Asdiwal Readings
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Coexistence of Mythological and Historical Elements
COEXISTENCE OF MYTHOLOGICAL AND HISTORICAL ELEMENTS AND NARRATIVES: ART AT THE COURT OF THE MEDICI DUKES 1537-1609 Contents Introduction ........................................................................................................................................................ 3 Greek and Roman examples of coexisting themes ........................................................................ 6 1. Cosimo’s Triumphal Propaganda ..................................................................................................... 7 Franco’s Battle of Montemurlo and the Rape of Ganymede ........................................................ 8 Horatius Cocles Defending the Pons Subicius ................................................................................. 10 The Sacrificial Death of Marcus Curtius ........................................................................................... 13 2. Francesco’s parallel narratives in a personal space .............................................................. 16 The Studiolo ................................................................................................................................................ 16 Marsilli’s Race of Atalanta ..................................................................................................................... 18 Traballesi’s Danae .................................................................................................................................... 21 3. Ferdinando’s mythological dream ............................................................................................... -
Hill View Rare Plants, Summer Catalogue 2011, Australia
Summer 2011/12 Hill View Rare Plants Calochortus luteus Calochortus superbus Susan Jarick Calochortus albidus var. rubellus 400 Huon Road South Hobart Tas 7004 Ph 03 6224 0770 Summer 2011/12 400 Huon Road South Hobart Tasmania, 7004 400 Huon Road South Hobart Tasmania, 7004 Summer 2011/12 Hill View Rare Plants Ph 03 6224 0770 Ph 03 6224 0770 Hill View Rare Plants Marcus Harvey’s Hill View Rare Plants 400 Huon Road South Hobart Tasmania, 7004 Welcome to our 2011/2012 summer catalogue. We have never had so many problems in fitting the range of plants we have “on our books” into the available space! We always try and keep our lists “democratic” and balanced although at times our prejudices show and one or two groups rise to the top. This year we are offering an unprecedented range of calochortus in a multiplicity of sizes, colours and flower shapes from the charming fairy lanterns of C. albidus through to the spectacular, later-flowering mariposas with upward-facing bowl-shaped flowers in a rich tapestry of shades from canary-yellow through to lilac, lavender and purple. Counterpoised to these flashy dandies we are offering an assortment of choice muscari whose quiet charm, softer colours and Tulipa vvedenskyi Tecophilaea cyanocrocus Violacea persistent flowering make them no less effective in the winter and spring garden. Standouts among this group are the deliciously scented duo, M. muscarimi and M. macrocarpum and the striking and little known tassel-hyacith, M. weissii. While it has its devotees, many gardeners are unaware of the qualities of the large and diverse tribe of “onions”, known as alliums. -
2014.Axx Barbantani, Mother of Snakes and Kings
Histos () – MOTHER OF SNAKES AND KINGS: APOLLONIUS RHODIUS’ FOUNDATION OF ALEXANDRIA* Abstract: Of all the lost Foundation Poems attributed to Apollonius Rhodius, active at the court of Ptolemy II, the Ktisis of Alexandria must have been the most important for his contemporaries, and surely is the most intriguing for modern scholars of the Hellenistic world. Unfortunately, only a brief mention of this epyllion survives, in a scholion to Nicander’s Theriaka , relating to the birth of poisonous snakes from the severed head of Medusa, carried by Perseus over Libya . Deadly and benign serpents belong to a multi- cultural symbolic imagery intertwined with the Greek, Macedonian, Egyptian and Jewish origins of the city. This paper explores the possible connections of the only episode preserved from Apollonius’ Ktisis with the most ancient known traditions on the foundation of Alexandria —possibly even created at the time of Alexander or of the first Lagid dynasts, Ptolemy I and II. And I wished he would come back, my snake. For he seemed to me again like a king, Like a king in exile, uncrowned in the underworld, Now due to be crowned again. D. H. Lawrence , Snake (Taormina, ) Introduction pollonius of Rhodes is credited with a certain number of Foundation poems in hexameters, namely on Alexandria, Naucratis, Caunus, ACnidus, Rhodes and, possibly, Lesbos. The epic poem Argonautica is Apollonius’ only work which has survived through direct tradition, and the only one mentioned in the biographical sources, while his Κτίσεις are only known through short quotations and summaries by different ancient authors * The research on Apollonius’ Κτίσεις began in , when I was asked to edit the fragments for FGrHist IV, ed. -
Hamilton's Perseus.Pdf
.; I CHAPTER I Perseus This story is on the level of the fairy story. Hermes and Atherw. act like the fairy godmother in Cinderella. The magi- cal wallet and cap belong to the properties fairy tales abound in everywhere. It is the only myth in which magic plays a decisive part, and it seems to have been a great favorite in Greece. Many poets allude to it. The description of Danae in the wooden chest was the most famous passage of a fa- mous poem by Simonides of Ceos, a great lyr'ic poet who lived in the sixth century. The entire story is told by both Ovid and Apollodorus. The latter, probably a hundred years later than Ovid, is here the superior of the two. His account is simple and stmightforward; OvicI s extremely verbose- for instance, he takes a hundred lines to kill the sea serpent. I have followed Apollodorus, but I have added the fragment from Simonides, and short quotations from other poets, no- tably IIesiod and Pirular. ING ACRISIUS of Argos had only one child, a daugh- Kter, Danae. She was beautiful above all the other women of the land, but this was small comfort to the King for not having a son. He journeyed to Delphi to ask the god if there was any hope that some day he would be the father 198 Mythology Perseus 199 of a boy. The priestess told him no, and added what was boy's life was a terrible danger to his own. He was afraid to far worse: that his daughter would have a son who would kill him for the same reason that had kept him from killing kill him. -
Dissertation Master
APOSTROPHE TO THE GODS IN OVID’S METAMORPHOSES, LUCAN’S PHARSALIA, AND STATIUS’ THEBAID By BRIAN SEBASTIAN A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2013 1 © 2013 Brian Sebastian 2 To my students, for believing in me 3 ACKNOWLEDGMENTS A great many people over a great many years made this possible, more than I could possibly list here. I must first thank my wonderful, ideal dissertation committee chair, Dr. Victoria Pagán, for her sage advice, careful reading, and steadfast encouragement throughout this project. When I grow up, I hope I can become half the scholar she is. For their guidance and input, I also thank the members of my dissertation committee, Drs. Jennifer Rea, Robert Wagman, and Mary Watt. I am very lucky indeed to teach at the Seven Hills School, where the administration has given me generous financial support and where my colleagues and students have cheered me on at every point in this degree program. For putting up with all the hours, days, and weeks that I needed to be away from home in order to indulge this folly, I am endebted to my wife, Kari Olson. I am grateful for the best new friend that I made on this journey, Generosa Sangco-Jackson, who encouraged my enthusiasm for being a Gator and made feel like I was one of the cool kids whenever I was in Gainesville. I thank my parents, Ray and Cindy Sebastian, for without the work ethic they modeled for me, none of the success I have had in my academic life would have been possible. -
La Mythologie De Glaucus Dans L'ode I, 7 D 'Horace
COLLECTION LATOMUS VOL. II HomIDages a""' Joseph Bidez et a""' Franz Culllont LATOMUS REVUE D'ÉTUDES LATINES 214, Avenue Brugmann, BRUXELLES La Mythologie de Glaucus dans l'ode I, 7 d 'Horace On est généralement d'accord pour admettre la vieille scolie de Porphyrion selon laquelle le destinataire de la belle ode 7 du li vre I des Odes d'Horace n'est autre que le célèbre Plancus, géné ral de César, ami de Cicéron, épistolier remarquable (1), pàrtisan d'Antoine et transfuge passé à Octave in extremis non sans avoir été courtisan fort servile de Cléopâtre. Mais, à propos de la même ode, la critique éprouve un certain mal à justifier les allusions my- · thiques qui s'y trouvent et particulièrement l'association d'idées par laquelle Teucer de Salamine est annexé à la conclusion de l'ode. Kiessling-Heinze dans l'édition Weidmann de 1930, estime qu'il ne faut pas chercher d'explication (li). Nous avons, quant à nous, vé rifié maintes fois l'étonnante subtilité du poète lorsqu'il s'agit de sertir son développement de savoureuses allusions - toujours quel- . que peu satiriques au fait qui le préoccupe principalement. Ici nous avons sans trop de pèin'ê été mis sur la voie de l'énigme par une note de Velleius Paterculus (8). Il conviertt d'en donner la tra duction: « Comme ensuite grandissaient en lui (Antoine) la flamme de son amour pour Cléopâtre et l'intensité de ses vices - lesquels sont toujours alimentés par le pouvoir, la licence et les flatteries - il décida de porter la guerre contre sa patrie. -
Myth Made Fact Lesson 7: Perseus with Dr
Myth Made Fact Lesson 7: Perseus with Dr. Louis Markos Outline: The four greatest heroes of Greek mythology: Perseus Jason Theseus Hercules Setting Hesiod was a contemporary of Homer, late 8th century. Hesiod lived in Greece as a farmer. The four ages of man: o Golden Age: Live close to nature, close to the gods, and close to ourselves, a world before greed, before man cut open the earth for rare metals to kill each other o Silver Age: long youth that was happy, but they became violent and foolish and they were hidden under the earth o Bronze Age: men were warlike and fierce o Iron Age: this is the current age, far away from the Golden Age, we’ve lost a sense of shame and piety, we’ve lost our center and our balance o This concept is ubiquitous, that we are falling away. Hesiod adds a fifth age between the Bronze and Iron, and he calls it the age of heroes. There is almost a rebirth of the Golden Age with soldiers who fight for honor. This is when basically all of Greek mythology takes place (1500 BC – 1150 BC). o The Trojan War is the end of the Golden Age. o Every Greek tragedy takes place during that Golden Age, except a play about the Persian War, which is written as though the Persian war is taken place in a mythic Golden Age. Perseus Perseus is the son of Zeus. Acrisios heard a prophecy that Danae will give birth to a child who will kill him, so he locks Danae in a tower. -
Lindos, Rhodos Λίνδος, Ρόδος
Lindos, Rhodos Λίνδος, Ρόδος Bouldering around Lindos Λίνδος, Ρόδος Several new bouldering sites near the famous town of Lindos on the beautiful island of Rhodes. The rock can be sharp in places but there is acres of potential. ACROPOLIS VIEW, LINDOS The view from the boulders. Park in the popular photo spot beside the Amphitheatre Club – just north of Lindos. The boulders are below some amazing looking cliffs facing the acropolis of ancient Lindos. The mighty pinnacle. The first climbs are on the tufa-ridden seaward face: 1/ Undercutter 5+ Sit start and undercut past the sharpest holds. 2/ Tufa Tussle 5+ Sit start and wrestle up the tufa. 1 2 Unknown Stones Page 1 Lindos, Rhodos Λίνδος, Ρόδος The next problems all start sat in the cave below the pinnacle: 3/ Apollo’s Bow 6b Sit start. Fight out of the cave and make an exacting leftwards traverse of the break. 4/ Needle of Helios 6a Sit start. The fine face fairly direct. 5/ The Sun’s Tower 6a Sit Start. The right arête. Avoid the adjoining rock. There are tons of other boulders here but the next prizes are on the big cyclopean rock. It all gets a bit highball: 3,4,5 8 9 10 6 7 9/ Cyclopean 3+ (English Hard Severe) The left edge of the cave. 6/ Skull Hole 3+ (English Severe) The right edge of the hole and the capping 10/ Before Tartarus 5 roof. Also serves as a descent. Sit start. Take the wall right of the cave. 7/ Crimps 4+Sit start. -
PETER MARSHALL FRASER 135 PETER FRASER Photograph: B
PETER MARSHALL FRASER 135 PETER FRASER Photograph: B. J. Harris, Oxford Peter Marshall Fraser 1918–2007 THE SUBJECT OF THIS MEMOIR was for many decades one of the two pre- eminent British historians of the Hellenistic age, which began with Alexander the Great. Whereas the other, F. W. Walbank (1909–2008),1 concentrated on the main literary source for the period, the Greek histor- ian Polybius, Fraser’s main expertise was epigraphic. They both lived to ripe and productive old ages, and both were Fellows of this Academy for an exceptionally long time, both having been elected aged 42 (Walbank was FBA from 1951 to 2008, Fraser from 1960 to 2007). Peter Fraser was a tough, remarkably good-looking man of middle height, with jet-black hair which turned a distinguished white in his 60s, but never disappeared altogether. When he was 77, a Times Higher Education Supplement profile of theLexicon of Greek Personal Names (for which see below, p. 179) described him as ‘a dashing silver-haired don’. He was attract ive to women even at a fairly advanced age and when slightly stout; in youth far more so. The attraction was not merely physical. He was exceptionally charming and amusing company when not in a foul mood, as he not infrequently was. He had led a far more varied and exciting life than most academics, and had a good range of anecdotes, which he told well. He could be kind and generous, but liked to disguise it with gruffness. He could also be cruel. He was, in fact, a bundle of contradictions, and we shall return to this at the end. -
Homer's Use of Myth Françoise Létoublon
Homer’s Use of Myth Françoise Létoublon Epic and Mythology The Homeric Epics are probably the oldest Greek literary texts that we have,1 and their subject is select episodes from the Trojan War. The Iliad deals with a short period in the tenth year of the war;2 the Odyssey is set in the period covered by Odysseus’ return from the war to his homeland of Ithaca, beginning with his departure from Calypso’s island after a 7-year stay. The Trojan War was actually the material for a large body of legend that formed a major part of Greek myth (see Introduction). But the narrative itself cannot be taken as a mythographic one, unlike the narrative of Hesiod (see ch. 1.3) - its purpose is not to narrate myth. Epic and myth may be closely linked, but they are not identical (see Introduction), and the distance between the two poses a particular difficulty for us as we try to negotiate the the mythological material that the narrative on the one hand tells and on the other hand only alludes to. Allusion will become a key term as we progress. The Trojan War, as a whole then, was the material dealt with in the collection of epics known as the ‘Epic Cycle’, but which the Iliad and Odyssey allude to. The Epic Cycle however does not survive except for a few fragments and short summaries by a late author, but it was an important source for classical tragedy, and for later epics that aimed to fill in the gaps left by Homer, whether in Greek - the Posthomerica of Quintus of Smyrna (maybe 3 c AD), and the Capture of Troy of Tryphiodoros (3 c AD) - or in Latin - Virgil’s Aeneid (1 c BC), or Ovid’s ‘Iliad’ in the Metamorphoses (1 c AD). -
The Heroes PREFACE MY DEAR CHILDREN
The Heroes PREFACE MY DEAR CHILDREN, Some of you have heard already of the old Greeks; and all of you, as you grow up, will hear more and more of them. Those of you who are boys will, perhaps, spend a great deal of time in reading Greek books; and the girls, though they may not learn Greek, will be sure to come across a great many stories taken from Greek history, and to see, I may say every day, things which we should not have had if it had not been for these old Greeks. You can hardly find a well-written book which has not in it Greek names, and words, and proverbs; you cannot walk through a great town without passing Greek buildings; you cannot go into a well-furnished room without seeing Greek statues and ornaments, even Greek patterns of furniture and paper; so strangely have these old Greeks left their mark behind them upon this modern world in which we now live. And as you grow up, and read more and more, you will find that we owe to these old Greeks the beginners of all our mathematics and geometry - that is, the science and knowledge of numbers, and of the shapes of things, and of the forces which make things move and stand at rest; and the beginnings of our geography and astronomy; and of our laws, and freedom, and politics - that is, the science of how to rule a country, and make it peaceful and strong. And we owe to them, too, the beginning of our logic - that is, the study of words and of reasoning; and of our metaphysics - that is, the study of our own thoughts and souls. -
Perseus Son of Zeus, Heroic Vanquisher of Hippodameia
Perseus Son of Zeus, heroic vanquisher of Hippodameia. the Gorgon Medusa. "And I expect every one of my King Acrisius of Argos was loyal subjects to contribute a gift warned by an oracle that he to the bride price," he said, would be killed in time by a son looking meaningfully at Perseus. born to his daughter Danae. So he "What have you to offer?" promptly locked Danae up in a tower and threw away the key. When Perseus did not answer But the god Zeus got in, right away, Polydectes went on: disguised as a shower of gold, "A team of horses? A chariot of with the result that Perseus was intricate devising? Or a coffer of born. So Acrisius straightaway gems perhaps?" stuck daughter and infant into a brazen chest and pushed it out to Perseus fidgeted uncomfortably. sea. Perhaps he expected it to "If it meant you'd leave my sink like a stone, but instead it mother alone, I'd gladly give you floated quite nicely, fetching up anything I owned - which on a beach on the island of unfortunately is precious little. Seriphos. Here a fisherman Horses, chariot, gems, you name named Dictys came upon the it - if I had 'em, they'd be yours. unusual bit of flotsam and The sweat of my brow, the gain adopted a protective attitude of my strong right arm, whatever. toward its contents. Thus Perseus I'd go out and run the marathon if had the advantage of a pure and they were holding the Olympics simple role model as he grew to this year.