazz, electronic and even the auspicious begin- nonsonic work, as well as more traditional compositions . The idea tion, "What's a Nam June Paik?", marked the with ning of a partnership that has lasted for over ten years .) The various that music, as a performance art, had promising connections much mediums in were more distinct than is usual in an other art forms ran through the series, as it did through Originale intermedia work (Stockhausen tends to be rather Wagnerian in his the music itself . The inclusion of works by George Brecht, of thinking), but the performance strove for a homogeneous realiza- Sylvano Bussotti, Takehisa Kosugi, Joseph Beuys, Giuseppe . Chiari, Ben Vautier and other "gestural composers" gives some tion dated The 1965 festival was to be the last at Judson Hall . It, too, idea of the heterogeneity of its scope . Cage's works (which early '50s), featured Happenings, including a performance of Cage's open- back to his years at Black Mountain College in the ended Piece. Allan Kaprow's Push Pull turned so ram- along with provocative antecedents by the Futurists, Dadaists and Theater people scavenging in the streets for material to Surrealists, had spawned a generation here, in Europe and in Japan bunctious (with the ruckus) that Judson Hall would have no more. concerned with the possibilities of working between the traditional incorporate into Moorman was not upset; she had been planning a move anyway . categories of the arts-creating not a combination of mediums, The expansive nature of "post-musical" work demanded larger as in a Wagnerian Gesamtkunstwerk where the various arts team spaces-and spaces not isolated from everyday life.
  • JOANNA FRUEH Contact: Aphrodite@Joannafrueh.Com Website Joannafrueh.Com the Joanna Frueh Personal Archive Is at Stanford Librari

    JOANNA FRUEH Contact: [email protected] Website Joannafrueh.Com the Joanna Frueh Personal Archive Is at Stanford Librari

    JOANNA FRUEH contact: [email protected] website joannafrueh.com The Joanna Frueh personal archive is at Stanford Libraries. EDUCATION University of Chicago, Chicago, IL, Ph.D. in History of Culture, 1981 Doctoral Dissertation: The Rossetti Woman University of Chicago, Chicago, IL, M.A. in General Studies in the Humanities, 1971 Masters Thesis: The Sphinx in the Nineteenth Century Sarah Lawrence College, B.A., Bronxville, NY, 1970 Concentration in Art History and English AWARDS, GRANTS, FELLOWSHIPS Lifetime Achievement Award, Women’s Caucus for Art, 2008 Nevada Arts Council Artist Fellowship in Literary Arts for Nonfiction, Honorable Mention, 2006 Dean’s Award for Research and Creative Activity, University of Nevada, Reno. 2006. For career achievements. Creative Activity Fund, School of the Arts, University of Nevada, Reno, 2005. For color reproductions in Clairvoyance (For Those In The Desert), Duke University Press, 2008. Nevada Arts Council Jackpot Grant, 2004. For the production of the book Joanna Frueh: A Retrospective. Nevada Arts Council Artist Fellowship in Literary Arts for Nonfiction, 2001 Susan Koppelman Award for Picturing the Modern Amazon, 2001 For best anthology, multi-authored or –edited Feminist Studies in Popular and/or American Culture. Given by the Women’s Caucus for the Popular and American Culture Associations. Nevada Arts Council Mini-Grant, 1994. For documenting my performance Pythia. Alan Bible Teaching Excellence Award (Runner-up), 1993. College of Arts and Science, University of Nevada, Reno Junior Faculty Research Award, University of Nevada, Reno, 1992. Project: Women Artists and Aging Susan Koppelman Award for Feminist Art Criticism: An Anthology, 1989. For best anthology, multi- authored or -edited Feminist Studies in Popular and/or American Culture.