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september 2005 Published by the American Recorder Society, Vol. XLVI, No. 4 XLVI, Vol. American Recorder Society, by the Published The world’s most dependable and chosen recorders are also the most playful that students are sure to enjoy. Sour Apple Green, Cotton Candy Blue and Bubble Gum Pink colors add that extra fun for students beginning their music education. Yamaha 20 Series Recorders are specially designed for beginning students and are easy to play in every range. They offer the ideal amount of air resistance for effortless control and an accuracy of intonation that provides a rich, full sound. Playful with serious quality Yamaha is known for, Yamaha Recorders are the thoughtful choice for teachers that care. ©2005 Yamaha Corporation of America www.yamaha.com EDITOR’S ______NOTE ______ ______ ______ ______ Volume XLVI, Number 4 September 2005 ometimes I think I should have been a FEATURES Shistorian, or even a biographer. I often Terry Kirkman Answers . 18 get drawn into the process of trying to give The second interview in a series on jazz and pop recorder players a three-dimensional feel to the two- by Frances Feldon dimensional pieces, appearing in AR, about people related to the recorder. Tui St. George Tucker (1924-2004) . 22 This is true whether the subject is real- 5 Friends remember the composer, conductor and recorder player ly most sincerely dead (borrowing from The Wizard of Oz), as in the March 2004 Happy 500th Birthday, Thomas Tallis . 26 piece David Lasocki wrote on Renaissance The twelfth in a series of articles by composers and arrangers recorder players. It’s equally true if the discussing how they write and arrange music for recorder, person is vibrantly alive, as in Frances Fel- by Stan McDaniel don’s interviews (page 18) with jazz/pop recorder players . When I read through the first draft, I want to know and see more. 18 DEPARTMENTS This was the case with the article on Advertiser Index . 48 Tui St. George Tucker (page 22). Her death went almost unnoticed in the Chapters & Consorts . 34 recorder world. Pete Rose (page 16) called Classified . 48 up one day; he thought we should try to Compact Disc Reviews . 32 print something in AR about her life and accomplishments. He gathered several Music Reviews. 44 tributes—but, reading those, I knew there 38 On the Cutting Edge. 36 was so much more. There was no concrete information about her youth, as she left Opening Measures . 30 only distant relatives (and those apparent- President’s Message . 3 ON THE COVER: ly live outside the U.S.). Q&A . 29 After a Recorder Music Center (page Musical Odyssey by Tidings . 4 41) committee meeting, I stayed to see Ethan Gettman what I could find about Tui there. RMC <www.pantagrool.com> ARS Festival & Conference; A Great (Wall) Performance; director Mark Davenport remembers her © 2005 The Recorder at the 2005 Boston Early Music Festival from his youth, but only vaguely. He thought there might be something about her in the Erich Katz Collection. I skimmed through dozens of interest- GAIL NICKLESS, Editor ing letters. In a folder of correspondence Contributing Editors from the 1950s, Mario Duschene wrote to FRANCES BLAKER, Beginners; JOHN H. BURKHALTER III, Book Reviews Katz to ask whether Duschene might play THOMAS CIRTIN, Compact Disc Reviews; JODY L. MILLER, Education a concert in New York City. There is a short CONSTANCE M. PRIMUS, Music Reviews; CAROLYN PESKIN, Q & A series between the two (it seems that there TIMOTHY BROEGE, 20th-Century Performance LISA SCHMIDT, Design Consultant was no money for a concert). A number of people wrote faithfully to Erich, it ap- Advisory Board pears—so much so, that often they didn’t Martha Bixler • Valerie Horst • David Lasocki bother with a date or a surname, simply Bob Marvin • Howard Schott • Thomas Prescott • Catherine Turocy writing at the top “Friday” or “Lincoln’s Kenneth Wollitz birthday” and signing the letter “Cindy” or Copyright © 2005 American Recorder Society, Inc. “Robert.” Others wrote to Erich in Visit AR On-Line at <www.recorderonline.org> German; it would be interesting to know American Recorder (ISSN: 0003-0724), 1129 Ruth Dr., St. Louis, MO 63122-1019, is published bimonthly (January, March, May, September, and November) for its members by the American Recorder Society, Inc. $20 of the annual $40 U.S. membership dues in the American Recorder Society is for a subscription to American Recorder. Articles, reviews and letters to the editor reflect the viewpoint of their individual authors. Their appearance in this magazine what their letters say. does not imply official endorsement by the ARS. Submission of articles and photographs is welcomed. Articles may be typed or submitted on PC discs (Word for Windows 95, or RTF preferred), or as an attachment to or text in an e-mail message. They should be for the exclusive consideration of AR, unless otherwise It’s nice to have a repository of sources noted. Photos may be sent as color or black-and-white prints, or 300dpi TIF files. Advertisements may be sent in PDF or EPS format, with fonts embedded. Editorial office: Gail Nickless, Editor, American Recorder, 7770 South High St., Centennial, CO 80122; 303-794-0114 (phone & fax); about these early recorder players, for <[email protected]>. Deadlines for editorial material: November 15 (January), January 15 (March), March 15 (May), July 15 (September), and September 15 (November). Books for review: Editorial office. Music for review: Constance M. Primus, Box 608, 1097 Main St., Georgetown, CO 80444. Recordings for review: Thomas Cirtin, 8128 N. Armstrong Chapel Road, Otterbein, IN 47970. Cutting Edge: Tim Broege, 212 Second Ave., Bradley Beach, people like me who want to know more. NJ 07720-1159. Chapter newsletters and other reports: Editorial office. Advertising: Steve DiLauro, LaRich & Associates, Inc., 15300 Pearl Road, Suite 112, Strongsville, OH 44136-5036; 440-238-5577; 440-572-2976 (fax); <[email protected]>. Advertising Closings: December 1 (January), Gail Nickless February 1 (March), April 1 (May), August 1 (September), and October 1 (November). Postmaster: Send address changes to American Recorder Society, 1129 Ruth Drive, St. Louis, MO 63122-1019. Periodicals postage paid at St. Louis, MO, and at an additional mailing office. ARS Chapters ALABAMA ILLINOIS New York City: Michael Zumoff Birmingham: Ken Kirby Chicago: Larry Johnson (212-662-2946) (205-822-6252) (773-631-6671) Rochester: Frank Amato (716-225-6808) ARIZONA Chicago-West Suburban: Laura Sanborn Kuhlman Rockland: Lorraine Schiller Phoenix: Linda Rising (602-997-6464) AMERICAN (630-462-5427) (845-429-8340) Tucson: Scott Mason (520-721-0846) Westchester: Carol B. Leibman LOUISIANA ARKANSAS (914-241-3381) RECORDER Baton Rouge: John Waite Aeolus Konsort: Don Wold (225-925-0502) NORTH CAROLINA (501-666-2787) New Orleans: Chris Alderman Triangle: Cindy Osborne SOCIETY Bella Vista: Barbara McCoy (504-862-0969) (919-851-1080) INC. (479-855-6477) OHIO Honorary President CALIFORNIA MARYLAND Northern Maryland: Greater Cleveland: Edith Yerger ERICH KATZ (1900-1973) Central Coast: (440-826-0716) Margery Seid (805-474-8538) Honorary Vice President MASSACHUSETTS Toledo: Marilyn Perlmutter East Bay: Helga Wilking (419-531-6259) WINIFRED JAEGER (415-472-6367) Boston: Laura Conrad (617-661-8097) Statement of Purpose Monterey Bay: Sandy Ferguson Recorders/Early Music Metro-West OREGON (831-462-0286) Boston: Sheila Beardslee Oregon Coast: Corlu Collier The mission of the American Recorder Society is North Coast: Kathleen Kinkela-Love (978-263-9926) (541-265-5910) to promote the recorder and its music by Worcester Hills: Madeline Browning (707-822-8835) PENNSYLVANIA (508-842-5490) developing resources and standards to help Orange County: Doris Leffingwell Philadelphia: Dody Magaziner people of all ages and ability levels to play and (949-494-9675) MICHIGAN (215-886-2241) or study the recorder, presenting the instrument Sacramento: Robert Foster Ann Arbor: David Goings Joanne Ford (215-844-8054) (916-391-7520) or to new constituencies, encouraging increased (734-663-6247) Pittsburgh: Helen Thornton Elsa Morrison (916-929-6001) Kalamazoo: Chris Chadderton (412-781-6321) career opportunities for professional recorder San Diego County: (269-327-7601) and RHODE ISLAND performers and teachers, and enabling and Harvey Winokur (619-334-1993) Christine Hann (269-343-9573) Rhode Island: David Bojar supporting recorder playing as a shared San Francisco: Jack O’Neill Metropolitan Detroit: (401-944-3395) (415-731-9660) Claudia Novitzsky (248-548-5668) social experience. Besides this journal, South Bay: Northwinds Recorder Society: TENNESSEE ARS publishes a newsletter, a personal study Liz Brownell (408-358-0878) Janet Smith (231-347-1056) Greater Knoxville: Ann Stierli Southern California: Lynne Snead program, a directory, and special musical Western Michigan: Marilyn Idsinga (865-637-6179) (661-254-7922) editions. Society members gather and play (231-894-8415) Nashville: Janet Epstein COLORADO (615-297-2546) together at chapter meetings, weekend and MINNESOTA Boulder: Rose Marie Terada summer workshops, and many ARS-sponsored Twin Cities: Barbara McKernan TEXAS (303-666-4307) events throughout the year. In 2000, the (763-529-2525) Austin: Katherine Bracher Colorado Springs: Jeanne LeClercq Society entered its seventh decade of (512-459-4904) (719-473-0714) MISSOURI Dallas: Bill Patterson (214-696-4892) service to its constituents. Denver: Keith Emerson St. Louis: Norm Stoecker Rio Grande: Joyce Henry (303-750-8460)
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