On Metaphor and Blending by Gilles Fauconnier and George Lakoff
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Language, Cognition, Interaction. Conceptual Blending As Discursive
LANGUAGE, COGNITION, INTERACTION. CONCEPTUAL BLENDING AS DISCURSIVE PRACTICE Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereichs 05 der Justus-Liebig-Universität Gießen vorgelegt von Vera Stadelmann aus Innsbruck Gießen 2012 ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! ! Dekan: Prof. Dr. Magnus Huber 1. Berichterstatter: Prof. Dr. Joybrato Mukherjee 2. Berichterstattter: Prof. Dr. Helmuth Feilke LANGUAGE, COGNITION, INTERACTION ! TABLE OF CONTENTS Erklärung………………………………………………………………………... iv Acknowledgments ………………………………………………………………. v List of abbreviations and acronyms …………………………………………….. vi List of tables ……………………………………………………………………... vii List of figures ……………………………………………………………………. viii List of transcripts ………………………………………………………………... x Transcription conventions ……………………………………………………… xi 1. LANGUAGE, COGNITION, INTERACTION. CONCEPTUAL BLENDING IN A SOCIAL-INTERACTIONAL COGNITIVE LINGUISTICS …………………………………………………………. 1 1.1. Introduction ……………………………………………………………….. 1 1.2. Conceptual blending as discursive practice: Preview …….………………... 5 2. MENTAL SPACES AND CONCEPTUAL INTEGRATION THEORIES …. 8 2.1. Mental Spaces Theory ……………………………………………………... 9 2.2. Conceptual Integration Theory ……………………………………………. 16 2.2.1. Constitutive principles ……………………………………………. 19 2.2.2. Governing principles ……………………………………………... 22 2.2.3. Blending typology ………………………………………………… 25 2.3. Critical discussion …………………………………………………………... 28 2.3.1. Post-hoc vs. ad-hoc ……………………………………………….. 29 2.3.2. The Generic Space -
Metaphors in Cognitive and Neurosciences Which Impact Have
Metaphors in Cognitive and Neurosciences Which impact have metaphors on scientific theories and models? Juliana Goschler, Darmstadt ([email protected]) Abstract In this article, I am going to explain how the most frequent metaphor types used in cognitive and neurosciences – reification and spatial metaphors, personification, and technological metaphors – are connected to theoretical problems that occur in these scientific disciplines. These theoretical problems include the idea of memory as space, which is connected with the difficulty of a realistic description of the mental lexicon, the problem of free will, and the mind-body problem. Because of some obvious parallels between metaphorical language and arguments made in the scientific description of the mind, I will argue that certain metaphors used in scientific language are not merely linguistic problems but deeply rooted in scientific arguments. This holds for metaphors that scientists are aware of as well as for unconsciously used metaphors. My observations are intended to highlight some characteristics of meta- phors in science. Furthermore, they provide a possible approach to investigating the connec- tion between linguistic and conceptual metaphors in complex cases as scientific models. Ich werde in diesem Artikel beschreiben, wie die häufigsten Metapherntypen in den Kognitions- und Neurowissenschaften – Reifikation und Raummetaphern, Personifizierung und Technikmetaphern – mit theoretischen Problemen dieser Disziplinen verknüpft sind. Diese theoretischen Probleme -
Reflections on the Use of Conceptual Metaphor Theory in Premodern Chinese Texts
Dao (2019) 18:323–345 https://doi.org/10.1007/s11712-019-09669-0 Metaphors of Metaphors: Reflections on the Use of Conceptual Metaphor Theory in Premodern Chinese Texts Stefano Gandolfo1 Published online: 16 July 2019 # The Author(s) 2019 Abstract In this essay, I challenge the use of Conceptual Metaphor Theory (CMT) in the premodern Chinese setting. The dominant, implicit assumption in the literature is that conclusions reached by CMT on the ways in which cognition operates can be applied in toto and without qualification onto the makers of classical Chinese texts. I want to challenge this assumption and argue that textual evidence from premodern Chinese points to a different cognitive process. Differences in the use and conceptualization of image-based thinking as well as differences in the understanding of the relationship between words, images, and the world reveal a different cognitive process. However, I do not wish to argue for a total abandonment of the insights of CMT. Rather, I call for the need to properly qualify its findings in light of premodern Chinese use and conceptions of image-based language. Keywords Conceptual metaphor. Image-based language . Classical Chinese 1 Introduction Virtually all literature that applies Conceptual Metaphor Theory (CMT) on premodern Chinese texts does so uncritically. The dominant, implicit assumption is that the conclusions reached by CMT on the ways in which cognition operates can be applied in toto and without qualification onto the makers of classical Chinese texts. I want to challenge this assumption and argue that textual evidence from premodern Chinese points to a different cognitive process. -
Models and Metaphors: Art and Science Álvaro Balsas; Yolanda Espiña (Eds.)
Revista Portuguesa de Filosofia ISSN 0870-5283; 2183-461X Provided for non-commercial research and education use. Not for reproduction, distribution or commercial use. Metaphor in Analytic Philosophy and Cognitive Science Mácha, Jakub Pages 2247-2286 ARTICLE DOI https://doi.org/10.17990/RPF/2019_75_4_2247 Modelos e Metáforas: Arte e Ciência Models and Metaphors: Art and Science Álvaro Balsas; Yolanda Espiña (Eds.) 75, Issue 4, 2019 ISSUE DOI 10.17990/RPF/2019_75_4_0000 Your article is protected by copyright © and all rights are held exclusively by Aletheia – Associação Científica e Cultural. This e-offprint is furnished for personal use only (for non-commercial research and education use) and shall not be self-archived in electronic repositories. Other uses, including reproduction and distribution, or selling or licensing copies, or posting to personal, institutional or third party websites are prohibited. If you wish to self-archive your article, contact us to require the written permission of the RPF's editor. For the use of any article or a part of it, the norms stipulated by the copyright law in vigour are applicable. Authors requiring further information regarding Revista Portuguesa de Filosofia archiving and manuscript policies are encouraged to visit: http://www.rpf.pt © 2019 by Revista Portuguesa de Filosofia | © 2019 by Aletheia – Associação Científica e Cultural Revista Portuguesa de Filosofia, Faculdade de Filosofia e Ciências Sociais de Braga, Praça da Faculdade, N.º 1, 4710-297 Braga (Portugal). Phone +351 253 208 080. www.rpf.pt | [email protected] Revista Portuguesa de Filosofia, 2019, Vol. 75 (4): 2247-2286. © 2019 by Revista Portuguesa de Filosofia. -
Conceptual Metaphor
Conceptual metaphor What is the Lakoffian metaphor? how does it function? how does it 'shape' culture? How do we understand (a culture) through metaphor? How does metaphor perform persuasion? Federica Ferrari NB on reference texts and didactic materials • Johnson, M. & G, Lakoff (2003). Metaphors we live by . Chicago: University of Chicago Press. Pp. 1-34, p. 157) • Lakoff, G. (1993). “The contemporary theory of metaphor”. In Ortony, A. ed. (1993). Metaphor and Thought (2nd edition). Cambridge: Cambridge University Press. Pp. 202-251. • The majority of quotes are taken from the second text; inverted commas are used for “fundamental definitions”, other concepts are referred to without inverted commas, a version of the second text is also available on-line Intro • literal vs. metaphorical meaning - examples (discuss) • The balloon went up • The cat is on the map • Our relationship has hit a dead end street toward a definition of lakoffian metaphor • “The essence of metaphor is understanding and experiencing one kind of thing in terms of another”. (Lakoff G. & M. Johnson, 2003 [1980] Metaphors we live by . p. 5) • this definition in a certain way subsumes the potential development of lakoffian theory. This thanks to the conceptual domains that the choice terms “understanding” and “experiencing” evoke: (understanding and experiencing : reasoning and acting, thought and action, mind and body….) • according to Lakoff metaphor assumes a broader sense than the strictly literary one. In fact in his perspective it wouldn’t simply be a mere characteristic of language but the very vehicle for everyday reasoning and action. In this sense: • “Our ordinary conceptual system, in terms of which we both think and act, is fundamentally metaphorical in nature”. -
From Conceptual “Mash-Ups” to “Bad-Ass” Blends
From Conceptual “Mash-ups” to “Bad-ass” Blends: A Robust Computational Model of Conceptual Blending Tony Veale School of Computer Science and Informatics University College Dublin, Belfield D4, Ireland. [email protected] Abstract songwriters of his generation, had been a Rhodes Conceptual blending is a cognitive phenomenon whose scholar, a U.S. Army Airborne Ranger, a boxer, a instances range from the humdrum to the pyrotechnical. professional helicopter pilot – and was as politically Most remarkable of all is the ease with which humans outspoken as Sean Penn. That’s what a motherfuckin’ regularly understand and produce complex blends. badass Kris Kristofferson was in 1979.” While this facility will doubtless elude our best efforts Pitt comes off poorly in the comparison, but this is at computational modeling for some time to come, there are practical forms of conceptual blending that are precisely the point: no contemporary star comes off well, amenable to computational exploitation right now. In because in Hawke’s view, none has the wattage that this paper we introduce the notion of a conceptual Kristofferson had in 1979. The awkwardness of the mash-up, a robust form of blending that allows a comparison, and the fancifulness of the composite image, computer to creatively re-use and extend its existing serves as a creative meta-description of Kristofferson’s common-sense knowledge of a topic. We show also achievements. In effect Hawke is saying, “look to what how a repository of such knowledge can be harvested lengths I must go to find a fair comparison for this man automatically from the web, by targetting the casual without peer”. -
Enriching the Blend: Creative Extensions to Conceptual Blending
Enriching the Blend: Creative Extensions to Conceptual Blending in Music Danae Stefanou,*1 Emilios Cambouropoulos*2 *School of Music Studies, Aristotle University of Thessaloniki, Greece [email protected], [email protected] in a musical composition). In this case, ‘intra-musical’ ABSTRACT conceptual blending in music is often conflated with the notion of structural blending (e.g. Kaliakatsos-Papakostas et In this paper we critically investigate the application of Fauconnier & al. 2014, Ox 2012) and Fauconnier and Turner’s theory is Turner’s Conceptual Blending Theory (CBT) in music, to expose a primarily applied to the integration of different or conflicting series of questions and aporias highlighted by current and recent structural elements, such as chords, harmonic spaces, or even theoretical work in the field. Investigating divisions between melodic-harmonic material from different idioms. different levels of musical conceptualization and blending, we Nevertheless the recourse to intra-musicality, and its implicit question the common distinction between intra- and extra-musical identification with structure, is not a neutral gesture; in fact it blending as well as the usually retrospective and explicative brings a number of questions to the fore, including: application of CBT. In response to these limitations, we argue that more emphasis could be given to bottom-up, contextual, creative and • What is a musical concept? collaborative perspectives of conceptual blending in music. This • What constitutes structural blending in music and how discussion is illustrated by recent and in-progress practical research does it relate to / differ from cross-domain blending and developed as part of the COINVENT project, and investigating mapping? structural and cross-domain blending in computational and social • What can blending theory tell us about music not only as creativity contexts. -
A Roadmap for Visual Conceptual Blending
Let’s Figure This Out: A Roadmap for Visual Conceptual Blending Joao˜ M. Cunha, Pedro Martins and Penousal Machado CISUC, Department of Informatics Engineering University of Coimbra jmacunha,pjmm,machado @dei.uc.pt { } Abstract The computational generation of visual representation of concepts is a topic that has deserved attention in Computational Creativity. One technique that is often used is visual blending – using two images to produce a third. However, visual blending on its own does not necessarily have a strong conceptual grounding. In this paper, we propose that visual conceptual blending be used for concept representation – a visual blend comple- mented by conceptual layer developed through elabora- tion. We outline a model for visual conceptual blending that can be instantiated in a computational system. Introduction It is often said that an image is worth more than a thousand words. Such is aligned with the views from Petridis and Chilton (2019) who state that visual advertisements – specif- Figure 1: Examples of visual blends produced by Vismantic ically when visual metaphors are used – are much more per- for bird/horse (top row) and Emojinating for freedom, car suasive than plain advertisements or text alone when con- factory and sun (bottom row). veying a message. Visual metaphors result from a process of visual blend- ing grounded on a conceptual level. The technique of Vi- sual Blending (VB) consists in merging two or more visual but, as far as we know, no concrete computational model has representations (e.g. images) to produce new ones. On the been proposed. other hand, Conceptual Blending consists in integrating two Existing research that relates to the proposal of a visual or more mental spaces – knowledge structures – in order to conceptual blending model somehow comes short of achiev- produce a new one, the blend(ed) space (Fauconnier, 1994; ing such goal. -
A Cognitive-Semantics Analysis of Political Cartoons <Stay out of My
Linguistic Research 35(1), 117-143 DOI: 10.17250/khisli.35.1.201803.005 Multimodality and cognitive mechanisms: A cognitive-semantics analysis of political cartoons <stay out of my hair>* Iksoo Kwon**1․Jung Hwi Roh (Hankuk University of Foreign Studies) Kwon, Iksoo and Jung Hwi Roh. 2018. Multimodality and cognitive mechanism: A cognitive-semantics analysis of political cartoons <stay out of my hair>. Linguistic Research 35(1), 117-143. This paper aims to explore multimodality within a framework of cognitive semantics by conducting a case study of political cartoons <stay out of my hair> with special focus on the optimal manifestations of conceptual metaphors (Lakoff and Johnson 1999) and blends (Fauconnier 1997) in them. It looks into the cartoons which have been published from January to August in 2017 to illustrate escalating tensions over the issue of developing nuclear weapons in North Korea between North Korea and the United States after Donald Trump was elected president of the United States. Total 26 relevant cartoons were collected from multiple public webpages, which use the original hairstyles of the political figures to satirize their political actions or to show conflicts and their unpleasant emotions. This study provides a qualitative analysis of five selected cartoons that represent the sub-types to clarify how hair constitutes the overall construal of the cartoon within a framework of cognitive semantics. It supports the claim that cognitive mechanisms such as conceptual metaphor and blending are not confined to verbal artefacts, but they are pervasive in multimodal manifestations since multimodal data as well as linguistic data are outcomes of human cognition (Dancygier and Vandelanotte 2017). -
George Lakoff and Mark Johnsen (2003) Metaphors We Live By
George Lakoff and Mark Johnsen (2003) Metaphors we live by. London: The university of Chicago press. Noter om layout: - Sidetall øverst - Et par figurer slettet - Referanser til slutt Innholdsfortegnelse i Word: George Lakoff and Mark Johnsen (2003) Metaphors we live by. London: The university of Chicago press. ......................................................................................................................1 Noter om layout:...................................................................................................................1 Innholdsfortegnelse i Word:.................................................................................................1 Contents................................................................................................................................4 Acknowledgments................................................................................................................6 1. Concepts We Live By .....................................................................................................8 2. The Systematicity of Metaphorical Concepts ...............................................................11 3. Metaphorical Systematicity: Highlighting and Hiding.................................................13 4. Orientational Metaphors.................................................................................................16 5. Metaphor and Cultural Coherence .................................................................................21 6 Ontological -
Conceptual Blending and Metaphor Theory 2.1
CHAPTER TWO CONCEPTUAL BLENDING AND METAPHOR THEORY 2.1 Metaphor Metaphor has fascinated and bothered philosophers since the ancient Greeks. Aristotle was the rst to de ne metaphor, and three compo- nents of his explanation have in uenced metaphorical analysis up to the twenty- rst century: the argument that metaphor is located at the level of word, rather than larger linguistic unit; his understanding of metaphor as deviant, non-literal word usage; and his belief that meta- phor is motivated by pre-existing similarity.1 Medieval commentators were chary of metaphor, seeing it primar- ily as a stylistic device. Metaphor may have been necessary in sacred discourse, because speaking of divine truths directly was impossible. But metaphor outside of sacred texts was dangerous. Later empiricist and rationalist philosophies also believed metaphor to be deceptive; literal language was the only satisfactory way to assert truth claims or to speak accurately. For them, metaphor undermined correct reasoning and should be avoided. As John Locke said, . [I]f we would speak of things as they are, we must allow that . all the arti cial and gurative application of words eloquence hath invented, are for nothing else but to insinuate wrong ideas, move the passions, and thereby mislead the judgment; and so indeed are perfect cheats. and where truth and knowledge are concerned, cannot but be thought a great fault, either of the language or person that makes use of them.2 Early twentieth century philosophy distinguished between language’s “cognitive” and “emotive” purposes; scienti c knowledge could be stated literally, and its truth veri\ ed independently. -
Revisiting Common Source and Target Domains in Conceptual Metaphors in a Sample of English Fiction: Implications for Literacy Practices and Advanced EFL Pedagogy
International Journal of Education & Literacy Studies ISSN: 2202-9478 www.ijels.aiac.org.au Revisiting Common Source and Target Domains in Conceptual Metaphors in a Sample of English Fiction: Implications for Literacy Practices and Advanced EFL Pedagogy Nasim Layegh*, Yaser Hadidi, Mohammad Zohrabi University of Tabriz, Iran Corresponding author: Nasim Layegh, E-mail: [email protected] ARTICLE INFO ABSTRACT Article history Metaphor research has always been conducted with various purposes in mind, among which the Received: April 11, 2020 diachronic analysis of metaphor variation in discourse is outstanding. The current work followed Accepted: July 20, 2020 a qualitative research mould to analyze the use of conceptual metaphors within the two novels Published: July 31, 2020 Persuasion and The Fault in Our Stars, belonging to 19th and 21st centuries, respectively. To Volume: 8 Issue: 3 this end, a framework of common source and target domains proposed by Zoltán Kövecses was adopted. The analysis was conducted using the Metaphor Identification Procedure, a reliable method for marking metaphorically used words (Pragglejaz Group, 2007). The majority of Conflicts of interest: None the identified source and target domains in the two samples were identical, supporting the Funding: None common domains in the framework, although some novel domains were also identified. With the support found for these common source and target domains and their being expected to repeat prominently in different advanced literary and semi-literary genres, the present analysis resonates with important implications for upper-intermediate and advanced EFL pedagogy, as well as teachers and syllabus designers, when literature-text, as part and parcel of the upper- intermediate EFL context, is introduced to the classroom.