DOCSLIB.ORG

1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 )

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 ) 1) Mana Desam ( Category/Genre = Social ) (Date: 24.11.1949 ) 2) Shavukaru ( Category/Genre = Social ) (Date: 07.04.1950 ) 3) Palleturi Pilla ( Category/Genre = Social ) (Date: 27.04.1950 ) 4) Maya Rambha ( Category/Genre = Mythological ) (Date: 15.09.1950 ) 5) Samsaram ( Category/Genre = Social ) (Date: 29.12.1950 ) 6) Pathala Bhairavi ( Category/Genre = Classical ) (Date: 15.03.1951 ) 7) Mallishwari ( Category/Genre = Historical ) (Date: 20.12.1951 ) 8) Pelli Chesi Choodu ( Category/Genre = Social ) (Date: 29.02.1952 ) 9) Daasi ( Category/Genre = Social ) (Date: 1952 ) 10) Palleturu ( Category/Genre = Social ) (Date: 1952 ) 11) Ammalakkalu ( Category/Genre = Social ) (Date: 12.03.1953 ) 12) Pitchi Pulliah ( Category/Genre = Social ) (Date: 17.07.1953 ) 13) Chandi Rani ( Category/Genre = Classical ) (Date: 28.08.1953 ) 14) Chandraharam ( Category/Genre = Classical ) (Date: 06.01.1954 ) 15) Vaddante Dabbu ( Category/Genre = Social ) (Date: 19.02.1954 ) 16) Thodu Dongalu ( Category/Genre = Social ) (Date: 15.04.1954 ) 17) Rechukka ( Category/Genre = Classical ) (Date: 23.05.1954 ) 18) Raju Peda ( Category/Genre = Classical ) (Date: 25.06.1954 ) 19) Sangam ( Category/Genre = Social ) (Date: 10.07.1954 ) 20) Aggiramudu ( Category/Genre = Social ) (Date: 05.08.1954 ) 21) Parivarthana ( Category/Genre = Social ) (Date: 01.09.1954 ) 22) Iddaru Pellalu ( Category/Genre = Social ) (Date: 06.10.1954 ) 23) Missamma ( Category/Genre = Social ) (Date: 12.01.1955 ) 24) Vijaya Gowri ( Category/Genre = Classical ) (Date: 30.06.1955 ) 25) Cherapakura Chedevu ( Category/Genre = Social ) (Date: 06.07.1955 ) 26) Kanyashulkam ( Category/Genre = Social ) (Date: 26.08.1955 ) 27) Jayasimha ( Category/Genre = Classical ) (Date: 21.10.1955 ) 28) Santosham ( Category/Genre = Social ) (Date: 24.12.1955 ) 29) T enali Ramakrishna ( Category/Genre = Historical ) (Date: 12.01.1956 ) 30) Chintamani ( Category/Genre = Social ) (Date: 11.04.1956 ) 31) Jayam Manade ( Category/Genre = Classical ) (Date: 04.05.1956 ) 32) Sontha Vuru ( Category/Genre = Social ) (Date: 23.05.1956 ) 33) Uma Sundari ( Category/Genre = Classical ) (Date: 20.07.1956 ) 34) Chiranjeevulu ( Category/Genre = Social ) (Date: 1956 ) 35) Sri Gowri Mahatyam ( Category/Genre = Classical ) (Date: 05.10.1956 ) 36) Penki Pellam ( Category/Genre = Social ) (Date: 06.12.1956 ) 37) Charanadaasi ( Category/Genre = Social ) (Date: 20.12.1956 ) 38) Bhagyarekha ( Category/Genre = Social ) (Date: 20.02.1957 ) 39) Maya Bazaar ( Category/Genre = Mythological ) (Date: 27.03.1957 ) 40) Veerakankanam ( Category/Genre = Classical ) (Date: 16.05.1957 ) 41) Sankalpam ( Category/Genre = Social ) (Date: 19.05.1957 ) 42) Vinayaka Chavithi ( Category/Genre = Mythological ) (Date: 22.08.1957 ) 43) Bale Ammayilu ( Category/Genre = Social ) (Date: 06.09.1957 ) 44) Sathi Anasuya ( Category/Genre = Mythological ) (Date: 27.10.1957 ) 45) Saarangadhara ( Category/Genre = Historical ) (Date: 01.11.1957 ) 46) Kutumba Gauravam ( Category/Genre = Social ) (Date: 07.11.1957 ) 47) Pandurangamahatyam ( Category/Genre = Mythological ) (Date: 28.11.1957 ) 48) Anna Tammudu ( Category/Genre = Social ) (Date: 15.02.1958 ) 49) Bhookailas ( Category/Genre = Mythological ) (Date: ) 20.03.1958 50) Shobha ( Category/Genre = Social ) (Date: 01.05.1958 ) 51) Rajanandini ( Category/Genre = Classical ) (Date: 04.07.1958 ) 52) Manchi Mansuku Manchi Rojulu ( Category/Genre = Social ) (Date: 15.08.1958 ) 53) Kaarthavarayuni Katha ( Category/Genre = Classical ) (Date: 18.10.1958 ) 54) Intiguttu ( Category/Genre = Social ) (Date: 07.11.1958 ) 55) Appuchesi Pappukoodu ( Category/Genre = Social ) (Date: 14.01.1959 ) 56) Re Chukka Pagati Chukka ( Category/Genre = Classical ) (Date: 14.05.1959 ) 57) Shabash Ramudu ( Category/Genre = Social ) (Date: 04.09.1959 ) 58) Daiva Balam ( Category/Genre = Classical ) (Date: 17.09.1959 ) 59) Bala Nagamma ( Category/Genre = Classical ) (Date: 09.10.1959 ) 60) Vachhina Kodalu Nachhindi ( Category/Genre = Social ) (Date: 16.10.1959 ) 61) Banda Ramudu ( Category/Genre = Social ) (Date: 06.11.1959 ) 62) Sri Venkateswara Mahatyam ( Category/Genre = Mythological ) (Date: 09.01.1960 ) 63) Raja Makutam ( Category/Genre = Classical ) (Date: 24.02.1960 ) 64) Rani Ratnaprabha ( Category/Genre = Classical ) (Date: 27.05.1960 ) 65) Devantakudu ( Category/Genre = Social ) (Date: 07.07.1960 ) 66) Vimala ( Category/Genre = Social ) (Date: 11.08.1960 ) 67) Deepavali ( Category/Genre = Mythological ) (Date: 22.09.1960 ) 68) Batti Vikramarka ( Category/Genre = Classical ) (Date: 28.09.1960 ) 69) Kadeddulu Ekaram Nela ( Category/Genre = Social ) (Date: 06.10.1960 ) 70) Bhakta Raghunatha ( Category/Genre = Social ) (Date: 04.11.1960 ) 71) Seetharama Kalyanam ( Category/Genre = Mythological ) (Date: 06.01.1961 ) 72) Intiki Deepam Illale ( Category/Genre = Social ) (Date: 26.01.1961 ) 73) Sathi Sulochana (Indrajit) ( Category/Genre = Mythological ) (Date: 05.05.1961 ) 74) Pendli Pilupu ( Category/Genre = Social ) (Date: 05.05.1961 ) 75) Shaanta ( Category/Genre = Social ) (Date: 14.07.1961 ) 76) Jagadekaveeruni Katha ( Category/Genre = Classical ) (Date: 09.08.1961 ) 77) Kalisivunte Kaladu Sukham ( Category/Genre = Social ) (Date: 08.09.1961 ) 78) Taxi Ramudu ( Category/Genre = Social ) (Date: 18.10.1961 ) 79) Gulebakavali Katha ( Category/Genre = Classical ) (Date: 05.01.1962 ) 80) Gaali Medalu ( Category/Genre = Social ) (Date: 09.02.1962 ) 81) Tiger Ramudu ( Category/Genre = Social ) (Date: 08.03.1962 ) 82) Bhishma ( Category/Genre = Mythological ) (Date: 19.04.1962 ) 83) Dakshayagnam ( Category/Genre = Mythological ) (Date: 10.05.1962 ) 84) Gundamma Katha ( Category/Genre = Social ) (Date: 07.06.1962 ) 85) Mahamantri Timmarusu ( Category/Genre = Historical ) (Date: 26.07.1962 ) 86) Swarna Manjari ( Category/Genre = Classical ) (Date: 10.08.1962 ) 87) Raktha Sambandham ( Category/Genre = Social ) (Date: 01.11.1962 ) 88) Aatma Bandhuvulu ( Category/Genre = Social ) (Date: 14.12.1962 ) 89) Srikrishnarjunayuddham ( Category/Genre = Mythological ) (Date: 09.01.1963 ) 90) Irugu Porugu ( Category/Genre = Social ) (Date: 11.01.1963 ) 91) Pempudu Kuthuru ( Category/Genre = Social ) (Date: 06.02.1963 ) 92) Valmiki ( Category/Genre = Mythological ) (Date: 09.02.1963 ) 93) Savathi Koduku ( Category/Genre = Social ) (Date: 22.02.1963 ) 94) Lava Kusha ( Category/Genre = Mythological ) (Date: 29.03.1963 ) 95) Paruvu Pratishtha ( Category/Genre = Social ) (Date: 09.05.1963 ) 96) Aapta Mithrulu ( Category/Genre = Social ) (Date: 29.05.1963 ) 97) Bandhi Potu ( Category/Genre = Classical ) (Date: 15.08.1963 ) 98) Lakshadhikari ( Category/Genre = Social ) (Date: 27.09.1963 ) 99) Tirupatamma Katha ( Category/Genre = Social ) (Date: 04.10.1963 ) 100) Narthanashala ( Category/Genre = Mythological ) (Date: 11.10.1963 ) 101) Manchi Chedu ( Category/Genre = Social ) (Date: 07.11.1963 ) 102) Gudigantalu ( Category/Genre = Social ) (Date: 14.01.1964 ) 103) Marmayogi ( Category/Genre = Classical ) (Date: 22.02.1964 ) 104) Kalavari Kodalu ( Category/Genre = Social ) (Date: 14.03.1964 ) 105) Desadrohulu ( Category/Genre = Social ) (Date: 07.05.1964 ) 106) Ramudu Bhimudu ( Category/Genre = Social ) (Date: 21.05.1964 ) 107) Satyannarayana Vratha Mahatyam ( Category/Genre = Mythological ) (Date: 27.06.1964 ) 108) Aggi Pidugu ( Category/Genre = Classical ) (Date: 30.07.1964 ) 109) Dagudu Moothalu ( Category/Genre = Social ) (Date: 21.08.1964 ) 110) Shabhash Suri ( Category/Genre = Social ) (Date: 19.09.1964 ) 111) Babruvahana ( Category/Genre = Mythological ) (Date: 22.10.1964 ) 112) Vivaha Bandham ( Category/Genre = Social ) (Date: 23.10.1964 ) 113) Manchi Manishi ( Category/Genre = Social ) (Date: 11.11.1964 ) 114) Vaarasathvam ( Category/Genre = Social ) (Date: 19.11.1964 ) 115) Bobbili Yuddham ( Category/Genre = Historical ) (Date: 04.12.1964 ) 116) Bhaktha Ramadasu (G) ( Category/Genre = Mythological ) (Date: 23.12.1964 ) 117) Naadi Aadajanme ( Category/Genre = Social ) (Date: 07.01.1965 ) 118) Paandava Vanavasam ( Category/Genre = Mythological ) (Date: 14.01.1965 ) 119) Dorikithe Dongalu ( Category/Genre = Social ) (Date: 26.02.1965 ) 120) Mangamma Shapatham ( Category/Genre = Classical ) (Date: 06.03.1965 ) 121) Satyaharishchandra ( Category/Genre = Mythological ) (Date: 22.04.1965 ) 122) Thodu Needa ( Category/Genre = Social ) (Date: 12.05.1965 ) 123) Prameelaarjuneeyam ( Category/Genre = Mythological ) (Date: 11.06.1965 ) 124) Devatha ( Category/Genre = Social ) (Date: 24.07.1965 ) 125) Veerabhimanyu ( Category/Genre = Mythological ) (Date: 12.08.1965 ) 126) Vishalahrudayaalu ( Category/Genre = Social ) (Date: 09.09.1965 ) 127) C. I. D. ( Category/Genre = Social ) (Date: 23.09.1965 ) 128) Aadabrathuku ( Category/Genre = Social ) (Date: 12.11.1965 ) 129) Sri Krishnapaandaveeyam ( Category/Genre = Mythological ) (Date: 13.01.1966 ) 130) Palnati Yuddham ( Category/Genre = Historical ) (Date: 18.02.1966 ) 131) Shakuntala ( Category/Genre = Historical ) (Date: 03.03.1966 ) 132) Paramaanandayya Sishyulu Katha ( Category/Genre = Classical ) (Date: 07.04.1966 ) 133) Shrikakulaandhra Mahavishnu Katha ( Category/Genre = Historical ) (Date: 06.05.1966 ) 134) Mangalasuthram ( Category/Genre = Social ) (Date: 19.05.1966 ) 135) Aggibarata ( Category/Genre = Classical ) (Date: 02.06.1966 ) 136) Sangeeta Lakshmi ( Category/Genre = Social ) (Date: 07.07.1966 ) 137) Srikrishnatulabharam ( Category/Genre = Mythological ) (Date: 25.08.1966 ) 138) Piduguramudu ( Category/Genre = Classical ) (Date: 10.09.1966 ) 139) Adugujaadalu ( Category/Genre = Social ) (Date: 25.09.1966
Load more

Recommended publications
  • Sunada Vinodini Music Gurukulam, Gurgaon, Haryana, India
    SUNADA Music, Therapy and More... Volume XIII, January, 2018 “WRITE IT ON YHOUR HEART THAT EVERY DAY IS THE BEST IN THE YEAR” – RALPH WALDO EMERSON HAPPY, HEALTHY NEW YEAR TO OUR DEAR READERS… From the Editor’s Desk… Baby Sunada completes one year. Despite some teething problems, we have learned a lot of things about running a magazine, the pains, pleasures and everything else. Taking the suggestions offered by our valued readers, we are changing the format of the magazine so that it becomes easier to turn the pages and makes it a more pleasurable experience to read. We hope the readers welcome the new Avatar.. We welcome your continued patronage and readership and valuable suggestions. And, baby Sunada needs all of your best wishes and blessings. We assure our readers that we will keep up our efforts to make this a magazine of high standards. KSVasanthaLakshmi Founder & Editor www.sunadavinodini.com In this issue… The Bhajan Effect…….3 Face to Face..…………………………6 What you Think……………………….9 Effect of listening to favourite music. GENRES OF MUSIC – THE BHAJAN EFFECT By K.S. Vasantha Lakshmi Bhajan means prayer or singing in praise of God generally. As is known to one and all, Bhajans, Keertans and chants are used to evoke and awaken the divine spirit hidden in the human mind and heart. There are many ways in which Bhajans are used, in a personal capacity as a one-to-one dialogue or as group prayers. To talk about Bhajan Effect and not mention great saint poets is blasphemous. However, the attempt is not to sing in praise of the saint poets, but to analyse the effect it has on the listeners and those who participate in the act of singing the Bhajans.
    [Show full text]
  • Bolla Sai Padmini P
    S.NO INSTITUTE NAME STATE LAST NAME FIRST NAME PROGRAMME COURSE 1 RAO'S COLLEGE OF PHARMACY Andhra Pradesh - BOLLA SAI PHARMACY PHARMACEUTICS PADMINI 2 SRI VENKATESHWARA COLLEGE OF Andhra Pradesh DEBOSMITHA SAMANTHA APPLIED ARTS AND APPLIED ARTS FINE ARTS CRAFTS 3 MRM COLLEGE OF PHARMACY Andhra Pradesh B MURALI PHARMACY PHARMACEUTICS 4 MRM COLLEGE OF PHARMACY Andhra Pradesh J SREEKANTH PHARMACY PHARMACEUTICS 5 JYOTHISHMATHI INSTITUTE OF Andhra Pradesh BOINI SHRAVANI PHARMACY PHARMACY PHARMACEUTICAL SCIENCES 6 JYOTHISHMATHI INSTITUTE OF Andhra Pradesh RASAPELLY RAMESH PHARMACY PHARMACY PHARMACEUTICAL SCIENCES KUMAR 7 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh KUMARI M COLLEGE 8 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh LAKSHMI D COLLEGE 9 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh BHOOSHANAM E COLLEGE 10 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh GUNDAJI VENKATA ENGINEERING AND FIRST YEAR/OTHER COLLEGE TECHNOLOGY 11 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh R BHARGAVI ENGINEERING AND COMPUTER SCIENCE AND COLLEGE TECHNOLOGY ENGINEERING 12 SRIDEVI WOMEN'S ENGINEERING Andhra Pradesh PADMANABHU RAVI ENGINEERING AND ELECTRONICS & COMMUNICATION COLLEGE NI TECHNOLOGY ENGG 13 GOVERNMENT POLYTECHNIC FOR Andhra Pradesh KOSURI ACHYUTA ENGINEERING AND CIVIL ENGINEERING WOMEN SATYA TECHNOLOGY 14 GLOBAL GROUP OF INSTITUTIONS Andhra Pradesh S HEMANTH ENGINEERING AND ELECTRONICS & COMMUNICATION TECHNOLOGY ENGG 15 GLOBAL GROUP OF INSTITUTIONS Andhra Pradesh VENNAM VENKARAM ENGINEERING AND COMPUTER SCIENCE AND TECHNOLOGY ENGINEERING 16 AZAD COLLEGE OF
    [Show full text]
  • When Nature Plays a Trick on You and You Are Considered A
    1 1 WAS BORN rtaki travels down memory lane, long into her childhood. The most vivid memory she has, is a recurring one and has stayed with her to date. She remembers the misty dawn in the mildly cold winter month of Margazhi, spanning the second half of December and the first of January which is probably the most pleasant in the otherwise hot south. This is the season of fasts and prayers - espe- cially by young maidens waiting for the knight in shining armour. The silence of the wee dark hours is broken by the melo- dious singing of the Thevaram, When nature plays a trick on Thiruvasakam, Thiruppavai, you and you are considered a Thiruvenbavai (centuries-old hymns composed by the great Tamil saints) by gender freak, there is not groups of young ladies and girls to the I much choice but to draw accompaniment of cymbals. And some- from your inner strength where, snug inside a warm blanket, Nartaki remembers a pair of tiny feet that •Ip to make a life for kept perfect time to the mesmerising • yourself, That is what, rhythm outside. f Nartaki, born with the Nartaki recollects, "This is the earliest anatomy of a man but the memory I have of my introduction to the world of music and rhythm - the tap-tap- heart, soul and mind of a ping of my feet, the first steps of my woman, did. Here she dance while my eyes were still half narrates to Annam Suresh, her asleep. I was barely four years old then." touching tale of pain, struggle Not incredible at all.
    [Show full text]
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • Tracing the Evolution of Womanhood Into Selfhood in Select Contemporary Films
    TRACING THE EVOLUTION OF WOMANHOOD INTO SELFHOOD IN SELECT CONTEMPORARY FILMS VIDHYA VIJAYAN Research Scholar Department of English M G University, Kottayam, Kerala INDIA Film, the most popular media, has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portrayed women characters as doubly marginalized creatures. In earlier times women were featured as a commodity only to satisfy male urge and their bodies were featured in a way as if they are meant for male consumption with some few exceptions. Now changes occur and women begin to play the role of central characters. The audiences also begin to perceive the makeover from the conventional girl to an iconoclastic woman. The present study focuses on three movies ‘Queen’ (Hindi), ‘How Old Are You?’ (Malayalam), and ‘Rani Padmini’ (Malayalam) with giving due emphasis on how the women characters are transformed or how they are emancipated in this patriarchal world. Three films mentioned here are highly inspirational and motivational story of women’s empowerment. Keywords- commodity, iconoclastic woman, emancipation, empowerment INTRODUCTION Film and social reality do feed one another. Film has a tremendous impact to carve out how individual can feel about a particular topic. Indian films portray women characters as stereotypes. It is a double emphasized statement that women are often subjugated in every field and they are doubly marginalized. Films, the recently flourished scenario, also emphasize the same. In the olden days women have been relegated to the passive position in film after film. She merely becomes an adjunct to the man, the wielder of power.
    [Show full text]
  • Cricket Poster
    India ODI Strike Rate Sachin Sourav Rahul R Tendulkar C Ganguly Dravid Mohammad Yuvraj Virender Mahendra Azharuddin Singh Sehwag S Dhoni Sunil Mohammad Virat Vinod Alaysinhji Kapil M Gavaskar Kaif Kohli G Kambli D Jadeja Dev Manoj Rohit Irfan Nayan Ajit VangipurappuM VPrabhakarG Sharma K Pathan R Mongia B Agarkar S Laxman Dillip Navjot Javagal Yashpal Hemang Yusuf Robin B Vengsarkar Dinesh Srinath Sharma K Badani K Pathan V Uthappa S Sidhu Mongia Rabindra Roger M Woorkeri Kiran Praveen Raman Sunil S More K Amre R Singh Lamba H Binny V Raman B Joshi Harbhajan Singh Syed M Saba Ajinkya Hrishikesh Ashok Nikhil H Kirmani Karim M Rahane H Kanitkar Chopra Suresh Malhotra Gautam Zaheer Khan K Raina Sameer Brijesh Bapu K Yalaka Vijay Chandrakant S Dighe P PatelVenkatesh PrasadVenugopal Rao Dahiya Gambhir S Pandit Krishna K Chetan Sanjay D Karthik Sharma Murali Atul Jacob Chetandra P Rohan Amay Vijay C Bedade J Martin S ChauhanS GavaskarR Khurasiya V Manjrekar Ravindra Reetinder S Sodhi A Jadeja AshishRavichandranArunLakshmipathyVijay Arshad Vikram Nehra Ashwin Lal Balaji Yadav Ayub Gundappa S Rathore R Viswanath Gagan Surinder Syed Ajay Vakkadai Sandeep Praveen AmarnathAbid Ali RatraB Chandrasekhar Sanjay Vijay R K Khoda M Patil Kumar R Bhardwaj Pathiv B Bangar Sridharan Jai SanjeevSubramaniamMunaf Krishnamachari Farokh SriramP YadavK SharmaBadrinathM Patel Ravishankar A Patel Ajay M Engineer Surinder Rajesh Jatin K Sharma K Chauhan Ajit ManinderIshantSarandeepAshok Kirtivardhan C Khanna KarsanL WadekarV ParanjpeSinghSharmaSinghV Mankad J Shastri
    [Show full text]
  • 2-10 Conferences
    2nd Conference to 10th Conference Second TANA Conference (Detroit 1979) Tummala Madhava Rao Kakarla Subba Rao - President Souvenir Editorial Co-ordinators Famous artist Puranam Subrahmanya Sarma Nanduri Rammohana Rao S.V. Rama Rao Prof. C.R.Rao P.V. Narasimharao Akkineni Nageswara Rao P.V. Narasimharao Dasaradhi Rangacharya Prabhakar Kakarala Ramoji Rao Committee Chairman Raghavendra Prasad Avula Sambaiva Rao Veeragandham Subbarao, with Lakshmi Parvathi Left to right Bandla Hanumaiah, Madhavarao Tummala, Tirupataiah Tella, Satyanarayana Nallamothu, Gangadhar Nadell, Prabhakar Kakarala, Chandrasekhara rao Kakarala Third TANA Conference (Chicago 1981) Conference Venue - Oak Park and River Forest High School Tella Tirupatiah Tummala Madhava Rao RavindranathGuttikonda Tirupataiah tella,r k , Tella Tirupathaiah Tummala Madhava Rao Narayanganj Bhatnagar M. Baga Reddy C. Narayana Reddy with Tirupathaiah right last Nallamotu Satyanarayana in the middle Mullapudi Harischandra Guttikonda Ravindranath, Padma Prasad Nadella Bhaskar NTR with Tirupathaiah Ramoji Rao, Nadella Bhaskar Tirupathaiah Tella, Narayanganj Saluri Rajeswara Rao Sri Sri Yadlapati Venkata Rao Fourth TANA Conference (Washington DC 1983) Venue of the Conference Chennareddy Tella Titupataiah S.V.Rao Art committee Chairman Jakkampudi Subbaraidu convenor from left 3rd N.G. Ranga, Guttikonda Ravidranath Fifth TANA Conference (Los Angeles 1985) Long Beach Convention Long Beach Convention Center Raghavendra Prasad Potturi Venkateswara Upendra Vasantha Nageswara Rao Mandapaka Sarada Sobhanaidu
    [Show full text]
  • LV Prasad Ç”Μå½± ĸ²È¡Œ (Ť§Å…¨)
    L. V. Prasad 电影 串行 (大全) Pelli Chesi Choodu https://zh.listvote.com/lists/film/movies/pelli-chesi-choodu-7161562/actors Shavukar https://zh.listvote.com/lists/film/movies/shavukar-7491128/actors Samsaram https://zh.listvote.com/lists/film/movies/samsaram-7410322/actors Drohi https://zh.listvote.com/lists/film/movies/drohi-5308217/actors Thayilla Pillai https://zh.listvote.com/lists/film/movies/thayilla-pillai-1626954/actors Rani https://zh.listvote.com/lists/film/movies/rani-7292945/actors Beti Bete https://zh.listvote.com/lists/film/movies/beti-bete-10954747/actors Missamma https://zh.listvote.com/lists/film/movies/missamma-10999439/actors Kadan Vaangi Kalyaanam https://zh.listvote.com/lists/film/movies/kadan-vaangi-kalyaanam-12982342/actors Jeene Ki Raah https://zh.listvote.com/lists/film/movies/jeene-ki-raah-1651091/actors Iruvar Ullam https://zh.listvote.com/lists/film/movies/iruvar-ullam-1673252/actors Pembudu Kodukku https://zh.listvote.com/lists/film/movies/pembudu-kodukku-18129317/actors Manohara https://zh.listvote.com/lists/film/movies/manohara-1890970/actors Sharada https://zh.listvote.com/lists/film/movies/sharada-2277133/actors Missiyamma https://zh.listvote.com/lists/film/movies/missiyamma-27067497/actors Bidaai https://zh.listvote.com/lists/film/movies/bidaai-3419886/actors Daadi Maa https://zh.listvote.com/lists/film/movies/daadi-maa-3444254/actors Appu Chesi Pappu Koodu https://zh.listvote.com/lists/film/movies/appu-chesi-pappu-koodu-4781783/actors Baagyavathi https://zh.listvote.com/lists/film/movies/baagyavathi-4837114/actors
    [Show full text]
  • Srikakulam Post :Secondary Grade Teacher Subject : No Subject Medium : Telugu
    Page No: 1 of 666 TEACHER RECRUITMENT ( TRT and TETcumTRT ) - 2018 GENERAL MERITLIST DISTRICT :SRIKAKULAM POST :SECONDARY GRADE TEACHER SUBJECT : NO SUBJECT MEDIUM : TELUGU S.No HallTicket No Candidate Name Gender PHC SPORTS Marks RANK ( Written +Tet WTG) Reference Id Father Name Community Ex-Servicemen LOCAL District 1 18011440002462 PADALA NEELIMA FEMALE No No 85.8667 1 30548861 PADALA MALLESWARA RAO BC-B No SRIKAKULAM 2 18061440035027 DAMODARA DURGAPRASAD MALE No No 85.0667 2 30026094 DAMODARA GANAPATHIRAO BC-A No SRIKAKULAM 3 18061440016588 INTENUKA PAPARAO MALE No No 84.9333 3 30344848 INTENUKA LATCHAYYA BC-B No SRIKAKULAM 4 18061440034938 RAPIREDDI PRASAD MALE No No 84.6667 4 30099442 RAPIREDDI RAMANA OC No SRIKAKULAM 5 18011440000554 CHUKKALA TIRUPATHIRAO MALE No No 84.5333 5 30523228 CHUKKALA SANKARARAO BC-B No SRIKAKULAM 6 18011440007247 KATTIRI YAMUNA FEMALE No No 84.2667 6 30155737 KATTIRI SATYAM LATE BC-D No SRIKAKULAM 7 18011440000061 KADAGANA AISWARYA FEMALE No No 84.2667 7 30526908 KADAGANA LOHITASYUDU BC-D No SRIKAKULAM 8 18021440002671 POTNURU ANIL KUMAR MALE No No 84 8 30115491 POTNURU MUKUNDA RAO BC-D No SRIKAKULAM 9 18161440017696 LOLUGU VENKATESH MALE No No 83.6 9 30198712 LOLUGU GOPALAM BC-D No SRIKAKULAM 10 18181440001854 PARRI DHANALAKSHMI FEMALE No No 83.6 10 30305750 PARRI TARINAYYA BC-B No SRIKAKULAM 11 18011440008224 KURITI MOULI FEMALE No No 83.2 11 30077103 KURITI RAMU BC-D No SRIKAKULAM 12 18061440020206 DATTI MAHESWARA RAO MALE No No 83.2 12 30068564 D SIMHA CHALAM BC-D No SRIKAKULAM 13 18061440001522 VANA
    [Show full text]
  • The Journal of International Communication Film Remakes As
    This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but Also Contains Ethical Imports That
    Global Journal of HUMAN-SOCIAL SCIENCE: A Arts & Humanities - Psychology Volume 20 Issue 10 Version 1.0 Year 2020 Type: Double Blind Peer Reviewed International Research Journal Publisher: Global Journals Online ISSN: 2249-460x & Print ISSN: 0975-587X Chevalior Sivaji Ganesan‟S Tamil Film Songs Not Only Emulated the Quality of the Movie but also Contains Ethical Imports that can be Compared with the Ethical Theories – A Retrospective Reflection By P.Sarvaharana, Dr. S.Manikandan & Dr. P.Thiyagarajan Tamil Nadu Open University Abstract- This is a research work that discusses the great contributions made by Chevalior Shivaji Ganesan to the Tamil Cinema. It was observed that Chevalior Sivaji film songs reflect the theoretical domain such as (i) equity and social justice and (ii) the practice of virtue in the society. In this research work attention has been made to conceptualize the ethical ideas and compare it with the ethical theories using a novel methodology wherein the ideas contained in the film song are compared with the ethical theory. Few songs with the uncompromising premise of patni (chastity of women) with the four important charateristics of women of Tamil culture i.e. acham, madam, nanam and payirpu that leads to the great concept of chastity practiced by exalting woman like Kannagi has also been dealt with. The ethical ideas that contain in the selection of songs were made out from the selected movies acted by Chevalier Shivaji giving preference to the songs that contain the above unique concept of ethics. GJHSS-A Classification: FOR Code: 190399 ChevaliorSivajiGanesanSTamilFilmSongsNotOnlyEmulatedtheQualityoftheMoviebutalsoContainsEthicalImportsthatcanbeComparedwiththeEthicalTheo riesARetrospectiveReflection Strictly as per the compliance and regulations of: © 2020.
    [Show full text]
  • Tamil Nadu Government Gazette
    © [Regd. No. TN/CCN/467/2012-14. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2012 [Price: Rs. 28.80 Paise. TAMIL NADU GOVERNMENT GAZETTE PUBLISHED BY AUTHORITY No. 37] CHENNAI, WEDNESDAY, SEPTEMBER 19, 2012 Purattasi 3, Thiruvalluvar Aandu–2043 Part VI—Section 4 Advertisements by private individuals and private institutions CONTENTS PRIVATE ADVERTISEMENTS Change of Names .. 2325-2395 Notices .. 2240-2242 .. 1764 1541-1617 NoticeNOTICE .. 1617 NO LEGAL RESPONSIBILITY IS ACCEPTED FOR THE PUBLICATION OF ADVERTISEMENTS REGARDING CHANGE OF NAME IN THE TAMIL NADU GOVERNMENT GAZETTE. PERSONS NOTIFYING THE CHANGES WILL REMAIN SOLELY RESPONSIBLE FOR THE LEGAL CONSEQUENCES AND ALSO FOR ANY OTHER MISREPRESENTATION, ETC. (By Order) Director of Stationery and Printing. CHANGE OF NAMES 34603. My daughter, N. Rizwana, born on 12th November 34606. I, B. Vel, son of Thiru K. Bethuraj, born on 4th April 1996 (native district: Ramanathapuram), residing at 1967 (native district: Theni), residing at No. 63-NA, Vaigai No. 11-7B/68, New Ramnad Road, Visalam, Madurai- Colony, Anna Nagar, Madurai-625 020, shall henceforth be 625 009, shall henceforth be known as N. RISVANA BEGAM. known as B. VELUCHAMY. ï£Ã˜H„¬ê. B. VEL. Madurai, 10th September 2012. (Father.) Madurai, 10th September 2012. 34604. I, N. Radha, daughter of Thiru V. Navaneethan, 34607. I, N. Thirupathi, son of Thiru Narayanasamy, born born on 18th July 1991 (native district: Calcutta-West Bengal), on 7th June 1983 (native district: Dindigul), residing at residing at No. 1/65A, Katchaikatti, T. Vadipatti Taluk, Madurai-625 218, shall henceforth be known No. 1C, Melaponnakaram 2nd Street, Arapalayam Post, as N.
    [Show full text]