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Guillaume Tell Guillaume
1 TEATRO MASSIMO TEATRO GIOACHINO ROSSINI GIOACHINO | GUILLAUME TELL GUILLAUME Gioachino Rossini GUILLAUME TELL Membro di seguici su: STAGIONE teatromassimo.it Piazza Verdi - 90138 Palermo OPERE E BALLETTI ISBN: 978-88-98389-66-7 euro 10,00 STAGIONE OPERE E BALLETTI SOCI FONDATORI PARTNER PRIVATI REGIONE SICILIANA ASSESSORATO AL TURISMO SPORT E SPETTACOLI ALBO DEI DONATORI FONDAZIONE ART BONUS TEATRO MASSIMO TASCA D’ALMERITA Francesco Giambrone Sovrintendente Oscar Pizzo Direttore artistico ANGELO MORETTINO SRL Gabriele Ferro Direttore musicale SAIS AUTOLINEE CONSIGLIO DI INDIRIZZO Leoluca Orlando (sindaco di Palermo) AGOSTINO RANDAZZO Presidente Leonardo Di Franco Vicepresidente DELL’OGLIO Daniele Ficola Francesco Giambrone Sovrintendente FILIPPONE ASSICURAZIONE Enrico Maccarone GIUSEPPE DI PASQUALE Anna Sica ALESSANDRA GIURINTANO DI MARCO COLLEGIO DEI REVISORI Maurizio Graffeo Presidente ISTITUTO CLINICO LOCOROTONDO Marco Piepoli Gianpiero Tulelli TURNI GUILLAUME TELL Opéra en quatre actes (opera in quattro atti) Libretto di Victor Joseph Etienne De Jouy e Hippolyte Louis Florent Bis Musica di Gioachino Rossini Prima rappresentazione Parigi, Théâtre de l’Academie Royale de Musique, 3 agosto 1829 Edizione critica della partitura edita dalla Fondazione Rossini di Pesaro in collaborazione con Casa Ricordi di Milano Data Turno Ora a cura di M. Elizabeth C. Bartlet Sabato 20 gennaio Anteprima Giovani 17.30 Martedì 23 gennaio Prime 19.30 In occasione dei 150 anni dalla morte di Gioachino Rossini Giovedì 25 gennaio B 18.30 Sabato 27 gennaio -
The Career of Fernand Faniard
Carrière artistique du Ténor FERNAND FANIARD (9.12.1894 Saint-Josse-ten-Noode - 3.08.1955 Paris) ********** 1. THÉÂTRE BELGIQUE & GRAND DUCHÉ DE LUXEMBOURG BRUXELLES : OPÉRA ROYAL DE LA MONNAIE [1921-1925 : Baryton, sous son nom véritable : SMEETS] Manon [première apparition affichée dans un rôle] 1er & 5 août 1920 Louise (Le Peintre) 2 août 1920 Faust (Valentin) 7 août 1920 Carmen (Morales) 7 août 1920. La fille de Madame Angot (Buteux) 13 avril 1921, avec Mmes. Emma Luart (Clairette), Terka-Lyon (Melle. Lange), Daryse (Amarante), Mercky (Javotte, Hersille), Prick (Thérèse, Mme. Herbelin), Deschesne (Babet), Maréchal (Cydalèse), Blondeau. MM. Razavet (Ange Pitou), Arnaud (Pomponnet), Boyer (Larivaudière), Raidich (Louchard), Dognies (Trénitz), Dalman (Cadet, un officier), Coutelier (Guillaume), Deckers (un cabaretier), Prevers (un incroyable). La fille de Roland (Hardré) 7 octobre 1921 Boris Godounov (création) (Tcherniakovsky), 12 décembre 1921 Antar (création) (un berger) 10 novembre 1922 La victoire (création) (L'envoi) 28 mars 1923 Les contes d'Hoffmann (Andreas & Cochenille) La vida breve (création) (un chanteur) 12 avril 1923 Francesca da Rimini (création) (un archer) 9 novembre 1923 Thomas d'Agnelet (création) (Red Beard, le Lieutenant du Roy) 14 février 1924 Il barbiere di Siviglia (Fiorillo) Der Freischütz (Kilian) La Habanera (Le troisième ami) Les huguenots (Retz) Le joli Gilles (Gilles) La Juive (Ruggiero) Les maîtres chanteurs (Vogelsang) Pénélope (Ctessipe) Cendrillon (Le superintendant) [1925-1926 : Ténor] Gianni Schicchi (Simone) Monna Vanna (Torello) Le roi d'Ys (Jahel) [20.04.1940] GRANDE MATINÉE DE GALA (au profit de la Caisse de secours et d'entr'aide du personnel du Théâtre Royal). Samson et Dalila (2ème acte) (Samson) avec : Mina BOLOTINE (Dalila), Mr. -
SEPTEMBER 2009 LIST See Inside for Valid Dates
tel 0115 982 7500 fax 0115 982 7020 SEPTEMBER 2009 LIST See inside for valid dates Dear Customer This month, the record labels get back to the serious business of high profile new releases and we offer them all at our usual attractive prices! The much anticipated Brahms Symphonies with the Berlin Phil & Rattle on EMI are finally released & we can highly recommend them - superb playing and sparkling yet ‘natural’ interpretations. A delight. You want the big names? Jonas Kaufmann, Nicola Benedetti, Renee Fleming, Marcello Alvarez & Mitsuko Uchida all make their appearance on Universal labels. Brendel’s digitally recorded Beethoven Sonatas from the 1990s at last becomes available at a sensible price. EMI wheel out the big guns including Villazon, Pape & Pappano in Verdi’s Messe da Requiem along with Sarah Chang performing the Brahms & Bruch Violin Concerti. We also very much like the Brahms Piano Quintet & Quartet no. 1 with the Quatuor Ebene. Hyperion give us Angela Hewitt performing Handel & Haydn and vol 12 of the Byrd Edition with Cardinall’s Musik whilst ECM follow up their highly recommended Schiff Bach series with the Six Partitas. Our special offers are many & varied. We have the whole Hyperion catalogue reduced, along with Channel Classics, Telarc, full-price Harmonia Mundi titles, Alto, NMC, Svetlanov & Toccata. We also make available a large range of EMI Box Sets, their ’Very Best Of’ series & the Nigel Kennedy catalogue, all at significant reduced prices. Something for everyone. Enjoy perusing the list & we look forward to supplying your classical requirements. Mark, Richard & Mike DON’T FORGET - UK Carriage is FREE over £30 Chandos offer now extended! The reductions on Chandos titles now apply until Friday 25th September, including the multibuy offer of only £8.95 each on full-price single discs! Offers still available from our AUGUST 2009 list (until Friday, 25 September, 2009) Universal Classics Mendelssohn & Purcell titles, & selected DG ‘Originals’ recordings….. -
75Thary 1935 - 2010
ANNIVERS75thARY 1935 - 2010 The Music & the Artists of the Bach Festival Society The Mission of the Bach Festival Society of Winter Park, Inc. is to enrich the Central Florida community through presentation of exceptionally high-quality performances of the finest classical music in the repertoire, with special emphasis on oratorio and large choral works, world-class visiting artists, and the sacred and secular music of Johann Sebastian Bach and his contemporaries in the High Baroque and Early Classical periods. This Mission shall be achieved through presentation of: • the Annual Bach Festival, • the Visiting Artists Series, and • the Choral Masterworks Series. In addition, the Bach Festival Society of Winter Park, Inc. shall present a variety of educational and community outreach programs to encourage youth participation in music at all levels, to provide access to constituencies with special needs, and to participate with the community in celebrations or memorials at times of significant special occasions. Adopted by a Resolution of the Bach Festival Society Board of Trustees The Bach Festival Society of Winter Park, Inc. is a private non-profit foundation as defined under Section 509(a)(2) of the Internal Revenue Code and is exempt from federal income taxes under IRC Section 501(c)(3). Gifts and contributions are deductible for federal income tax purposes as provided by law. A copy of the Bach Festival Society official registration (CH 1655) and financial information may be obtained from the Florida Division of Consumer Services by calling toll-free 1-800-435-7352 within the State. Registration does not imply endorsement, approval, or recommendation by the State. -
I Clubs Della Divisione 2 Sicilia Del Kiwanis International Tra Gli
http://lnx.archiviodistrettokiwanis.it/2019/news.php?item.746 Pagina 1/7 I Clubs della Divisione 2 Sicilia del Kiwanis International tra gli sponsor della 52a edizione del Premio Bellini d oro admin, 17 settembre 2020, 15:04 Catania, 16/9/2020. Bellissima serata ieri al Teatro Massimo Bellini di Catania per la 52a edizione del prestigioso Premio Bellini d'oro 2020, entrato a far parte del Bellini Renaissance. Il Premio, organizzato dalla Società Catanese Amici della Musica (SCAM), presidente e direttrice artistica Anna Rita Fontana, in collaborazione con il Teatro Massimo Bellini, sovrintendente Giovanni Cultrera, negli anni è andato a grandi personalità del mondo dell opera lirica fra le quali ricordiamo Joan Sutherland, Renata Scotto, Montserrat Caballé, Cecilia Bartoli, Alfred Krauss, Franco Corelli, Giuseppe Di Stefano, Luciano Pavarotti, Salvatore Fisichella e Riccardo Muti. Quest anno è stato conferito alla memoria di due figure di rilievo del mondo musicale siciliano: Antonio Maugeri, fondatore dello stesso premio e per oltre vent anni presidente della SCAM e al tenore augustano di fama internazionale, Marcello Giordani, entrambi scomparsi prematuramente nel 2019. Marcello Guagliardo, in arte Giordani, era kiwaniano, socio del KC Augusta. La serata è stata impreziosita dall altissima professionalità del soprano Clara Polito, del baritono Giovanni Guagliardo (nipote di Giordani) e dall orchestra del Bellini diretta da Antonio Manuli. I Clubs della Divisione 2 Sicilia Etna Patrimonio dell Umanità sono stati tra gli sponsor della serata. Sponsor della serata anche la Divisione 3 Sicilia sud-est, rappresentata dal Luogotenente Gov. Ciro Messina, il KC Augusta, rappresentato dal Presidente Franco Rattizzato e l Associazione musicale "Maestro Francesco Musmarra", rappresentata dalla dottoressa Vera Torrisi. -
Chano Domínguez Giuseppe Giacosa Vivaldi En Su Laboratorio Joan
REVISTA DE MÚSICA Año XXII - Nº 214 - Diciembre 2006 - 6,30 € DOSIER Martín y Soler 200 años ENCUENTROS Daniele Gatti ACTUALIDAD Joan Sutherland ESTUDIO Año XXII - Nº 214 Diciembre 2006 6,30 € Vivaldi en su laboratorio ANIVERSARIO Giuseppe Giacosa JAZZ Chano Domínguez AÑO XXII - Nº 214 - Diciembre 2006 - 6,30 € 2 OPINIÓN ¿Sólo el Petrarca de Da Ponte? Francesc Cortès 120 CON NOMBRE La ópera más popular: PROPIO Una cosa rara 8 Joan Sutherland Giuseppe De Matteis 124 Fernando Fraga ¿En tierra extraña? Alfredo Brotons Muñoz 130 12 AGENDA ENCUENTROS 18 ACTUALIDAD Daniele Gatti NACIONAL Rodrigo Carrizo Couto 132 46 ACTUALIDAD ESTUDIO INTERNACIONAL El Opus II de Vivaldi Pablo Queipo de LLano 136 60 ENTREVISTA Philippe Jarussky ANIVERSARIO Bruno Serrou Giuseppe Giacosa Blas Matamoro 142 64 Discos del mes EDUCACIÓN SCHERZO DISCOS Pedro Sarmiento 144 65 Sumario JAZZ DOSIER Pablo Sanz 146 113 Vicente Martín y Soler LA GUÍA 148 La gloria recuperada CONTRAPUNTO 114 Andrés Ruiz Tarazona Norman Lebrecht 152 Colaboran en este número: Javier Alfaya, Daniel Álvarez Vázquez, Julio Andrade Malde, Iñigo Arbiza, Emili Blasco, Alfredo Brotons Muñoz, Rafael Banús Irusta, José Antonio Cantón, Rodrigo Carrizo Couto, Francesc Cortès, Jacobo Cortines, Patrick Dillon, Pedro Elías Mamou, José Luis Fernández, Fernan- do Fraga, José Luis García del Busto, José Antonio García y García, Antonio Gascó, Mario Gerteis, José Guerrero Martín, Fernando Herrero, Bernd Hoppe, Antonio Lasierra, Norman Lebrecht, Santiago Martín Bermúdez, Joaquín Martín de Sagarmínaga, Enrique Martínez Miura, Giuseppe De Matteis, Blas Matamoro, Erna Metdepenninghen, Miguel Morate, Juan Carlos Moreno, Antonio Muñoz Molina, Miguel Ángel Nepomuceno, Rafael Ortega Basagoiti, Josep Pascual, Javier Pérez Senz, Lourdes Pérez-Sierra, Paolo Petazzi, Pablo Queipo de Llano, Fran- cisco Ramos, Arturo Reverter, Barbara Röder, Andrés Ruiz Tarazona, Stefano Russomanno, María Sánchez-Archidona, Pablo Sanz, Pedro Sarmiento, Bruno Serrou, Christian Springer, José Luis Téllez, Asier Vallejo Ugarte, Claire Vaquero Williams, Pablo J. -
Or, the Witch's Curse!
Ruddygore or, The Witch's Curse! An Entirely Original Supernatural Opera in Two Acts Written by W. S. Gilbert Composed by Arthur Sullivan First produced at the Savoy Theatre, London, Saturday 22nd January 1887 under the management of Mr. Richard D'Oyly Carte This edition privately published by Ian C. Bond at 2 Kentisview, Kentisbeare, CULLOMPTON. EX15 2BS. © 1995 RUDDYGORE Of all the Gilbert and Sullivan joint works, RUDDYGORE has been the most unfairly treated. The initial, rather hostile reception, led the partners to make a number of cuts and changes which, under rather more favourable circumstances, would probably not have been so severe. This gradual dissection continued in the 1920’s at the hands of Geoffrey Toye, Harry Norris, Malcolm Sargent and J M Gordon until, by the post-war revival of 1949, RUDDIGORE was, to all intents and purposes, a new work. It is to be hoped that such a thing could not happen today as I would like to think that we have far too much respect for the works of these two men to allow anyone to take such drastic rewrites upon themselves. That the original version of the opera works is evidenced by the considerable number of amateur revivals over the past few years that have attempted to return as closely as possible (given the lack of performing material) to a ‘first night version’ - a trend fuelled by the New Sadler’s Wells revival of 1987. That Gilbert was guilty of one miscalculation is fairly obvious in his placing of “The battle’s roar is over” in Act One. -
Ambassador Auditorium Collection ARS.0043
http://oac.cdlib.org/findaid/ark:/13030/kt3q2nf194 No online items Guide to the Ambassador Auditorium Collection ARS.0043 Finding aid prepared by Frank Ferko and Anna Hunt Graves This collection has been processed under the auspices of the Council on Library and Information Resources with generous financial support from the Andrew W. Mellon Foundation. Archive of Recorded Sound Braun Music Center 541 Lasuen Mall Stanford University Stanford, California, 94305-3076 650-723-9312 [email protected] 2011 Guide to the Ambassador Auditorium ARS.0043 1 Collection ARS.0043 Title: Ambassador Auditorium Collection Identifier/Call Number: ARS.0043 Repository: Archive of Recorded Sound, Stanford University Libraries Stanford, California 94305-3076 Physical Description: 636containers of various sizes with multiple types of print materials, photographic materials, audio and video materials, realia, posters and original art work (682.05 linear feet). Date (inclusive): 1974-1995 Abstract: The Ambassador Auditorium Collection contains the files of the various organizational departments of the Ambassador Auditorium as well as audio and video recordings. The materials cover the entire time period of April 1974 through May 1995 when the Ambassador Auditorium was fully operational as an internationally recognized concert venue. The materials in this collection cover all aspects of concert production and presentation, including documentation of the concert artists and repertoire as well as many business documents, advertising, promotion and marketing files, correspondence, inter-office memos and negotiations with booking agents. The materials are widely varied and include concert program booklets, audio and video recordings, concert season planning materials, artist publicity materials, individual event files, posters, photographs, scrapbooks and original artwork used for publicity. -
Bando Bellini2005
COMUNE DI REGIONE SICILIANA PROVINCIA REGIONALE REGIONE SICILIANA CALTANISSETTA ASS.REG. BB.CC. e P.I. DI CALTANISSETTA ASS.REG. TURISMO SPORT E SPETTACOLO ASSOCIAZIONE AMICI DELLA MUSICA CALTANISSETTA - ITALY 42° CONCORSO INTERNAZIONALE «VINCENZO BELLINI» PER CANTANTI LIRICI FOR OPERA SINGERS - POUR CHANTEURS LYRIQUES Nel 210° anniversario della nascita del grande compositore siciliano 14-20 NOVEMBRE 2011 SOTTO GLI AUSPICI: Comune di Caltanissetta Provincia Regionale di Caltanissetta Assessorato Regionale al Turismo e Spettacolo Ministero per i Beni le Attività culturali Segreteria: Concorso Internazionale «V. Bellini» M° Giuseppe Pastorello - Viale Trieste, 308 93100 CALTANISSETTA (ITALY) Tel. 0934 / 592025 - 554688 - Fax 0934 / 592025 E-mail: [email protected] - Sito Internet: www.concorsobellini.eu BREVE STORIA DEL CONCORSO INTERNAZIONALE «VINCENZO BELLINI» PER CANTANTI LIRICI Il Concorso, istituito sin dal 1965, fu inizialmente a carattere interregionale. Successivamente, fu dedicato ad una giovane pianista nissena, “Marisa CANCELLIE- RE” e quindi dal 1976, dedicato al musicista siciliano “Salvatore ALLEGRA”. Nel 1979 il Concorso è diventato Internazionale ed è stato dedicato al grande musicista siciliano Vincenzo Bellini” con articolazioni nelle due sezioni di pianoforte e canto. Sin dal 1977 viene istituito il Premio Speciale “M. CALLAS” che viene assegnato per la prima volta nel 1978 al soprano Gloria Guidi, 1981 al soprano Maria DRAGONI, che nel 1983 vinse il Premio “CALLAS” Televisivo. Nel 1982 viene assegnato al soprano greco Jenny DRIVALA alla quale viene assegnato anche il 1° premio assoluto. Lo stesso avviene nel 1984 per il soprano giapponese Kumi INAGAKI. Il Concorso “V. Bellini” ha laureato pianisti come, Giorgia TOMASSI - Judy CHIN- Bernd GLEMSER - Valeriu ROGA- CEV Giampaolo STUANI - Paola BRUNI - Andrea LUCCHESINI - Serghei HEROKI- NE e cantanti quali: Clarry BARTHA – Simone ALAIMO Valeria ESPOSITO - Olga ROMANKO Renata DALTIN - Ramon VARGAS - Elisabetta FIORILLO - Akemi SAKAMOTO Desireé RANCATORE ed altri. -
Early Encounters with Mount Royal: Part One
R IOTS :G AVAZZIANDTHEONETHATWASN ’ T $5 Quebec VOL 5, NO. 8 MAR-APR 2010 HeritageNews Montreal Mosaic Online snapshots of today’s urban anglos Tall Tales Surveys of historic Mount Royal and the Monteregian Hotspots The Gavazzi Riot Sectarian violence on the Haymarket, 1853 QUEBEC HERITAGE NEWS Quebec CONTENTS eritageNews H DITOR E Editor’s Desk 3 ROD MACLEOD The Reasonable Revolution Rod MacLeod PRODUCTION DAN PINESE Timelines 5 PUBLISHER Montreal Mosaic : Snapshots of urban anglos Rita Legault THE QUEBEC ANGLOPHONE The Mosaic revisited Rod MacLeod HERITAGE NETWORK How to be a tile Tyler Wood 400-257 QUEEN STREET SHERBROOKE (LENNOXVILLE) Reviews QUEBEC Uncle Louis et al 8 J1M 1K7 Jewish Painters of Montreal Rod MacLeod PHONE The Truth about Tracey 10 1-877-964-0409 The Riot That Never Was Nick Fonda (819) 564-9595 FAX (819) 564-6872 Sectarian violence on the Haymarket 13 CORRESPONDENCE The Gavazzi riot of 1853 Robert N Wilkins [email protected] “A very conspicuous object” 18 WEBSITE The early history of Mount Royal, Part I Rod MacLeod WWW.QAHN.ORG Monteregian Hotspots 22 The other mountains, Part I Sandra Stock Quebec Family History Society 26 PRESIDENT KEVIN O’DONNELL Part IV: Online databases Robert Dunn EXECUTIVE DIRECTOR If you want to know who we are... 27 DWANE WILKIN MWOS’s Multicultural Mikado Rod MacLeod HERITAGE PORTAL COORDINATOR MATTHEW FARFAN OFFICE MANAGER Hindsight 29 KATHY TEASDALE A childhood in the Montreal West Operatic Society Janet Allingham Community Listings 31 Quebec Heritage Magazine is produced six times yearly by the Quebec Anglophone Heritage Network (QAHN) with the support of The Department of Canadian Heritage and Quebec’s Ministere de la Culture et Cover image: “Gavazzi Riot, Haymarket Square, Montreal, 1853” (Anonymous). -
ARSC Journal
THE GILBERT AND SULLIVAN OPERETTAS ON 78s: COMPLETE SETS AND ABRIDGEMENTS, 1906. 1950 John W. N. Francis In 1877 Richard D'Oyly Carte commissioned Gilbert and Sullivan to write The Sorcerer, and organized an ensemble of singer-actors to perform the new piece under the author's artistic direction. Also in 1877, of course, Charles Cros and Thomas Edison invented sound recording. More than a century later both the music and the medium continue to flourish, and indeed they have come together often and success fully--notably in the many complete versions by the D'Oyly Carte Opera Company, which have set standards of style and ensemble for generations of devotees and amateur performers. This discography documents the complete recordings of the Gilbert and Sullivan operettas made at 78 rpm, not only by the D'Oyly Carte company or under its aegis, but also by others with lesser claims to authenticity. Also included are substantial abridgements and sets of excerpts--groups of five or more sides made at essentially the same time and place and with the same performers, whether or not they were ever issued collectively or with consecutive numbering. The following comments set the recordings in the context of the D'Oyly Carte Opera Company's history. THE ACOUSTIC RECORDINGS When Richard D'Oyly Carte died in 1901, his widow Helen assumed manage ment of the businesses he had built, including the Savoy Theatre in London and the opera company, which was then on tour. In 1906 she brought the troupe back to the Savoy for a repertory season of Gilbert and Sullivan, its very first. -
Meyerbeer's Robert Le Diable
Meyerbeer’s Robert le Diable Meyerbeer’s Robert le Diable : The Premier Opéra Romantique By Robert Ignatius Letellier Meyerbeer’s Robert le Diable : The Premier Opéra Romantique , by Robert Ignatius Letellier This book first published 2012 Cambridge Scholars Publishing 12 Back Chapman Street, Newcastle upon Tyne, NE6 2XX, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2012 by Robert Ignatius Letellier All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-4191-9, ISBN (13): 978-1-4438-4191-7 Fig. 1 Giacomo Meyerbeer. Lithograph by Delpech after a drawing by Maurin (c. 1836) CONTENTS List of Figures............................................................................................. xi Abbreviations .......................................................................................... xvii Introduction ................................................................................................. 1 1. The Origins .............................................................................................. 3 2. The Sources .......................................................................................... 15 The Plot ...............................................................................................