Smothers Brothers Collection of Television Scripts and Production Material, Ca

Total Page:16

File Type:pdf, Size:1020Kb

Smothers Brothers Collection of Television Scripts and Production Material, Ca http://oac.cdlib.org/findaid/ark:/13030/tf7489p1hj No online items Finding Aid for the Smothers Brothers Collection of Television Scripts and Production Material, ca. 1962-1976 Processed by UCLA Library Special Collections staff; machine-readable finding aid created by Caroline Cubé UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 Email: [email protected] URL: http://www.library.ucla.edu/libraries/special/scweb/ © 2002 The Regents of the University of California. All rights reserved. PASC 36 1 Descriptive Summary Title: Smothers Brothers Collection of Television Scripts and Production Material Date (inclusive): ca. 1962-1976 Collection number: PASC 36 Creator: Smothers Brothers. Extent: 115 boxes (57.5 linear ft.) Abstract: This collection consists of manuscript conductors' scores, and parts in manuscript or ozalid copy, of arrangements for the Smothers Brothers TV show. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright. Provenance/Source of Acquisition Gift of Dick and Tom Smothers, 1976. Preferred Citation [Identification of item], Smothers Brothers Collection of Television Scripts and Production Material (Collection Number PASC 36). UCLA Library Special Collections, Charles E. Young Research Library, UCLA. Biography/History Tom Smothers was born on Feb. 2, 1937, and his brother Dick on Nov. 20, 1938 on Governors Island, NY; both were students at San Jose State College; together, they began a song and comedy act leading to appearances at San Francisco's Purple Onion, the Blue Angel in New York, and other nightclub stints at Reno, Lake Tahoe, Las Vegas, and elsewhere; co-starred in the television situation comedy The Smothers Brothers show (1965-66), The Smothers Brothers comedy hour (1967-69, 1970), The Smothers Brothers show (1975), and The Smothers Brothers special and series (1988-89); they both starred in the Broadway production, I love my wife ; Tom owns a winery in Kenwood, CA, and has starred in the films The silver bears, Get to know your rabbit , A pleasure doing business, Serial, There goes the bride, Pandemonium, and Speed zone; Dick appeared in the film Casino (1995). Scope and Content Collection consists of manuscript conductors' scores, and parts in manuscript or ozalid copy, of arrangements for the Smothers Brothers TV show, Summer Brothers Smothers show, and Return of the Smothers Brothers show; scores, parts and scripts of special material for the Smothers Brothers; arrangements for a Smothers Brothers record album. Organization and Arrangement Arranged in the following series: 1. Smothers Brothers TV, Summer Brothers Smothers show, Return of the Smothers Brothers 2. Smothers Brothers TV shows, numbers 1-13 (1974-75) 3. Smothers Brothers TV show - miscellaneous 4. Tom Dick - special material (music arrangement) 5. Smothers Brothers album music score Indexing Terms The following terms have been used to index the description of this collection in the library's online public access catalog. Subjects Smothers Brothers comedy hour (Television program) Smothers Brothers show (Television program) Genres and Forms of Material PASC 36 2 television scripts. Related Material The Smothers Brothers Comedy Hour and The Smothers Brothers Show. Available at the UCLA Film and Television Archive. Smothers Brothers Collection of Musical Arrangements (Collection 36). Available at Performing Arts Special Collections, UCLA. PASC 36 3.
Recommended publications
  • Bianculli's Personal Theory of TV Evolution
    Bianculli’s Personal Theory of TV Evolution And more! apexart Breaking Bad If you apply the familiar concept “you are what you The Simpsons eat” to television – and it becomes “you are what you watch” – then TV critics are in trouble. We watch more television than you do, no matter how much you watch, and, unlike you, have to keep watching the bad stuff once we decide it’s no good. The Smothers Brothers Featuring artifacts from Buffy the Vampire Slayer the Vampire Buffy And if you accept Malcolm Gladwell’s concept of the Diana Rigg stars with Patrick Macnee in The Avengers, 1966; as Emma Peel, her aim was true. “10,000-Hour Rule,” that it takes 10,000 hours working in a specific field before a person can be considered an Beatles on The Ed Sullivan Show and the Red Room on expert, then, by that yardstick, I’m about four experts. Twin Peaks with equal reverence? Even more personally, I’ve been a professional TV critic for almost 40 years – I’m exploring, explaining, and confessing my own lifelong and a TV viewer for 60. relationship with television. I enjoy being a TV critic. It’s a job that always changes, that demands you flex different The exhibition Bianculli’s Personal Theory of TV Evolution muscles on different days, and that occasionally rewards attempts to explore and merge both of those concepts. you with brilliant, wonderful programs, some of which can As a TV historian, I connect television past and present, enrich, and even change, your life.
    [Show full text]
  • Smothers Brothers Scripts for the Smothers Brothers Comedy Hour, 1967-1969
    http://oac.cdlib.org/findaid/ark:/13030/c86m3cgj No online items Smothers Brothers scripts for The Smothers Brothers comedy hour, 1967-1969 Finding aid prepared by UCLA Arts Library Special Collections staff, pre-1999; initial EAD encoding by Julie Graham; machine-readable finding aid created by Caroline Cubé. UCLA Library Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA, 90095-1575 (310) 825-4988 [email protected] Finding aid last updated 19 November 2016. Smothers Brothers scripts for The PASC 69 1 Smothers Brothers comedy hour, 1967-1969 Title: Smothers Brothers Scripts for The Smothers Brothers Comedy Hour Collection number: PASC 69 Contributing Institution: UCLA Library Special Collections Language of Material: English Physical Description: 16.0 linear ft.(16 boxes) Date (inclusive): 1967-1969 Abstract: Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Creator: Smother Brothers Creator: Smothers, Dick Creator: Smothers, Tom, 1937 Restrictions on Access Open for research. STORED OFF-SITE AT SRLF. Advance notice is required for access to the collection. Please contact UCLA Library Special Collections for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UC Regents. Literary rights, including copyright, are retained by the creators and their heirs. It is the responsibility of the researcher to determine who holds the copyright and pursue the copyright owner or his or her heir for permission to publish where The UC Regents do not hold the copyright.
    [Show full text]
  • Guide to the Smothers Brothers Collection
    Guide to the Smothers Brothers Collection NMAH.AC.1437 Vanessa Broussard-Simmons Archives Center, National Museum of American History P.O. Box 37012 Suite 1100, MRC 601 Washington, D.C. 20013-7012 [email protected] http://americanhistory.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Arrangement..................................................................................................................... 2 Names and Subjects ...................................................................................................... 2 Container Listing ............................................................................................................. 4 Series 1: Photographic Materials, 1961-2007, undated........................................... 4 Series 2: Business Records, 1959-2002, undated................................................. 16 Series 3: Personal Papers, 1966-2008, undated................................................... 25 Smothers Brothers Collection NMAH.AC.1437 Collection Overview Repository: Archives Center, National Museum of American History Title: Smothers Brothers Collection Identifier: NMAH.AC.1437 Date: 1959-2008, undated Creator: Smothers
    [Show full text]
  • FOR IMMEDIATE RELEASE CONTACT: Lydia Baxter Public Relations Associate (941) 366 – 9017 Ext
    FOR IMMEDIATE RELEASE CONTACT: Lydia Baxter Public Relations Associate (941) 366 – 9017 ext. 338 [email protected] DATE: June 28, 2018 FST ANNOUNCES SPECIAL EVENT FEATURING DICK SMOTHERS OF THE SMOTHERS BROTHERS (Sarasota, FL) — Florida Studio Theatre (FST) is pleased to announce a special event that has just been added to the 10th Anniversary Sarasota Improv Festival lineup—That’s My Song: An Intimate Evening with Dick Smothers, a celebration of comedy legends Tommy and Dick Smothers, more commonly known as The Smothers Brothers. Remembered today as popular American comedians and musicians, The Smothers Brothers were among the first to perform improvised material onstage as part of their musical comedy performances. At this special event, Florida Studio Theatre will recognize the group’s artistic contributions to improv at its milestone Improv Festival. FST’s Managing Director Rebecca Hopkins will lead an in-depth interview with the one and only Dick Smothers, followed by a fully improvised hip-hop homage to the Brothers’ groundbreaking work performed by North Coast, New York City’s premier hip-hop comedy team. Single tickets are $20 each for non-Festival pass-holders, or just $10 for Festival pass-holders. Tickets are now on sale at (941) 366-9000 or www.floridastudiotheatre.org. In 1959, comedy legends Tommy and Dick Smothers performed as a singing (and bickering) folk group in nightclubs and on various television shows, such as The Jack Parr Show (1961). Their act mixed sibling squabbles with music, and over the next decade, the brothers released twelve albums featuring their musical hilarity. “I can’t begin to express the impact that The Smothers Brothers have had on comedy,” shared FST’s Managing Director Rebecca Hopkins.
    [Show full text]
  • The Simpsons: a Case Study in the Limitations of Television As a Medium for Presenting Political and Social Satire
    The Simpsons: A Case Study in the Limitations of Television as a Medium for Presenting Political and Social Satire [image removed to comply with copyright] Michael E. Gordon Senior History Thesis First Reader: Professor Bethel Saler Second Reader: Dean Gregory Kannerstein April 19, 2004 1 Acknowledgments I would like to take this time to thank Professor Bethel Saler for giving me this opportunity to research and analyze a subject matter that I care for deeply. Your guidance and structure has pushed me to produce something that has made me extremely proud. Also, the “Academic Heavyweights” in Jones 24: Robert Schiff ’04, Jonathan Debrich ’05, Manny Ferreira ’05, and Gray Vargas-Regan ’05 for living with me for an entire year—this speaks volumes for all of you! For my favorite redhead, Rachel Moston ’04 for always giving me her time to brainstorm and vent at this agonizing and yet rewarding process. I am extremely grateful to Professor Alexander Kitroeff, Professor James Krippner, Professor Bill Hohenstein, and Professor Dan Gillis for supporting me throughout my matriculation and helping me grow as an individual and as a scholar. The camaraderie and friendship I have received from the Haverford College Baseball team is something that I will take with me for the rest of my life and I would like to take this time to thank Dave Beccaria, Kevin Morgan, Ed Molush—and Dan Crowley ’91 for taking a chance on a kid who just loves to play the game of baseball. To my cousin, Scott Weinstein, who through his kindness has given me the opportunity to work in television.
    [Show full text]
  • GUESS the MYSTERY PAIR Here Are Some Clues
    Who Am I? GUESS THE MYSTERY PAIR Here are some clues: We were born in New York in the 1930s. page 1 Our father died in a POW camp in Japan when we were young. page 2 We grew up near Los Angeles. page 3 We attended San Jose State University. One of us planned to be a teacher; the other wanted to go into advertising. page 4 Folk music was in its heyday when we were in college. page 5 We gave jobs to Steve Martin and Rob Reiner. page 6 One of us is handy (and tricky) with a yo-yo. page 7 One of us is liberal; the other is conservative. page 8 We aren’t your normal couple to go through counseling. page 9 We believe the adage that variety is the spice of life. page 10 We received many invitations from famous people like Jack Paar and Jack Benny. page 11 We brought generations together. page 12 Jimi Hendrix dedicated a song to us. page 13 We kept CBS censors busy. page 14 We are known for being seriously funny. page 15 Mom always liked one of us best. page 16 We were inducted into the Television Academy Hall of Fame in 2010. page 17 We are multi-talented! And some call us genius. page 18 A documentary about us was released in 2002. page 19 One of us has an Emmy award. page 20 Neither of us is as naïve as one of us pretends to be. page 21 Our show with two brothers beat a show with three brothers in the ratings.
    [Show full text]
  • Smothers Brothers Return to Cohan Center Oct. 15
    Smothers Brothers Return to Cal Poly http://www.calpolynews.calpoly.edu/news_releases/2005/sept_05/... Skip to Content Search Cal Poly News News California Polytechnic State University Sept. 27, 2005 FOR IMMEDIATE RELEASE EDITORIAL CONTACT: LISA WOSKE (805) 756-7110 TICKETS: (805) 756-2787 Smothers Brothers Return to Cohan Center Oct. 15 SAN LUIS OBISPO – On Saturday, October 15, 2005 at 8 p.m. in the Christopher Cohan Center, Cal Poly Arts presents The Smothers Brothers, with special guest The Yo Yo Man. After 44 years in the comedy business, The Washington Post declares that a Smothers Brothers show is “Fresh and perfectly timed…hilarious as ever!” Tom and Dick Smothers are comedians long considered ahead of their time and their Smothers Brothers act has enjoyed a lengthy career that has surpassed all other comedy teams in history. With consummate showmanship and their singular blend of comedic and musical talents, the irrepressible Brothers have made a sweeping impact on diverse generations of fans of all ages. The Smothers Brothers’ first professional appearance was at the Purple Onion in San Francisco in 1959; their first national television appearance was on “The Jack Paar Show” in 1961. Decades of audiences have seen the Smothers Brothers in their own primetime comedy series in the 1960’s, 1970’s and again in the 1980’s. The Brothers made guest appearances on numerous television programs, headlined countless engagements in Las Vegas, Reno and Lake Tahoe, starred in a popular video, cut twelve top-selling albums, and have performed continuous nationwide concert tours. The contributions Tom and Dick Smothers have made to the entertainment world throughout their careers were so highly respected that the Museum of Television and Radio in New York produced a retrospective and seminar on their work.
    [Show full text]
  • Daily Everg Ee
    WASIllNGTON STATE DAILY UNIVERSITY EVERG EE Volume LXX Pullman, Washington, Tuesday, Ostober 1, 1963 Number 7 8,268 enroll; Unrest in Alabama previous mark surpassed Bombing explored; Monday evening was the last day of enrollment with 8,268 stu- dents enrolled, according to Reg- istrar Claude Simpson. This was two men arrested 18 over the 8,250 predicted and • BIRMINGHAM, Ala. (AP) - said no formal charges had been • almost 400 over last year's record • high. Two white men were placed in filed. - [ Included in the 8,268 total are city jail early today for further 40 Bombings 5,445 returning graduate and un- investigation into the series of The city has had more than 40 dergraduate stude n t s, 1,979 bombings that have rocked this bombings since World War II, but freshmen, 544 transfer students racially-troubled city for several the one which nearly destroyed 274 new graduate students, and years. the Sixteenth Street B apt i s t 26 special students. Col. Al Lingo, head of the State Church was the worst. Simpson said that no applica- Highway Patrol, said others pick- _ . About 20 persons were injured tions will be accepted after the ed up in the intensified investiga- m the blast, which inflicted more Monday night deadline. tion have been released. than $44,000 in damage to the He declined to say how many church and damaged nearby cars others had been questioned. and buildings. Night warden L. A. Holcomb Bombing Sparks Violence Iy oungsters' idntified the two being held as The church bombing almost R.
    [Show full text]
  • S0608 Landesman, Fran (1927- ) Papers, 1959-1998 112 Folders; 44 Photographs; and 30 Audio Tapes, Cds, and Lps
    S0608 Landesman, Fran (1927- ) Papers, 1959-1998 112 Folders; 44 Photographs; And 30 Audio Tapes, CDs, And LPs, This collection is available at The State Historical Society of Missouri. If you would like more information, please contact us at [email protected]. This collection is stored off site. Please allow 3-5 business days for retrieval. Poet and songwriter Fran Landesman donated her papers to the Western Historical Manuscript Collection at the University of Missouri-St. Louis in the spring of 1999. She retains the copyright to her materials, so that her written permission or the written permission of her heirs is needed in order to reproduce any one of her works in its entirety. Fran Landesman was born Frances Deitsch on October 21, 1927, in New York City. Her father, a successful dress manufacturer, collected books; and her mother, a journalist, loved the theater and music. Fran has a brother, Sam Deitsch, who lives in San Francisco. Fran attended private schools, Temple University in Philadelphia, and the Fashion Institute of Technology in New York. She was working for Biancini Silks in New York when she met Jay Landesman, a writer and publisher of Nerotica magazine from St. Louis. They were married in July of 1950, and shortly thereafter they moved to St. Louis. Jay went to work in his family's antiques business, and he and his brother, Fred, opened a classy cabaret called the Crystal Palace in 1952. In 1958 the Landesmans moved the Crystal Palace to Gaslight Square, an entertainment district developing among the bars and restaurants and antique shops at Boyle and Olive near the Central West End of St.
    [Show full text]
  • Item 072.Pdf
    THE NEWS, Frederick, Maryland Page F-1 opposing views has been report- as comments by Stokely Carmi- Wedanday, February 111, chael, and clips on the, self-1M- Recently Tommy Smothers, molation of a Buddhist monk. who opposes President Johnson On the American entertain- both on and off the television ment scene,the issue Of the. Viet- screen, Was asked about the is- nom war has brought the kinds • Entertainment sue of equal time for Democra- of dissent that • celebrities tic loyalists. haven't dared for almost: 20 By. BOB THOMAS get behind President Johnson— "We feei the administration's AP. Movie-Television Writer and push"' views on Vietnam get Plenty of During :the Depression and airing on television," the come- war years, show buainesk per.- HOLLYWOOD (AP) — Item These items offer evidence of the New Dissent that has ap- dian replied. "The;:Bob Hope sonalities often lent*their names' f Show, for example." , and financial support to Causes "Support. Our Boys in Cana- peared in the entertainment me- dium during the past year., Dic- His argument is that Hope, that were at variance with ma, da " with his Christmas special jority opinion. The. ascentof The reference is to Americans tionary definition: Dissent-4o differ in sentiment or opinion based. on his entertainment tour Sen; .Joseph Mccartbit :changed. who cross the border to dodge of Vietnam, gives, wide-circula- that, Many actors,, writers' and I the draft. Where does the pla- from the majority. Political satire has been a tion to the hawkish side of the directerslound they.were Unem- card appear? Not in a peace war.
    [Show full text]
  • MIAMI UNIVERSITY the Graduate School Certificate for Approving The
    MIAMI UNIVERSITY The Graduate School Certificate for Approving the Dissertation We hereby approve the Dissertation of __________Peter McClelland Robinson__________ Candidate for the Degree: Doctor of Philosophy ____________________________________________ Director (Allan M. Winkler) ____________________________________________ Reader (Sheldon Anderson) ____________________________________________ Reader (Andrew R. L. Cayton) ____________________________________________ Reader (Marguerite S. Shaffer) ____________________________________________ Graduate School Representative (William J. Doan) ABSTRACT THE DANCE OF THE COMEDIANS: THE PEOPLE, THE PRESIDENT, AND THE PERFORMANCE OF POLITICAL STANDUP COMEDY IN AMERICA by Peter McClelland Robinson This dissertation argues that the emergent performance of political standup comedy became a significant agent for mediating and complicating the relationship between the American people and the American presidency, particularly during the middle half of the twentieth century. The Dance of the Comedians examines standup comedy—particularly its ramifications for the presidency and Americans’ perceptions of that institution—as a uniquely compelling form of cultural performance. Part ceremonial ritual and part playful improvisation, the performance of political comedy in its diverse forms became a potent site of liminality that empowered all of its constituents—the comic, the audience, and the object of the joke—to reexamine and renegotiate the roles of all concerned. It is this tripartite bond of reciprocal
    [Show full text]
  • Open Burton-Schreyerthesis.Pdf
    THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF JOURNALISM “MORE THAN ENTERTAINMENT”: THE ROLE OF SATIRICAL NEWS IN DISSENT, DELIBERATION, AND DEMOCRACY SARAH BURTON FALL 2010 A thesis submitted in partiaL fuLfiLLment of the requirements for baccaLaureate degrees in JournaLism and PoLiticaL Science with honors in JournaLism Reviewed and approved* by the following: Martin E. Halstuk Associate Professor Thesis Supervisor Robert D. Richards John and Ann CurLey Professor of First Amendment Studies Honors Advisor *Signatures are on file in the Schreyer Honors College ABSTRACT This research project argues that in an age of infotainment and a faiLing news media, satiricaL news has emerged as an important force in reveaLing truth and engaging an apathetic pubLic in politics and debate. Therefore, this research project seeks to distinguish and examine the roLes of satiricaL news in encouraging a deLiberative democracy. SatiricaL news has historicaL roots in the First Amendment as a loud critic and purveyor of political dissent. More recently, satirical news shows on television—the precursors to The Daily Show—have faced many barriers, incLuding poLiticaL party maneuverings, ratings, and faLLing advertising revenue, uLtimately finding that if staying power required potent satire, such roadblocks must be ignored. FinaLLy, poLiticaL comedians intend to affect change or prove an ideoLogicaL point through their satire, but often after criticism, hide behind the satirist shield and cLaim, "I'm just a comedian." Such a stance has benefits in that it encourages comedians to more fearLessLy chaLLenge pseudo-structures created by the political-media eLites, fiLLing the roLe traditionaLLy heLd by journaLists. At the same time, the satirist shieLd aLLows poLiticians and media eLites to throw satiricaL news critiques aside, regardLess of their truth and importance.
    [Show full text]