Pattukkottai Kalyana Sundaram
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Kla News Letter August 2016
ISSN 2454 - 9851 Kla Newsletter Official Organ of the Kerala Library Association Vol.45 Nos. 1- 4; July 2015 - June 2016 Prof. K.A.Isaac Commemoration Lecture 2015 Kerala Library Association organized the 10th Prof. K. A. Isaac Commemoration Lecture on 9th October 2015 at 3.30 pm at the DLIS Hall, Kerala University Library Buildings, Thiruvananthapuram. Dr. Jagdish Arora, Director, INFLIBNET Centre, Ahmedabad delivered the lecture on the topic “Ten Technologies Librarians Should Know to Contribute and Strengthen Their Institutions”. Shri. P. Jayarajan, Library Advisor, Thunchath Ezhuthachan Malayalam University, Tirur, Kerala & Former Head, British Council Libraries, India presided over the function. Dr. T. K. Subramoni, Former Manager, British Library, Thiruvananthapuram had many a vivid memory of Prof Isaac to share with the audience. Dr. K. P. Vijayakumar, President, KLA, welcomed the gathering and Dr M. Lalitha, General Secretary, KLA, proposed vote of thanks.Mrs. Chechamma Isaac and son, Prof. Kurien Isaac were present on the occasion. CONTACT President News at a Glance Dr. K.P. Vijayakumar From the President - 2 Personalia TC-26/1819(1), Statue Road, Thiruvananthapuram - 695001 Awards - 11 [Formerly Associate Professor& Head, DLIS, General Secretary Speaks - 3 University of Kerala, Thiruvananthapuram -695 034] KLA Office Bearers - 4 Retirements - 12 Tel: 0471-2476660(R) Mob: 9496749901 Editorial - 5 PhD Awardees - 13 E-mail: [email protected] Regional Committees Representation of KLA - 6 Ernakulam - 14 General Secretary Vijayakumar, K.P., Academic Kottayam - 16 Dr. M. Lalitha Libraries : A Prognostication - 7 Kozhikode - 17 "Maruthi", TC-36/864, ERA-32, Opp. Govt. UPS., Palkulangara, Thiruvananthapuram - 695 008 Librarians Meet 2015 - 9 ISSN for KLA Newsletter - 17 [Formerly Librarian, SCERT, Poojappura, Thiruvananthapuram - 695 012 KLA-CPD Workshops - 10 Health Infoscape - 18 Tel: 0471-2450038(R) Mob: 09495122282 KLA New Members - 10 Human Library by VSSC - 19 E-mail: [email protected] Seminars & Conferences - 20 Treasurer S.L. -
Unpaid Dividend-16-17-I2 (PDF)
Note: This sheet is applicable for uploading the particulars related to the unclaimed and unpaid amount pending with company. Make sure that the details are in accordance with the information already provided in e-form IEPF-2 CIN/BCIN L72200KA1999PLC025564 Prefill Company/Bank Name MINDTREE LIMITED Date Of AGM(DD-MON-YYYY) 17-JUL-2018 Sum of unpaid and unclaimed dividend 737532.00 Sum of interest on matured debentures 0.00 Sum of matured deposit 0.00 Sum of interest on matured deposit 0.00 Sum of matured debentures 0.00 Sum of interest on application money due for refund 0.00 Sum of application money due for refund 0.00 Redemption amount of preference shares 0.00 Sales proceed for fractional shares 0.00 Validate Clear Proposed Date of Investor First Investor Middle Investor Last Father/Husband Father/Husband Father/Husband Last DP Id-Client Id- Amount Address Country State District Pin Code Folio Number Investment Type transfer to IEPF Name Name Name First Name Middle Name Name Account Number transferred (DD-MON-YYYY) 49/2 4TH CROSS 5TH BLOCK MIND00000000AZ00 Amount for unclaimed and A ANAND NA KORAMANGALA BANGALORE INDIA Karnataka 560095 72.00 24-Feb-2024 2539 unpaid dividend KARNATAKA 69 I FLOOR SANJEEVAPPA LAYOUT MIND00000000AZ00 Amount for unclaimed and A ANTONY FELIX NA MEG COLONY JAIBHARATH NAGAR INDIA Karnataka 560033 72.00 24-Feb-2024 2646 unpaid dividend BANGALORE PLOT NO 10 AIYSSA GARDEN IN301637-41195970- Amount for unclaimed and A BALAN NA LAKSHMINAGAR MAELAMAIYUR INDIA Tamil Nadu 603002 400.00 24-Feb-2024 0000 unpaid dividend -
Malayalam Biopics: from Books to Films
MALAYALAM BIOPICS: FROM BOOKS TO FILMS Gayatri Binu Registered Number: 1324032 A dissertation submitted in partial fulfillment of the requirements for the degree of Master of Science in Communication Christ University Bengaluru 2015 Program Authorized to Offer Degree Department of Media Studies II Authorship Christ University Declaration Department of Media Studies This is to certify that I have examined this copy of a master’s thesis by Gayatri Binu Registered Number: 1324032 and have found that it is complete and satisfactory in all respects, and that any and all revisions required by the final examining committee have been made. Committee Members: _____________________________________________________ _____________________________________________________ Date: __________________________________ III IV I, Gayatri Binu, confirm that this dissertation and the work presented in it are original. 1. Where I have consulted the published work of others this is always clearly attributed. 2. Where I have quoted from the work of others the source is always given. With the exception of such quotations this dissertation is entirely my own work. 3. I have acknowledged all main sources of help. 4. If my research follows on from previous work or is part of a larger collaborative research project I have made clear exactly what was done by others and what I have contributed myself. 5. I am aware and accept the penalties associated with plagiarism. Date: V VI Abstract Malayalam Biopics: From Books to Films Gayatri Binu MS in Communication, Christ University, Bangalore This article talks about the difficulties that emerge when considering biographical films that are focused around biographical or autobiographical works of writing utilizing careful investigations of three Malayalam films. -
Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but Also Contains Ethical Imports That
Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 20 Issue 10 Version 1.0 Year 2020 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but also Contains Ethical Imports that can be Compared with the Ethical Theories – A Retrospective Reflection By P.Sarvaharana, Dr. S.Manikandan & Dr. P.Thiyagarajan Tamil Nadu Open University Abstract- This is a research work that discusses the great contributions made by Chevalior Shivaji Ganesan to the Tamil Cinema. It was observed that Chevalior Sivaji film songs reflect the theoretical domain such as (i) equity and social justice and (ii) the practice of virtue in the society. In this research work attention has been made to conceptualize the ethical ideas and compare it with the ethical theories using a novel methodology wherein the ideas contained in the film song are compared with the ethical theory. Few songs with the uncompromising premise of patni (chastity of women) with the four important charateristics of women of Tamil culture i.e. acham, madam, nanam and payirpu that leads to the great concept of chastity practiced by exalting woman like Kannagi has also been dealt with. The ethical ideas that contain in the selection of songs were made out from the selected movies acted by Chevalier Shivaji giving preference to the songs that contain the above unique concept of ethics. GJHSS-A Classification: FOR Code: 190399 ChevaliorSivajiGanesanSTamilFilmSongsNotOnlyEmulatedtheQualityoftheMoviebutalsoContainsEthicalImportsthatcanbeComparedwiththeEthicalTheo riesARetrospectiveReflection Strictly as per the compliance and regulations of: © 2020. -
Dated : 23/4/2016
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Pattukkottai Kalyana Sundaram
Melody King V Kumar Anand The Club 11-7-2020 V Kumar 28 July 1934 – 7 January 1996 Varadharajulu Kumaresan •Kumaresan was born in Chennai on 28th July, 1934 •He developed interest in music when his sister was learning classical music from a teacher at home. •He got a B.A degree from Loyola College, Chennai •When he was working for Telephones department, he became a music director for plays staged in Madras. •K Balachander hired him as a music director for his film Neerkumizhi in 1965. The songs were well receieved. Later Balachander retained him in many of his movies. •M S Viswanathan and Ramamoorthy duo became very famous for light music in 1960’s. It was difficult for other music directors to compete with them. Then they split but MSV dominated the music field in cinema. During this period, K Balachander dropped Kumar and switched to MSV. •Kumar got offers from other directors such as Mukta Srinivasan. •After few years, the tsunami wave of M S Viswanthan drowned him completely and Kumar didn’t get many chances. •Kumar married Swarna, a Telugu singer. •Kumar was well known for songs such as Aadi adangum vaazkaiyada, aduthathu ambujathai kettele, punnagai mannan, kaathoduthaan naan paaduven and many others. •He was active from 1965- 1987 and composed music for 150 films. •He died on 7th January, 1996 •He was given Kalaimammani award by Tamilnadu Government and Melody King title by MGR. Filmography of V Kumar as Music Director Notes Nootrukku Language 1971 Tamil 1965 Naanal Tamil Nooru 1971 Veguli Penn Tamil Major 1966 Tamil Pattondru Chandrakanth -
1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 )
1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 ) 2) Shavukaru ( Category/Genre = Social ) (Date: 07.04.1950 ) 3) Palleturi Pilla ( Category/Genre = Social ) (Date: 27.04.1950 ) 4) Maya Rambha ( Category/Genre = Mythological ) (Date: 15.09.1950 ) 5) Samsaram ( Category/Genre = Social ) (Date: 29.12.1950 ) 6) Pathala Bhairavi ( Category/Genre = Classical ) (Date: 15.03.1951 ) 7) Mallishwari ( Category/Genre = Historical ) (Date: 20.12.1951 ) 8) Pelli Chesi Choodu ( Category/Genre = Social ) (Date: 29.02.1952 ) 9) Daasi ( Category/Genre = Social ) (Date: 1952 ) 10) Palleturu ( Category/Genre = Social ) (Date: 1952 ) 11) Ammalakkalu ( Category/Genre = Social ) (Date: 12.03.1953 ) 12) Pitchi Pulliah ( Category/Genre = Social ) (Date: 17.07.1953 ) 13) Chandi Rani ( Category/Genre = Classical ) (Date: 28.08.1953 ) 14) Chandraharam ( Category/Genre = Classical ) (Date: 06.01.1954 ) 15) Vaddante Dabbu ( Category/Genre = Social ) (Date: 19.02.1954 ) 16) Thodu Dongalu ( Category/Genre = Social ) (Date: 15.04.1954 ) 17) Rechukka ( Category/Genre = Classical ) (Date: 23.05.1954 ) 18) Raju Peda ( Category/Genre = Classical ) (Date: 25.06.1954 ) 19) Sangam ( Category/Genre = Social ) (Date: 10.07.1954 ) 20) Aggiramudu ( Category/Genre = Social ) (Date: 05.08.1954 ) 21) Parivarthana ( Category/Genre = Social ) (Date: 01.09.1954 ) 22) Iddaru Pellalu ( Category/Genre = Social ) (Date: 06.10.1954 ) 23) Missamma ( Category/Genre = Social ) (Date: 12.01.1955 ) 24) Vijaya Gowri ( Category/Genre = Classical ) (Date: 30.06.1955 ) 25) Cherapakura -
Morparia's Page
MORPARIA’S PAGE E-mail: [email protected] Morparia.pmd 2 2/25/2015, 10:28 AM Contents FEBRUARY 2015 VOL.18/7 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 The Northeast Visualising Northeast 5 V. Gangadhar Look east, act fast 6 Managing editor Shyamkanu Mahanta Mrs. Sucharita R. Hegde Imagining a peaceful Northeast 9 Prof. M. Amarjeet Singh Editor The Battle of Kohima – where the tide turned 12 Anuradha Dhareshwar Akul Tripathi Big on natural wealth, low on development 15 Amiya Kumar Sharma Assistant Editor E.Vijayalakshmi Rajan The mother of all peace efforts 17 Rani Pathak Das 6 A threatened haven called Taley Wildlife Sanctuary 19 Design Bittu Sahgal H. V. Shiv Shankar Damming the Brahmaputra - whom to blame? 22 Prof. Chandan Kumar Sharma Marketing Know India Better Mahesh Kanojia Paradise Unexplored : beyond the chicken neck 23 Akul Tripathi OIOP Clubs I am not an alien! 41 Vaibhav Palkar Longnam W. Kharpuri Face to Face: 42 Subscription Shubha Benurwar: Anuradha Kalhan Nagesh Bangera Features A clean Ganga need not be an oxymoron 44 23 Tirtho Banerjee Advisory board Winter is here 46 Sucharita Hegde Shoma A. Chatterji Justice S. Radhakrishnan Venkat R. Chary That nagging cough – can we blame it on pollution? 48 Dr. Sujeet Rajan We will keep marching! 50 Printed & Published by Lt.Gen. Vijay Oberoi Mrs. Sucharita R. Hegde for Columns 52 One India One People Foundation, Nature watch : Bittu Sahgal Mahalaxmi Chambers, 4th floor, In focus : C.V. Aravind 22, Bhulabhai Desai Road, Mumbai - 400 026 Young India 54 Shubha Benurwar Tel: 022-2353 4400 39 Great Indians 56 Fax: 022-2351 7544 e-mail: [email protected] Printed at: Graphtone (India) Pvt. -
Born Kamal Haasan 7 November 1954 (Age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film
Kamal Haasan From Wikipedia, the free encyclopedia Kamal Haasan Kamal Haasan Born 7 November 1954 (age 56) Paramakudi, Madras State, India Residence Chennai, Tamil Nadu, India Occupation Film actor, producer, director,screenwriter, songwriter,playback singer, lyricist Years active 1959–present Vani Ganapathy Spouse (1978-1988) Sarika Haasan (1988-2004) Partner Gouthami Tadimalla (2004-present) Shruti Haasan (born 1986) Children Akshara Haasan (born 1991) Kamal Haasan (Tamil: கமலஹாசன்; born 7 November 1954) is an Indian film actor,screenwriter, and director, considered to be one of the leading method actors of Indian cinema. [1] [2] He is widely acclaimed as an actor and is well known for his versatility in acting. [3] [4] [5] Kamal Haasan has won several Indian film awards, including four National Film Awards and numerous Southern Filmfare Awards, and he is known for having starred in the largest number of films submitted by India in contest for the Academy Award for Best Foreign Language Film.[6] In addition to acting and directing, he has also featured in films as ascreenwriter, songwriter, playback singer, choreographer and lyricist.[7] His film production company, Rajkamal International, has produced several of his films. In 2009, he became one of very few actors to have completed 50 years in Indian cinema.[8] After several projects as a child artist, Kamal Haasan's breakthrough into lead acting came with his role in the 1975 drama Apoorva Raagangal, in which he played a rebellious youth in love with an older woman. He secured his second Indian National Film Award for his portrayal of a guileless school teacher who tends a child-like amnesiac in 1982's Moondram Pirai. -
The Case of Tamil Nadu
CINEMATIC CHARISMA AS A POLITICAL GATEWAY IN SOUTH INDIA: THE CASE OF TAMIL NADU Dhamu Pongiyannan, MA Submitted to the Faculty of Humanities and Social Sciences In fulfilment of the requirements for the degree of Doctor of Philosophy (PhD) at The University of Adelaide 2012 Table of Contents Table of Contents ............................................................................................................... i List of Figures .................................................................................................................. iv Abstract............. ............................................................................................................... vi Declaration. ..................................................................................................................... vii Acknowledgements ........................................................................................................ viii Dedication....... ............................................................................................................... viii Situating Tamil Nadu in the Subcontinent ........................................................................ x Preface................ ............................................................................................................. xi Introduction ....................................................................................................................... 1 Ordinary Tamils, extraordinary celebrity devotion ................................................. -
Poetics of Praise and Cinematic Encompassment
Poetics of Praise and Cinematic Encompassment * Constantine V. Nakassis -- For John Bernard Bate (1960–2016) -- 1 Pure Tamil, Mass Hero The nineteenth century saw a transformation of politics and its ethnolin- guistic imaginary in the Madras Presidency. Colonial philological research into the relatedness of what became known as the Dravidian language family (Ellis 1816 [1849]; Caldwell 1856; Trautmann 1997, 2006; Mitchell 2009) proved that the south Indian languages—Tamil, Telugu, Kannada, Malayalam, as well as other, so-called tribal languages (Badaga, Toda, etc.)—came from a different genetic stock from the north Indian languages (viz. Indo-Aryan/European)—namely, Sanskrit and its congeners and da- ughter languages—and that its speakers, as later scholars in particular opined, were of a different ethno-racial and culture-historical population. Toward the final decades of the nineteenth century, Indian scholars such as U. Ve. Swaminatha Iyer (1855–1942) and C. W. Thamotharampillai (1832–1901) collected and anthologized (“discovered”), and thus made publicly available, the poems, epics, and grammars of Tamil antiquity— the so-called Sangam literature (~300 CE) (Shulman 2016:299ff.). Alongside this renaissance, as Sumathi Ramaswamy (1997) has detailed, was a resur- gence of Saivism—figured as distinct from north Indian, Aryan, Brahmin- ical Hinduism—as well as, at the beginning of the twentieth century, the non-Brahmin movement, a consortium of elite, upper-caste non-Brahmin Tamils who protested the Brahmin monopoly on colonial positions of power (Pandian 2007). Into the twentieth century, these different threads came to be art- iculated and transformed through the so-called Dravidian movement, a * Constantine V. -
Exporters List
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