2-10 Conferences

Total Page:16

File Type:pdf, Size:1020Kb

2-10 Conferences 2nd Conference to 10th Conference Second TANA Conference (Detroit 1979) Tummala Madhava Rao Kakarla Subba Rao - President Souvenir Editorial Co-ordinators Famous artist Puranam Subrahmanya Sarma Nanduri Rammohana Rao S.V. Rama Rao Prof. C.R.Rao P.V. Narasimharao Akkineni Nageswara Rao P.V. Narasimharao Dasaradhi Rangacharya Prabhakar Kakarala Ramoji Rao Committee Chairman Raghavendra Prasad Avula Sambaiva Rao Veeragandham Subbarao, with Lakshmi Parvathi Left to right Bandla Hanumaiah, Madhavarao Tummala, Tirupataiah Tella, Satyanarayana Nallamothu, Gangadhar Nadell, Prabhakar Kakarala, Chandrasekhara rao Kakarala Third TANA Conference (Chicago 1981) Conference Venue - Oak Park and River Forest High School Tella Tirupatiah Tummala Madhava Rao RavindranathGuttikonda Tirupataiah tella,r k , Tella Tirupathaiah Tummala Madhava Rao Narayanganj Bhatnagar M. Baga Reddy C. Narayana Reddy with Tirupathaiah right last Nallamotu Satyanarayana in the middle Mullapudi Harischandra Guttikonda Ravindranath, Padma Prasad Nadella Bhaskar NTR with Tirupathaiah Ramoji Rao, Nadella Bhaskar Tirupathaiah Tella, Narayanganj Saluri Rajeswara Rao Sri Sri Yadlapati Venkata Rao Fourth TANA Conference (Washington DC 1983) Venue of the Conference Chennareddy Tella Titupataiah S.V.Rao Art committee Chairman Jakkampudi Subbaraidu convenor from left 3rd N.G. Ranga, Guttikonda Ravidranath Fifth TANA Conference (Los Angeles 1985) Long Beach Convention Long Beach Convention Center Raghavendra Prasad Potturi Venkateswara Upendra Vasantha Nageswara Rao Mandapaka Sarada Sobhanaidu Famous Dancer Nayudamma Sixth TANA Conference (St. Louis 1987) S. Chandra Sekhara Rao Mantena Narasa Raju Chairman Kakarla Subbarao Guttikonda Ravindranath, Mantena Narasa Raju Koneru Ramakrishna Rao Yasoda Reddy Burgulapalli Venkateswara Rao Seventh TANA Conference (Houston 1989) Vanguri Chittenraju President of Telugu Prabhakar Kakarala Conference Place Vinta Janardhana Reddy Conference Committee Chalasani Prasada Rao Special Guest Kalanadhabhatta Special Guest Madasani Mohan Madasani Mohan Subrahmanya sastry Hon’ble Editor of Hon’ble Editor of Telugu Paluku Telugu Paluku Eight TANA Conference (Atlanta 1991) Venue of the Conference Nallmothu Satyanarayana Georgia world congress centre Ex-officio Member Muralimohan Pemmaraju venugopala Rao Directed Stage Plays Ramoji Rao Co-editor of Telugupaluku Sudhakar Pavuluri Treasurer Aarudra Ninth TANA Conference (New York 1993) Cherukupalli Nerhu Kidambi Raghunath Meka Venkata Satyanarayana Sanjeeva Dev Paintings of Sanjeeva Dev Nallamothu Satyanarayana Dasaradha Ramireddy Addressing NTR Tenth TANA Conference (Chicago 1995) Chairpersons of the Conference Kongara Jaggaiah Y. Lakshmi Prasad Bapu Ramana Bhamidipati Artists from Andhra Pradesh Ramagopalam Vempati Chinasatyam Gummadi Gopala Krishna.
Recommended publications
  • In the Name of Krishna: the Cultural Landscape of a North Indian Pilgrimage Town
    In the Name of Krishna: The Cultural Landscape of a North Indian Pilgrimage Town A DISSERTATION SUBMITTED TO THE FACULTY OF THE GRADUATE SCHOOL OF THE UNIVERSITY OF MINNESOTA BY Sugata Ray IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY Frederick M. Asher, Advisor April 2012 © Sugata Ray 2012 Acknowledgements They say writing a dissertation is a lonely and arduous task. But, I am fortunate to have found friends, colleagues, and mentors who have inspired me to make this laborious task far from arduous. It was Frederick M. Asher, my advisor, who inspired me to turn to places where art historians do not usually venture. The temple city of Khajuraho is not just the exquisite 11th-century temples at the site. Rather, the 11th-century temples are part of a larger visuality that extends to contemporary civic monuments in the city center, Rick suggested in the first class that I took with him. I learnt to move across time and space. To understand modern Vrindavan, one would have to look at its Mughal past; to understand temple architecture, one would have to look for rebellions in the colonial archive. Catherine B. Asher gave me the gift of the Mughal world – a world that I only barely knew before I met her. Today, I speak of the Islamicate world of colonial Vrindavan. Cathy walked me through Mughal mosques, tombs, and gardens on many cold wintry days in Minneapolis and on a hot summer day in Sasaram, Bihar. The Islamicate Krishna in my dissertation thus came into being.
    [Show full text]
  • Cricket Poster
    India ODI Strike Rate Sachin Sourav Rahul R Tendulkar C Ganguly Dravid Mohammad Yuvraj Virender Mahendra Azharuddin Singh Sehwag S Dhoni Sunil Mohammad Virat Vinod Alaysinhji Kapil M Gavaskar Kaif Kohli G Kambli D Jadeja Dev Manoj Rohit Irfan Nayan Ajit VangipurappuM VPrabhakarG Sharma K Pathan R Mongia B Agarkar S Laxman Dillip Navjot Javagal Yashpal Hemang Yusuf Robin B Vengsarkar Dinesh Srinath Sharma K Badani K Pathan V Uthappa S Sidhu Mongia Rabindra Roger M Woorkeri Kiran Praveen Raman Sunil S More K Amre R Singh Lamba H Binny V Raman B Joshi Harbhajan Singh Syed M Saba Ajinkya Hrishikesh Ashok Nikhil H Kirmani Karim M Rahane H Kanitkar Chopra Suresh Malhotra Gautam Zaheer Khan K Raina Sameer Brijesh Bapu K Yalaka Vijay Chandrakant S Dighe P PatelVenkatesh PrasadVenugopal Rao Dahiya Gambhir S Pandit Krishna K Chetan Sanjay D Karthik Sharma Murali Atul Jacob Chetandra P Rohan Amay Vijay C Bedade J Martin S ChauhanS GavaskarR Khurasiya V Manjrekar Ravindra Reetinder S Sodhi A Jadeja AshishRavichandranArunLakshmipathyVijay Arshad Vikram Nehra Ashwin Lal Balaji Yadav Ayub Gundappa S Rathore R Viswanath Gagan Surinder Syed Ajay Vakkadai Sandeep Praveen AmarnathAbid Ali RatraB Chandrasekhar Sanjay Vijay R K Khoda M Patil Kumar R Bhardwaj Pathiv B Bangar Sridharan Jai SanjeevSubramaniamMunaf Krishnamachari Farokh SriramP YadavK SharmaBadrinathM Patel Ravishankar A Patel Ajay M Engineer Surinder Rajesh Jatin K Sharma K Chauhan Ajit ManinderIshantSarandeepAshok Kirtivardhan C Khanna KarsanL WadekarV ParanjpeSinghSharmaSinghV Mankad J Shastri
    [Show full text]
  • Page (46-49).Cdr
    PROSPECTUS 2013 SATYAJIT RAY FILM & TELEVISION INSTITUTE, KOLKATA AN ACADEMIC INSTITUTION OF MINISTRY OF INFORMATION & BROADCASTING GOVERNMENT OF INDIA E.M. By Pass Road, P.O. Panchasayar, Kolkata - 700094 Phone: 91-33-2432-8355/8356/9300 Fax: 91-33-2432-0723/2072 CONTENTS n History 4 n Director Speaks 5 n Dean Welcomes Students 6 n Academia 7 n Sound Recording & Design 8 n Cinematography 13 n Direction & Screenplay Writing 18 n Editing 23 n Producing for Film & Television 29 n Production 31 n Course Overview 32 n Admission Procedure 35 n International Students 41 n Important Dates 42 n Fees Structure 43 n Library 45 n Student Association 47 n Exchange Program 48 n Important Contacts 49 Design and Cover HBDesigns Illustration Mrinmoy Mondal 3 Located in Kolkata, and named after the legendary maestro Satyajit Ray, the Satyajit Ray Film & Television Institute was the second national centre of cinema education established in 1995 by the Government of India as an autonomous academic institution under the Ministry of Information and Broadcasting. The Institute was subsequently registered under the West Bengal Societies Registration Act, 1961. The first session began on September 1, 1996. Since then, the Institute has been conducting a Three Year Post Graduate Diploma course in the four traditional specializations of film-making: Direction & Screenplay Writing, Editing, Cinematography, Sound Recording Design and Producing for Film & Television Since 2002, This course is called the Post Graduate Programme in Cinema. The Institute also conducts a short course in Acting for Screen as well as film appreciation and production courses. The Institute has achieved significant success within its short period of existence.
    [Show full text]
  • Bapubomma” and Her Idealisation
    © 2018 JETIR June 2018, Volume 5, Issue 6 www.jetir.org (ISSN-2349-5162) TIED IN TRADITION: THE “BAPUBOMMA” AND HER IDEALISATION D. Sreeja Abstract-The “BapuBomma” (Bapu’s dolls/ Bapu’s drawings) is a familiar term in Telugu language, and it refers to the ideal Telugu woman, as picturised by SattirajuLakshminarayana (1933-2014), commonly known as ‘Bapu’, through his artwork. Bapu was a painter, cartoonist, and filmmaker and in all three mediums he has constructed the image of the Telugu maiden as sensuous and domestic. There has been research done in the field of the Telugu literary tradition, but contemporary art remains unexplored, and there is no study of Bapu’s work in these three mediums, especially his portrayals of women. This paper will be looking exclusively at the artworkconsidered the traditional “BapuBommas”. Through a semiotic analysis, the paper will study the symbols embedded within the paintingsand place them in the context of Telugu society to study their nature and implications. Being part of the mainstream, his work has managed to do much more than express the prevailing artistic tradition of his times- it creates and reflects society directly. The paper will also look at how this image has percolated into another form of art- film, in order to substantiate this argument. In a postcolonial and increasingly westernised context, there is a strong urge to retain a certain identity that is rooted in what is understood as rural and traditional, and this urge is depicted extensively in Bapu’s work. Keywords-Bapu, Telugu, art, cultural identity, femininity, performativity, popular culture, commercial art In popular culture, there are no mere works of art; there are phenomena, spectacles, trends, and entire narratives that depend on much more than just the artist.
    [Show full text]
  • What They Say
    WHAT THEY SAY What THEY SAY Mrs. Kishori Amonkar 27-02-1999 “It was great performing in the new reconstructed Shanmukhananda Hall. It has improved much from the old one, but still I’ve a few suggestions to improve which I’ll write to the authorities later” Pandit Jasraj 26-03-1999 “My first concert here after the renovation. Beautiful auditorium, excellent acoustics, great atmosphere - what more could I ask for a memorable concert here for me to be remembered for a long long time” Guru Kelucharan Mohapatra 26-03-1999 “It is a great privilege & honour to perform here at Shanmukhananda Auditorium. Seeing the surroundings here, an artiste feeling comes from inside which makes a performer to bring out his best for the art lovers & the audience.” Pandit Birju Maharaj 26-03-1999 “ yengle mece³e kesÀ yeeo Fme ceW efHeÀj DeekeÀj GmekeÀe ve³ee ©He osKekeÀj yengle Deevevo ngDee~ Deeies Yeer Deeles jnW ³en keÀecevee keÀjles ngS~ μegYe keÀecevee meefnle~” Ustad Vilayat Khan 31-03-1999 “It is indeed my pleasure and privilege to play in the beautiful, unique and extremely musical hall - which reconstructed - renovated is almost like a palace for musicians. I am so pleased to be able to play today before such an appreciative audience.” § 34 § Shanmukhananda culture redefined2A-Original.indd 34 02/05/19 9:02 AM Sant Morari Bapu 04-05-1999 “ cesjer ÒemeVelee Deewj ÒeYeg ÒeeLe&vee” Shri L. K. Advani 18-07-1999 “I have come to this Auditorium after 10 years, for the first time after it has been reconstructed.
    [Show full text]
  • The Journal of International Communication Film Remakes As
    This article was downloaded by: [Mr C.S.H.N. Murthy] On: 08 January 2015, At: 09:46 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK The Journal of International Communication Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/rico20 Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking C.S.H.N. Murthy Published online: 13 Nov 2012. To cite this article: C.S.H.N. Murthy (2013) Film remakes as cross-cultural connections between North and South: A case study of the Telugu film industry's contribution to Indian filmmaking, The Journal of International Communication, 19:1, 19-42, DOI: 10.1080/13216597.2012.739573 To link to this article: http://dx.doi.org/10.1080/13216597.2012.739573 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content.
    [Show full text]
  • Megastar: Chiranjeevi and Telugu Cinema After N T Ramo Rao/ S.V
    After NTR Telugu Mass Film and Cinematic Populism Tn the previous chapter, I discussed the critical importance of the •J. social history of the cinema hall. Now I will focus on films, which are, after all, the reason why the populace gathers before the screen. In my examination of the films of Chiranjeevi, I will ask if there is anything at all in these films that can give us insights into the 'excessive' responses we encountered in the previous chapter. While I have suggested that these responses are usefully located as cinephiliac, the task of demonstrating their relationship to the screen remains. In this chapter and the rest of the book, I examine the Telugu film 'genre' locally known as the mass film, which was, by far, the most influential and economically important genre in the Telugu film industry in the 1980s and 1990s. Chiranjeevi is closely identified with the mass film but all other major Telugu stars of his generation featured in films of this genre. The mass film is useful for opening up the question of how the cinema may be political. This question will be an important focus of my discussion of the genre. Furthermore, in the mid-1990s the mass film and its stars became a part of a major crisis in the Telugu film industry. The crisis was, in part, a result of the collapse of the mass film, as also its past success. The examination of the mass film allows us to see how populism and blockage dovetail and in turn implicate Telugu cinema's superstars.
    [Show full text]
  • Leadership in Banking Through Technology
    Leadership in banking through technology 22ND ANNUAL REPORT AND ACCOUNTS ON THE MOVE 2015 - 2016 AT OUR PLACE AT YOUR PLACE CONTENTS 1 Leadership through Technology 2 ICICI Bank at a Glance 4 Financial Highlights 6 Message from the Chairman 8 Message from the Managing Director & CEO 10 Board and Management 11 Messages from Executive Directors 12 Banking on the Move 16 Banking at Your Place REGISTERED OFFICE 18 Banking at Our Place Landmark 20 Promoting Inclusive Growth Race Course Circle 24 Awards Vadodara 390 007 25 Directors’ Report Tel : +91-265-3263701 CIN : L65190GJ1994PLC021012 77 Auditor’s Certificate on Corporate Governance 78 Business Overview CORPORATE OFFICE 92 Management’s Discussion and Analysis ICICI Bank Towers 116 Key Financial Indicators: Last Ten Years Bandra-Kurla Complex Mumbai 400 051 FINANCIALS Tel : +91-22-33667777 Fax : +91-22-26531122 117 Independent Auditors’ Report – Financial Statements of ICICI Bank Limited STATUTORY AUDITORS B S R & CO. LLP 122 Financial Statements of ICICI Bank Limited 1st Floor, Lodha Excelus 193 Independent Auditors’ Report – Consolidated Apollo Mills Compound Financial Statements N. M. Joshi Marg 198 Consolidated Financial Statements of Mahalaxmi ICICI Bank Limited and its Subsidiaries Mumbai 400 011 243 Statement Pursuant to Section 129 of Companies Act, 2013 REGISTRAR AND 245 Basel Pillar 3 Disclosures TRANSFER AGENTS 246 Glossary of Terms 3i Infotech Limited International Infotech Park Tower 5, 3rd Floor ENCLOSURES Vashi Railway Station Complex Vashi, Navi Mumbai 400 703 Notice Attendance Slip and Form of Proxy LEADERSHIP THROUGH TECHNOLOGY... Digital technology is transforming the way we lead our lives today. The banking and financial services industry is a clear representation of this transformation.
    [Show full text]
  • Download Brochure
    Celebrating UNESCO Chair for 17 Human Rights, Democracy, Peace & Tolerance Years of Academic Excellence World Peace Centre (Alandi) Pune, India India's First School to Create Future Polical Leaders ELECTORAL Politics to FUNCTIONAL Politics We Make Common Man, Panchayat to Parliament 'a Leader' ! Political Leadership begins here... -Rahul V. Karad Your Pathway to a Great Career in Politics ! Two-Year MASTER'S PROGRAM IN POLITICAL LEADERSHIP AND GOVERNMENT MPG Batch-17 (2021-23) UGC Approved Under The Aegis of mitsog.org I mitwpu.edu.in Seed Thought MIT School of Government (MIT-SOG) is dedicated to impart leadership training to the youth of India, desirous of making a CONTENTS career in politics and government. The School has the clear § Message by President, MIT World Peace University . 2 objective of creating a pool of ethical, spirited, committed and § Message by Principal Advisor and Chairman, Academic Advisory Board . 3 trained political leadership for the country by taking the § A Humble Tribute to 1st Chairman & Mentor, MIT-SOG . 4 aspirants through a program designed methodically. This § Message by Initiator . 5 exposes them to various governmental, political, social and § Messages by Vice-Chancellor and Advisor, MIT-WPU . 6 democratic processes, and infuses in them a sense of national § Messages by Academic Advisor and Associate Director, MIT-SOG . 7 pride, democratic values and leadership qualities. § Members of Academic Advisory Board MIT-SOG . 8 § Political Opportunities for Youth (Political Leadership diagram). 9 Rahul V. Karad § About MIT World Peace University . 10 Initiator, MIT-SOG § About MIT School of Government. 11 § Ladder of Leadership in Democracy . 13 § Why MIT School of Government.
    [Show full text]
  • Corporate Presentation Media & Investments
    Media & Investments Corporate Presentation FY20-21 OVERVIEW 2 Key Strengths Leading Media company in India with largest bouquet of channels (56 domestic channels and 16 international beams), and a substantial digital presence Market-leader in multiple genres (Global top 20 in news pay-apps; top 2 in Digital News in India, #1 Business News channel, top 3 in National News, #2 premium Hindi GEC, Kids #1, English #1) Key “Network effect” and play on Vernacular media growth - Benefits of Strengths Regional portfolio across News (14) and Entertainment (10) channels Marquee Digital properties (MoneyControl, BookMyShow) & OTT video (VOOT) provides future-proof growth and content synergy Experienced & Professional management team, Strong promoters 3 Network18 group : TV & Digital media, specialized Print & Ticketing ~73.15% held by Independent Media Trust, of Network18 Strategic Investment which RIL is the sole beneficiary (total promoter Entertainment holding is 75%) Ticketing & Live Network18 has ~39% stake Digital News Broadcasting Print + Digital Magazines Business Finance News Auto Entertainment News & Niche Opinions Infotainment All in standalone entity Network18 holds ~92% in e-Eighteen Network18 holds ~51% of subsidiary TV18. (Moneycontrol). Others are in standalone TV18 in turn owns 51% in Viacom18 and entity. 51% in AETN18 (see next page for details) TV18 group – Broadcasting pure-play, across News & Entertainment ENTITY GENRE CHANNELS Business News (4 channels, 1 portal) Standalone entity TV18 TV18 General News Group (Hindi & English) Regional News 50% JV with Lokmat group (14 geographies) IBN Lokmat AETN18 Infotainment (Factual & Lifestyle) 51% subsidiary - JV with A+E Networks Entertainment VIACOM18 (inc. Movie production / distribution & OTT) 51% subsidiary - JV with Viacom Inc Regional Entertain.
    [Show full text]
  • MANALI PETROCHEMICALS LIMITED CIN : L24294TN1986PLC013087 Regd Off: 'SPIC HOUSE', 88, Mount Road, Guindy, Chennai- 600 032
    MANALI PETROCHEMICALS LIMITED CIN : L24294TN1986PLC013087 Regd Off: 'SPIC HOUSE', 88, Mount Road, Guindy, Chennai- 600 032. Tele-Fax No.: 044-22351098 Email: [email protected], Website: www.manalipetro.com DETAILS OF SHARES TO BE TRANSFERRED TO INVESTOR EDUCATION & PROTECTION FUND ON WHICH NO DIVIDEND HAS BEEN CLAIMED FOR THE FY 2008-09 TO 2015-16 SL.NO FOLIO_DP_ID_CL_ID NAME OF THE SHAREHOLDER NO.OF.SHARES TOBE TRFD TO IEPF 1 A0000033 SITARAMAN G 450 2 A0000089 LAKSHMANAN CHELLADURAI 300 3 A0000093 MANI N V S 150 4 A0000101 KUNNATH NARAYANAN SUBRAMANIAN 300 5 A0000120 GOPAL THACHAT MURALIDHAR 300 6 A0000130 ROY FESTUS 150 7 A0000140 SATHYAMURTHY N 300 8 A0000142 MOHAN RAO V 150 9 A0000170 MURALIDHARAN M R 300 10 A0000171 CHANDRASEKAR V 150 11 A0000187 VISWANATH J 300 12 A0000191 JAGMOHAN SINGH BIST 300 13 A0000213 MURUGANANDAN RAMACHANDRAN 150 14 A0000219 SHANMUGAM E 600 15 A0000232 VENKATRAMAN N 150 16 A0000235 KHADER HUSSAINY S M 150 17 A0000325 PARAMJEET SINGH BINDRA 300 18 A0000332 SELVARAJU G 300 19 A0000334 RAJA VAIDYANATHAN R 300 20 A0000339 PONNUSWAMY SAMPANGIRAM 300 21 A0000356 GANESH MAHADHEVAN 150 22 A0000381 MEENAKSHI SUNDARAM K 150 23 A0000389 CHINNIAH A 150 24 A0000392 PERUMAL K 300 25 A0000423 CHANDRASEKARAN C 300 26 A0000450 RAMAMOORTHY NAIDU MADUPURI 150 27 A0000473 ZULFIKAR ALI SULTAN MOHAMMAD 300 28 A0000550 SRINIVASAN K 150 29 A0000556 KANAKAMUTHU A 300 30 A0000561 KODANDA PANI CHIVUKULA 300 31 A0000565 VARADHAN R 150 32 A0000566 KARTHIGEYAN S 150 33 A0000598 RAMASASTRULU TRIPIRNENI 150 34 A0000620
    [Show full text]
  • The NEET PG Rank Wise List of Canidates Who Studied MBBS In
    Dr. NTR UNIVERSITY OF HEALTH SCIENCES, VIJAYAWADA -8 As per the data received from the Ministry of Health , Government of India, the following is the NEET PG Rank wise list of canidates who studied MBBS in the State of Andhra Pradesh ( Based on the information provided by the candidates in the application form) and appeared for NEET PG 2020 conducted by NBE. Cut off Marks for Eligibility under General Category is 366 Marks, For PH category 342 Marks, for BC,SC,ST categories 319 Marks Note 1 : This is only for information of Students and Parents Note 2 : The final Merit position will be displayed only after submission of online application in response to the University Notification and after verification of original certificates/ eligibility as per rules NEET - S.No ROLL NO NAME OF THE CANDIDATE SCORE RANK 1 2066161932 CHAPPA PRAVALLIKA 938 41 2 2066015456 POTHIREDDY SHARANYA 931 56 3 2066090034 KOULALI SAI SAMARTH 931 61 4 2066153442 P SOWMYA 930 66 5 2066114879 PASUMARTHY SAI SRI HARSHA 926 79 6 2066056289 GUDIMETLA PRIYANKA 925 80 7 2066054521 ACHUTHA DATTATREYA 924 84 8 2066090718 SYED KHALEELULLAH 910 149 9 2066056746 DALLI SURESH 909 152 10 2066062929 TALASILA NAGA BHAVANI KRISHNA 903 190 11 2066090361 SANA ASFIYA 898 223 12 2066162715 NOUDURI VENKATA ABHISHEK 898 224 13 2066112146 N S L SUSMITHA 894 260 14 2066060592 SADHU KEERTHI 892 278 15 2066055410 CHEBOLU HARSHIKA 890 287 16 2066044484 BHAVANA CHANDA 888 314 17 2066062582 MANGALA THANMAYEE 887 319 18 2066044988 SHAIK MOHAMMAD KHASIM 887 325 19 2066056960 SAAHITI SUNKARA 885
    [Show full text]