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April's Fools
APRIL'S FOOLS ' A LOOK AT WHAT IS REAL f ( i ON IN. TOWN NEWS VIEWS . REVIEWS PREVIEWS CALENDARS MORMON UPDATE SONIC YOUTH -"'DEOS CARTOONS A LOOK AT MARCH frlday, april5 $7 NOMEANSNO, vlcnms FAMILYI POWERSLAVI saturday, april 6 $5 an 1 1 piece ska bcnd from cdlfomb SPECKS witb SWlM HERSCHEL SWIM & sunday,aprll7 $5 from washln on d.c. m JAWBO%, THE STENCH wednesday, aprl10 KRWTOR, BLITZPEER, MMGOTH tMets $10raunch, hemmetal shoD I SUNDAY. APRIL 7 I INgTtD, REALITY, S- saturday. aprll $5 -1 - from bs aqdes, califomla HARUM SCAIUM, MAG&EADS,;~ monday. aprlll5 free 4-8. MAtERldl ISSUE, IDAHO SYNDROME wedn apri 17 $5 DO^ MEAN MAYBE, SPOT fiday. am 19 $4 STILL UFEI ALCOHOL DEATH saturday, april20 $4 SHADOWPLAY gooah TBA mday, 26 Ih. rlrdwuhr tour from a land N~AWDEATH, ~O~LESH;NOCTURNUS tickets $10 heavy metal shop, raunch MATERIAL ISSUE I -PRIL 15 I comina in mayP8 TFL, TREE PEOPLE, SLaM SUZANNE, ALL, UFT INSANE WARLOCK PINCHERS, MORE MONDAY, APRIL 29 I DEAR DICKHEADS k My fellow Americans, though:~eopledo jump around and just as innowtiwe, do your thing let and CLIJG ~~t of a to NW slam like they're at a punk show. otherf do theirs, you sounded almost as ENTEIWAINMENT man for hispoeitivereviewof SWIM Unfortunately in Utah, people seem kd as L.L. "Cwl Guy" Smith. If you. GUIIBE ANIB HERSCHELSWIMsdebutecassette. to think that if the music is fast, you are that serious, I imagine we will see I'mnotamemberofthebancljustan have to slam, but we're doing our you and your clan at The Specks on IMVIEW avid ska fan, and it's nice to know best to teach the kids to skank cor- Sahcr+nightgiwingskrmkin'Jessom. -
Struggle. Self-Determination Socialism
STRUGGLE. SELF-DETERMINATION SOCIALISM [roTEM 2S$3 R ffiffi i,ffi 9/11 0ne Year later: "And We're Not Going Back!" Full-Spectrum Entropy: The thoughts of a NYC Paramedic 5 I m mig ra nt Wo rke rs Re bu ild Special 0perations in by James Creedon M ove me nt fo r Le g a lizati on 12 a Special Period 2A by Bill Gallegos by Stan Goff Gampus Workers in Knoxville, TN Stand Up Colombian Defend Jose Maria Sison! "With the Union We Can Play Trade Unionists: As the US Targets An Unending Slaughter a Part in lur 1wn Destiny" 7 15 the Philippines 24 tett by Chad Negendank by Cro:b) by Doug Wordell Building a Union from Scratch: An lnteruiew with The Struggle to 0rganize Comandante Raril Reyes' : U nive rsity H o use ke e pe rs ol the FARC : . 18 in North Carolina 10 by Chip Smith SPEGIAT $=GTIOIU ffiffiwffiffiw ffiffiwffi Max Elbaum's EDITORIAL LOGOMOTTOTU Revolution ln the Air As We Face a New War, "Remember To Let's Not Forget the Kick lt Over" 40 The Fire Last Time: Lessons of the Old Wars by Scott MX Turner A New Geseration Reads BAGK IIU THE I'AY Bevolation in the Air PRISOIUER OF 42 by Christopher Day The Chicano Moratorium rHE ISSUE by Dennis O'Neil Jos6 Solis Jordan and GULTURE ?s State Repression Today leessegp,1gq4tpflMa.qigry, .".,: : 38 The Switch (a short story) 40 by Khalil Has$ah by Michelle Foy by Terry Bisson They Wanted to Serve The ?eople; Chicanos asd the Fight against EDITOR TRANSLATION SUBSCRIPTION INFO Natioml 0pptession in the Eric Odell iohn A. -
Dead Kennedys and the Yippie-Punk Continuum I Michael Stewart Foley
Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i Michael Stewart Foley To cite this version: Michael Stewart Foley. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuum i. Sonic Politics: Music and Social Movements in the Americas, 2019, 1138389390. hal-01999010 HAL Id: hal-01999010 https://hal.univ-grenoble-alpes.fr/hal-01999010 Submitted on 30 Jan 2019 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Political Pie-Throwing: Dead Kennedys and the Yippie-Punk Continuumi MICHAEL STEWART FOLEY By the time Dead Kennedys released their first LP, Fresh Fruit for Rotting Vegetables, in 1980, the band had established itself as the leading American political punk band, hailing from a city that seemed to specialize in political art. In many ways, the band and its music represented the culmination of nearly three years of subcultural political struggle on a host of issues facing not only young people in San Francisco but American youth everywhere – enough that, to this day, many of the city’s punk veterans refer to their experience in the “movement.” Political historians of the United States in the 1970s and 1980s have mostly ignored punk, but this essay examines Dead Kennedys’ early career as a way to illuminate the political experience of one segment of American youth in the late 1970s. -
Universitas Indonesia Perkembangan Musik Punk Di Amerika Serikat Tahun
UNIVERSITAS INDONESIA PERKEMBANGAN MUSIK PUNK DI AMERIKA SERIKAT TAHUN 1974-1980 SKRIPSI Diajukan sebagai salah satu syarat untuk memperoleh gelar Sarjana Humaniora AHMAD FIKRI HADI NPM 0704040017 FAKULTAS ILMU PENGETAHUAN BUDAYA PROGRAM STUDI SEJARAH DEPOK DESEMBER 2008 Perkembangan musik..., Ahmad Fikri Hadi, FIB UI, 2008 Universitas Indonesia HALAMAN ORISINALITAS Skripsi ini adalah hasil kerja saya sendiri, dan semua sumber baik yang dikutip maupun dirujuk telah saya nyatakan dengan benar. Nama : Ahmad Fikri Hadi NPM : 0704040017 Tanda Tangan : Tanggal : 31 Desember 2008 Perkembangan musik..., Ahmad Fikri Hadi, FIB UI, 2008 Universitas Indonesia HALAMAN PENGESAHAN Skripsi yang diajukan oleh Nama : Ahmad Fikri Hadi NPM : 0704040017 Program Studi : Sejarah Judul : Perkembangan Musik Punk Di Amerika Serikat Tahun 1974- 1980 Ini telah berhasil dipertahankan di hadapan Dewan Penguji dan diterima sebagai bagian persyaratan yang diperlukan untuk memperoleh gelar Sarjana Humaniora pada Program Studi Sejarah, Fakultas Ilmu Pengetahuan Budaya, Universitas Indonesia. DEWAN PENGUJI Pembimbing : Dr. Magdalia Alfian ( ) Pembimbing : Sudarini Suhartono, M.A. ( ) Penguji : Linda Sunarti, M.Hum. ( ) Penguji : Kasijanto Sastrodinomo, M.Hum. ( ) Ditetapkan di : Universitas Indonesia, Depok Tanggal : 31 Desember 2008 Oleh Dekan Fakultas Ilmu Pengetahuan Budaya Universitas Indonesia Perkembangan musik..., Ahmad Fikri Hadi, FIB UI, 2008 Universitas Indonesia KATA PENGANTAR Segala puji dan syukur yang tidak terhingga penulis ucapkan kepada Allah SWT, Tuhan semesta alam, yang telah memberikan kasih sayang, anugrah, cobaan dan bantuan- Nya sehingga skripsi ini berhasil diselesaikan tepat waktu. Skripsi ini disusun sebagai syarat kelulusan untuk mendapatkan gelar sarjana dari Program Studi Sejarah, Fakultas Ilmu dan Pengetahuan Budaya, Universitas Indonesia. Dalam skripsi ini penulis berusaha untuk meneliti perkembangan musik punk di Amerika Serikat. -
Volume 25, Number 04, September 2003
ENTERTAINMENT LAW REPORTER COMMENTARY What Everyone Should Know About Piracy By Ann Chaitovitz Piracy has devastated the music industry and now threatens other entertainment industries and all performers’ livelihoods. For example, a pre-final cut of the movie “The Hulk” was on the Internet pre- release, and the “Harry Potter” movie landed on the Internet pre-US release (due to a screening in London). The problems of piracy are not new. For example, manyost of us made cassettes of our dorm- mates’ albums in college. But with taping, the album was only available to a limited number of people and there was degradation in quality from the vinyl record to the cassette. While digital technology has created many VOLUME 25, NUMBER 4, SEPTEMBER 2003 ENTERTAINMENT LAW REPORTER opportunities for the industry and for performers, when a recording is posted on-line, it is: * available to millions of people, * who are able to copy it quickly, * without any degradation of quality. We must remember that tTechnology is not bad or the enemy. It has not caused these problems but merely created these new opportunities. We must harness the opportunities of technology and minimize the threats - something the music industry has been unable to do thus far. Just as radio was the canary in the coal mine for media consolidation, music is the cautionary tale for Internet piracy. Because of limitations on bandwidth and compression technologies, music was one of first types of works to be vulnerable to Internet piracy, but as those limitations are disappearing, other types of works are now becoming vulnerable. -
Punk Record Labels and the Struggle for Autonomy 08 047 (01) FM.Qxd 2/4/08 3:31 PM Page Ii
08_047 (01) FM.qxd 2/4/08 3:31 PM Page i Punk Record Labels and the Struggle for Autonomy 08_047 (01) FM.qxd 2/4/08 3:31 PM Page ii Critical Media Studies Series Editor Andrew Calabrese, University of Colorado This series covers a broad range of critical research and theory about media in the modern world. It includes work about the changing structures of the media, focusing particularly on work about the political and economic forces and social relations which shape and are shaped by media institutions, struc- tural changes in policy formation and enforcement, technological transfor- mations in the means of communication, and the relationships of all these to public and private cultures worldwide. Historical research about the media and intellectual histories pertaining to media research and theory are partic- ularly welcome. Emphasizing the role of social and political theory for in- forming and shaping research about communications media, Critical Media Studies addresses the politics of media institutions at national, subnational, and transnational levels. The series is also interested in short, synthetic texts on key thinkers and concepts in critical media studies. Titles in the series Governing European Communications: From Unification to Coordination by Maria Michalis Knowledge Workers in the Information Society edited by Catherine McKercher and Vincent Mosco Punk Record Labels and the Struggle for Autonomy: The Emergence of DIY by Alan O’Connor 08_047 (01) FM.qxd 2/4/08 3:31 PM Page iii Punk Record Labels and the Struggle for Autonomy The Emergence of DIY Alan O’Connor LEXINGTON BOOKS A division of ROWMAN & LITTLEFIELD PUBLISHERS, INC. -
Bill Bailey Vs
TheOnce:ler Of L&Ytonville Bill Bailey Vs. TheLorax MnCity� The Death (Or Was It Murder?) Of Detroit Berlin: Now Let's Tear Down Some Of Our OwnWal ls EmeraldTriangle . & San Francisco News + Northern California Punk Rock: Tons of Totally Crucial Coverage Along WithPages And. Pages Of Insignificant Fluff, Gossip & Mondo DestructoReviews .. EBP-DA | www.eastbaypunkda.com � '-.;._ -� 'Jl t.\.,._�� �- 1· / E:T. -· -...,,,.. �--- ....__� -..._ . .l'. Adventure .., CIADru& Wars: The Continues economies of sever:tJ Latin :-';m :un�ies, an hanced much.l=- p eri�an co d fi h new development m US cities Miami, New , and Lofi--==- -..: Ietnam as O UCM un, et S L I hke York y· W S Angeles. It a1so helped the CIA 10 pursue its regime· of terrorism and. I Ullm'<n1ioo uom,d <h• globe. - D 0 t All Q Vef Agalll... • . ey If ��t trouble _lay ahead for the c ociiliie kmgpi'"iisofLangl , _ Virginia. Inspired by the ,American free enter system, _ Remember Vietnam? Probably not. you're a student, you/ prise If j thousands of entrepeneuni real.1zed that there was r00m them in might have heard about it in history class, which almost guarantees,, for -'I :- � the marketpl e. Anyone with the for a p lan et IO -- you don't have any idea what it was about. you're old enough, ac money e tick �� that �ogota and the cluitzpah to bl way :::,,,--- to have been around when it was happening, even if you were one ofl' . �ff his or her past customs ms to was on the way to t fortune. -
Secret Studios
Legacy Business Registry Staff Report Hearing Date: November 9, 2020 SECRET STUDIOS Application No.: LBR-2020-21-013 Business Name: Secret Studios Business Address: 2200 Cesar Chavez Street District: District 10 Applicant: Happy Sanchez, Owner Nomination Date: September 22, 2020 Nominated By: Mayor London Breed Staff Contact: Richard Kurylo [email protected] BUSINESS DESCRIPTION Secret Studios, Inc. is a music recording studio and rehearsal space that has been in operation since 1982. Secret Studios initially opened at 250-C Napoleon Street, in an industrial area just south of Potrero Hill, and was comprised of just two small rooms to rehearse and record music. San Francisco’s dense housing stock doesn’t lend itself to “garage bands” and homegrown rehearsal space. It became evident that San Francisco residents were in need of space to come together, practice, and record their music. In 1983, one of these residents looking for space to practice was a young, local musician taking classes at San Francisco State University’s Audio Production department. This local musician, Greg McKee, would go on to become friends with the owner and soon began working at the studio. Three years later, in 1986, McKee (who legally changed his name to Happy Sanchez) was offered the opportunity to purchase Secret Studios and has been keeping music traditions alive as the owner ever since. The demand for studio recording space has kept Secret Studios at full capacity throughout its years, with no need for advertising. The word-of-mouth reputation the studio garnered from the artistic community, as well as the changing demographics of musicians in the Bay Area, has consistently put pressure on the business to expand its space and offerings. -
AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What
... AND YOU WILL KNOW US Mistakes & Regrets .1-2-5 What You Don't Know 10 COMMANDMENTS Not True 1989 100 FLOWERS The Long Arm Of The Social Sciences 100 FLOWERS The Long Arm Of The Social Sciences 100 WATT SMILE Miss You 15 MINUTES Last Chance For You 16 HORSEPOWER 16 Horsepower A&M 540 436 2 CD D 1995 16 HORSEPOWER Sackcloth'n'Ashes PREMAX' TAPESLEEVES PTS 0198 MC A 1996 16 HORSEPOWER Low Estate PREMAX' TAPESLEEVES PTS 0198 MC A 1997 16 HORSEPOWER Clogger 16 HORSEPOWER Cinder Alley 4 PROMILLE Alte Schule 45 GRAVE Insurance From God 45 GRAVE School's Out 4-SKINS One Law For Them 64 SPIDERS Bulemic Saturday 198? 64 SPIDERS There Ain't 198? 99 TALES Baby Out Of Jail A GLOBAL THREAT Cut Ups A GUY CALLED GERALD Humanity A GUY CALLED GERALD Humanity (Funkstörung Remix) A SUBTLE PLAGUE First Street Blues 1997 A SUBTLE PLAGUE Might As Well Get Juiced A SUBTLE PLAGUE Hey Cop A-10 Massive At The Blind School AC 001 12" I 1987 A-10 Bad Karma 1988 AARDVARKS You're My Loving Way AARON NEVILLE Tell It Like It Is ABBA Ring Ring/Rock'n Roll Band POLYDOR 2041 422 7" D 1973 ABBA Waterloo (Swedish version)/Watch Out POLYDOR 2040 117 7" A 1974 ABDELLI Adarghal (The Blind In Spirit) A-BONES Music Minus Five NORTON ED-233 12" US 1993 A-BONES You Can't Beat It ABRISS WEST Kapitalismus tötet ABSOLUTE GREY No Man's Land 1986 ABSOLUTE GREY Broken Promise STRANGE WAYS WAY 101 CD D 1995 ABSOLUTE ZEROS Don't Cry ABSTÜRZENDE BRIEFTAUBEN Das Kriegen Wir schon Hin AU-WEIA SYSTEM 001 12" D 1986 ABSTÜRZENDE BRIEFTAUBEN We Break Together BUCKEL 002 12" D 1987 ABSTÜRZENDE -
© TSUNAMI EDIZIONI - RIPRODUZIONE RISERVATA Dell’Articolo 10Dellaconvenzione Diberna
LE TEMPESTE 23 © TSUNAMI EDIZIONI - RIPRODUZIONE RISERVATA Copyright © 2019 A.SE.FI. Editoriale Srl – Via dell’Aprica, 8 – Milano www.tsunamiedizioni.com – [email protected] – Twitter e Instagram: @tsunamiedizioni Prima edizione Tsunami Edizioni, luglio 2020 – Le Tempeste 23 Tsunami Edizioni è un marchio registrato di A.SE.FI. Editoriale Srl Le fotogra e di Dead Kennedys (pagg. 33, 34, 35 e 64) e Robbie Fields (pagg. 129 e 131) sono di Federico Gugliel- mi. Tutte le altre sono immagini promozionali raccolte nel corso degli anni dallo stesso autore. Foto di copertina: Bad Religion dal vivo alla Sala Razzmatazz di Barcellona il 18 giugno 2008. ©Alterna2 - www.alterna2.com - www. ickr.com/photos/alterna2 Foto di retrocopertina: Jello Biafra And e Guantanamo School Of Medicine dal vivo all'Astra di Berlino il 29 luglio 2011. ©Montecruz Foto - www.montecruzfoto.org - [email protected] - www. ickr.com/photos/ libertinus Le foto di copertina e retrocopertina sono usate e accreditate rispettivamente secondo licenza Creative Commons "Attribution 2.0 Generic (CC BY 2.0)" e "Attribution-ShareAlike 2.0 Generic (CC BY-SA 2.0)", fonte Flickr. Ogni modi ca alle foto originali è invece da attribuire ad Agenzia Alcatraz. Stampa Geca Industrie Gra che, San Giuliano Milanese, con sistema Rotobook. Giugno 2020 ISBN: 978-88-94859-38-6 Tutte le opinioni espresse in questo libro sono dell’autore e/o dell’artista, e non rispecchiano necessariamente quelle dell’Editore. Tutti i diritti riservati. È vietata la riproduzione, anche parziale, in qualsiasi formato, senza l’autorizzazione scritta dell’Editore. La presente opera di saggistica è pubblicata con lo scopo di rappresentare un’analisi critica, rivolta alla promozione di autori e opere di ingegno, che si avvale del diritto di citazione. -
Music Theater Books
38 CHICAGO READER | DECEMBER 9, 2005 | SECTION ONE Reviews Music Theater Books Anniversary reissues from Bruce Springsteen Old Clown and the Wanted Sprawl: Dead Kennedys at Trap Door ACompact REVIEW BY MONICAKENDRICK Theatre History REVIEW BY JUSTIN HAYFORD by Robert a Bruegmann 38 REVIEW BY HAROLD HENDERSON 40 42 T CHAPPELL a a Y KIT SALL Music DEAD KENNEDYS FRESH FRUIT FOR ROTTING VEGETABLES: SPECIAL 25TH ANNIVERSARY EDITION CD + DVD (MANIFESTO) BRUCE SPRINGSTEEN BORN TO RUN: 30TH ANNIVERSARY 3 DISC SET (COLUMBIA) It’s the Economics, Stupid What could Bruce Springsteen and the Dead Kennedys possibly have in common? By Monica Kendrick t’s a little jarring to be reminded now that these two I era-defining albums—which seem to lie on either side of a generation gap the size of Snake River Canyon—came out only five years apart. But if you were at an impressionable age in 1975, when Bruce Springsteen released Born to Run, or in 1980, when the Dead Kennedys put out Fresh Fruit for Rotting Vegetables, chances are those five years made all the difference in the world. Relative age matters TEEN) more the younger you are. I mean, do you feel the same way now about dating someone five years older as you did when you were 15? I turned 6 and 11 the years PETER CUNNINGHAM (SPRINGS they were originally released— Dead Kennedys circa 1980, Bruce Springsteen circa 1975 my dad even bought the Dead Kennedys record, bless him— trends, they still are. Somebody frustration and despair of the inside and a reproduction of ognize the Boss for his contri- and caught up with them both somewhere in the world is hear- working class in ways that have the original insert—a punk-ass butions to American culture. -
Jello Biafra's Incredibly Strange Record Collection
JELLO BIAFRa’S INCREDIBLY STRANGE RECORD COLLECTION Es ergab sich, dass ich über mehrere Wochen er nicht grade telefonierte, konnte ich seine Platten durch solltest du dir anhören!« Mit ein oder zwei Songs war für er auch schon herein! Ich war nicht vorbereitet auf diese rie- für Jello Biafra hackelte. Arbeitsplatz war sein das Haus schallen lassen – in extremer Lautstärke und Kon- mich klar: »Oh my God, this is the incredibly strangest mu- sige Hand, die er um meinen Hinterkopf legte und mir ge- Haus in San Francisco, das er schon seit langer sequenz. Legte ich eine rare Swans-Platte auf, dauerte es sic of all, right here!« »Rock’n’Roll McDonald’s« war die rade in die Augen starrte: »Say ra! RA!!« – bonk! Er gibt mir Zeit bewohnt und das aussieht, als wäre der nur Minuten, bis Jello mir, der ich gerade auf einer Stehlei- erste Nummer auf dem Tape. Tammy hatte das von unver- einen Headbutt. »Say row! ROW!« – bonk! Noch ein Head- Architekt auf Drogen gewesen: kleine Türmchen, ter herumschichtete, auf die Schulter klopfte und eine ob- öffentlichten DAT-Tapes zusammengestellt. Normalerweise butt. »Say ooga-booga! OOGA-BOOGA!« – bonk! Dann bunte Fenster, raue Felswände, verwinkelte skure Vinyl-Scheibe in die Hand drückte: »Kennst du die? ist es ja so mit Leuten, die heute »Outsider Artists« genannt lachte er herzhaft: »Hehehehe!« Treppen – die Szenerie wirkt wie die Kulisse eines Das sind sozusagen die japanischen Swans… irres Zeug!« werden: entweder drei, vier Songs sind wirklich wild – und Damit wusste er, dass ich ok mit ihm war. Später sagte er 70er Koksparty-Films.