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Rock Distortion Overdrive Heavy Metal Distortion Multi-Voice Chorus Envelope Filter Stereo Flanger World’s most powerful Stereo Phaser Compressor/Sustainer single-effect pedals. Digital Delay Digital Reverb NEW! Analog Tube Overdrive NEW! Analog Distortion NEW! Analog Overdrive/Distortion NEW! Analog Grunge Distortion NEW! Lethal Analog Distortion NEW! The Weapon™ Whammy™ Bass Overdrive Encyclopedia of Tone Vol. 2 Bass Multi-Voice Chorus Dual Band Bass Compressor Bass Envelope Filter OF CONTENTS TABLE Hot Rod™ 7 The Notorious New DigiTech The one and X-Series™ for ™ Tone Driver™ 9 Why DigiTech single-effects X-Series™ Distortion only Whammy Bass Players Metal Master™ 11 Starts on page 7 Starts on page 27 Page 41 Starts on page 55 Multi Chorus™ 13 pedals stomp the competition. Synth Wah™ 15 Turbo Flange™ 17 (Besides awesome tone, it’s the extra details that count.) Hyper Phase™ 19 Main Squeeze™ 21 Recessed DigiDelay™ 23 knobs prevent Color-coded for X-Series power for DigiVerb™ 25 accidental foot easy identifi cation four-string folks. “adjustments.” on dimly-lit stages. NEW! Bad Monkey™ 29 DigiTech proudly Hot Head™ 31 Three times as Non-skid rubber introduces fi ve new NEW! heavy as the base. distortions to its ac- Our First Artist NEW! Screamin’ Blues™ 33 competition thanks to Studio-ready! Super-easy battery ac- claimed pedal line. Series Pedal NEW! Grunge™ 35 a cast metal body that X-Series, DigiTech cess even during a song From basic overdrive doesn’t slide around Page 39 NEW! Death Metal™ 37 Distortion, Artist and (drum solos are good for Optical illusion: to the deepest, dark- The Weapon™ 39 on stage. X-Series Bass models something!). Just use a ¼" Every X-Series est metal sounds, NEW! Six-year warranty feature an extra cabi- guitar plug to push the pedal is actually these new pedals Whammy™ 41 proves we build these net modeling output release button instead seven pedals in cover the entire tone Bass Driver™ 55 for professional use allows you to go direct- of having to hunt for a one thanks to their spectrum. And at a Bass Multi Chorus™ 57 and abuse. to-mixing board. screwdriver. unique MORPH price that is hard to knob. believe. Dan’s The Man. Bass Squeeze™ 59 Bass Synth Wah™ 61 Fluckey/Adema • Rudy Sarzo/DIO • Doc Coyle/God All names listed are DigiTech users as udge our pedals by the company we keep. Forbid • Al Pitrelli & Angus Clark/Trans-Siberian reported to us and in no way constitute J an official or unofficial endorsement. Orchestra • Mike Scaccia/Ministry • Doug Wimbish/ Everybody here and more have fired their old pedals and hi red ours. Join ‘em today. Living Colour • Eric Dover/Alice Cooper • Marty Stuart • Jim Root/Slipknot & Stone Sour • Josh Tony Rambola & Sully Erna/Godsmack Disturbed • Acey Slade & Joey Jordison/ Arnold/Chimaira Jeff Loomis & Steve Greg Valencia/Watch Them Die • KK Downing & Rand/Stone Sour • Brent Woods/Accidental Doll Phil Campbell/Motörhead Murderdolls Billy Martin/Good Smyth/Nevermore Max Cavalera & Glenn Tipton/Judas Priest • Sonny Landreth • Dan Clint Lowery/Sevendust • Andy LaRocque & Mike James Fukai/Trust Co • Scott Charlotte • Mick Thomson/Slipknot Marc Rizzo/Soulfly Ryan Shuck/Orgy Palmer/Death By Stereo • Mike Einziger/Incubus Wead/King Diamond • Benny Rietveld/Santana • CJ Ian/Anthrax • Tim King, Byron Stroud & Christian Olde Jardel Paisante, Ahrue Luster & Laz Greg Bergdorf/Zebrahead • Merle Haggard • Daron Pierce/Drowning Pool • Peter Mayer/Jimmy Buffet Adam Zadel & Shaun Wolburs/Fear Factory Dan Estrin/ Pina/Ill Niño • Roy Z/Tribe Of Gypsies Malakian & Shavo Odadjian/System Of A Down Steve Stevens/Billy Idol • Vern Zaborowski & Chad Glass/SOiL Stephen Hoobastank Jack Owen/Adrift • James & Bruce Dickinson • Marc Serrano/A Chris Chaney/Jane’s Addiction • Joey Z/Life Of I Ginsburg/cKy • Pete Townshend/The Who • Cesar Carpenter/Deftones Black & Rick Jackett/Finger Eleven Dozen Fluries • Christopher Amott, Agony • Metal Mike Chlasciak/Painmuseum Soto/Fueled II Fire • Bizz & Evil D/Genitorturers • Dan Donegan/ • Juan Alderete/Mars Volta Peter Sharlee D’Angelo & Michael Amott/Arch & Testament • David Ellefson/F5 • Billy Graziadei/Biohazard • Michael Charell & Simon Ormandy/Trapt Rob Enemy • Brett Danaher/Pat Green Band James “Munky” Shaffer/Korn • Michael Lockwood/Lisa Wilton/Queensrÿche & Soulbender Marie Presley Rick Mussallam/Mike Keneally • Tim HotHot RodRod™ Rock Distortion 7 The Hot Rod™ delivers smooth, the other, from the ProCo® RAT, straightstraight upup RockRock & RollRoll andand BluesBlues dis-dis- or a RAT with Teeth, to the ProCo® RAT ® tortion.tortion. ByBy ffocusingocusing thethe entireentire process-process- Boss DS-1 to the Arbiter Fuzz LEVEL TONE GAIN MORPH inging powerpower ofof ourour AudioDNAAudioDNA™ chip into Face, and lots of unique rock thethe distortiondistortion effect,effect, thethe HotHot RodRod isis aableble distortion sounds in between. Boss® DS-1 toto deliverdeliver a widewide rangerange ofof rockrock distor-distor- Features LEVEL TONE GAIN MORPH tiontion sounds,sounds, insteadinstead ofof onlyonly oneone ssoundound 7 Exclusive Distortion Morph control likelike otherother distortiondistortion stompstomp boxes.boxes. 7 Level, Tone and Gain controls Arbiter Fuzz Face 7 Selecting different distortion sounds on Spectral Contouring Equalization LEVEL TONE GAIN MORPH thethe HotHot RodRod isis eeasy.asy. ByBy simplysimply rotatingrotating thethe 7 Normal (amp) and CIT™ Cabinet MorphMorph knob,knob, youyou willwill hearhear variousvarious rockrock Modeling (mixer) RAT with teeth outputs for direct-to- distortiondistortion soundssounds morphingmorphing fromfrom oneone toto board live or studio LEVEL TONE GAIN MORPH recording set level higher= set gain Metal Mike Chlasciak (Painmuseum/Testament) to match more bite to taste bypass Tone Driver™ Overdrive 9 The Tone Driver™ creates rich over- TS-9 to the Ibanez® TS-808, drive sounds in any guitar amplifi er. What and lots of unique over- DOD® 250 makes the Tone Driver unique is that drive sounds in between. LEVEL TONE GAIN MORPH it has a wide range of overdrive distor- Features tion sounds. A multitude of possibilities 7 Exclusive Distortion Morph control Ibanez® TS-9 are available – from a Blues Solo tone 7 Level, Tone and Gain controls LEVEL TONE GAIN MORPH and beyond – instead of only one sound 7 Spectral contouring equalization like other overdrive stomp boxes. 7 Normal (amp) and CIT™ Cabinet Ibanez TS-808 Check out the Tone Driver’s various Modeling (mixer) outputs for LEVEL TONE GAIN MORPH overdrive distortion sounds by simply direct-to-board turning the Morph knob while you’re live or studio Blues Solo playing and listening as the pedal chang- recording LEVEL TONE GAIN MORPH ® ® es from the DOD 250, to the Ibanez set level higher= max gain to match more bite for given Greg Bergdorf (Zebrahead) bypass types Metal Master™ Heavy Metal Distortion 11 The Metal Master™ is the perfect and everything in between, distortion stomp box for head bang- from Controlled Feedback to Controlled feedback ing heavy metal guitarists. There’s never a personalized Tour of Hell. LEVEL LOW HI MORPH been a more versatile metal distortion Features pedal. Demo it and you’ll hear why. 7 Exclusive Distortion Morph control Boss® Metal Zone Unlike other single-sound distortion 7 Level, Low and Hi frequency EQ LEVEL LOW HI MORPH boxes, the Metal Master lets you select controls from a wide range of heavy metal distor- 7 Spectral contouring EQ Death Metal tion sounds. Choosing different distor- 7 Normal (amp) and CIT™ Cabinet Modeling (mixer) LEVEL LOW HI MORPH tion sounds on the Metal Master is easy. outputs for direct-to-board By turning the Morph knob, you will hear live or studio recording Tour of Hell the Metal Master morph from the Boss® Paul Crook (Meatloaf) LEVEL LOW HI MORPH ® Metal Zone to a DOD Death Metal, set level lower= higher= to match more more bite bypass thump Multi Chorus™ Digital Multi Voice Chorus 13 The Multi Chorus™ creates the lushest, sound or go with a Shimmer or fattest chorus sounds ever heard from a Slow Deep chorus. Rotary stomp box. That’s because the Multi Cho- Features LEVEL SPEED DEPTH VOICE rus lets you select up to 16 chorus voices at 7 Select from one to 16 voices the same time. There is also built-in voice 7 Level, Speed and Depth controls Slow Deep 7 Voice randomization randomization that increases as you add LEVEL SPEED DEPTH VOICE ™ voices to thicken the sound even further. 7 CIT Cabinet Modeling outputs can be enabled Lush Building a rich, natural sounding chorus for direct-to-board live or is easy. By simply rotating theVoice knob, studio recording LEVEL SPEED DEPTH VOICE you can add more chorus voices, starting “My X-Series Multi with one and going all the way to 16. You Chorus is magic in a Shimmer box. Seriously, it can start with a warm Lush chorus, move to was made by LEVEL SPEED DEPTH VOICE a classic Rotary wizards. Thanks Scott Ian (Anthrax) for the magic!!” Synth Wah™ Envelope Filter 15 The Synth Wah™ delivers some of the Synth 1, Synth 2, Filter 1, Filter most unique envelope fi lter effects of any 2, and Auto Wah effects. Funky Envelope pedal on the market. The studio-quality ef- Features SENS CONTROL RANGE TYPE - setting 1 fects range from classic Funky Envelope fi l- 7 Seven envelope, fi lter and synth types ter sounds, to a Deep Sweep, or even a cool 7 Sensitivity, Control and Range knobs Deep Sweep ™ Vowel sound and vocal format, to cutting 7 CIT Cabinet Modeling SENS CONTROL RANGE TYPE - setting 4 edge Slow Synth tones and fi lter sweeps. outputs can be enabled for direct-to-board live or Vowel When you demo it, you’ll agree that studio recording the Synth Wah is the most comprehen- SENS CONTROL RANGE TYPE - setting 5 sive pedal in its class.To select different “The Synth Wah is the most envelope fi lter effects on the Synth Wah, creative pedal in Slow Synth my loop.” simply rotate the Type knob.
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    Celebrating the Swedes Large Crowds Flock to Rochester to Let Their Inner Viking Out / Main 3 Hiker Found Dead / Main 5 $1 Early-Week Edition Tuesday, June 24, 2014 Reaching 110,000 Readers in Print and Online — www.chronline.com Hoping for a Return on Investment in the Cowlitz Pete Caster / [email protected] Judy C. Chain sits with her attorney, Sam Experimental Run of Salmon, Net Pens to Yield Better Harvest Groberg, during the irst day of her trial in Lewis County Superior Court on Monday. Trial for ‘Rising Son’ Head Starts ACCUSED: Judy Chafin Faces 30 Felony Charges for Allegedly Collecting $90,000 From Labor and Industries While Running the Controversial Group of Halfway Houses By Stephanie Schendel [email protected] At the peak of the House of the Rising Son organization, Judy Cha- fin ran numerous halfway houses for recently released convicts throughout Pete Caster / [email protected] Lewis County. Mossyrock Fish Hatchery Supervisor Tim Summers feeds fall chinook on Monday morning at the Mayield Net Pen Project at Silver Creek. The Washington De- She collected rent, went grocery partment of Fish and Wildlife is raising nearly 2 million fall chinook in these pins. The ish will eventually be released in the lower Cowlitz River near the salmon shopping for the tenants, enforced hatchery. house rules and dealt with all finan- cial transactions of the business. All FISH STORY: Money Secured in Part by Sen. John the while, she was allegedly collect- Braun Put to Use on Mayfield Lake ing disability checks from the De- partment of Labor and Industries, By Dameon Pesanti claiming she was unable to work.