The Wonders of the Shore
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The Poet and His Readers: the Social and Poetic Matrix of Garcilaso De La Vega
The Poet and His Readers: The Social and Poetic Matrix of Garcilaso de la Vega Casey Robert Eriksen Charlottesville, Virginia MA, University of Virginia, 2012 BA, The College of New Jersey, 2010 A Dissertation Presented to the Graduate Faculty of The University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of Spanish, Italian, and Portuguese University of Virginia April 2016 Eriksen ii Abstract This dissertation examines the social and literary matrix of Garcilaso’s poetry, and, by extension, the forces of canonization that shape and efface poets and poetic works over time. The study explores the circulation and diffusion of Garcilaso’s corpus in humanist circles. The material manipulation of Garcilaso’s poetry has affected reception in significant ways. The presence of numerous editorial hands in the initial compilation and organization of Garcilaso’s work speaks to the ways in which scholars received and commented on the poet in subsequent editions. An attention to material circumstances, including manuscript circulation and published editions, likewise provides insight into early literary histories of Garcilaso from a material perspective. Chapter three formulates an Ovidian analysis of the “Ode ad florem Gnidi,” the Second Elegy, and several Sonnets to outline a new reading on Garcilaso’s engagement with Latin models and humanistic culture at large. The rediscovery of these influences— particularly in the case of the “Ode ad florem Gnidi”—situates the poet within a broader Renaissance world of Ovidian rewriting. Through the interplay of classical models and cancionero tropes, Garcilaso invokes the ambiguous possibilities of euphemism and double-entendre as he draws upon a shared heritage of lexical play and ambiguity. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
1 Reading Athenaios' Epigraphical Hymn to Apollo: Critical Edition And
Reading Athenaios’ Epigraphical Hymn to Apollo: Critical Edition and Commentaries DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Corey M. Hackworth Graduate Program in Greek and Latin The Ohio State University 2015 Dissertation Committee: Fritz Graf, Advisor Benjamin Acosta-Hughes Carolina López-Ruiz 1 Copyright by Corey M. Hackworth 2015 2 Abstract This dissertation is a study of the Epigraphical Hymn to Apollo that was found at Delphi in 1893, and since attributed to Athenaios. It is believed to have been performed as part of the Athenian Pythaïdes festival in the year 128/7 BCE. After a brief introduction to the hymn, I provide a survey and history of the most important editions of the text. I offer a new critical edition equipped with a detailed apparatus. This is followed by an extended epigraphical commentary which aims to describe the history of, and arguments for and and against, readings of the text as well as proposed supplements and restorations. The guiding principle of this edition is a conservative one—to indicate where there is uncertainty, and to avoid relying on other, similar, texts as a resource for textual restoration. A commentary follows, which traces word usage and history, in an attempt to explore how an audience might have responded to the various choices of vocabulary employed throughout the text. Emphasis is placed on Athenaios’ predilection to utilize new words, as well as words that are non-traditional for Apolline narrative. The commentary considers what role prior word usage (texts) may have played as intertexts, or sources of poetic resonance in the ears of an audience. -
Read Book ^ Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate
[PDF] Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys,... Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron Book Review A superior quality pdf along with the font used was intriguing to read through. It can be rally exciting throgh reading through time period. You may like how the blogger create this book. (Dr. Rylee Berg e) TITA NS: ATLA S, TITA N, RHEA , HELIOS, EOS, PROMETHEUS, HECATE, OCEA NUS, METIS, MNEMOSYNE, TITA NOMA CHY, SELENE, THEMIS, TETHYS, THEIA , IA PETUS, COEUS, CRIUS, A STERIA , EPIMETHEUS, HYPERION, A STRA EUS, CRON - To download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF, you should access the web link under and save the ebook or have accessibility to other information which are have conjunction with Titans: Atlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, Asteria, Epimetheus, Hyperion, Astraeus, Cron book. » Download Titans: A tlas, Titan, Rhea, Helios, Eos, Prometheus, Hecate, Oceanus, Metis, Mnemosyne, Titanomachy, Selene, Themis, Tethys, Theia, Iapetus, Coeus, Crius, A steria, Epimetheus, Hyperion, A straeus, Cron PDF « Our solutions was introduced with a want to serve as a total on the internet electronic digital catalogue that provides use of multitude of PDF file book assortment. You could find many kinds of e-publication and also other literatures from your paperwork database. -
Athena ΑΘΗΝΑ Zeus ΖΕΥΣ Poseidon ΠΟΣΕΙΔΩΝ Hades ΑΙΔΗΣ
gods ΑΠΟΛΛΩΝ ΑΡΤΕΜΙΣ ΑΘΗΝΑ ΔΙΟΝΥΣΟΣ Athena Greek name Apollo Artemis Minerva Roman name Dionysus Diana Bacchus The god of music, poetry, The goddess of nature The goddess of wisdom, The god of wine and art, and of the sun and the hunt the crafts, and military strategy and of the theater Olympian Son of Zeus by Semele ΕΡΜΗΣ gods Twin children ΗΦΑΙΣΤΟΣ Hermes of Zeus by Zeus swallowed his first Mercury Leto, born wife, Metis, and as a on Delos result Athena was born ΑΡΗΣ Hephaestos The messenger of the gods, full-grown from Vulcan and the god of boundaries Son of Zeus the head of Zeus. Ares by Maia, a Mars The god of the forge who must spend daughter The god and of artisans part of each year in of Atlas of war Persephone the underworld as the consort of Hades ΑΙΔΗΣ ΖΕΥΣ ΕΣΤΙΑ ΔΗΜΗΤΗΡ Zeus ΗΡΑ ΠΟΣΕΙΔΩΝ Hades Jupiter Hera Poseidon Hestia Pluto Demeter The king of the gods, Juno Vesta Ceres Neptune The goddess of The god of the the god of the sky The goddess The god of the sea, the hearth, underworld The goddess of and of thunder of women “The Earth-shaker” household, the harvest and marriage and state ΑΦΡΟΔΙΤΗ Hekate The goddess Aphrodite First-generation Second- generation of magic Venus ΡΕΑ Titans ΚΡΟΝΟΣ Titans The goddess of MagnaRhea Mater Astraeus love and beauty Mnemosyne Kronos Saturn Deucalion Pallas & Perses Pyrrha Kronos cut off the genitals Crius of his father Uranus and threw them into the sea, and Asteria Aphrodite arose from them. -
Quaestiones Oralitatis
Quaestiones Quaestiones Oralitatis Oralitatis IV (2018/2019) IV (2018/2019) IV UNIWERSYTET WROCŁAWSKI CENTRUM INTERDYSCYPLINARNYCH BADAŃ RELACJI ISSN 2449-8181 MIĘDZY KULTURĄ ORALNĄ I PIŚMIENNICZĄ 1 Quaestiones Oralitatis IV (2018/2019) 2 3 QUAESTIONES ORALITATIS IV (2018/2019) Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Wrocław 4 Quaestiones Oralitatis IV (2018/2019) Redakcja naukowa: Karol Zieliński © Copyright by Uniwersytet Wrocławski Wydanie I, Wrocław 2019 All rights reserved ISSN 2449-8181 Redaktor naczelny: Karol Zieliński Komitet redakcyjny: Maciej Czeremski, Gregor Pobežin, Sławomir Torbus, Małgorzata Zadka, Mariusz Plago Sekretarz redakcji: Ilona Chruściak Redakcja językowa: Anna Sekułowicz Korekta: LIBRON Skład: Dariusz Piskulak Projekt okładki: LIBRON Adres redakcji Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą ul. św. Jadwigi 3/4 50-266 Wrocław e-mail: [email protected] Wydawca Uniwersytet Wrocławski: Centrum Interdyscyplinarnych Badań Relacji między Kulturą Oralną i Piśmienniczą oraz Pracownia Badań nad Tradycją Oralną Czasopismo zostało dofinansowane ze środków Ministerstwa Nauki i Szkolnictwa Wyższego na podstawie umowy nr 438/WCN/2019/1 z dnia 23 lipca 2019 z pomocy przyznanej w ramach programu „Wsparcie dla czasopism naukowych”. Wydawnictwo LIBRON – Filip Lohner al. Daszyńskiego 21/13 31-537 Kraków tel. 12 628 05 12 e-mail: [email protected] www.libron.pl 5 TABLE OF CONTENTS Gregory Nagy, Orality and literacy. Unmarked and marked elements in verbal communication ..................... 7 Douglas Cairns, Θυμός in Homer: philological, oral-poetic, and cognitive approaches .......... 13 Isabella Nova, Homeric catalogues between tradition and invention ............................... 31 Ruth Scodel, Works and Days as a Transitional Text ... 55 Ronald Blankenborg, Particles as deictic phonation .. -
Theogony Translated by Hugh G
Hesiod: Theogony translated by Hugh G. Evelyn-White (1914) [Note: the letters ll refer to lines.) (ll. 1-25) From the Heliconian Muses let us begin to sing, who hold the great and holy mount of Helicon, and dance on soft feet about the deep-blue spring and the altar of the almighty son of Cronos, and, when they have washed their tender bodies in Permessus or in the Horse's Spring or Olmeius, make their fair, lovely dances upon highest Helicon and move with vigorous feet. Thence they arise and go abroad by night, veiled in thick mist, and utter their song with lovely voice, praising Zeus the aegis- holder and queenly Hera of Argos who walks on golden sandals and the daughter of Zeus the aegis-holder bright-eyed Athene, and Phoebus Apollo, and Artemis who delights in arrows, and Poseidon the earth-holder who shakes the earth, and reverend Themis and quick-glancing Aphrodite, and Hebe with the crown of gold, and fair Dione, Leto, Iapetus, and Cronos the crafty counsellor, Eos and great Helius and bright Selene, Earth too, and great Oceanus, and dark Night, and the holy race of all the other deathless ones that are for ever. And one day they taught Hesiod glorious song while he was shepherding his lambs under holy Helicon, and this word first the goddesses said to me -- the Muses of Olympus, daughters of Zeus who holds the aegis: (ll. 26-28) `Shepherds of the wilderness, wretched things of shame, mere bellies, we know how to speak many false things as though they were true; but we know, when we will, to utter true things.' (ll. -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
Professional Grade Fixture Product Warranty
Professional Grade Fixture Product Warranty Illumicare Group Limited’s fixtures are guaranteed to the original owner against defects in material and workmanship. Without charge, Illumicare Group will replace any properly installed fixture, including the housing, lens, socket and wiring, which fails under normal operating conditions and has not undergone abuse beyond normal wear-and-tear within the specified warranty period. Fixtures that show signs of physical abuse, tampering or damage from unsafe or improper installation will not be covered under warranty. Professional Grade Solid Brass: Lifetime Warranty (Jasper, Wally, Heidi, Woody, Sandy, Roxy, Misty, Pearl, Aspen, Bentley, Herb, Opal, Ginger, Brook, Declan, ) Precision Engineered Luminaires: Lifetime Warranty (Aether, Adonis, Alder, Aphrodite, Asteria, Erebus, Demeter, Orion, Artemis, Helios, Hyperion, Leto, Nyx) Symphony Hardscape Luminaires: 2-Year Warranty (Brahms Series, Mozart, Chopin, Haydn, Vivaldi) All solid brass and copper professional grade fixtures are covered during the warranty period (determined from date of invoice) if returned to the factory, transportation prepaid, and our warranty inspection determines the product to be defective under the terms of the warranty. A Return Merchandise Authorization (RMA) must be issued by Illumicare prior to the return of any product. This warranty does not cover damage due to acts of nature such as lightning strikes, hurricanes, tornados, earthquakes and floods. It covers only equipment manufactured or sold by Illumicare Group Limited. Illumicare Group Limited is not liable for indirect, incidental, or consequential damages in the connection with use of equipment, including but not limited to damage or injury to vegetation, property or persons resulting from installers’ actions whether negligent or otherwise. -
'Propagandizing from the Womb: Callimachus' Hymn to Delos And
Laukola, I. (2012) ‘Propagandizing from the Womb: Callimachus’ Hymn to Delos and the Oracle of the Potter’. Rosetta 12: 85-100. http://www.rosetta.bham.ac.uk/Issue_12/laukola.pdf Rosetta 12. http://www.rosetta.bham.ac.uk/issue_12/laukola.pdf Propagandizing from the Womb: Callimachus’ Hymn to Delos and the Oracle of the Potter Iiro Laukola University of Helsinki Callimachus' Hymn to Delos is an encomium written in honour of Ptolemy II Philadelphus.1 The subject-matter of the hymn is the birth of the god Apollo. Consequently, one of the main issues of the Hymn to Delos is the equation of Apolline power with the Ptolemaic sovereign. There has been a growing interest in tracking down Egyptian influence from the Hymn to Delos.2 For instance, Apollo is born when the Delian river Inopus floods due to its subterranean connection to the Nile. In addition, Apollo shows a striking resemblance to the Egyptian god Horus in the hymn of Callimachus. Allusions to the Egyptian prophetic literature and in particular to an anti-Greek polemic known as The Oracle of the Potter have, in my opinion, been neglected in scholarly literature.3 The Oracle of the Potter is a revolutionary text: it belongs to a tradition of native Egyptian propaganda representing a pharaonic topos attested already in The Prophecy of Neferti (c. 1991-1786 BC).4 In this article, I am concerned to achieve two objectives. First, I argue that Callimachus’ Hymn to Delos not only alludes to The Oracle of the Potter, but conforms to an Egyptian narrative mode known as ‘prophetic Königsnovelle’. -
Giants Among Men by Robert Thicknesse
Reviews Recordings Giants among men By Robert Thicknesse The latest additions to Naïve’s Vivaldi Edition provide satisfying if intermittent pleasures while a rarity by Bononcini, Handel’s contemporary, hits the spot Argippo is not exactly that but it’s a bit pretending to be someone way posher of a dog’s dinner (and isn’t that the literal (ie Argippo, neighbouring nabob), and meaning of pasticcio?): a reconstruction it leads to much trouble, finally (not of a show probably put together by Vivaldi convincingly) undone when he fesses for (maybe) Prague, including some of his up. But the music takes a while to match own old recycled music plus many arias by the drama, and there is a gulf between the likes of Hasse and Vinci. Well, I think words and music all the way through, that’s what’s going on: Reinhard Strohm’s with many off-the-peg arias. Stick with programme note is a teeny bit confusing. it and there’s the payoff of a few lovely Anyway, violinist/conductor Fabio Biondi, pieces, including much medium-showy Argippo the pocket-sized but full-on Europa coloratura, terrific violin parts and nicely Galante (six violins) and his nice cast put a wandering tunes, very decently sung by Vivaldi lot of energy into some pretty run-of-the- Emőke Baráth, Marie Lys, Delphine Galou Naïve OP 7079 (Vivaldi Edition vol 64) mill music and eventually make a decent and Marianna Pizzolato, some even not case for this piece, though Act One is a bit in 4/4 time and without those hammering of a meet-the-gang slog. -
143697115.23.Pdf
- • - ;;J:= .... / .•' ."‘v- ... 11 "■*^*'* •- — ' '^?<r ■'* ’nffiiawfSBHHw ////////// 1 ( BRITISH POETS. VOL. XIII. EDINBURGH: Printed for A. KINCAID and W, CREECH, and J. BALFOUR. M, DCC, I.XXIII. 3* ^23^; oc'l THE WORKS O F VIRGIL, TRANSLATED BY JOHN D R Y D E N, Efq; IN THREE VOLUMES. VOL. v. EDINBURGH: Printed for A. KINCAID and W. C R E A c and J. BALFOUR. M, DCC, LXXIII. ' VOLUME I. CONTAINING THE I PASTORALS, AND THE G E O R G I C S. , 1 . I PREFACE TO THE PASTORALS, With a fliort DEF ENCE of VIRGIL, Againft fome of the Reflexions of Monfieur Fonteneile, AS the writings of greateft antiquity are in verfe, fo, of all forts of poetry, paftorais feem the mod an- cient; being formed upon the model of the firft inno- cence, and fimplicity, which the moderns, better to difpenfe themfclves from imitating, have wifely thought fit to treat as fabulous, and impracticable; and yet they, ■' by obeying the unfophifticated diftates of nature, en- | joyed the mod valuable blelllngs of life; a vigorous health of body, with a condant ferenity and freedom . of mind ; whild we, with all our fanciful refinements, can fcarcely pafs an autumn without fome accefs of a i fever, or a whole day, not ruffled by fome unquiet padion. He was not then looked upon as a very old man, who reached to a greater number of years, than in thefe times an ancient family Can reafonably pretend to ; . and we know the names of feveral who law, and prac- ! tiled the world for a longer fpace of time, than we can A4 s PREFACE T O rtad the account of in anyone entire body of hi (lory.