Japanese Scripts and UNIMARC
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Study of Old Documents of Hokkaido and Kuril Ainu
NINJAL International Symposium 2018 Approaches to Endangered Languages in Japan and Northeast Asia, August 6-8 The study of old documents of Hokkaido and Kuril Ainu: Promise and Challenges Tomomi Sato (Hokkaido U) & Anna Bugaeva (TUS/NINJAL) [email protected] [email protected]) Introduction: Ainu • AINU (isolate, North Japan, moribund) • Is the only non-Japonic lang. of Japan. • Major dialect groups : Hokkaido (moribund), Sakhalin (extinct since 1993), Kuril (extinct since the end of XIX). • Was also spoken in Tōhoku till mid XVIII. • Hokkaido Ainu dialects: Southwestern (well documented) Northeastern (less documented) • Is not used in daily conversation since the 1950s. • Ethnical Ainu: 100,000. 2 Fig. 2 Major language families in Northeast Asia (excluding Sinitic) Amuric Mongolic Tungusic Ainuic Koreanic Japonic • Ainu shares only few features with Northeast Asian languages. • Ainu is typologically “more like a morphologically reduced version of a North American language.” (Johanna Nichols p.c.). • This is due to the strongly head-marking character of Ainu (Bugaeva, to appear). Why is it important to study Ainu? • Ainu culture is widely regarded as a direct descendant of the Jōmon culture which was spread in the Japanese archipelago in the Prehistoric time from about 14,000 BC. • Ainu is the only surviving Jōmon language; there had been other Jōmon lgs too: about 300 lgs (Janhunen 2002), cf. 10 lgs (Whitman, p.c.) . • Ainu is likely to be much more typical of what languages were like in Northeast Asia several millennia ago than the picture we would get from Chinese, Japanese or Korean. • Focusing on Ainu can help us understand a period of northeast Asian history when political, cultural and linguistic units were very different to what they have been since the rise of the great historically-attested states of East Asia. -
A Comparative Analysis of the Simplification of Chinese Characters in Japan and China
CONTRASTING APPROACHES TO CHINESE CHARACTER REFORM: A COMPARATIVE ANALYSIS OF THE SIMPLIFICATION OF CHINESE CHARACTERS IN JAPAN AND CHINA A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ASIAN STUDIES AUGUST 2012 By Kei Imafuku Thesis Committee: Alexander Vovin, Chairperson Robert Huey Dina Rudolph Yoshimi ACKNOWLEDGEMENTS I would like to express deep gratitude to Alexander Vovin, Robert Huey, and Dina R. Yoshimi for their Japanese and Chinese expertise and kind encouragement throughout the writing of this thesis. Their guidance, as well as the support of the Center for Japanese Studies, School of Pacific and Asian Studies, and the East-West Center, has been invaluable. i ABSTRACT Due to the complexity and number of Chinese characters used in Chinese and Japanese, some characters were the target of simplification reforms. However, Japanese and Chinese simplifications frequently differed, resulting in the existence of multiple forms of the same character being used in different places. This study investigates the differences between the Japanese and Chinese simplifications and the effects of the simplification techniques implemented by each side. The more conservative Japanese simplifications were achieved by instating simpler historical character variants while the more radical Chinese simplifications were achieved primarily through the use of whole cursive script forms and phonetic simplification techniques. These techniques, however, have been criticized for their detrimental effects on character recognition, semantic and phonetic clarity, and consistency – issues less present with the Japanese approach. By comparing the Japanese and Chinese simplification techniques, this study seeks to determine the characteristics of more effective, less controversial Chinese character simplifications. -
The Japanese Writing Systems, Script Reforms and the Eradication of the Kanji Writing System: Native Speakers’ Views Lovisa Österman
The Japanese writing systems, script reforms and the eradication of the Kanji writing system: native speakers’ views Lovisa Österman Lund University, Centre for Languages and Literature Bachelor’s Thesis Japanese B.A. Course (JAPK11 Spring term 2018) Supervisor: Shinichiro Ishihara Abstract This study aims to deduce what Japanese native speakers think of the Japanese writing systems, and in particular what native speakers’ opinions are concerning Kanji, the logographic writing system which consists of Chinese characters. The Japanese written language has something that most languages do not; namely a total of three writing systems. First, there is the Kana writing system, which consists of the two syllabaries: Hiragana and Katakana. The two syllabaries essentially figure the same way, but are used for different purposes. Secondly, there is the Rōmaji writing system, which is Japanese written using latin letters. And finally, there is the Kanji writing system. Learning this is often at first an exhausting task, because not only must one learn the two phonematic writing systems (Hiragana and Katakana), but to be able to properly read and write in Japanese, one should also learn how to read and write a great amount of logographic signs; namely the Kanji. For example, to be able to read and understand books or newspaper without using any aiding tools such as dictionaries, one would need to have learned the 2136 Jōyō Kanji (regular-use Chinese characters). With the twentieth century’s progress in technology, comparing with twenty years ago, in this day and age one could probably theoretically get by alright without knowing how to write Kanji by hand, seeing as we are writing less and less by hand and more by technological devices. -
KANA Response Live Organization Administration Tool Guide
This is the most recent version of this document provided by KANA Software, Inc. to Genesys, for the version of the KANA software products licensed for use with the Genesys eServices (Multimedia) products. Click here to access this document. KANA Response Live Organization Administration KANA Response Live Version 10 R2 February 2008 KANA Response Live Organization Administration All contents of this documentation are the property of KANA Software, Inc. (“KANA”) (and if relevant its third party licensors) and protected by United States and international copyright laws. All Rights Reserved. © 2008 KANA Software, Inc. Terms of Use: This software and documentation are provided solely pursuant to the terms of a license agreement between the user and KANA (the “Agreement”) and any use in violation of, or not pursuant to any such Agreement shall be deemed copyright infringement and a violation of KANA's rights in the software and documentation and the user consents to KANA's obtaining of injunctive relief precluding any further such use. KANA assumes no responsibility for any damage that may occur either directly or indirectly, or any consequential damages that may result from the use of this documentation or any KANA software product except as expressly provided in the Agreement, any use hereunder is on an as-is basis, without warranty of any kind, including without limitation the warranties of merchantability, fitness for a particular purpose, and non-infringement. Use, duplication, or disclosure by licensee of any materials provided by KANA is subject to restrictions as set forth in the Agreement. Information contained in this document is subject to change without notice and does not represent a commitment on the part of KANA. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Japanese Language and Culture
NIHONGO History of Japanese Language Many linguistic experts have found that there is no specific evidence linking Japanese to a single family of language. The most prominent theory says that it stems from the Altaic family(Korean, Mongolian, Tungusic, Turkish) The transition from old Japanese to Modern Japanese took place from about the 12th century to the 16th century. Sentence Structure Japanese: Tanaka-san ga piza o tabemasu. (Subject) (Object) (Verb) 田中さんが ピザを 食べます。 English: Mr. Tanaka eats a pizza. (Subject) (Verb) (Object) Where is the subject? I go to Tokyo. Japanese translation: (私が)東京に行きます。 [Watashi ga] Toukyou ni ikimasu. (Lit. Going to Tokyo.) “I” or “We” are often omitted. Hiragana, Katakana & Kanji Three types of characters are used in Japanese: Hiragana, Katakana & Kanji(Chinese characters). Mr. Tanaka goes to Canada: 田中さんはカナダに行きます [kanji][hiragana][kataka na][hiragana][kanji] [hiragana]b Two Speech Styles Distal-Style: Semi-Polite style, can be used to anyone other than family members/close friends. Direct-Style: Casual & blunt, can be used among family members and friends. In-Group/Out-Group Semi-Polite Style for Out-Group/Strangers I/We Direct-Style for Me/Us Polite Expressions Distal-Style: 1. Regular Speech 2. Ikimasu(he/I go) Honorific Speech 3. Irasshaimasu(he goes) Humble Speech Mairimasu(I/We go) Siblings: Age Matters Older Brother & Older Sister Ani & Ane 兄 と 姉 Younger Brother & Younger Sister Otooto & Imooto 弟 と 妹 My Family/Your Family My father: chichi父 Your father: otoosan My mother: haha母 お父さん My older brother: ani Your mother: okaasan お母さん Your older brother: oniisanお兄 兄 さん My older sister: ane姉 Your older sister: oneesan My younger brother: お姉さ otooto弟 ん Your younger brother: My younger sister: otootosan弟さん imooto妹 Your younger sister: imootosan 妹さん Boy Speech & Girl Speech blunt polite I/Me = watashi, boku, ore, I/Me = watashi, washi watakushi I am going = Boku iku.僕行 I am going = Watashi iku く。 wa. -
L2 Japanese Learners' Responses to Translation, Speed Reading
Reading in a Foreign Language April 2017, Volume 29, No. 1 ISSN 1539-0578 pp. 113–132 L2 Japanese learners’ responses to translation, speed reading, and ‘pleasure reading’ as a form of extensive reading Mitsue Tabata-Sandom Massey University New Zealand Abstract Fluency development instruction lacks in reading in Japanese as a foreign language instruction. This study examined how 34 upper-intermediate level learners of Japanese responded when they first experienced pleasure reading and speed reading. The participants also engaged in intensive reading, the main component of which was translation. Survey results indicated that the two novel approaches were more welcomed than translation. There was a positive correlation between the participants’ favorable ratings of pleasure reading and speed reading. The participants exhibited flexibility toward the two novel approaches in that they were willing to be meaningfully engaged in pleasure reading, whereas they put complete understanding before fluent reading when speed reading. The latter phenomenon may be explained by their predominantly- accuracy-oriented attitudes, fostered by long-term exposure to the grammar-translation method. The study’s results imply that key to successful fluency development is an early start that nurtures well-rounded attitudes toward the target language reading. Keywords: fluency development, learners of Japanese, pleasure reading, speed reading, translation Grabe (2009) maintained that fluency instruction is generally neglected in second and foreign language (L2) reading pedagogy. L2 reading classes have traditionally tended to employ an intensive reading approach (Sakurai, 2015), and L2 Japanese reading classes are no exception (Nishigoori, 1991; Tabata-Sandom, 2013, 2015). In such traditional approaches, learners are expected to perfectly understand a given text which is often above their current proficiency level even if they have to spend a tremendous amount of time on translating a given text. -
The Fascination of Japanese Traditional Books 大橋 正叔(Ôhashi Tadayoshi) Vice-President , Tenri University (1)Introduction Mr
The Fascination of Japanese Traditional Books 大橋 正叔(Ôhashi Tadayoshi) Vice-President , Tenri University (1)Introduction Mr. Chairman, Ladies and Gentlemen: My name is Tadayoshi Ohashi of Tenri University. It gives me great pleasure in presenting the SOAS Brunei Gallery exhibition of “ART OF JAPANESE BOOKS”. These are some of the Kotenseki 古典籍(Japanese Antiquarian materials) treasures from the Tenri Central Library 天理図書館.It is an honour to have the opportunity to speak before you at this joint cultural event of SOAS and Tenri University. Today I Wish to talk about the attractions of KotensekiI. Wherever they come from, antiquarian books are beautiful in their own styles and traditions. Japanese antiquarian books, however, are very unique in their diversities; namely, the binding-forms and paper-materials used, not to mention the wide range of calligraphic and multi-coloured printing techniques. For your reference I have enclosed a copy of bibliographical research sheet of the National Institute of Japanese Literature 国文学研究資料館. This is the sheet We use When We conduct research on Kotenseki. This sheet is dual-format applicable for both printed books and manuscripts. But there is single purpose format either for printed books or for manuscripts. The reason Why I am shoWing you this is, that I believe that this research sheet encapsulates the essence of Kotenseki(Japanese Antiquarian materials). I am going to discuss each style one by one. I am careful in using the word KOTENSEKI rather than the more usual Word HON. Kotenseki includes not only HON (books, manuscripts and records) but also the materials written on 短冊 Tanzaku(a strip of oblong paper mainly used for Writing Waka 和歌)or Shikishi 色紙(a square of high- quality paper). -
Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City
JonathanCatalogue 229 A. Hill, Bookseller JapaneseJAPANESE & AND Chinese CHINESE Books, BOOKS, Manuscripts,MANUSCRIPTS, and AND ScrollsSCROLLS Jonathan A. Hill, Bookseller Catalogue 229 item 29 Catalogue 229 Japanese and Chinese Books, Manuscripts, and Scrolls Jonathan A. Hill, Bookseller New York City · 2019 JONATHAN A. HILL, BOOKSELLER 325 West End Avenue, Apt. 10 b New York, New York 10023-8143 telephone: 646-827-0724 home page: www.jonathanahill.com jonathan a. hill mobile: 917-294-2678 e-mail: [email protected] megumi k. hill mobile: 917-860-4862 e-mail: [email protected] yoshi hill mobile: 646-420-4652 e-mail: [email protected] member: International League of Antiquarian Booksellers, Antiquarian Booksellers’ Association of America & Verband Deutscher Antiquare terms are as usual: Any book returnable within five days of receipt, payment due within thirty days of receipt. Persons ordering for the first time are requested to remit with order, or supply suitable trade references. Residents of New York State should include appropriate sales tax. printed in china item 24 item 1 The Hot Springs of Atami 1. ATAMI HOT SPRINGS. Manuscript on paper, manuscript labels on upper covers entitled “Atami Onsen zuko” [“The Hot Springs of Atami, explained with illustrations”]. Written by Tsuki Shirai. 17 painted scenes, using brush and colors, on 63 pages. 34; 25; 22 folding leaves. Three vols. 8vo (270 x 187 mm.), orig. wrappers, modern stitch- ing. [ Japan]: late Edo. $12,500.00 This handsomely illustrated manuscript, written by Tsuki Shirai, describes and illustrates the famous hot springs of Atami (“hot ocean”), which have been known and appreciated since the 8th century. -
Japanese Children's Books 2020 JBBY's Recommendations for Young Readers Throughout the World
JAPANESE BOARD ON BOOKS FOR YOUNG PEOPLE Japanese 2020 Children's Books 2020 Cover illustration Japanese Children's Books Chiki KIKUCHI Born in 1975 in Hokkaido. After working at a design Contents firm, he decided at age 33 to become a picture book artist. His book Shironeko kuroneko (White ● Book Selection Team ................................................................................................2 Cat, Black Cat; Gakken Plus) won a Golden Apple ● About JBBY and this Catalog ................................................................................ 3 at the 2013 Biennial of Illustrations Bratislava (BIB), and his book Momiji no tegami (Maple Leaf Letter; ● Recent Japanese Children's Books Recommended by JBBY ......................4 Komine Shoten) won a plaque at the 2019 BIB. His ● The Hans Christian Andersen Award other works include Boku da yo, boku da yo (It’s Me, Five winners and 12 nominees from Japan It’s Me; Rironsha), Chikiban nyaa (Chiki Bang Meow; ........................................................20 Gakken Plus), Pa-o-po no uta (Pa-o-po Song; Kosei ● Japanese Books Selected for the IBBY Honour List ...................................22 Shuppan), Tora no ko Torata (Torata the Tiger Cub; Children’s Literature as a Part of Japan’s Publishing Statistics ....................... Shogakukan), and Shiro to kuro (White and Black; ● Essay: 24 Kodansha). ● Recent Translations into Japanese Recommended by JBBY ....................26 JBBY Book Selection and Review Team The JBBY Book Selection and Review Team collaboratively chose the titles listed in this publication. The name in parentheses after each book description is the last name of the team member who wrote the description. Yasuko DOI Director and senior researcher at the International Insti- Yukiko HIROMATSU tute for Children’s Literature (IICLO). Besides researching Picture book author, critic, and curator. -
Kuronet: Pre-Modern Japanese Kuzushiji Character Recognition with Deep Learning
KuroNet: Pre-Modern Japanese Kuzushiji Character Recognition with Deep Learning Tarin Clanuwat* Alex Lamb* Asanobu Kitamoto Center for Open Data in the Humanities MILA Center for Open Data in the Humanities National Institute of Informatics Universite´ de Montreal´ National Institute of Informatics Tokyo, Japan Montreal, Canada Tokyo, Japan [email protected] [email protected] [email protected] Abstract—Kuzushiji, a cursive writing style, had been used in documents is even larger when one considers non-book his- Japan for over a thousand years starting from the 8th century. torical records, such as personal diaries. Despite ongoing Over 3 millions books on a diverse array of topics, such as efforts to create digital copies of these documents, most of the literature, science, mathematics and even cooking are preserved. However, following a change to the Japanese writing system knowledge, history, and culture contained within these texts in 1900, Kuzushiji has not been included in regular school remain inaccessible to the general public. One book can take curricula. Therefore, most Japanese natives nowadays cannot years to transcribe into modern Japanese characters. Even for read books written or printed just 150 years ago. Museums and researchers who are educated in reading Kuzushiji, the need libraries have invested a great deal of effort into creating digital to look up information (such as rare words) while transcribing copies of these historical documents as a safeguard against fires, earthquakes and tsunamis. The result has been datasets with as well as variations in writing styles can make the process hundreds of millions of photographs of historical documents of reading texts time consuming. -
On Engelbert Kaempfer's “Ginkgo”, 2011
九州大学学術情報リポジトリ Kyushu University Institutional Repository On Engelbert Kaempfer's "Ginkgo" Michel, Wolfgang (Michel-Zaitsu) Faculty of Languages and Cultures, Kyushu University : Professor : History of Euro-Japanese Cultural Exchange http://hdl.handle.net/2324/2898 出版情報:W. Michel, Research Notes (2005-12-06) // W. Michel, Research Notes (revised edition 2011-05-06), pp.1-5, 2005-12-06 バージョン: 権利関係: Research Notes (Fukuoka, 6 Dezember 2005) Revised (Fukuoka, 6 May 2011) Wolfgang Michel On Engelbert Kaempfer’s “Ginkgo” Many authors have questioned why Kaempfer apparently misspelled the name of the ginkgo tree in his ground-breaking Flora Japonica (Amoenitates Exoticae, Fasc. V). Other misspellings in his writings are less important, but the name Ginkgo was introduced into Carl von Linné’s botanical nomenclature and is therefore permanently established in the botanical literature. Like many others, I initially believed that it was a mistake by an anonymous typesetter in Meyer’s printing shop (Meyersche Hof-Buchhandlung) in Lemgo, where the Amoenitates Exoticae was printed under Kaempfer’s supervision in 1712. However, closer examination of the source materials reveal that Kaempfer was the one responsible. Kaempfer’s use of the Kinmōzu’i During his two-year stay (1689–1691) at the Dutch trading post of Dejima (Nagasaki, Japan), Kaempfer obtained two copies of the Kinmōzu’i, a pictorial dictionary edited by Nakamura Tekisai (1629–1702)1; both are now held in the Oriental Collections of the British Library. The Kinmōzu’i is a woodblock print that was used for educational purposes and had a marked influence on later similar publications. Some Western authors refer to it as an encyclopedia, but this is a gross exaggeration.