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The English Language
The English Language Version 5.0 Eala ðu lareow, tæce me sum ðing. [Aelfric, Grammar] Prof. Dr. Russell Block University of Applied Sciences - München Department 13 – General Studies Winter Semester 2008 © 2008 by Russell Block Um eine gute Note in der Klausur zu erzielen genügt es nicht, dieses Skript zu lesen. Sie müssen auch die “Show” sehen! Dieses Skript ist der Entwurf eines Buches: The English Language – A Guide for Inquisitive Students. Nur der Stoff, der in der Vorlesung behandelt wird, ist prüfungsrelevant. Unit 1: Language as a system ................................................8 1 Introduction ...................................... ...................8 2 A simple example of structure ..................... ......................8 Unit 2: The English sound system ...........................................10 3 Introduction..................................... ...................10 4 Standard dialects ................................ ....................10 5 The major differences between German and English . ......................10 5.1 The consonants ................................. ..............10 5.2 Overview of the English consonants . ..................10 5.3 Tense vs. lax .................................. ...............11 5.4 The final devoicing rule ....................... .................12 5.5 The “th”-sounds ................................ ..............12 5.6 The “sh”-sound .................................. ............. 12 5.7 The voiced sounds / Z/ and / dZ / ...................................12 5.8 The -
Member Directory
D DIRECTORY Member Directory ABOUT THE MOBILE MARKETING ASSOCIATION (MMA) Mobile Marketing Association Member Directory, Spring 2008 The Mobile Marketing Association (MMA) is the premier global non- profit association established to lead the development of mobile Mobile Marketing Association marketing and its associated technologies. The MMA is an action- 1670 Broadway, Suite 850 Denver, CO 80202 oriented organization designed to clear obstacles to market USA development, establish guidelines and best practices for sustainable growth, and evangelize the mobile channel for use by brands and Telephone: +1.303.415.2550 content providers. With more than 600 member companies, Fax: +1.303.499.0952 representing over forty-two countries, our members include agencies, [email protected] advertisers, handheld device manufacturers, carriers and operators, retailers, software providers and service providers, as well as any company focused on the potential of marketing via mobile devices. *Updated as of 31 May, 2008 The MMA is a global organization with regional branches in Asia Pacific (APAC); Europe, Middle East & Africa (EMEA); Latin America (LATAM); and North America (NA). About the MMA Member Directory The MMA Member Directory is the mobile marketing industry’s foremost resource for information on leading companies in the mobile space. It includes MMA members at the global, regional, and national levels. An online version of the Directory is available at http://www.mmaglobal.com/memberdirectory.pdf. The Directory is published twice each year. The materials found in this document are owned, held, or licensed by the Mobile Marketing Association and are available for personal, non-commercial, and educational use, provided that ownership of the materials is properly cited. -
Religious Studies 181B Political Islam and the Response of Iranian
Religious Studies 181B Political Islam and the Response of Iranian Cinema Fall 2012 Wednesdays 5‐7:50 PM HSSB 3001E PROFESSOR JANET AFARY Office: HSSB 3047 Office Hours; Wednesday 2:00‐3:00 PM E‐Mail: [email protected] Assistant: Shayan Samsami E‐Mail: [email protected] Course Description Artistic Iranian Cinema has been influenced by the French New Wave and Italian neorealist styles but has its own distinctly Iranian style of visual poetry and symbolic lanGuaGe, brinGinG to mind the delicate patterns and intricacies of much older Iranian art forms, the Persian carpet and Sufi mystical poems. The many subtleties of Iranian Cinema has also stemmed from the filmmakers’ need to circumvent the harsh censorship rules of the state and the financial limitations imposed on independent filmmakers. Despite these limitations, post‐revolutionary Iranian Cinema has been a reGular feature at major film festivals around the Globe. The minimalist Art Cinema of Iran often blurs the borders between documentary and fiction films. Directors employ non‐professional actors. Male and female directors and actors darinGly explore the themes of Gender inequality and sexual exploitation of women in their work, even thouGh censorship laws forbid female and male actors from touchinG one another. In the process, filmmakers have created aesthetically sublime metaphors that bypass the censors and directly communicate with a universal audience. This course is an introduction to contemporary Iranian cinema and its interaction with Political Islam. Special attention will be paid to how Iranian Realism has 1 developed a more tolerant discourse on Islam, culture, Gender, and ethnicity for Iran and the Iranian plateau, with films about Iran, AfGhanistan, and Central Asia. -
World Cinema Amsterd Am 2
WORLD CINEMA AMSTERDAM 2011 3 FOREWORD RAYMOND WALRAVENS 6 WORLD CINEMA AMSTERDAM JURY AWARD 7 OPENING AND CLOSING CEREMONY / AWARDS 8 WORLD CINEMA AMSTERDAM COMPETITION 18 INDIAN CINEMA: COOLLY TAKING ON HOLLYWOOD 20 THE INDIA STORY: WHY WE ARE POISED FOR TAKE-OFF 24 SOUL OF INDIA FEATURES 36 SOUL OF INDIA SHORTS 40 SPECIAL SCREENINGS (OUT OF COMPETITION) 47 WORLD CINEMA AMSTERDAM OPEN AIR 54 PREVIEW, FILM ROUTES AND HET PAROOL FILM DAY 55 PARTIES AND DJS 56 WORLD CINEMA AMSTERDAM ON TOUR 58 THANK YOU 62 INDEX FILMMAKERS A – Z 63 INDEX FILMS A – Z 64 SPONSORS AND PARTNERS WELCOME World Cinema Amsterdam 2011, which takes place WORLD CINEMA AMSTERDAM COMPETITION from 10 to 21 August, will present the best world The 2011 World Cinema Amsterdam competition cinema currently has to offer, with independently program features nine truly exceptional films, taking produced films from Latin America, Asia and Africa. us on a grandiose journey around the world with stops World Cinema Amsterdam is an initiative of in Iran, Kyrgyzstan, India, Congo, Columbia, Argentina independent art cinema Rialto, which has been (twice), Brazil and Turkey and presenting work by promoting the presentation of films and filmmakers established filmmakers as well as directorial debuts by from Africa, Asia and Latin America for many years. new, young talents. In 2006, Rialto started working towards the realization Award winners from renowned international festivals of a long-cherished dream: a self-organized festival such as Cannes and Berlin, but also other films that featuring the many pearls of world cinema. Argentine have captured our attention, will have their Dutch or cinema took center stage at the successful Nuevo Cine European premieres during the festival. -
February,February, 20052005
THETHE OFFICIALOFFICIAL PUBLICATIONPUBLICATION OFOF THETHE WOMENWOMEN SOARINGSOARING PILOTSPILOTS ASSOC.ASSOC. February,February, 20052005 Www.womensoaring.org IIN THIS ISSUE 2005 Seminar PAGE 2 July 11-15, 2005 at Air Sailing Gliderport Reno, NV From the President For contact: Terry Duncan by Lucy Anne McKoski [email protected] Badges by Helen D’Couto Phone 408 446-0847 From the Editor by Frauke Elber PAGE 3 Convention Report by Colleen Koenig PAGE 4 TuesdayTuesday FlightFlight byby CindyCindy BricknerBrickner PAGE 5 On Line Contest PAGE 6 Motorless Flight Sympo- sium,Facts and Trends, but Safety First by Roberta Fischer Malara PAGE 7 FOD Happens by Joel Cornell PAGE 8 Lindbergh Trophy Help needed InvitationInvitation toto WSPAWSPA Welcome new members PAGE 9 HOW TO DRESS FOR WINTER FLYING Hear Say The above picture shows Ginny Schweizer ready for a flight from Harris Hill in the winter of 1940 in the open cockpit Kirby Kite which required special clothing to keep warm. PAGE 10--11 Rather than trying to explain what she wore she had submitted this picture which was taken by Scholarships and Scholarship Hans Groenhoff (Another great soaring pioneer. Ed.) The photo and story was published in Applications Life Magazine Ginny said that being launched by auto tows in that open sailplane on a very cold day was thrilling and a lot of fun. She had no problem keeping warm with all those flying clothes which were also used for a New Year Day’s flight. Thanks to Kay Gertsen, editor of Ridgewind, newsletter of the Harris Hill Soaring. Corp page 2 February 2005 THE WOMEN SOARING PILOTS Badges through Silver Altitude ASSOCIATION (WSPA) WAS Cheryl Beckage FOUNDED IN 1986 AND IS Dec.15, 2005 Mary Cowie AFFILIATED WITH THE SOARING by Helen D’Couto Katherine (Kat) Haessler SOCIETY OF AMERICA Silver Distance ANNUAL DUES (JULY-JUNE) ARE $10. -
Reproductions Supplied by EDRS Are the Best That Can Be Made from the Original Document
DOCUMENT RESUME ED 447 692 FL 026 310 AUTHOR Breathnech, Diarmaid, Ed. TITLE Contact Bulletin, 1990-1999. INSTITUTION European Bureau for Lesser Used Languages, Dublin (Ireland). SPONS AGENCY Commission of the European Communities, Brussels (Belgium). PUB DATE 1999-00-00 NOTE 398p.; Published triannually. Volume 13, Number 2 and Volume 14, Number 2 are available from ERIC only in French. PUB TYPE Collected Works Serials (022) LANGUAGE English, French JOURNAL CIT Contact Bulletin; v7-15 Spr 1990-May 1999 EDRS PRICE MF01/PC16 Plus Postage. DESCRIPTORS Ethnic Groups; Irish; *Language Attitudes; *Language Maintenance; *Language Minorities; Second Language Instruction; Second Language Learning; Serbocroatian; *Uncommonly Taught Languages; Welsh IDENTIFIERS Austria; Belgium; Catalan; Czech Republic;-Denmark; *European Union; France; Germany; Greece; Hungary; Iceland; Ireland; Italy; *Language Policy; Luxembourg; Malta; Netherlands; Norway; Portugal; Romania; Slovakia; Spain; Sweden; Ukraine; United Kingdom ABSTRACT This document contains 26 issues (the entire output for the 1990s) of this publication deaicated to the study and preservation of Europe's less spoken languages. Some issues are only in French, and a number are in both French and English. Each issue has articles dealing with minority languages and groups in Europe, with a focus on those in Western, Central, and Southern Europe. (KFT) Reproductions supplied by EDRS are the best that can be made from the original document. N The European Bureau for Lesser Used Languages CONTACT BULLETIN This publication is funded by the Commission of the European Communities Volumes 7-15 1990-1999 REPRODUCE AND PERMISSION TO U.S. DEPARTMENT OF EDUCATION MATERIAL HAS Office of Educational Research DISSEMINATE THIS and Improvement BEEN GRANTEDBY EDUCATIONAL RESOURCESINFORMATION CENTER (ERIC) This document has beenreproduced as received from the personor organization Xoriginating it. -
THE RISE of the FOURTH REICH Escape the Disgrace of Deposition Or Capitulation—Choose Death.” He Or- Dered That Their Bodies Be Burned Immediately
T H E S EC R ET SO C I ET I E S T H AT TH RE AT EN TO TAK E OV ER AMER I C A JIM MARRS This book is dedicated to my father, my uncles, and all the Allied soldiers who sacrificed so willingly to serve their country in World War II. They deserve better. CONTENTS INTRODUCTION 1 The Escape of Adolf Hitler 2 A Definition of Terms 5 Communism versus National Socialism 8 PART ONE THE HIDDEN HISTORY OF THE THIRD REICH 1. A New Reich Begins 19 2. The Strange Case of Rudolf Hess 36 3. Nazi Wonder Weapons 50 4. A Treasure Trove 92 5. The Writing on the Wall 106 PART TWO THE REICH CONSOLIDATES 6. The Ratlines 125 7. Project Paperclip and the Space Race 149 8. Nazi Mind Control 178 vi CONTENTS 9. Business as Usual 204 10. Kennedy and the Nazis 220 PART THREE THE REICH ASCENDANT 11. Rebuilding the Reich, American-Style 235 12. Guns, Drugs, and Eugenics 262 13. Religion 286 14. Education 296 15. Psychology and Public Control 321 16. Propaganda 343 EPILOGUE 361 SOURCES 377 INDEX 413 Acknowledgments About the Author Other Books by Jim Marrs Credits Cover Copyright About the Publisher INTRODUCTION ADOLF HIT LER’S THI R D REICH EN DED I N BER LI N ON APR I L 30, 1945. Thunder reverberated from a storm of Rus sian artillery that was bom- barding the ruined capital. The day before, along with the incoming shells, came particularly bad news for the fuehrer, who by this late date in World War II was confined to his underground bunker beneath the Reich chan- cellery. -
Print ED356648.TIF
DOCUMENT RESUME ED 356 648 FL 021 143 AUTHOR Lo Bianco, Joseph, Ed. TITLE VOX: The Journal of the Australian Advisory Council on Languages and Multicultural Education (AACLAME). 1989-1991. INSTITUTION Australian Advisory Council on Languages and Multicultural Education, Canberra. REPORT NO ISSN-1032-0458 PUS DATE 91 NOTE 332p.; Intended to be published twice per year. Two-cone charts and colored photographs may not reproduce well. PUS TYPE Collected Works - Serials (022) JOURNAL CIT VOX: The Journal of the Australian Advisory Council on Languages and Multicultural Education; n3-5 1989-1991 EDRS PRICE MfO1 /PC14 Plus Postage. DESCRIPTORS Asian Studies; Bilingual Education; Certification; Communicative Competence (Languages); Comparative Education; Diachronic Linguistics; English (Second Language); Ethnic Groups; Foreign Countries; French; Immersion Programs; Immigrants; Indigenous Populations; Interpretive Skills; Italian; *Language Maintenance; *Language Role; Languages for Special Purposes: Language Tests; Language Variation; *Literacy; Minority Groups; Multicultural Education; Native Language Instruction; Pidgins; Second Language Instruction; Second Language Programs; *Second Languages; Sex; Skill Development; Student Attitudes; Testing IDENTIFIERS Africa; *Australia; Japan; Maori (People); Melanesia; Netherlands; New Zealand; Singapore; Spain ABSTRACT This document consists of the three issues of the aerial "VOX" published in 1989-1991. Major articles in these issues include: "The Original Languages of Australia"; "UNESCO and Universal -
Whakawhanaungatanga A-Reo
CORE Metadata, citation and similar papers at core.ac.uk Provided by ResearchArchive at Victoria University of Wellington WHAKAWHANAUNGATANGA A-REO: AN INDIGENOUS GROUNDED THEORY FOR THE REVITALIZATION OF MĀORI LANGUAGE SPEECH COMMUNITIES BY EWAN JAMES POHE A thesis submitted to the Victoria University of Wellington in fulfilment of the requirements for the degree of Doctor of Philosophy Victoria University of Wellington (2012) Abstract This study focuses on the role of adult Māori language acquisition in the revitalization of the Māori language. Māori language transmission is now primarily dependent on transmission through educational institutions. The objective of Māori language revitalization is to re-establish intergenerational language transmission. Language shift means that intergenerational language transmission of the Māori language has effectively ceased in Māori homes and communities. This means Māori once again becomes the primary language spoken in the home, neighbourhood and community domains. This is a report of a grounded study of an adult cohort of novice language learners. A group of mainly Māori who joined a Te Ataarangi total immersion programme where they were immersed in both the Māori language and the culture over a three year period. I was a participant observer of the cohort and collected data in the form of field notes and interviews on the experiences of its members. Following classical Grounded Theory Methodology (GTM) (Glaser 2002), I used constant comparative analysis of incidents to iteratively analyse the data and evolve the conceptual framework. The central finding of this study is the process of whakawhanaungatanga a-reo. I found that the shared objective in acquiring the Māori language for the cohort was to be able to use the language appropriately in ordinary communicative situations. -
NADER and Simin a Film by Asghar Farhadi a SEPARATION
NADER AND SIMIN a film by Asghar Farhadi A SEPARATION NADER AND SIMIN A SEPARATION a film by Asghar Farhadi Iran / 2011 / 123 min / colour / 35mm 1:1.85 / persian WORLD SALES & FESTIVAL WITh ThE particIpation OF InTERnATIOnAL pRESS Memento Films International DreamLab Films Vanessa Jerrom: 9 cité Paradis Nasrine Médard de Chardon +336 14 83 88 82 75010 Paris – France 14, chemin des Chichourliers claire Vorger: Tel: +33 1 53 34 90 20 06110 Le Cannet – France +336 20 10 40 56 [email protected] Tel/Fax: +33 4 93 38 75 61 [email protected] www.memento-films.com [email protected] www.dreamlabfilms.com DIRECTOR’S PROFILE ASGHAR FARHADI Biography Filmography Asghar Farhadi was born in 1972 in Isfahan, Iran. Whilst at school he 2011 became interested in writing, drama and the cinema, took courses at Nader and Simin, A Separation the Iranian Young Cinema Society and started his career as a filmma- (Jodaeiye Nader az Simin) ker by making super 8mm and 16mm films. Competition – Berlin 2011 He graduated with a Master’s Degree in Film Direction from Tehran 2009 University in 1998. About Elly During his studies, he wrote and directed several student plays, wrote (Darbareye Elly) for the national radio and directed a number of TV series, including Silver Bear – Best Director – Berlinale 2009 episodes of Tale of a City. In 2001, Farhadi wrote the screenplay for Ebrahim Hatamikia’s box- 2006 Fireworks Wednesday office and critical success Low Heights. (Chahar shanbeh souri) His directorial debut was in 2003 with Dancing in the Dust. -
Reader's Digest, March 30Th - April 12Th
Should this HTML message not be displayed properly, please inform the Is this email not displaying correctly? Chamber at Beijing, Shanghai and Guangzhou. View it in your browser . Reader's Digest, March 30th - April 12th BILATERAL RELATIONS Friendly Meeting of the Mayors Published by stadt-zuerich.ch, March 29th 2019 A delightful habit almost seems to be forming: after visiting Zurich on her way to the WEF in Davos in January 2018, Hong Kong CEO Carrie Lam once again stopped by City Hall at the beginning of this year for an exchange of ideas with the Mayor. With the ten-day festival “Zurich meets Hong Kong” back in October 2017, the City of Zurich had presented itself in Hong Kong as a city of culture, a centre of knowledge and a prime business location. Since then, various representatives of the Hong Kong city government have paid a visit to Zurich, including the innovation officer and the finance minister. And again at the latest meeting, the two mayors reaffirmed the friendly and mutually beneficial relationship between their cities. Their discussion revolved around developments on the financial markets, smart city strategies and initiatives, measures to foster innovation, and design. And it resulted in concrete proposals for a potential new presence of the City of Zurich at a Design Business Week in the coming years. Zurich and Hong Kong are connected by friendship – particularly in the field of culture. The imminent opening in Hong Kong of the new museum of contemporary art «M+», by the Swiss architects Herzog & de Meuron and featuring the Uli Sigg collection, is proof of this. -
Ficm Cat16 Todo-01
Contenido Gala Mexicana.......................................................................................................125 estrenos mexicanos.............................................................................126 Homenaje a Consuelo Frank................................................................... 128 Homenaje a Julio Bracho............................................................................136 ............................................................................................................ introducción 4 México Imaginario............................................................................................ 154 ................................................................................................................. Presentación 5 Cine Sin Fronteras.............................................................................................. 165 ..................................................................................... ¡Bienvenidos a Morelia! 6 Programa de Diversidad Sexual...........................................................172 ..................................................... Mensaje de la Secretaría de Cultura 7 Canal 22 Presenta............................................................................................... 178 Mensaje del Instituto Mexicano de Cinematografía ������������9 14° Festival Internacional de Cine de Morelia.............................11 programas especiales........................................................................ 179