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Copyright by Cary Cordova 2005
Copyright by Cary Cordova 2005 The Dissertation Committee for Cary Cordova Certifies that this is the approved version of the following dissertation: THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO Committee: Steven D. Hoelscher, Co-Supervisor Shelley Fisher Fishkin, Co-Supervisor Janet Davis David Montejano Deborah Paredez Shirley Thompson THE HEART OF THE MISSION: LATINO ART AND IDENTITY IN SAN FRANCISCO by Cary Cordova, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin December, 2005 Dedication To my parents, Jennifer Feeley and Solomon Cordova, and to our beloved San Francisco family of “beatnik” and “avant-garde” friends, Nancy Eichler, Ed and Anna Everett, Ellen Kernigan, and José Ramón Lerma. Acknowledgements For as long as I can remember, my most meaningful encounters with history emerged from first-hand accounts – autobiographies, diaries, articles, oral histories, scratchy recordings, and scraps of paper. This dissertation is a product of my encounters with many people, who made history a constant presence in my life. I am grateful to an expansive community of people who have assisted me with this project. This dissertation would not have been possible without the many people who sat down with me for countless hours to record their oral histories: Cesar Ascarrunz, Francisco Camplis, Luis Cervantes, Susan Cervantes, Maruja Cid, Carlos Cordova, Daniel del Solar, Martha Estrella, Juan Fuentes, Rupert Garcia, Yolanda Garfias Woo, Amelia “Mia” Galaviz de Gonzalez, Juan Gonzales, José Ramón Lerma, Andres Lopez, Yolanda Lopez, Carlos Loarca, Alejandro Murguía, Michael Nolan, Patricia Rodriguez, Peter Rodriguez, Nina Serrano, and René Yañez. -
North Pacific Research Board Project Final Report
NORTH PACIFIC RESEARCH BOARD PROJECT FINAL REPORT Synthesis of Marine Biology and Oceanography of Southeast Alaska NPRB Project 406 Final Report Ginny L. Eckert1, Tom Weingartner2, Lisa Eisner3, Jan Straley4, Gordon Kruse5, and John Piatt6 1 Biology Program, University of Alaska Southeast, and School of Fisheries and Ocean Sciences, University of Alaska Fairbanks, 11120 Glacier Hwy., Juneau, AK 99801, (907) 796-6450, [email protected] 2 Institute of Marine Science, University of Alaska Fairbanks, P.O. Box 757220, Fairbanks, AK 99775-7220, (907) 474-7993, [email protected] 3 Auke Bay Lab, National Oceanic and Atmospheric Administration, 17109 Pt. Lena Loop Rd., Juneau, AK 99801, (907) 789-6602, [email protected] 4 University of Alaska Southeast, 1332 Seward Ave., Sitka, AK 99835, (907) 774-7779, [email protected] 5 School of Fisheries and Ocean Sciences, University of Alaska Fairbanks, 11120 Glacier Hwy., Juneau, AK 99801, (907) 796-2052, [email protected] 6 Alaska Science Center, US Geological Survey, Anchorage, AK, 360-774-0516, [email protected] August 2007 ABSTRACT This project directly responds to NPRB specific project needs, “Bring Southeast Alaska scientific background up to the status of other Alaskan waters by completing a synthesis of biological and oceanographic information”. This project successfully convened a workshop on March 30-31, 2005 at the University of Alaska Southeast to bring together representatives from different marine science disciplines and organizations to synthesize information on the marine biology and oceanography of Southeast Alaska. Thirty-eight individuals participated, including representatives of the University of Alaska and state and national agencies. -
Communities Investing in the Future One Happy Camper at a Time
COMMUNITIES INVESTING IN THE FUTURE ONE HAPPY CAMPER AT A TIME To date, the Foundation for Jewish Camp partners with 41 communities* including Foundation for Jewish Camp the PJ Library, in addition 253 West 35th Street to four national camp move- 4th Floor ments and over 30 camps New York, NY 10001 to offer the One Happy tel 646-278-4546 Camper program. fax 646-278-4501 *as of September 1, 2015 www.jewishcamp.org Dear Friend of Jewish Camp, Jewish summer camps provide extraordinary laboratories for Jewish Foundation for Jewish Camp was created in 1998 as a public education, expression, and growth. Though appearing as fun and foundation dedicated to Jewish overnight camp, thanks to the games, camps create intentional and purposeful communities with leadership and vision of Robert and Elisa Spungen Bildner. robust and diverse ways for young children, teens, young adults, Over the past 18 years, the Foundation for Jewish Camp has parents, and staff to connect to Jewish life in a powerful and professionalized the field, expanded access to and intensified meaningful way. demand for camp and offered professional development programs for camp staff, elevating the level of programming at North Simply stated, Jewish camp works. To secure stronger Jewish American camps across the Jewish spectrum. communities in the future, we must invest in strengthening Jewish camps today. With your hard work and partnership, we aspire to ensure that every Jewish child benefits from immersive Jewish Today, the Foundation for Jewish Camp serves over 155 Jewish summer experiences. summer camps, close to 80,000 campers and 11,000 counselors across North America every summer. -
District Based Annual Report
SFAC Commissioners Fiscal Year 2009-2010 P.J. Johnston, President At Large Maya Draisin, Vice President Media Arts JD Beltran At Large Rene Bihan Landscape Architecture Through August 2009 Nínive Calegari Literary Arts Through March 2010 John Calloway Performing Arts (Music) Greg Chew At Large Leo Chow Architecture Amy Chuang Performing Arts (Music) Topher Delaney Visual Arts Through March 2010 Lorraine García-Nakata Literary Arts Astrid Haryati Landscape Architecture Sherene Melania Performing Arts (Dance) Jessica Silverman Visual Arts Barbara Sklar At Large Cass Calder Smith Architecture Sherri Young Performing Arts (Theater) Ron Miguel Ex Officio, President, Planning Commission San Francisco Arts Commission Annual Report 2010 on District-Based Programming and Impact Gavin Newsom Mayor Luis R. Cancel Director of Cultural Affairs FY 2009-2010 www.sfartscommission.org A letter from the President of the Arts Commission and the Director of Cultural Affairs We are pleased to present to the Board of Supervisors and other City leaders this annual report on the activities and grants supported by the San Francisco Arts Commission during fiscal year 2009- 2010. For the past four years, the Arts Commission has attempted to provide Supervisors and the citizens of San Francisco with a picture of the varied ways that our agency interacts with the public, supports artists and arts organizations, and enriches the quality of life in many neighborhoods throughout the City. Each year we strive to improve upon the quantitative data that we use to capture this rich and complex interaction between City funding and the cultural community, and this year we are pleased to introduce statistical highlights drawn from information provided by San Francisco-based arts organizations to the California Cultural Data Project (CDP). -
Name That Sculpture
Name that Sculpture Relja Arandjelovic´ Andrew Zisserman Department of Engineering Science Department of Engineering Science University of Oxford University of Oxford [email protected] [email protected] ABSTRACT 1. INTRODUCTION We describe a retrieval based method for automatically de- The goal of this work is to automatically identify both the termining the title and sculptor of an imaged sculpture. This sculptor and the name of the sculpture given an image of is a useful problem to solve, but also quite challenging given the sculpture, for example from a mobile phone. This is a the variety in both form and material that sculptures can capability similar to that offered by Google Goggles, which take, and the similarity in both appearance and names that can use a photo to identify certain classes of objects, and can occur. thereby carry out a text based web search. Our approach is to first visually match the sculpture and Being able to identify a sculpture is an extremely useful func- then to name it by harnessing the meta-data provided by tionality: often sculptures are not labelled in public places, Flickr users. To this end we make the following three con- or appear in other people’s photos without labels, or appear tributions: (i) we show that using two complementary vi- in our own photos without labels (and we didn’t label at the sual retrieval methods (one based on visual words, the other time we took them because we thought we would remember on boundaries) improves both retrieval and precision per- their names). -
Community, Identity, and Spatial Politics in San Francisco Public Housing, 1938--2000
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 2005 "More than shelter": Community, identity, and spatial politics in San Francisco public housing, 1938--2000 Amy L. Howard College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the American Studies Commons, Public Policy Commons, United States History Commons, Urban, Community and Regional Planning Commons, and the Urban Studies and Planning Commons Recommended Citation Howard, Amy L., ""More than shelter": Community, identity, and spatial politics in San Francisco public housing, 1938--2000" (2005). Dissertations, Theses, and Masters Projects. Paper 1539623466. https://dx.doi.org/doi:10.21220/s2-7ze6-hz66 This Dissertation is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. NOTE TO USERS This reproduction is the best copy available. ® UMI Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with with permission permission of the of copyright the copyright owner. Furtherowner. reproduction Further reproduction prohibited without prohibited permission. without permission. “MORE THAN SHELTER”: Community, Identity, and Spatial Politics in San Francisco Public Housing, 1938-2000 A Dissertation Presented to The Faculty of the American Studies Program The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Doctor of Philosophy by Amy Lynne Howard 2005 Reproduced with permission of the copyright owner. -
City Research Online
City Research Online City, University of London Institutional Repository Citation: Summerfield, Angela (2007). Interventions : Twentieth-century art collection schemes and their impact on local authority art gallery and museum collections of twentieth- century British art in Britain. (Unpublished Doctoral thesis, City University, London) This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/17420/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] 'INTERVENTIONS: TWENTIETH-CENTURY ART COLLECTION SCIIEMES AND TIIEIR IMPACT ON LOCAL AUTHORITY ART GALLERY AND MUSEUM COLLECTIONS OF TWENTIETII-CENTURY BRITISH ART IN BRITAIN VOLUME If Angela Summerfield Ph.D. Thesis in Museum and Gallery Management Department of Cultural Policy and Management, City University, London, August 2007 Copyright: Angela Summerfield, 2007 CONTENTS VOLUME I ABSTRA.CT.................................................................................. ii ACKNOWLEDGEMENTS •........••.••....••........•.•.•....•••.......•....•...• xi CHAPTER 1:INTRODUCTION................................................. 1 SECTION 1 THE NATURE AND PURPOSE OF PUBLIC ART GALLERIES, MUSEUMS AND THEIR ART COLLECTIONS.......................................................................... -
Espoarte Digital #81 E
WWW.ESPOARTE.NET digital 81 Cover Artist arturo martini ½ IL GENIO DI MARTINI CELEBRATO A FAENZA E BOLOGNA Interviste Zhang Huan Adrian Paci Daniel González Alessandro Biggio Giovani AUTUMN SELECTION CHI SONO, COSA FANNO E QUANTO COSTANO IGrandiL MEGLIO DELLA NUOVAmostre STAGIONE 2013 IMaratona PROTAGONISTI DENTRO EBiennale ATTORNO ALLA KERMESSE 2013 VENEZIANA 20 settembre | 27 ottobre 2013 a cura di Pietro C. Marani e Carlo Sala GIUSEPPE GONELLA INVOLVED via luigi porro lambertenghi 6, milano tel 02 87246945 [email protected] www.galleriagiovannibonelli.it ESPOARTE DIGITAL WWW.ESPOARTE.NET ESPOARTE DIGITAL #81 ½ ACoverrturo Martini, Attesa (La Veglia), 1931-32, terra refrattaria, cm 213x145x63. Opera nella mostra “Arturo Martini. Creature, il sogno della terracotta”, Palazzo Fava - Palazzo delle Esposizioni, 22 settembre 2013 – 12 gennaio 2014 Espoarte Digital è un progetto editoriale di Espoarte in edizione esclusivamente digitale, tutto da sfogliare e da leggere, con i migliori contenuti pubblicati sul sito www.espoarte.net e molti altri realizzati ad hoc. 81 #tagSU QUESTOcloud NUMERO SI PARLA DI... ½ ESPOARTE LA nuova stagione: LE GRANDI MOSTRE 2013 Registrazione del Tribunale di Savona Martini, De Pisis, Sironi, Carrà, Pollock, Baj, Albers, Kandinsky, Malevič, Filonov, Gončarova, n. 517 del 15 febbraio 2001 Cézanne, Antonello Da Messina, Warhol, Rodin, Escher, Collezione Unicredit, Renoir, Munch, Officina Pratese, Zurbarán, Seicento Lombardo, Cleopatra, Giovanni Fattori, Liberty, La ragazza Espoarte è un periodico di arte e cultura contemporanea edito dall’Associazione Culturale Arteam. con l’orecchino di perla, Wunderkammer, L. Fabro © Proprietà letteraria riservata. È vietata la riproduzione, anche parziale, di testi pubblicati senza l’autorizzazione scritta della ART MASTERS IN GALLERIA: Direzione e dell’Editore. -
This Month's Extravaganza •My Dinner with Dr. Stabby Part 4
Puzzles for the Fun Side of the Brain This Month’s Extravaganza •My Dinner With Dr. Stabby Part 4 September/October 2013 * $6 http://www.pandamagazine.com © 2013. P&A Magazine. All rights reserved. P&A is published on-line 6 times per year. Single issues are $6. From the Editor Issue 45 Winners Congratulations to our first 10 correct responses! Last issue’s meta was definitely a challenge. A number Dan Katz of people felt the clues were ambiguous. For those Just a misdemeanor (Amy Swartz, Ata Gurpinar, looking to see what the clues were, and how they were Nathan Curtis, Matt Morse & Jason McIntosh) intended, check out page 25. Nathan Fung Josiah Schwab, Annelise Beck, and Rishi Gupta I did an interview with Puzzle Pile recently that you can Mark Halpin check out here: http://puzzlepile.com/2013/09/11/p- Doug Orleans, Scooter Burch, Cori Couture, Chris interview-foggy-burme/. Also be sure to follow P&A on Hescock, Martha Ingols twitter (@pandamagazine) and on Facebook. Jay Lorch Iolanthe Chronis, Brad Stronger, and Dan Puzzle Boat II continues to develop, with a launch date Stronger in March. The event will be team-oriented than a typical Brent Holman issue of P&A. Tweleve Pack team (Stvwz, Molnar, F14Rainman, Pianoman) Big apologies to Doug Orleans and Scotter Burch, who Completists (Issue 45) were left off the Completists for Issue 43. Congratulations to everyone who completed the full issue! Aaron Riccio Josiah Schwab, Annelise Beck, It’s time for dessert. Once you think you know the Andi & Gabriel Becerra Rishi Gupta answer, e-mail it to [email protected], and Andrew Araki Just a misdemeanor (Amy keep an ear to Twitter for errata announcements. -
The Forming of the Metal Arts Guild, San Francisco (1929-1964)
Metal Rising: The Forming of the Metal Arts Guild, San Francisco (1929-1964) Jennifer Shaifer Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts. The Smithsonian Associates and Corcoran College of Art + Design 2011 © 2011 Jennifer Shaifer All Rights Reserved ACKNOWLEDGEMENTS This thesis is a project I hold dear to my heart. A milestone in my life in which I will never forget. My research started as a journey across the United States to tell a story about the formation of the Metal Arts Guild, but has ended with a discovery about the strength of the human spirit. I was not fortunate to meet many of the founding members of the Metal Arts Guild, but my research into the lives and careers of Margaret De Patta, Irena Brynner, and Peter Macchiarini has provided me with invaluable inspiration. Despite the adversity these artists faced, their strength still reverberates through the trails of history they left behind for an emerging scholar like me. Throughout this project, I have received so much support. I would like to thank Heidi Nasstrom Evans, my thesis advisor, for her encouragement and patience during the thesis writing process. It was during her Spring 2007 class on modernism, that I was introduced to a whole new world of art history. I also want to thank Cynthia Williams and Peggy Newman for their constant source of support. A huge thank you to Alison Antleman and Rebecca Deans for giving me access to MAG’s archives and allowing me to tell their organization’s story. -
Ruth Asawa Bibliography
STANFORD UNIVERSITY LIBRARIES, DEPARTMENT OF SPECIAL COLLECTIONS Ruth Asawa Bibliography Articles, periodicals, and other printed works in chronological order, 1948-2014, followed by bibliographic citations in alphabetical order by author, 1966-2013. Listing is based on clipping files in the Ruth Asawa papers, M1585. 1948 “Tomorrow’s Artists.” Time Magazine August 16, 1948. p.43-44 [Addison Gallery review] [photocopy only] 1952 “How Money Talks This Spring: Shortest Jacket-Longest Run For Your Money.” Vogue February 15, 1952 p.54 [fashion spread with wire sculpture props] [unknown article] Interiors March 1952. p.112-115 [citation only] Lavern Originals showroom brochure. Reprinted from Interiors, March 1952. Whitney Publications, Inc. Photographs of wire sculptures by Alexandre Georges and Joy A. Ross [brochure and clipping with note: “this is the one Stanley Jordan preferred.”] “Home Furnishings Keyed to ‘Fashion.’” New York Times June 17, 1952 [mentions “Alphabet” fabric design] [photocopy only] “Bedding Making High-Fashion News at Englander Quarters.” Retailing Daily June 23, 1952 [mentions “Alphabet” fabric design] [photocopy only] “Predesigned to Fit A Trend.” Living For Young Homemakers Vol.5 No.10 October 1952. p.148-159. With photographs of Asawa’s “Alphabet” fabric design on couch, chair, lamp, drapes, etc., and Graduated Circles design by Albert Lanier. All credited to designer Everett Brown “Living Around The Clock with Englander.” Englander advertisement. Living For Young Homemakers Vol.5 No.10 October 1952. p.28-29 [“The ‘Foldaway Deluxe’ bed comes only in Alphabet pattern, black and white.”] “What’s Ticking?” Golding Bros. Company, Inc. advertisement. Living For Young Homemakers Vol.5 No.10 October 1952. -
An Exceptional Inclusion: on Moma's Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian
An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art Kathleen Ditzig Southeast of Now: Directions in Contemporary and Modern Art in Asia, Volume 1, Number 1, March 2017, pp. 39-80 (Article) Published by NUS Press Pte Ltd DOI: https://doi.org/10.1353/sen.2017.0002 For additional information about this article https://muse.jhu.edu/article/646477 [ Access provided at 26 Sep 2021 16:50 GMT with no institutional affiliation ] An Exceptional Inclusion: On MoMA’s Exhibition Recent American Prints in Color and the First Exhibition of Southeast Asian Art KATHLEEN DITZIG The exhibition of the First Southeast Asia Art Conference and Competition in Manila in 1957 was one of the first post-war events that sought to bring together the then contemporary art from the region.1 What is unusual and worthy of study about this exhibition is that not only was it the first survey exhibition of Southeast Asia, it also included the Museum of Modern Art (MoMA) International Program’s travelling exhibition, Recent American Prints in Color.2 Little is known of the history behind the First Southeast Asia Art Conference and Competition. There have been no studies which recount in detail how the conference and competition came to be, who it served and what it represented.3 Even less is known about how the MoMA exhibition came to be included in this unprecedented platform. However, its inclusion as a participant in the one-room survey exhibition complicates an indigenous art organisation’s attempt to present Southeast Asia as a cultural region within an exhibitionary frame.