THE METROPOLITAN OPERA Subject to Change As of 2/11/2020 2020-21 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON

Total Page:16

File Type:pdf, Size:1020Kb

THE METROPOLITAN OPERA Subject to Change As of 2/11/2020 2020-21 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON THE METROPOLITAN OPERA Subject to change as of 2/11/2020 2020-21 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON On- Date Opera Air 2020 October 10 AIDA (Verdi) – New Production Yannick Nézet-Séguin; Anna Netrebko (Aida), Anita Rachvelishvili (Amneris), Piotr Beczała (Radamès), Ludovic Tézier (Amonasro), 12:55 HD ONLY Dmitry Belosselskiy (Ramfis), Krzysztof Bączyk (King) November 7 IL TROVATORE (Verdi) Michele Mariotti; Sonya Yoncheva (Leonora), Ekaterina Semenchuk (Azucena), Roberto Aronica (Manrico), Quinn Kelsey (Count di Luna), 12:55 HD ONLY Kwangchul Youn (Ferrando) December 5 THE FIERY ANGEL (Prokofiev) – New Production/Met Premiere Michail Jurowski; Svetlana Sozdateleva (Renata), Jill Grove (Hostess of the Inn), Elena Manistina (Sorceress), 1:00 First SatMat Dmitry Golovnin (Agrippa von Nettesheim), Evgeny Nikitin (Ruprecht), Ante Jerkunica (Inquisitor) December 12 FIDELIO (Beethoven) Yannick Nézet-Séguin; Lise Davidsen (Leonore), Golda Schultz (Marzelline), Brandon Jovanovich (Florestan), Alek Shrader (Jaquino), 1:00 * HD Tomasz Konieczny (Don Pizarro), Franz-Josef Selig (Rocco), Christian Van Horn (Don Fernando) December 19 HANSEL AND GRETEL (Humperdinck) – English-language version by David Pountney Edward Gardner; Hera Hyesang Park (Gretel), Elizabeth DeShong (Hansel), Michaela Martens (Gertrude), John Daszak (Witch), 1:00 Thomas Hampson (Peter) December 26 AIDA (Verdi) – New Production Performance from October 10, 2020 1:00 Yannick Nézet-Séguin; Anna Netrebko (Aida), Anita Rachvelishvili (Amneris), Piotr Beczała (Radamès), Ludovic Tézier (Amonasro), Dmitry Belosselskiy (Ramfis), Krzysztof Bączyk (King) 2021 January 2 IL BARBIERE DI SIVIGLIA (Rossini) Giacomo Sagripanti; Pretty Yende (Rosina), Alexandria Shiner (Berta), Lawrence Brownlee (Count Almaviva), Andrey Zhilikhovsky (Figaro), 1:00 Maurizio Muraro (Dr. Bartolo), Ildar Abdrazakov (Don Basilio) January 9 LA BOHÈME (Puccini) Domingo Hindoyan; Eleonora Buratto (Mimì), Heidi Stober (Musetta), Dmytro Popov (Rodolfo), Quinn Kelsey (Marcello), Davide Luciano (Schaunard), 1:00 Jongmin Park (Colline), Donald Maxwell (Benoit/Alcindoro) January 16 DIE ZAUBERFLÖTE (Mozart) – New Production Gustavo Dudamel; Christiane Karg (Pamina), Kathryn Lewek (Queen of the Night), Stanislas de Barbeyrac (Tamino), Thomas Oliemans (Papageno), 1:00 * HD Christian Van Horn (Sprecher), Stephen Milling (Sarastro) January 23 LA TRAVIATA (Verdi) 1:00 Speranza Scappucci; Anita Hartig (Violetta Valéry), TBA (Alfredo Germont), Igor Golovatenko (Giorgio Germont) January 30 ROMÉO ET JULIETTE (Gounod) Yannick Nézet-Séguin; Nadine Sierra (Juliette), Julie Boulianne (Stéphano), Stephen Costello (Roméo), David Portillo (Tybalt), 1:00 * HD Joshua Hopkins (Mercutio), Laurent Naouri (Capulet), Ildar Abdrazakov (Frère Laurent) February 6 Listeners' Choice: Great Met Broadcasts Opera TBA 1:00 February 13 Listeners' Choice: Great Met Broadcasts Opera TBA 1:00 February 20 Listeners' Choice: Great Met Broadcasts Opera TBA 1:00 February 27 THE MERRY WIDOW (Lehár) Special Encore Performance from January 17, 2015 1:00 * HD Andrew Davis; Renée Fleming (Hanna Glawari), Kelli O’Hara (Valencienne), Nathan Gunn (Danilo), Alek Shrader (Camille de Rosillon), Thomas Allen (Baron Mirko Zeta) March 6 CARMEN (Bizet) 12:00 Marco Armiliato; Susanna Phillips (Micaëla), Varduhi Abrahamyan (Carmen), Russell Thomas (Don José), Alexander Vinogradov (Escamillo) March 13 GIULIO CESARE (Handel) Harry Bicket; Kristina Mkhitaryan (Cleopatra), Kate Lindsey (Sesto), Karen Cargill (Cornelia), Iestyn Davies (Giulio Cesare), 11:30 Anthony Roth Costanzo (Tolomeo), Duncan Rock (Achilla) March 20 LULU (Berg) Sebastian Weigle; Brenda Rae (Lulu), Susan Graham (Countess Geschwitz), Matthias Klink (Alwa), Robert Watson (Painter/African Prince), 12:30 Gerhard Siegel (Prince/Manservant/Marquis), Johan Reuter (Dr. Schön/Jack the Ripper), David Soar (Animal Trainer/Acrobat), James Morris (Schigolch) March 27 DON GIOVANNI (Mozart) – New Production Yannick Nézet-Séguin; Ailyn Pérez (Donna Anna), Isabel Leonard (Donna Elvira), Hera Hyesang Park (Zerlina), Ben Bliss (Don Ottavio), 1:00 * HD Peter Mattei (Don Giovanni), Gerald Finley (Leporello), Alfred Walker (Masetto), Ryan Speedo Green (Commendatore) April 3 RUSALKA (Dvořák) Jakub Hrůša; Sonya Yoncheva (Rusalka), Ekaterina Gubanova (Foreign Princess), Okka von der Damerau (Ježibaba), Piotr Beczała (Prince), 12:30 Eric Owens (Vodník) April 10 LES CONTES D'HOFFMANN (Offenbach) Performance from Fall 2020 1:00 Daniele Rustioni; Erin Morley (Olympia), Olga Kulchynska (Antonia/Stella), Veronica Simeoni (Giulietta), Tara Erraught (Nicklausse/Muse), Olesya Petrova (Antonia's Mother), Matthew Polenzani (Hoffmann), Luca Pisaroni (Four Villains) April 17 DEAD MAN WALKING (Heggie) – New Production/Met Premiere Yannick Nézet-Séguin; Latonia Moore (Sister Rose), Joyce DiDonato (Sister Helen Prejean), Susan Graham (Mrs. Patrick De Rocher), 1:00 * HD Etienne Dupuis (Joseph De Rocher) April 24 DIE FRAU OHNE SCHATTEN (R. Strauss) Yannick Nézet-Séguin; Elza van den Heever (Empress), Nina Stemme (Dyer's Wife), Evelyn Herlitzius (Nurse), Klaus Florian Vogt (Emperor), 12:00 HD Michael Volle (Barak), Ryan Speedo Green (Messenger) May 1 ROBERTO DEVEREUX (Donizetti) Performance from Fall 2020 1:00 Maurizio Benini; Angela Meade (Elizabeth I), Jamie Barton (Sara), Stephen Costello (Roberto Devereux), Davide Luciano (Duke of Nottingham) May 8 NABUCCO (Verdi) Marco Armiliato; Anna Netrebko (Abigaille), Varduhi Abrahamyan (Fenena), Najmiddin Mavlyanov (Ismaele), George Gagnidze (Nabucco), 1:00 * HD Dmitry Belosselskiy (Zaccaria) May 15 TRISTAN UND ISOLDE (Wagner) Performance from Fall 2020 1:00 Hartmut Haenchen; Christine Goerke (Isolde), Ekaterina Gubanova (Brangäne), Stuart Skelton (Tristan), Greer Grimsley (Kurwenal), Günther Groissböck (King Marke) May 22 IL PIRATA (Bellini) 1:00 * HD Maurizio Benini; Diana Damrau (Imogene), Javier Camarena (Gualtiero), Christopher Maltman (Ernesto), Nicolas Testé (Goffredo) May 29 IL TROVATORE (Verdi) Michele Mariotti; Sonya Yoncheva (Leonora), Anita Rachvelishvili (Azucena), Russell Thomas (Manrico), Ludovic Tézier (Count di Luna), 1:00 Ryan Speedo Green (Ferrando) June 5 BILLY BUDD (Britten) Simone Young; Matthew Polenzani (Captain Vere), Joshua Hopkins (Billy Budd), Matthew Rose (Claggart), Michael Todd Simpson (Mr. Redburn), 1:00 Brandon Cedel (Lt. Ratcliffe), David Soar (Mr. Flint), James Morris (Dansker) ALL TIMES EASTERN * HD transmission begins at 12:55 PM; Radio Broadcast begins at 1:00 PM.
Recommended publications
  • Annual Report 2015–2016
    ANNUAL REPORT 2015–2016 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 1 CONTENTS Reflections on the 2015–16 Season 2 Oscar S. Schafer, Chairman 4 Matthew VanBesien, President 6 Alan Gilbert, Music Director 8 Year at a Glance 10 Our Audiences 12 The Orchestra 14 The Board of Directors 20 The Administration 22 Conductors, Soloists, and Ensembles 24 Serving the Community 26 Education 28 Expanding Access 32 Global Immersion 36 Innovation and Preservation 40 At Home and Online 42 Social Media 44 The Archives 47 The Year in Pictures 48 The Benefactors 84 Lifetime Gifts 86 Leonard Bernstein Circle 88 Annual Fund 90 Education Donors 104 Heritage Society 106 Volunteer Council 108 Independent Auditor’s Report 110 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT THE SEASON AT A GLANCE Second Line Title Case Reflections on the 2015–16 Season 2 NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT NEW YORK PHILHARMONIC 2015–16 ANNUAL REPORT 3 REFLECTIONS ON THE 2015–16 SEASON From the New York Philharmonic’s Leadership I look back on the Philharmonic’s 2015–16 season and remember countless marvelous concerts that our audiences loved, with repertoire ranging from the glory of the Baroque to the excitement of the second NY PHIL BIENNIAL. As our Music Director, Alan Gilbert has once again brought excitement and inspiration to music lovers across New York City and the world. I also look back on the crucial, impactful developments that took place offstage. Throughout the season our collaboration with Lincoln Center laid a strong foundation for the renovation of our home.
    [Show full text]
  • Lectures and Community Engagement 2017­–18 About the Metropolitan Opera Guild
    Lectures and Community Engagement 2017 –18 About the Metropolitan Opera Guild The Metropolitan Opera Guild is the world’s premier arts educa- tion organization dedicated to enriching people’s lives through the magic and artistry of opera. Thanks to the support of individuals, government agencies, foundations, and corporate sponsors, the Guild brings opera to life both on and off the stage through its educational programs. For students, the Guild fosters personal expression, collaboration, literacy skills, and self-confidence with customized education programs integrated into the curricula of their schools. For adults, the Guild enhances the opera-going experience through intensive workshops, pre-performance talks, and community outreach programs. In addition to educational activities, the Guild publishes Opera News, the world’s leading opera magazine. With Opera News, the Guild reaches a global audience with the most insightful and up-to-date writing on opera available anywhere, helping to maintain opera as a thriving, contemporary art form. For more information about the Metropolitan Opera Guild and its programs, visit metguild.org. Additional information and archives of Opera News can be found online at operanews.com. How to Use This Booklet This brochure presents the 2017–18 season of Lectures and Community Programs grouped into thematic sections—programs that emphasize specific Met performances and productions; courses on opera and its history and culture; and editorial insights and interviews presented by our colleagues at Opera News. Courses of study are arranged chronologically, and learners of all levels are welcome. To place an order, please call the Guild’s ticketing line at 212.769.7028 (Mon–Fri 10AM–4PM).
    [Show full text]
  • UNITEL PROUDLY REPRESENTS the INTERNATIONAL TV DISTRIBUTION of Browse Through the Complete Unitel Catalogue of More Than 2,000 Titles At
    UNITEL PROUDLY REPRESENTS THE INTERNATIONAL TV DISTRIBUTION OF Browse through the complete Unitel catalogue of more than 2,000 titles at www.unitel.de Date: March 2018 FOR CO-PRODUCTION & PRESALES INQUIRIES PLEASE CONTACT: Unitel GmbH & Co. KG Gruenwalder Weg 28D · 82041 Oberhaching/Munich, Germany Tel: +49.89.673469-613 · Fax: +49.89.673469-610 · [email protected] Ernst Buchrucker Dr. Thomas Hieber Dr. Magdalena Herbst Managing Director Head of Business and Legal Affairs Head of Production [email protected] [email protected] [email protected] Tel: +49.89.673469-19 Tel: +49.89.673469-611 Tel: +49.89.673469-862 WORLD SALES C Major Entertainment GmbH Meerscheidtstr. 8 · 14057 Berlin, Germany Tel.: +49.30.303064-64 · [email protected] Elmar Kruse Niklas Arens Nishrin Schacherbauer Managing Director Sales Manager, Director Sales Sales Manager [email protected] & Marketing [email protected] [email protected] Nadja Joost Ira Rost Sales Manager, Director Live Events Sales Manager, Assistant to & Popular Music Managing Director [email protected] [email protected] CONTENT BRITTEN: GLORIANA Susan Bullock/Toby Spence/Kate Royal/Peter Coleman-Wright Conducted by: Paul Daniel OPERAS 3 Staged by: Richard Jones BALLETS 8 Cat. No. A02050015 | Length: 164' | Year: 2016 DONIZETTI: LA FILLE DU RÉGIMENT Natalie Dessay/Juan Diego Flórez/Felicity Palmer Conducted by: Bruno Campanella Staged by: Laurent Pelly Cat. No. A02050065 | Length: 131' | Year: 2016 OPERAS BELLINI: NORMA Sonya Yoncheva/Joseph Calleja/Sonia Ganassi/ Brindley Sherratt/La Fura dels Baus Conducted by: Antonio Pappano Staged by: Àlex Ollé Cat.
    [Show full text]
  • ERNANI Web.Pdf
    Foto: Metropolitan opera G. Verdi ERNANI Subota, 25. veljae 2012., 19 sati THE MET: LIVE IN HD SERIES IS MADE POSSIBLE BY A GENEROUS GRANT FROM ITS FOUNDING SPONZOR Neubauer Family Foundation GLOBAL CORPORATE SPONSORSHIP OF THE MET LIVE IN HD IS PROVIDED BY THE HD BRODCASTS ARE SUPPORTED BY Giuseppe Verdi ERNANI Opera u etiri ina Libreto: Francesco Maria Piave prema drami Hernani Victora Hugoa SUBOTA, 25. VELJAČE 2012. POČETAK U 19 SATI. Praizvedba: Teatro La Fenice u Veneciji, 9. ožujka 1844. Prva hrvatska izvedba: Narodno zemaljsko kazalište, Zagreb, 18. studenoga 1871. Prva izvedba u Metropolitanu: 28. siječnja 1903. Premijera ove izvedbe: 18. studenoga 1983. ERNANI Marcello Giordani JAGO Jeremy Galyon DON CARLO, BUDUĆI CARLO V. Zbor i orkestar Metropolitana Dmitrij Hvorostovsky ZBOROVOĐA Donald Palumbo DON RUY GOMEZ DE SILVA DIRIGENT Marco Armiliato Ferruccio Furlanetto REDATELJ I SCENOGRAF ELVIRA Angela Meade Pier Luigi Samaritani GIOVANNA Mary Ann McCormick KOSTIMOGRAF Peter J. Hall DON RICCARDO OBLIKOVATELJ RASVJETE Gil Wechsler Adam Laurence Herskowitz SCENSKA POSTAVA Peter McClintock Foto: Metropolitan opera Metropolitan Foto: Radnja se događa u Španjolskoj 1519. godine. Stanka nakon prvoga i drugoga čina. Svršetak oko 22 sata i 50 minuta. Tekst: talijanski. Titlovi: engleski. Foto: Metropolitan opera Metropolitan Foto: PRVI IN - IL BANDITO (“Mercè, diletti amici… Come rugiada al ODMETNIK cespite… Oh tu che l’ alma adora”). Otac Don Carlosa, u operi Don Carla, Druga slika dogaa se u Elvirinim odajama u budueg Carla V., Filip Lijepi, dao je Silvinu dvorcu. Užasnuta moguim brakom smaknuti vojvodu od Segovije, oduzevši sa Silvom, Elvira eka voljenog Ernanija da mu imovinu i prognavši obitelj.
    [Show full text]
  • Coa-Program-For-Web.Pdf
    HOUSTON GRAND OPERA AND SID MOORHEAD, CHAIRMAN WELCOME YOU TO THE TAMARA WILSON, LIVESTREAM HOST E. LOREN MEEKER, GUEST JUDGE FRIDAY, FEBRUARY 5, 2021 AT 7 P.M. BROADCAST LIVE FROM THE WORTHAM THEATER CENTER TEXT TO VOTE TEXT TO GIVE Text to vote for the Audience Choice Award. On page Support these remarkable artists who represent 9, you will see a number associated with each finalist. the future of opera. Text the number listed next to the finalist’s name to 713-538-2304 and your vote will be recorded. One Text HGO to 61094 to invest in the next generation vote per phone number will be registered. of soul-stirring inspiration on our stage! 2 WELCOME TO CONCERT OF ARIAS 2021 SID MOORHEAD Chairman A multi-generation Texan, Sid Moorhead is the owner of in HGO’s Overture group and Laureate Society, and he serves Moorhead’s Blueberry Farm, the first commercial blueberry on the company’s Special Events committee. farm in Texas. The farm, which has been in the Moorhead family for three generations, sits on 28 acres in Conroe and Sid was a computer analyst before taking over the family boasts over 9,000 blueberry plants. It is open seasonally, from business and embracing the art of berry farming. He loves to the end of May through mid-July, when people from far and travel—especially to Europe—and has joined the HGO Patrons wide (including many fellow opera-lovers and HGO staffers) visit on trips to Italy and Vienna. to pick berries. “It’s wonderful.
    [Show full text]
  • Ildar Abdrazakov Las Versiones Del Demonio
    ENTREVISTA Ildar Abdrazakov Las versiones del demonio por Ingrid Haas ldar Abdrazakov es uno de los grandes bajos en la actualidad. A sus 39 años, goza ya de una carrera sólida y llena de éxitos en teatros tan importantes como la Scala de Milán, Iel Metropolitan Opera House de Nueva York, Washington Opera, Los Ángeles Ópera, Royal Opera House de Londres, Opéra Bastille de París, el Teatro Mariinsky, el Liceu de Barcelona, el Real de Madrid, la Ópera de Montecarlo, la Ópera de San Francisco, la Ópera Estatal de Viena y la Ópera Estatal de Baviera, entre otras. La voz de Abdrazakov ha conquistado a los públicos más exigentes y a directores de orquesta de la talla de Riccardo Muti, James Levine, Valery Gergiev, Gianandrea Noseda, Anthony Pappano, Riccardo Chailly y Bertrand de Billy, sólo por nombrar a algunos. “En las tres Con su cavernoso timbre, innegable musicalidad y gallarda versiones de presencia escénica, Abdrazakov ha cantado una amplia gama de Mefistófeles que he roles que van desde Fígaro en Le nozze di Figaro de Mozart, el rol cantado, mi Fausto titular y Leporello en Don Giovanni, Moïse en Moïse et Pharaon, ha sido siempre Assur en Semiramide, Don Basilio en Il Barbiere di Siviglia, las Ramón Vargas” tres de Rossini, Oroveso en Norma de Bellini, Méphistophélès Foto: Sergei Misenko en las versiones de Faust de Gounod y La damnation de Faust de Berlioz, el rol principal de Mefistofelede Boito, los Cuatro Sí, en efecto. Vine a cantar hace unos años a la Ciudad de México: Villanos de Les contes d’Hoffmann, Walter en Luisa Miller así un recital en la Sala Nezahualcóyotl y el Requiem de Verdi en como Oberto y Attila en las óperas homónimas de Verdi, Dosifei en Bellas Artes.
    [Show full text]
  • Giuseppe Verdi
    GIUSEPPE VERDI CARLO COLOMBARAAIDA | ANITA RACHVELISHVILI | KRISTIN LEWIS | FABIO SARTORI CONDUCTED BY ZUBIN MEHTA | STAGED BY PETER STEIN GIUSEPPE VERDI Giuseppe Verdi’s masterpiece AIDA at La Scala in Milan is an experience in itself. Consequently, a new production of AIDA is an event barely to be surpassed, especially when performed before a notoriously critical audience of la La Scala. AIDA With his unpretentious and lucid new interpretation of the opera, directorial legend Peter Stein succeeds in delivering a production acclaimed in equal measure by the Orchestra Orchestra and Chorus press and public: “a perfect coup de theatre” (Giornale della musica). of the Teatro alla Scala Conductor Zubin Mehta Indeed, he breathes new life into Giuseppe Verdi’s romantic drama about power, Stage Director Peter Stein passion, jealousy and death: the Nubian Princess Aida, who is unfortunate enough to find herself in prison in Egypt, is secretly in love with the leader of the army, The King Carlo Colombara Radamès. He however has been promised in marriage to the Egyptian king's Amneris Anita Rachvelishvili daughter Amneris, who also loves him. The secret love affair between Aida and Aida Kristin Lewis Radamès is uncovered and fate takes its course ... Radamès Fabio Sartori A “stellar cast” (La Stampa) contributes to the production’s success Ramfis Matti Salminen under the musical direction of Verdi specialist Zubin Mehta. Amonasro George Gagnidze “The entire ensemble is brilliant in its portrayal of the A Messenger Azer Rza-Zada characters” (Die Presse), especially the American soprano The High Priestess Chiara Isotton Kristin Lewis in the title role.
    [Show full text]
  • Watermark W Atermark
    WATERMARK A SCHOLARLY JOURNAL PUBLISHED BY THE GRADUATE PROGRAM IN ENGLISH AT CALIFORNIA STATE UNIVERSITY, LONG BEACH 8 WATERMARK 8 WATERMARK SPRING 2014 Watermark accepts submissions annually between October and February. We are 8 WWW WWW dedicated to publishing original critical and theoretical essays concerned with literature of all genres and periods, as well as works representing current issues Editor ∙ in the fields of rhetoric and composition. Reviews of current works of literary Mary Sotnick criticism or theory are also welcome. Managing Editors ∙ Rusty Rust Jaime Rapp All submissions must be accompanied by a cover letter that includes the author’s ∙ name, phone number, email address, and the title of the essay or book review. All essay submissions should be approximately 12-15 pages and must be typed American Literature Editors Levon Parseghian ∙ Shouhei J. Tanaka ∙ Amy Desusa in MLA format with a standard 12 pt. font. Book reviews ought to be 750-1,000 words in length. As this journal is intended to provide a forum for emerging British Literature Editors voices, only student work will be considered for publication. Submissions will Bethany Acevedo not be returned. Please direct all questions to [email protected] and address all submissions to: Ethnic American Literature Jaime Rapp ∙ Rusty Rust ∙ Phương Lưu Department of English: Watermark California State University, Long Beach Rhetoric & Composition Editors 1250 Bellflower Boulevard Dya Cangiano Long Beach, CA 90840 Medieval & Renaissance Studies Editors Visit us
    [Show full text]
  • Cast Amendment for Il Trovatore
    8 DECEMBER 2015 CAST AMENDMENT IL TROVATORE (Giuseppe Verdi) 2, 4, 5, 7, 8, 9, 11, 12, 14 and 15 July at 7.15pm ; 17 July at 6.30pm Italian soprano Carmen Giannattasio has withdrawn from singing the role of Leonora in Il trovatore on 4, 7, 9, 12 and 15 July. The role will now be sung by Italian soprano Anna Pirozzi , who will make her Royal Opera debut in this new production by German director David Bösch . She will share the role with Armenian soprano Lianna Haroutounian (2, 5, 8, 11, 14 and 17 July) as previously announced. Anna Pirozzi was born in Naples and studied at the Istituto Musicale in Valle d’Aosta and at the Turin Conservatory with Silvana Moyso. She has won widespread acclaim for her performances as Abigaille ( Nabucco ), the role in which she made her Salzburg Festival debut in 2013 conducted by Riccardo Muti and which she has sung in Florence, Bologna, Parma, Leipzig, Stuttgart, Tel Aviv, Beijing, Valencia, and for Arena di Verona. Her other engagements include Amelia ( Un ballo in maschera ) for Teatro Regio, Turi, and in Parma, Lady Macbeth ( Macbeth ) in São Paulo and Bologna, Leonora (Il trovatore ) in Bologna, Santuzza ( Cavalleria rusticana ) for Rome Opera and Teatro di San Carlo, Naples, Elvira ( Ernani ) in Rome, Tosca for Deutsche Oper Berlin and in Leipzig and Turin, Luisa Miller in Genoa, Leonora and Maddalena ( Andrea Chénier ) for Teatro di San Carlo, Santuzza and Nedda ( Pagliacci ) in Macerata, Aida in Turin, and Elisabetta ( Roberto Devereux ) at the ABAO Bilbao. The rest of the cast remains unchanged,
    [Show full text]
  • Seattle Opera's 2003/04 Season
    FOR RELEASE: July 17, 2014 Press Contact: Gabrielle Nomura, 206.676.5559, [email protected]. Seattle Opera Projects Budget Surplus for 2013/14 Season Kate Lindsey and Asher Fisch Named Seattle Opera Artists of the Year Maryanne Tagney Elected as Board President Seattle – Seattle Opera is projecting a surplus for the 2013/14 season, to be confirmed with published audited financials in December 2014. The surplus will be used to replenish its operating reserves for future seasons, which were significantly lowered during the recent recession. On an operating budget of nearly $28 million, the company saw significant growth in contributions and ticket sales that both exceeded expectations for the year. This announcement comes following the company’s Annual Meeting at McCaw Hall on Tuesday, July 15. Seattle Opera Board President, Dr. William T. Weyerhaeuser thanked his fellow board members and donors for their generosity and support during his tenure as president. Contributing to Seattle Opera’s surplus this season were a variety of factors, including successful fundraising and ticket sales operations thanks to generous donors and subscribers, a slightly increased overall attendance of 95,000, and the economic impact of Wagner’s Ring cycle in August, 2013. Opera lovers from all 50 states and 22 foreign countries flocked to Seattle for this unforgettable experience of story, music, spectacle, and community. Seattle Opera Annual Meeting Page 2 of 6 “Speight’s single-minded focus on the art of opera has been an inspiration to us all,” said Board Chairman John Nesholm. “When Seattle Opera staff was tasked with creating its list of core values, ‘art matters’ is what came to the forefront; this is because of Speight.
    [Show full text]
  • A Season of Thrilling Intrigue and Grand Spectacle –
    A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents.
    [Show full text]
  • Ildar Abdrazakov
    POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV CONSTANTINE ORBELIAN, CONDUCTOR KAUNAS CITY SYMPHONY ORCHESTRA KAUNAS STATE CHOIR 1 0 13491 34562 8 ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL iconic characters The dynamics of power in Russian opera and its most DE 3456 (707) 996-3844 • © 2013 Delos Productions, Inc., © 2013 Delos Productions, 95476-9998 CA Sonoma, 343, Box P.O. (800) 364-0645 [email protected] www.delosmusic.com CONSTANTINE ORBELIAN, CONDUCTOR ORBELIAN, CONSTANTINE ORCHESTRA CITY SYMPHONY KAUNAS CHOIR STATE KAUNAS Arias from: Arias Rachmaninov: Aleko the Tsar & Ludmila,Glinka: A Life for Ruslan Igor Borodin: Prince Boris GodunovMussorgsky: The Demon Rubinstein: Onegin, Iolanthe Eugene Tchaikovsky: Peace and War Prokofiev: Rimsky-Korsakov: Sadko 66:49 Time: Total Russian Arias for Bass ABDRAZAKOV ILDAR POWER PLAYERS ORIGINAL DELOS DE 3456 ILDAR ABDRAZAKOV • POWER PLAYERS DIGITAL POWER PLAYERS Russian Arias for Bass ILDAR ABDRAZAKOV 1. Sergei Rachmaninov: Aleko – “Ves tabor spit” (All the camp is asleep) (6:19) 2. Mikhail Glinka: Ruslan & Ludmila – “Farlaf’s Rondo” (3:34) 3. Glinka: Ruslan & Ludmila – “O pole, pole” (Oh, field, field) (11:47) 4. Alexander Borodin: Prince Igor – “Ne sna ne otdykha” (There’s no sleep, no repose) (7:38) 5. Modest Mussorgsky: Boris Godunov – “Kak vo gorode bylo vo Kazani” (At Kazan, where long ago I fought) (2:11) 6. Anton Rubinstein: The Demon – “Na Vozdushnom Okeane” (In the ocean of the sky) (5:05) 7. Piotr Tchaikovsky: Eugene Onegin – “Liubvi vsem vozrasty pokorny” (Love has nothing to do with age) (5:37) 8. Tchaikovsky: Iolanthe – “Gospod moi, yesli greshin ya” (Oh Lord, have pity on me!) (4:31) 9.
    [Show full text]