Adobe Premiere Pro CC Help

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Adobe® Premiere® Pro CC Help June 2014 Legal notices Legal notices For legal notices, see http://help.adobe.com/en_US/legalnotices/index.html. Last updated 6/16/2014 iii Contents Chapter 1: What's New New features summary . .1 Chapter 2: Workspace and workflow Workspaces . 13 Using the Source Monitor and Program Monitor . 19 Working with Panels . 26 Preferences . 30 Sync settings using Adobe Creative Cloud | Premiere Pro CC . 36 Basic workflow . 39 Cross-application workflows . 42 Adobe Dynamic Link . 49 Direct Link workflow between Premiere Pro and SpeedGrade . 52 Cross-platform workflow . 57 Keyboard shortcuts in Premiere Pro CC . 57 Chapter 3: Project setup Creating and changing projects . 72 Trim or copy your project . 75 Archiving projects . 77 Chapter 4: Importing footage Transferring and importing files . 79 Supported file formats . 83 Importing sequences, clip lists, libraries, and compositions . 87 Importing still images . 88 Importing digital audio . 91 Importing assets from tapeless formats . 93 Importing XML project files fromFinal Cut Pro . 95 Capturing and digitizing . 98 Setting up your system for HD, DV, or HDV capture . 108 Capturing HD video . 116 Capturing DV or HDV video . 117 Batch capturing and recapturing . 117 Working with timecode . 123 Digitizing analog video . 128 Support for growing files . 129 Create clips for offline editing . 130 Chapter 5: Managing assets Organizing assets in the Project panel . 132 Customizing the Project panel . 138 Managing metadata . 143 Last updated 6/16/2014 PREMIERE PRO iv Contents Working with aspect ratios . 148 Monitor overlays . 152 Chapter 6: Monitoring assets Playing assets . 157 Using the Waveform monitors and vectorscope . ..

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(A/V Codecs) REDCODE RAW (.R3D) ARRIRAW
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
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What Is a Codec?
What is a Codec? Codec is a portmanteau of either "Compressor-Decompressor" or "Coder-Decoder," which describes a device or program capable of performing transformations on a data stream or signal. Codecs encode a stream or signal for transmission, storage or encryption and decode it for viewing or editing. Codecs are often used in videoconferencing and streaming media solutions. A video codec converts analog video signals from a video camera into digital signals for transmission. It then converts the digital signals back to analog for display. An audio codec converts analog audio signals from a microphone into digital signals for transmission. It then converts the digital signals back to analog for playing. The raw encoded form of audio and video data is often called essence, to distinguish it from the metadata information that together make up the information content of the stream and any "wrapper" data that is then added to aid access to or improve the robustness of the stream. Most codecs are lossy, in order to get a reasonably small file size. There are lossless codecs as well, but for most purposes the almost imperceptible increase in quality is not worth the considerable increase in data size. The main exception is if the data will undergo more processing in the future, in which case the repeated lossy encoding would damage the eventual quality too much. Many multimedia data streams need to contain both audio and video data, and often some form of metadata that permits synchronization of the audio and video. Each of these three streams may be handled by different programs, processes, or hardware; but for the multimedia data stream to be useful in stored or transmitted form, they must be encapsulated together in a container format.
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