Parker 2007 Catalog
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Parker P Series Manual
On their own, the piezo pickups produce a subtle and intimate acoustic guitar-like sound, but the true power of the P-38 is the ability to blend the piezo and magnetic signals together. A special Fishman® active circuit allows you to mix the two types of signals right on the guitar! ® You can blend the piezo pickups with clean magnetic sounds to create bright percussive tones or with your favorite distortion settings for fat, two-guitar-like, mixes. You can even send the piezo and magnetic signals to two different amplifiers for an amazingly lush split sound. However you choose to blend (or split!) the sounds on your Parker P- P-SERIES Player’s Guide Series guitar, the results are an exciting new range of hybrid clean and P-38 • P-38 STANDARD • P-40 • P-44 dirty tones! Along with the familiar Volume, Tone, and Magnetic Pickup selector Dear Fellow Guitar Enthusiast: found on the P-38 Standard, the P-38, P-40 & P-44 are piezo equipped models and feature additional controls for Piezo Volume and a Larry Fishman and I formed Parker Guitars in 1991. It continues to Magnetic / Piezo Pickup Selector switch. be a rewarding project and a great education for us. We're thrilled that you have chosen to make your music on our creation! I designed the P-Series Guitars and Larry and I personally certified the production process in one of the finest guitar production facilities in the world. We're sure that you will be inspired by its P-38 & P-40 Controls versatility, tone, outstanding quality, and playability. -
Karl Schneider – Rio Marcel Bianchi and the First European Electric Guitar
Karl Schneider – Rio Marcel Bianchi and the first European electric guitar « As he walked by the streets of Basel in 1944 he saw in a music shop window a hollow body guitar with a built-in pickup, a copy of the Gibson played by that American musician he had already heard many times: Charlie Christian. He also bought a black lap-steel built in Zurich, another copy of American Rickenbackers and Gibsons. Bringing them back to France at the end of the war, he was the first French guitarist to play on electric guitars.” Phil Dubois, November 18th 2003 http://minilien.fr/a0lopn Even before we started to work on the book “Guitares Jacobacci, un atelier de lutherie à Paris “ we knew that the guitar that Marcel Bianchi was holding on the first Major Conn RV advertisements issued on Jazz Magazine in 1957 was not a Jacobacci. Not only being such a great luthier and an excellent connoisseur of American brands, Roger Jacobacci was a key authority on European guitar makers of the 50s. As we asked him in April 2005 about Marcel Bianchi’s guitar, he answered with no hesitation “they were Rios, made in Switzerland”. Searching for another guitar, Sacha Distel’s own Jacobacci R. Gimenes, we met Simon Lustigman in January 2008. A professional musician in Paris and Radio-Luxemburg in the 50s and 60s, he was befriended with all the fellow musicians of the time and was also a sale person at the Major Conn shop, rue Dupperé in Pigalle. As we showed him the picture of the guitar player with the fringed jacket he unfortunately didn’t recognize him but confirmed that the guitar was indeed a Rio, made in Switzerland. -
Voices of the Electric Guitar
California State University, Monterey Bay Digital Commons @ CSUMB Capstone Projects and Master's Theses 2012 Voices of the electric guitar Don Curnow California State University, Monterey Bay Follow this and additional works at: https://digitalcommons.csumb.edu/caps_thes Recommended Citation Curnow, Don, "Voices of the electric guitar" (2012). Capstone Projects and Master's Theses. 369. https://digitalcommons.csumb.edu/caps_thes/369 This Capstone Project is brought to you for free and open access by Digital Commons @ CSUMB. It has been accepted for inclusion in Capstone Projects and Master's Theses by an authorized administrator of Digital Commons @ CSUMB. Unless otherwise indicated, this project was conducted as practicum not subject to IRB review but conducted in keeping with applicable regulatory guidance for training purposes. For more information, please contact [email protected]. Voices of the Electric Guitar Don Curnow MPA 475 12-12-12 Intro The solid body electric guitar is the result of many guitars and innovations that came before it, followed by the guitar's need for volume to compete with louder instruments, particularly when soloing. In the 1930s, jazz and its various forms incorporated the guitar, but at the time there was no way for an acoustic guitar to compete with the volume of a trumpet or saxophone, let alone with an orchestra of trumpets and saxophones, such as in big band jazz. As a result, amplification of the guitar was born and the electric guitar has been evolving since, from a hollow bodied ES-150 arch-top with a pick-up used by Charlie Christian to the Les Paul played by Slash today. -
01437 1965 Epiphone Olympic SB 722D. Sunburst (9.00)
A Fine, All Original Mid-Sixties Two Pick-Up Epiphone Olympic 1965 Epiphone Olympic SB 722D. Sunburst (9.00). #01437 $1,750 This fine and very light guitar weighs just 5.60 lbs. One-piece mahogany neck with a fast thin-to-medium profile. Black faced 'Batwing' headstock with "Epiphone" silk-screened in gold. Rosewood fretboard with 22 original jumbo frets and pearl dot markers. Serial number "323241" stamped in blind on back of headstock. Six-in-a-row 'double-line' Kluson Deluxe tuners with white plastic oval buttons. The scale length is a standard Gibson 24 3/4 inches and the nut width is just over 1 9/16 inches. Two Melody Maker single-coil pickups with nice, balanced outputs of 6.97k and 7.09k. Single-layer white plastic pickguard with inlaid silver Epiphone 'Epsilon' and eight screws. Four controls (two volume, two tone) plus three-way selector switch and jack socket, all on pickguard. Black plastic ribbed-sided knobs with metal tops with red markings. The potentiometers are stamped "134 6508" & "134 6523" (Centralab February & June 1965). Combination ridged "wrap-over" bridge, factory Epiphone Vibrola tailpiece with tubular tremolo arm with walrus-tooth tip. There is a minimal amount of belt-buckle scarring on the back and a few very small surface marks, mainly on the edges. This fine little, all original mid- sixties guitar is in exceptionally fine (9.00) condition. Housed in a later 3-latch black softshell case with blue felt lining (8.50). "The solidbody line got a complete overhaul that gave the models as much first- impression power as the new sharp-pointed, double-cutaway Gibson SG models. -
Parker Nitefly Manual
Parker Nitefly Manual View and Download Parker Fly Classic brochure online. Parker Fly Fly Classic Guitar pdf manual download. Parker nitefly: reference guide (2 pages). The Parker Guitars Forum - Index. Announcements and news from Parker. Perhaps the finest American made bolt-on neck guitar, the NiteFly guitar. View and Download Parker Fly user manual online. Parker Fly: User Guide. Your comments, suggestions and criticism helped to shape the NiteFly. We chose. Browse Parker Guitars products and enjoy free shipping on thousands of Parker Parker Guitars RF522 NiteFly Radial Electric Guitar. View and Download Parker Fly Classic brochure online. Parker Fly Fly Classic Guitar pdf manual download. Parker nitefly: product brochure (12 pages). Parker Guitars Rf522 Nitefly Radial Electric Guitar Matte Natural. Parker Guitars Rf522 Nitefly Radial Electric Guitar Matte Natural. The RF522 NiteFly electric. Parker Nitefly Manual Read/Download Ken Parker Era 2002 Nitefly M - Factory hand-rubbed oil-finish body with carbon neck. Includes factory Parker gig bag, whammy bar, owners manual, blank. the manufacturer (either somewhere on their website, in the user manual or I recently bought old Parker Nitefly, and it has similar issue, Fretting notes. View and Download Parker Fly user manual online. Parker Fly: User Guide. Fly Guitar pdf manual download. Provided by your new unit, owners manual should be read in its entirety.GI. 20 Owners Manual. Owners 96, Parker Nitefly, GK-2A Internal, Roland, 2003. 1998 Parker Flyers ($10 Each or 4 for $30). $30 Artist, Concert, Deluxe, Nitefly Price firm Call (412)795-8668 to inquire 1993 Parker Fly Manual. $1,650 · Parker Nitefly Mojo Black Cherry Flame Maple - New - w/case image Genuine gig bag, a manual will be attached. -
Designing and Building an Electric Baritone Guitar
Hendrik Gideonse Audio Research December 14, 2008 Designing an Electric Baritone Guitar 0 Anatomy of a Guitar ................................................................................................... 2 1 Introduction ................................................................................................................. 3 2 Baritone History .......................................................................................................... 3 3 Problems with Existing Designs ................................................................................. 5 3.1 String Tension ..................................................................................................... 5 3.2 Balance, Ease of Playing 1st Position Chords and Bridge Position .................... 7 3.3 Rigidity for Tone and Sustain ........................................................................... 11 4 Designing the Baritone Guitar .................................................................................. 12 4.1 Woods, Tone and Rigidity ................................................................................ 13 4.2 Angled Headstock and ‘V’ Neck Contour ........................................................ 16 4.3 Headstock Shapes ............................................................................................. 19 4.4 Joining the Neck to the Body ............................................................................ 24 4.5 Body Shape ...................................................................................................... -
Dimarzio X2N
D i M a r z i o . c o m Page 1 of 1 DiMarzio X2N Important: Read all of the following instructions before proceeding. If any questions or problems arise, you may refer them directly to us. The X2N has a very powerful magnet structure, so it is not necessary to adjust the pickup close to the strings for maximum performance. Because of the differences in string gauges and string tension between individual guitars, it is not possible to recommend a specific distance for pickup height. However, it is advisable to adjust the X2N far enough from the strings so that the string vibration will not be affected by the pickup's magnetic field. This is usually noticeable on the wound strings, and produces a wavering sound, particularly when the higher notes are played. The bass side of the pickup should be lowered until the wavering disappears. The treble side of the pickup can be adjusted closer to the strings. This may make the pickup appear tilted, but there is nothing wrong with this, as the treble strings usually produce less volume than the bass strings. Tilting the bass side away from the strings will help balance individual string volume. Fender, Stratocaster, Strat, Telecaster, Tele, Precision Bass, P-Bass, Jazz Bass and J-Bass are registered trademarks of Fender Musical Instrument Corp., with which DiMarzio, Inc. is not affiliated. Les Paul and Les Paul Junior are registered trademarks of Gibson Guitar Corp., with which DiMarzio, Inc. is not affiliated. Parker Fly is a registered trademark of Parker Guitars, with which DiMarzio, Inc. -
Dating Charvel Guitars
identify charvel model, charvel models, charvel serial numbers, charvel serial number lookup, charvel guitar models. Charvel guitars are the very embodiment of high- performance tone machines, and discerning players who prize superior sound and feel have turned to the company's finely crafted guitars as their weapons of choice for over four decades now. Explore some of our latest models. After , Charvel production was moved overseas and all new guitars bearing the Charvel logo were import models. After being successfully reintroduced briefly in (Limited run and custom orders), USA made Charvel guitars (true to the original San Dimas era guitars) returned in and are currently marketed under the San Dimas Model. Knowing the serial number will help in most cases when supplemented with the photos of the guitar. At this point nobody has the faintest clue what you have, other than the fact that you have "a Charvel" and that it's more recently made. If I had to take a wild guess, I'd predict that your guitar is a Mexican-made Charvel Pro-Mod of some sort. charvel by Jackson/charvel Posted by heather on Sun, 09/03/ - Need to know how much this guitar is worth the number are them it also says renuzap.podarokideal.ru Fort Worth TX U.S.A. This style of neck plate is found on pre-serialized (prepro) Charvel guitars dating from early This neck plate style is far less common than the brass neck plates and appear: to have been only used in early These plates often have the black coating either partially or completely worn away, leaving the appearance of a smooth. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an additional 82 lots of collectible amps, music awards and other related items GUITARS all being sold on Saturday, February 27. The Auction is being divided into three AT AUCTION FEBRUARY 27 sessions starting at 10am, 2pm and 7pm (all East Coast time.) Session I, at 10am, contains the Delaware Collection of instruments and other music-related objects all autographed by well known musicians. Sessions II and III contain an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 Session I – 10am: The Delaware Collection Session II – 2pm: Commencing with Lot #200 The event is being held “live” at New York City’s Bohemian National Hall, a great Session III – 7pm: Commencing with Lot #400 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, PUBLIC PREVIEW February 25 & 26 the event is being conducted on two “bidding platforms”… liveauctioneers. Noon to 8pm (each day) com and invaluable.com. For those who so wish, telephone bidding can easily be arranged by contacting us. All the auction items will be on preview display LOCATION Bohemian National Hall 321 East 73rd Street Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. New York, NY Please note that this disc only contains photographic images of the items along ONLINE BIDDING Liveauctioneers.com Invaluable.com with their lot headings. -
2010 Price List U.S
2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 U.S. CUSTOM COLLECTION 2010 Price List U.S. MSRP FOR ALL GRETSCH® INSTRUMENTS | EFFECTIVE JANUARY 1, 2010 LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S 2010 GRETSCH Above: G6120EC Eddie Cochran TRIBUTE Hollow Body 2 U.S. CUSTOM COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F CONTENTS: Amplifier Collection p. 4 - 5 U.S. Custom Collection p. 6 - 7 SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P Professional Collection: p. 8 - 45 Electromatic® Collection p. 46 - 54 Accessories, Clothing & Collectibles p. 54 - 71 | PRICES AND S Every product is made with pride and care–and is backed by a product-specific warranty. Consult your local retailer, distributor, or the Gretsch® Guitars website for the latest information (www.gretschguitars.com). Features, colors, pricing and specifications are subject to change without notice. The trademarks identified in this Price List are owned by Fred W. Gretsch Enterprises Ltd. 2010 GRETSCH The following trademarks are not owned by Gretsch Guitars: Cadillac®, Fishman®, Matrix™, Prefix™, Eminence®, Grover®, Imperial™, Rotomatic®, Sta-Tite™, Jensen®, Seymour Duncan®, TV Jones®, Power’Tron™, Schaller® and Sperzel®. Copyright 2010 Gretsch Guitars. All rights reserved. 3 U.S. PROFESSIONAL AMP COLLECTION LEASE VISIT WWW.GRETSCHGUITARS.COM P OR MORE INFORMATION, OR MORE INFORMATION, F ECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE. ECIFICATIONS P | PRICES AND S G6163 Executive™ Like the name implies, the Executive™ is all business! With its incredibly expansive tonal frequencies and articulate and “sparkly” nature, the Executive™ is the perfect amp for the Gretsch® enthusiast who longs for stratospheric clean tones. -
AT AUCTION FEBRUARY 27 Dear Guitar Collector
GUITARS AT AUCTION FEBRUARY 27 Dear Guitar Collector: On this disc are images of the 284 guitars currently in this Auction plus an GUITARS additional 82 lots of collectible amps, music awards and other related items all being sold on Saturday, February 27. The Auction is being divided into two sessions AT AUCTION FEBRUARY 27 starting at 2pm and 7pm (all East Coast time.) Session I, contains an extraordinary array of fine and exciting instruments starting with Lot 200 on this disc. The majority of lots in this Auction are being sold without minimum reserve. AUCTION Saturday, February 27 The event is being held “live” at New York City’s Bohemian National Hall, a great Session I – 2pm: Commencing with Lot #200 setting at 321 East 73rd Street in Manhattan. For those unable to attend in person, Session II – 7pm: Commencing with Lot #400 the event is being conducted on two “bidding platforms”… liveauctioneers. com and invaluable.com. For those who so wish, telephone bidding can easily PUBLIC PREVIEW February 25 & 26 be arranged by contacting us. All the auction items will be on preview display Noon to 8pm (each day) Thursday and Friday, February 25 and 26, from 12 noon to 8 pm each day. LOCATION Bohemian National Hall 321 East 73rd Street Please note that this disc only contains photographic images of the items along New York, NY with their lot headings. For example, the heading for Lot 422 is 1936 D’Angelico ONLINE BIDDING Liveauctioneers.com Style A. Descriptions, condition reports and estimates do not appear on this disc. -
Medeski, Blackman Santana, Reid & Bruce Explore the Music of Tony
DOWNBEAT Steve Turre Preservation Hall Jazz Band @ 50 SPECTRUM R OA D // STEVE STEVE T URRE // P RE S ERVATION HALL JAZZ BAN D // Spectrum Road M ARY HALVOR ARY MEDESKI, BLACKMAN SANTANA, REID & BRUCE S ON EXPLORE THE MUSIC OF TONY WILLIAMS Guitar School Mary Halvorson John McLaughlin TRANSCRIBED JULY 2012 U.K. £3.50 Neil Haverstick MASTER CLASS J ULY Eric Revis 2012 BLINDFOLDED DOWNBEAT.COM JULY 2012 VOLUme 79 – NUMBER 7 President Kevin Maher Publisher Frank Alkyer Managing Editor Bobby Reed News Editor Hilary Brown Reviews Editor Aaron Cohen Contributing Editors Ed Enright Zach Phillips Art Director Ara Tirado Production Associate Andy Williams Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Assistant Theresa Hill 630-941-2030 [email protected] OFFICES 102 N. Haven Road Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, John McDonough Atlanta: Jon Ross; Austin: Michael Point, Kevin Whitehead; Boston: Fred Bouchard, Frank-John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Or- leans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene Gologursky, Norm Harris, D.D.