Glaucus; Or the Wonders of the Shore
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The Poet and His Readers: the Social and Poetic Matrix of Garcilaso De La Vega
The Poet and His Readers: The Social and Poetic Matrix of Garcilaso de la Vega Casey Robert Eriksen Charlottesville, Virginia MA, University of Virginia, 2012 BA, The College of New Jersey, 2010 A Dissertation Presented to the Graduate Faculty of The University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian, and Portuguese University of Virginia April 2016 Eriksen ii Abstract This dissertation examines the social and literary matrix of Garcilaso’s poetry, and, by extension, the forces of canonization that shape and efface poets and poetic works over time. The study explores the circulation and diffusion of Garcilaso’s corpus in humanist circles. The material manipulation of Garcilaso’s poetry has affected reception in significant ways. The presence of numerous editorial hands in the initial compilation and organization of Garcilaso’s work speaks to the ways in which scholars received and commented on the poet in subsequent editions. An attention to material circumstances, including manuscript circulation and published editions, likewise provides insight into early literary histories of Garcilaso from a material perspective. Chapter three formulates an Ovidian analysis of the “Ode ad florem Gnidi,” the Second Elegy, and several Sonnets to outline a new reading on Garcilaso’s engagement with Latin models and humanistic culture at large. The rediscovery of these influences— particularly in the case of the “Ode ad florem Gnidi”—situates the poet within a broader Renaissance world of Ovidian rewriting. Through the interplay of classical models and cancionero tropes, Garcilaso invokes the ambiguous possibilities of euphemism and double-entendre as he draws upon a shared heritage of lexical play and ambiguity. -
Quaestiones Oralitatis
Quaestiones Quaestiones Oralitatis Oralitatis IV (2018/2019) IV (2018/2019) IV UNIWERSYTET WROCŁAWSKI CENTRUM INTERDYSCYPLINARNYCH BADAŃ RELACJI ISSN 2449-8181 MIĘDZY KULTURĄ ORALNĄ I PIŚMIENNICZĄ 1 Quaestiones Oralitatis IV (2018/2019) 2 3 QUAESTIONES ORALITATIS IV (2018/2019) Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Wrocław 4 Quaestiones Oralitatis IV (2018/2019) Redakcja naukowa: Karol Zieliński © Copyright by Uniwersytet Wrocławski Wydanie I, Wrocław 2019 All rights reserved ISSN 2449-8181 Redaktor naczelny: Karol Zieliński Komitet redakcyjny: Maciej Czeremski, Gregor Pobežin, Sławomir Torbus, Małgorzata Zadka, Mariusz Plago Sekretarz redakcji: Ilona Chruściak Redakcja językowa: Anna Sekułowicz Korekta: LIBRON Skład: Dariusz Piskulak Projekt okładki: LIBRON Adres redakcji Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą ul. św. Jadwigi 3/4 50-266 Wrocław e-mail: [email protected] Wydawca Uniwersytet Wrocławski: Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Czasopismo zostało dofinansowane ze środków Ministerstwa Nauki i Szkolnictwa Wyższego na podstawie umowy nr 438/WCN/2019/1 z dnia 23 lipca 2019 z pomocy przyznanej w ramach programu „Wsparcie dla czasopism naukowych”. Wydawnictwo LIBRON – Filip Lohner al. Daszyńskiego 21/13 31-537 Kraków tel. 12 628 05 12 e-mail: [email protected] www.libron.pl 5 TABLE OF CONTENTS Gregory Nagy, Orality and literacy. Unmarked and marked elements in verbal communication ..................... 7 Douglas Cairns, Θυμός in Homer: philological, oral-poetic, and cognitive approaches .......... 13 Isabella Nova, Homeric catalogues between tradition and invention ............................... 31 Ruth Scodel, Works and Days as a Transitional Text ... 55 Ronald Blankenborg, Particles as deictic phonation .. -
Theogony Translated by Hugh G
Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
143697115.23.Pdf
- • - ;;J:= .... / .•' ."‘v- ... 11 "■*^*'* •- — ' '^?<r ■'* ’nffiiawfSBHHw ////////// 1 ( BRITISH POETS. VOL. XIII. EDINBURGH: Printed for A. KINCAID and W, CREECH, and J. BALFOUR. M, DCC, I.XXIII. 3* ^23^; oc'l THE WORKS O F VIRGIL, TRANSLATED BY JOHN D R Y D E N, Efq; IN THREE VOLUMES. VOL. v. EDINBURGH: Printed for A. KINCAID and W. C R E A c and J. BALFOUR. M, DCC, LXXIII. ' VOLUME I. CONTAINING THE I PASTORALS, AND THE G E O R G I C S. , 1 . I PREFACE TO THE PASTORALS, With a fliort DEF ENCE of VIRGIL, Againft fome of the Reflexions of Monfieur Fonteneile, AS the writings of greateft antiquity are in verfe, fo, of all forts of poetry, paftorais feem the mod an- cient; being formed upon the model of the firft inno- cence, and fimplicity, which the moderns, better to difpenfe themfclves from imitating, have wifely thought fit to treat as fabulous, and impracticable; and yet they, ■' by obeying the unfophifticated diftates of nature, en- | joyed the mod valuable blelllngs of life; a vigorous health of body, with a condant ferenity and freedom . of mind ; whild we, with all our fanciful refinements, can fcarcely pafs an autumn without fome accefs of a i fever, or a whole day, not ruffled by fome unquiet padion. He was not then looked upon as a very old man, who reached to a greater number of years, than in thefe times an ancient family Can reafonably pretend to ; . and we know the names of feveral who law, and prac- ! tiled the world for a longer fpace of time, than we can A4 s PREFACE T O rtad the account of in anyone entire body of hi (lory. -
Segmented Worms Phylum Annelida
CHAPTER 17 Segmented Worms Phylum Annelida Chloeia sp., a polychaete. Dividing the Body Although a fluid-filled coelom provided an efficient hydrostatic function. Metamerism not only increased burrowing efficiency, it skeleton for burrowing, precise control of body movements was also made possible the independent movement of separate seg- probably difficult for the earliest coelomates. The force of muscle ments. Fine control of movements allowed, in turn, the evolution of contraction in one area was carried throughout the body by the a more sophisticated nervous system. Moreover, repetition of body fluid in the undivided coelom. This limitation was removed when a parts gave the organisms a built-in redundancy that provided a series of partitions (septa) evolved in the ancestors of annelids and safety factor: if one segment should fail, others could still function. arthropods. When septa divided the coelom into a series of com- Thus an injury to one part would not necessarily be fatal. partments, components of the circulatory, nervous, and excretory The evolutionary potential of the metameric body plan is amply systems were repeated in each segment. This repetition of body seg- demonstrated by the large and diverse phyla Annelida, Arthropoda ments is called segmentation (also called metamerism). and Chordata, which represent three separate evolutionary origins The advent of metamerism was significant because it made of metamerism. possible the evolution of much greater complexity in structure and www.mhhe.com/hickmanipz13 CHAPTER 17 Segmented Worms 363 hylum Annelida (an-nel′i-da) (L. annelus, little ring, + ida, pl. suffix) consists of the segmented worms. It is a diverse phylum, numbering approximately 15,000 species, the Position in Animal Kingdom Pmost familiar of which are earthworms and freshwater worms 1. -
Hesiod – Theogony
Hesiod – Theogony From: Hesiod. The Homeric Hymns and Homerica with an English Translation by Hugh G. Evelyn-White. Theogony. Cambridge, MA., Harvard University Press; London, William Heinemann Ltd. 1914. This work is licensed under a Creative Commons Attribution-ShareAlike 3.0 United States License. Source: http://www.perseus.tufts.edu/hopper/text?doc=urn:cts:greekLit:tlg0020.tlg001.perseus-eng1 _______ From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, [5] and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, [10] veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis-holder, and queenly Hera of Argos who walks on golden sandals, and the daughter of Zeus the aegis-holder bright-eyed Athena, and Phoebus Apollo, and Artemis who delights in arrows, [15] and Poseidon the earth holder who shakes the earth, and revered Themis, and quick-glancing1 Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos, and great Helius, and bright Selene, [20] Earth, too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, -
Theogony and Works and Days
WORL D'S ® CLASSICS Theogony Works and Days A new translation by M. L. West zrw v -4 W O R L D'S *# CLASSICS Hesiod Theogony Works and Days Translated with an Introduction and Notes by M. L. West Hesiod, one of the oldest known Greek poets, stands out as the first personality in European literature. The Theogony contains a systematic genealogy of the gods from the beginning of the world and an account of their violent struggles before the present order was established. The JJorks and Days, a compendium of moral and practical advice for a life of honest husbandry, throws a unique and fascinating light on archaic Greek society, ethics, and superstition. Hesiod's poetry is the oldest source for the myths of Prometheus, Pandora, and the Golden Age. Unlike Homer, Hesiod tells us about himself and his family (he lived in central Greece in the late eighth century bc). This new translation by a leading expert on the Hesiodic poems combines accuracy with readability. It is accompanied by a helpful Introduction and Explanatory Notes. 'West alone among the translators has managed ... to choose the words that suit the context of Hesiod's life.' Spectator 'excellent translations' Greek Review Cover illustration: the monster Tvphoeus. thunderstruck by ISBN 0-19-281788-4 Zeus in the Theogony. Detail from a Greek vase made in S. Hah r.iiO bc. Photo: Munich, \ntikensammlungen. Oxford Paperbacks Oxford University Press 9 780192"817884 THE WORLD S CLASSICS THEOGONY & WORKS AND DAYS Hesiodos (Hesiod) is one of the oldest known Greek poets, possibly the oldest. -
Homeric Catalogues Between Tradition and Invention
31 DOI:10.34616/QO.2019.4.31.54 Quaestiones Oralitatis IV (2018/2019) Isabella Nova Università Cattolica di Milano [email protected] ORCID: 0000-0002-7880-4856 HOMERIC CATALOGUES BETWEEN TRADITION AND INVENTION Abstract This contribution aims at showing how a traditional list of names could be varied by poets with the addition of new ones sharing the same features, with a special focus on the Nereids’ names. A compari- son between the catalogue of Nereids in the Iliad (XVIII 39–49) and the one in the Theogony (Theog. 243–264) shows that whilst some names are traditional and some others seem to be invented ad hoc, they all convey relaxing images (sea, nature, beauty, or gifts for sailors). This list of names did not become a fixed one in later times either: inscriptions on vase-paintings of the 5th century preserve names different than the epic ones. Even Apollodorus (I 2, 7) gives a catalogue of Nereids derived partly from the Iliad and partly from the Theogony, with the addition of some names belonging to another group of deities (the Oceanids) and other forms unattested elsewhere but with the same features of the epic ones. A further comparison between a catalogue of Nymphs in the Georgics (IV 333–356) and its reception in the work of Higynus proves that adding new names to a traditional list is a feature not only of oral epic poetry, but also of catalogues composed in a literate culture. Keywords: Homer, Iliad, Hesiod, Theogony, Apollodorus, Virgil, Hyginus, reception of Homer, vase-paintings, catalogues, Nereids, speaking-names, oral culture, orality 32 Isabella Nova This paper will consider the ancient lists of the Nereids’ names, making a comparison between catalogues in epic po- etry, which were orally composed, and their reception in clas- sical times. -
Georgica. the Georgics of Vergil
LIBRARY OF CONGRESS. Yh^l^'J ^^ Shelf. UNITED STATE8 OF AMERICA. 1 THE GEORGICS OF VERGIL. n^jiA->yJLl^^--^-c 'X'^jikJx^ , r/*-^-^-^>^'^-'"^ THE GEOEGICS OF YEEGIL S^ranslattb into ffinglisl^ Wn^t BY HARRIET WATERS PRESTON. i^ 1881,: I APR 6 JAMES R. OSGOOD-Aijp: C0MPJS:NY. 1881. ^ Copyright, 1881, By Ja3ies R. Osgood and CompanYo All rights, reserved. University Press : John Wilson and Son, Cambredgb. PREFACE. CAN offer no apology for this attempt to render the Georgics of Vergil into English verse other I 1 than mj own great love of the poem, and the venturesome hope of heing able to impart a portion of the pleasure which it gives me to some few of the many who are unlikely to read it in the original. Of the best known of the Latin poets, the Georgics is the least known work : yet it is, in some respects, the most finished and symmetrical, and we have reason to believe that it came nearer than any other to satisfying the poet's own fastidious standard of excellence. It is also, or so it seems to me, the most characteristic of the man. We encounter his undisguised self upon almost every page : his ardor in patriotism, his loyalty in friend- ship, the immense capacity for gratitude which was in him, consistent with so true a dignity of spirit, his sympathy with the laboring poor, his extreme tenderness for the brute creation, his feeling for landscape, his love of home and of the country, the glimmer of humor, the . Vlll PKEFACE. grace of modesty, the touch of melancholy, which invest his image with an undying charm. -
Latin for Gardeners: Over 3,000 Plant Names Explained and Explored
L ATIN for GARDENERS ACANTHUS bear’s breeches Lorraine Harrison is the author of several books, including Inspiring Sussex Gardeners, The Shaker Book of the Garden, How to Read Gardens, and A Potted History of Vegetables: A Kitchen Cornucopia. The University of Chicago Press, Chicago 60637 © 2012 Quid Publishing Conceived, designed and produced by Quid Publishing Level 4, Sheridan House 114 Western Road Hove BN3 1DD England Designed by Lindsey Johns All rights reserved. Published 2012. Printed in China 22 21 20 19 18 17 16 15 14 13 1 2 3 4 5 ISBN-13: 978-0-226-00919-3 (cloth) ISBN-13: 978-0-226-00922-3 (e-book) Library of Congress Cataloging-in-Publication Data Harrison, Lorraine. Latin for gardeners : over 3,000 plant names explained and explored / Lorraine Harrison. pages ; cm ISBN 978-0-226-00919-3 (cloth : alkaline paper) — ISBN (invalid) 978-0-226-00922-3 (e-book) 1. Latin language—Etymology—Names—Dictionaries. 2. Latin language—Technical Latin—Dictionaries. 3. Plants—Nomenclature—Dictionaries—Latin. 4. Plants—History. I. Title. PA2387.H37 2012 580.1’4—dc23 2012020837 ∞ This paper meets the requirements of ANSI/NISO Z39.48-1992 (Permanence of Paper). L ATIN for GARDENERS Over 3,000 Plant Names Explained and Explored LORRAINE HARRISON The University of Chicago Press Contents Preface 6 How to Use This Book 8 A Short History of Botanical Latin 9 Jasminum, Botanical Latin for Beginners 10 jasmine (p. 116) An Introduction to the A–Z Listings 13 THE A-Z LISTINGS OF LatIN PlaNT NAMES A from a- to azureus 14 B from babylonicus to byzantinus 37 C from cacaliifolius to cytisoides 45 D from dactyliferus to dyerianum 69 E from e- to eyriesii 79 F from fabaceus to futilis 85 G from gaditanus to gymnocarpus 94 H from haastii to hystrix 102 I from ibericus to ixocarpus 109 J from jacobaeus to juvenilis 115 K from kamtschaticus to kurdicus 117 L from labiatus to lysimachioides 118 Tropaeolum majus, M from macedonicus to myrtifolius 129 nasturtium (p. -
Hesiod, the Poems and Fragments (8Thc Bc)
Hesiod_0606 10/14/2005 05:13 PM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php HESIOD, THE POEMS AND FRAGMENTS (8THC BC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Hesiod_0606.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0606 ABOUT THE AUTHOR The early Greek poet Hesiod is credited with the invention of didactic poetry around 700 B.C. His surviving works are the Theogony, relating to the stories of the gods, and the Works and Days, relating to peasant life. Hesiod’s poetry includes passages critical of those aristoi who support themselves on the labors of others rather than through their own exertions. ABOUT THE BOOK A collection of Hesiod’s poems and fragments, including Theogony which are stories of the gods, and the Works and Days which deals with peasant life. THE EDITION USED The Poems and Fragments done into English Prose with Introduction and Appendices by A.W. Mair M.A. (Oxford: Clarendon Press, 1908). COPYRIGHT INFORMATION The text of this edition is in the public domain. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0606 Page 1 of 163 Hesiod_0606 10/14/2005 05:13 PM _______________________________________________________ TABLE OF CONTENTS PREFACE INTRODUCTION I.