Mohammadreza Sobhan ; M.D
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KHERAD-DISSERTATION-2013.Pdf
Copyright by Nastaran Narges Kherad 2013 The Dissertation Committee for Nastaran Narges Kherad Certifies that this is the approved version of the following dissertation: RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY Committee: M.R. Ghanoonparvar, Supervisor Kamran Aghaie Kristen Brustad Elizabeth Richmond-Garza Faegheh Shirazi RE-EXAMINING THE WORKS OF AHMAD MAHMUD: A FICTIONAL DEPICTION OF THE IRANIAN NATION IN THE SECOND HALF OF THE 20TH CENTURY by Nastaran Narges Kherad, B.A.; M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 Dedication Dedicated to my son, Manai Kherad-Aminpour, the joy of my life. May you grow with a passion for literature and poetry! And may you face life with an adventurous spirit and understanding of the diversity and complexity of humankind! Acknowledgements The completion of this dissertation could not have been possible without the ongoing support of my committee members. First and for most, I am grateful to Professor Ghanoonparvar, who believed in this project from the very beginning and encouraged me at every step of the way. I thank him for giving his time so generously whenever I needed and for reading, editing, and commenting on this dissertation, and also for sharing his tremendous knowledge of Persian literature. I am thankful to have the pleasure of knowing and working with Professor Kamaran Aghaei, whose seminars on religion I cherished the most. -
Hosseini, Mahrokhsadat.Pdf
A University of Sussex PhD thesis Available online via Sussex Research Online: http://sro.sussex.ac.uk/ This thesis is protected by copyright which belongs to the author. This thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the Author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the Author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Please visit Sussex Research Online for more information and further details Iranian Women’s Poetry from the Constitutional Revolution to the Post-Revolution by Mahrokhsadat Hosseini Submitted for Examination for the Degree of Doctor of Philosophy in Gender Studies University of Sussex November 2017 2 Submission Statement I hereby declare that this thesis has not been, and will not be, submitted in whole or in part to another University for the award of any other degree. Mahrokhsadat Hosseini Signature: . Date: . 3 University of Sussex Mahrokhsadat Hosseini For the degree of Doctor of Philosophy in Gender Studies Iranian Women’s Poetry from the Constitutional Revolution to the Post- Revolution Summary This thesis challenges the silenced voices of women in the Iranian written literary tradition and proposes a fresh evaluation of contemporary Iranian women’s poetry. Because the presence of female poets in Iranian literature is a relatively recent phenomenon, there are few published studies describing and analysing Iranian women’s poetry; most of the critical studies that do exist were completed in the last three decades after the Revolution in 1979. -
A Study of the Poetic Foundations of Three Prominent Contemporary
Propósitos y Representaciones May. 2021, Vol. 9, SPE(3), e1097 ISSN 2307-7999 Current context of education and psychology in Europe and Asia e-ISSN 2310-4635 http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 RESEARCH NOTES A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Un estudio de los fundamentos poéticos de tres destacados poetas contemporáneos Mehdi Akhavan Sales, Ahmad Shamloo y Hamid Mossadegh con un enfoque de la literatura europea Farshad Daneshvar Nik PhD student in Persian language and literature, Islamic Azad University, Mashhad Branch, Iran Mohammad Fazeli Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Parvin Dokht Mashhor Member of the Department of Persian Language and Literature, Islamic Azad University, Mashhad Branch, Iran Received 07-08-20 Revised 08-10-20 Accepted 09-02-20 On line 03-06-21 *Correspondence Cite as: Email: [email protected] Daneshvar, F., Fazali, M., & Dokht, P. (2021). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature. Propósitos y Representaciones, 9(SPE3), e1097. Doi: http://dx.doi.org/10.20511/pyr2021.v9nSPE3.1097 © Universidad San Ignacio de Loyola, Vicerrectorado de Investigación, 2021. Este artículo se distribuye bajo licencia CC BY-NC-ND 4.0 Internacional (http://creativecommons.org/licenses/by-nc-nd/4.0/). A Study of the Poetic Foundations of Three Prominent Contemporary Poets Mehdi Akhavan Sales, Ahmad Shamloo and Hamid Mossadegh with an Approach to European Literature Summary Literary schools in the West are influenced by the social and political conditions prevailing in those societies; This means that each school in line with the political and social developments of its time has undergone structural and content changes and gives way to a school with a different perspective. -
The Characteristics of Romanticism in the Children's Poem in Iran
qw Advances in Language and Literary Studies ISSN: 2203-4714 Vol. 7 No. 5; October 2016 Flourishing Creativity & Literac y Australian International Academic Centre, Australia The Characteristics of Romanticism in the Children’s Poem in Iran Ali Armaghan (Corresponding author) Faculty of Letters and Humanities, Kashan University, Kashan, Iran E-mail: [email protected] Reza Shajari Faculty of Letters and Humanities, Kashan University, Kashan, Iran E-mail: [email protected] Maryam Jalali Faculty of Persian language and literature, Shahid Beheshti University, Tehran. Iran E-mail: ma_ [email protected] Alireza Fouladi Faculty of Letters and Humanities Kashan University, Kashan. Iran E-mail: [email protected] Doi:10.7575/aiac.alls.v.7n.5p.59 Received: 04/05/2016 URL: http://dx.doi.org/10.7575/aiac.alls.v.7n.5p.59 Accepted: 16/07/2016 Abstract Romanticism is one of the important contemporary literal schools and has absorbed many poets and authors all across the world. Persian literature specifically the adolescents and children poem in Iran has been affected. Many Iranian poets have been among the pioneers of romanticism in the adolescents and children poem. The poems of these poets include delicate interpretations and concepts in the principles of romantic poem. They have used the specifications and principles of romanticism due to the conditions and outlook of the addressees (children and adolescents).The current essay scrutinizes the characteristics of romanticism in the adolescents and children poem. Romanticism considers identifications such as naturalism, rustic are tendencies, liberalism, nostalgic issues, individualism and tendency to traveling. It also tries to explore new interpretations. -
A Review of Political Satire in the Iranian Press During the 2000S
Political Satire, the Barometer of Press Freedom: A Review of Political Satire in the Iranian Press during the 2000s Seyed Mahmood Farjami* Abstract: Political satire has played a prominent part in the social and political sphere of journalism in Iran from the first appearance of the independent press at the beginning of the twentieth century. This paper examines its problems and achievements in the Iranian press during the first decade of the twenty-first century, including their historical context over the past one hundred years. Legal and other important issues issues (e.g. Press Laws) affecting the Iranian press are reviewed in addition to non-political forms of the genre of satire, which significantly have often been used for political ends by authorities in Iran. Keywords: Political satire, Political humour, Iranian satirists, Cartooning, Editorial cartoons, Iranian Press in 2000s, Persian satire, Freedom of the press, Censorship ______________________________________________________________ 1 * S. M. Farjami is an Iranian satirist and journalist, and a PhD candidate in the School of Communication, Universiti Sains Malaysia.Political Satire in the Iranian Press, the Roots The appearance of political satire in the Iranian press came fast on the heels of Iranians becoming familiar with the modern concepts of “politics” and “the press’’ itself. Only three years after the Office of Censorship (Edareye Sansour) was established by Etemad Al-Dowleh by the order of Nasereddin Shah in February, 1885, to maintain tight control over all the presses publishing inside the country as well as publications delivered from outside, the first newspaper wholly devoted to satiric content was registered with the government. -
Abo-Al Ghasem Lahouti, the Poet of Censure
J. Basic. Appl. Sci. Res., 3(2)488-493, 2013 ISSN 2090-4304 Journal of Basic and Applied © 2013, TextRoad Publication Scientific Research www.textroad.com Abo-Al Ghasem Lahouti, the Poet of Censure Farideh Rajabi Ph.D student of Persian Language and Literature, Academy of Sciences, Dushanbe, Tajikistan ABSTRACT Doubtless the most well-known and stunning Persian poems have been in form of sonnet. The sociopolitical poems of constitutional era bear no exception as well. One of salient characteristics of the Constitutional era poems is “theme-orientation” which mingle with novel words is specific to the modernity and evolution period. The sonnet in constitutional era reminiscents great and efficacious poetic figures such as Abo-al Ghasem Lahouti. He is known a famous poet from two aspects: worker poems and literal breaking. Though, most of Lahouti’s fame belongs to his ability in worker poetry. He, indeed, for the first time introduced a libertarian, political activist and rebellion figure of workers. After leaving Iran, Lahouti dwelled in Tajikistan and Soviet Union for a long time and was being always respected by people and the states. He was not only a political activist but also regarded as a powerful and popular poet. KEY WORDS: constitutional era, political, social, worker, liberty, patriotism, sonnet, activism, Lahouti, poem, theme, Tajik, Soviet Union. INTRODUCTION History of constitutional era talks about those men and women who were active in fight between evil and goodness, did wrong and being oppressed and finally left signs of victories and deafest behind. The constitutional era describes oppressed farmers, workers and scholars who shouted tyranny. -
Mogharab Nasim 2016 Thesis.Pdf
"I saw myself released": The Impact of Modernization on Women's Literature in Pre-Revolution Iran, 1941-1979 By: Nasim Mogharab Thesis submitted to the Faculty of Graduate and Postdoctoral Studies in partial fulfillment of the requirements for the MA degree in History University of Ottawa © Nasim Mogharab, Ottawa, Canada 2016 Abstract This thesis examines the first collections of modern Persian literature written by Iranian female authors in the context of a process of gender modernization during the Mohammad Reza Shah Pahlavi’s reign (1941-1979). This thesis argues that women’s literature written during the period of transition from tradition to modernity is clearly influenced by the state’s gender policy and illustrates the changing position of women’s status in private and public life. Indeed, an examination of the collections of short stories and poems that were produced in this period demonstrates that female authors were concerned with the unveiling policy, arranged marriage and polygamy, women’s education, women’s social participation, women’s domestic obligations, women’s political awakening, and female sexuality. Furthermore, central themes covered by female authors changed significantly based on the transformations of gender politics the society experienced from the 1940s and 1950s to the 1960s and 1970s. Résumé La thèse porte sur la première collection de la littérature moderne persane écrite par les écrivaines iraniennes dans un contexte féministe pendant le règne du Mohammad Reza Shah Pahlavi (1941-1979). L’étude montre que cette littérature durant la période de la transition de la tradition à la modernité est évidemment influencée par la politique du régime Pahlavi et illustre la position changeante des femmes dans la vie privée aussi que publique. -
Unknown by Maneli Aygani May 2012
Lady: Unknown By Maneli Aygani May 2012 3 “My dear teacher! Do we not enjoy freedom of thought? Yes, we do!” From Taj Saltaneh, Memoir book 4 1 Lady: Unknown1 Prologue, This is an essay for an art exhibition with the same name, which is created in appreciation for the effort and courage of women, who stand for their own and other’s rights. As an Iranian-born woman, my aim in this series is to challenge the stereotypical definitions of gender in my culture, and also to minimize and break free from my own fear and anger. I am interested to see how people with other cultural backgrounds will interpret the visual work and relate it to their own experience. Given the broad reality of discrimination across the world, I expect my works may gain the viewer’s sympathy, but sympathy is not enough for me; my main goal is to encourage viewers to become aware of things that might not have their full attention. 1 Lady Unknown (Banoo Nashenaas) was the nickname for one of the famous Iranian female singers in 1950s; because singing for women had been and still is an unconventional action, she had taken this nickname to keep her identity private. Her real name was Farahdokht Abbasi Taleqani and later was known as “Pooran.” 1 I was born and raised in Tehran in a culture with many contradictions. On the one hand, it is a culture with conservative traditions, discrimination, and social restrictions due to religion and Government. On the other hand, an inspiring culture still exists in Iran and has a great influence on people’s everyday life. -
Review the Comparative of Conceptual Humor in Poetries of Ahmad Matar and Emran Salahi
INTERNATIONAL JOURNAL OF HUMANITIES AND Special Issue CULTURAL STUDIES ISSN 2356-5926 June 2016 Review the Comparative of conceptual humor in poetries of Ahmad Matar and Emran Salahi *Razieh Khoshzamir PhD student of Persian language and literature,University of Guilan, Iran *Corresponding Author: [email protected] Abstract In societies rather than law, force is governed, Expose the truth, is possible only in indirectly manner. in this situation,Comics got to work and efforts To clarify thoughts and public awareness, which among them, Ahmad Matar, poet of Basra and Emran Salahi, an Iranian poet can be called. Who stood in front of adversity, and According to the exigencies of that time, wrote poetries. in fact these Poets, With all boldnes , stated criticisms about the Sick society and its disadvantages and for this reason, Has similar thoughts. this study, was a descriptive – analytical study and According to the US approach in comparative literature with Overview humor theoretical discussions, Differences and similarities were analyzed in the poems of these two poets. Eventually it was found that, Since these two poets are influenced by the political and social changes, Their humors are mainly based on political and social issues of society. Which was In the form of direct criticism and satire and ridicule. And In this way,The unfavorable aspects of human behavior to be challenged but The difference is that Matar with explicit language tells his criticism but Salahi, state social problems in the secret and hidden manner. so that identify irony in the poems of Salahi is hardly possible . Keywords: Conceptual humor, Ahmad Matar, Emran Salahi, Comparative Literature http://www.ijhcs.com/index.php/ijhcs/index Page 565 INTERNATIONAL JOURNAL OF HUMANITIES AND Special Issue CULTURAL STUDIES ISSN 2356-5926 June 2016 1-Introduction Humor, is an art, that show imbalances in Various social arenas, which seem proportionate in outward. -
A Comparative Study of Reflections of Resistance in the Poetry of Malek-O-Shoara Bahar and Amal Donqol
12 Journal of Comparative Literature Faculty of Literature and Humanities Shahid Bahonar University of Kerman Year 9, No.16, Spring and Summer 2017 A Comparative Study of Reflections of Resistance in the Poetry of Malek-o-Shoara Bahar and Amal Donqol Ebrahim Vasheghani Farahani1 Reza Tavazoee2 Abstract Resistance literature is usually created in the conditions of oppression, inner despotism, lack of social and individual freedom, defiance of law, and foreign aggression. Since the old times to the period of Constitutionalism in Iran, and the contemporary Arab Movement, Iran and Egypt have produced valuable works in resistance literature due to their outstanding resistance to indoor injustice, foreign aggression and cultural attacks. In Iran, resistance literature has a flourishing in Constitutionalism era, and poets like Mirzadeh Eshghi, Seyed Ashrafodin Gilani, Aref Ghazvini, Farokhi Yazdi, and Bahar are the most active in this field; as for the contemporary Egyptian-Arabic Movement, poets like Hafez Ebrahim, Marouf Al-Rassafi, Mohammad Mahdi Al-Javaheri, Mahmoud Darvish, Ebrahim Toqan, and Amal Donqol are among the celebrated ones. Malek-o-Shoara Bahar and Amal Donqol are political and liberal elite poets of Iran and Egypt who fought culturally against autarchy and colonizers. Based on the American school of comparative criticism, this study tries to illustrate resistance literature during Constitutionalism era in Iran, and the era of the Arab Movement. Keywords: Resistance literature, Comparative literature, Malek- o-Shoara Bahar, Amal -
Evaluation of Iranian Contemporary Nationalist Historiography Characteristics
Special Issue 1 INTERNATIONAL JOURNAL OF HUMANITIES AND February 2016 CULTURAL STUDIES ISSN 2356-5926 Evaluation of Iranian Contemporary Nationalist Historiography Characteristics Dr. Morteza Dehghan Nejad Full Professor in Department of History, Isfahan University, Isfahan, Iran Zeinab Ahmadvand PhD student in Department of History, Isfahan University, Isfahan, Iran Ali Haddadi* MA Graduated in Department of History, Isfahan University, Isfahan, Iran *Corresponding author Abstract Novel Iranian historiography is strongly influenced by the nationalist dialogue. It has had a great impact on redefining the new Iranian identity in the contemporary era. The Pahlavi regime (emerged in 1925) produced and used that way of thinking in a modern way and differently from previous traditional governments. This study will take a look at the emerging of the modern Iranian identity from a historical-analytical perspective and attempt to determine why the common nationalist thinking in most recent Iranian historic literature is dominant. It mentions the most significant characteristics of that party’s historiography. New Iranian historic literature, influenced by the nationalist dialogue, has characteristics such as modernization, racism, Islamophobia, westernization, and egotism. Keywords: nationalist movement, nationalist historiography, modernization, national identity. http://www.ijhcs.com/index.php/ijhcs/index Page 993 Special Issue 1 INTERNATIONAL JOURNAL OF HUMANITIES AND February 2016 CULTURAL STUDIES ISSN 2356-5926 1. Introduction According to most current researchers, no doctrine has played a role as significant as that of nationalism in forming the modern world. In the modern era, the existence of government and nation has become an essential framework for all social and cultural and economic activities. Nationalism consists of beliefs and indicators which create a feeling of belonging to a unified political community that makes the majority of people loyal to one government and nation. -
Doğu Araştirmalari
DOĞU ARAŞTIRMALARI Doğu Dil, Edebiyat, Tarih, Sanat ve Kültür Araştırmaları Dergisi A Journal of Oriental Studies Sayı/Issue: 13-14, 2014/1-2014/2 İstanbul–2015 DOĞU ARAŞTIRMALARI A Journal of Oriental Studies ISSN 1307-6256 Sayı/Issue: 13-14, 2014/1-2014/2 Yılda İki Kez Yayımlanan Uluslararası Hakemli Dergi Sahibi ve Yazı İşleri Müdürü (Owner and Managing Editor) Prof. Dr. Ali Güzelyüz Yayın Kurulu (Editorial Board) Prof. Dr. Ali Güzelyüz Prof. Dr. Hüseyin Yazıcı Prof. Dr. Mehmet Atalay Prof. Dr. Halil Toker Prof. Dr. Mehmet Yavuz Prof. Dr. Mustafa Çiçekler Prof. Dr. Abdullah Kızılcık Doç. Dr. Eyüp Sarıtaş Bilimsel Danışma Kurulu (Advisory Board) Prof. Dr. M. Fatih Andı (FSM Vakıf Ü.) Prof. Dr. Mehmet Atalay (İstanbul Ü.) Prof. Dr. Bedrettin Aytaç (Ankara Ü.) Prof. Dr. Selami Bakırcı (Atatürk Ü.) Prof. Dr. Mustafa Çiçekler (İ.Medeniyet Ü.) Prof. Dr. Veyis Değirmençay (Atatürk Ü.) Prof. Dr. Rahmi Er (Ankara Ü.) Prof. Dr. Ali Güzelyüz (İstanbul Ü.) Prof. Dr. Kavoos Hasanli (Shiraz U.) Prof. Dr. Mehmet Kanar (Yeditepe Ü.) Prof. Dr. A. Karaismailoğlu (Kırıkkale Ü) Prof. Dr. Victor el-Kik (Univ. Libanaise) Prof. Dr. Hicabi Kırlangıç (Ankara Ü.) Prof. Dr. R.Moshtagh Mehr(A.T.Moallem U.) Prof. Dr. Charles Melville (U. Cambridge) Prof. Dr. Mehdi Nouriyan (Esfahan U.) Prof. Dr. Halil Toker (İstanbul Ü.) Prof. Dr. A. Naci Tokmak (Yeditepe Ü.) Prof. Dr. Faruk Toprak (Ankara Ü.) Prof. Dr. Mehmet Yavuz (İstanbul Ü.) Prof. Dr. Hüseyin Yazıcı (İstanbul Ü.) Prof. Dr. Nimet Yıldırım (Atatürk Ü.) Prof. Dr. Asuman Belen Özcan (Ankara Ü.) Prof. Dr. Abdullah Kızılcık (İstanbul Ü.) Prof. Dr.