DOCSLIB.ORG

Mills in Art

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Mills in Art Mills in Art Reference Numbers Used in Volume Album Worksheets spreadsheets for each item - 1 Cards - Post Mills of England 1 - 200, 701 - 800 2 Cards - Smock Mills of England 201 - 400, 801 - 900 3 Cards - Tower Mills of England 401 - 600, 901 -1000 4 1 Cards - Watermills of Great Britain 1001 - 1200 5 2 Cards - Watermills of Great Britain 1201 - 6 1 Cards - Windmills - Foreign 2501 - 2875 7 2 Cards - Windmills - Foreign 2876 - 3000, 6001 > 8 3 Cards - Watermills - Foreign 2001 - 2500 Prints of Art Works incl Lithographs, 3001 - 3138 9 1 Etchings and other type of print upto A4 Prints of Art Works incl Lithographs, 3139 - 3211 10 2 Etchings and other type of print upto A4 Prints of Art Works incl Lithographs, 3212 - 3274 11 3 Etchings and other type of print upto A4 Prints of Art Works incl Lithographs, 3275 - 3389 12 4 Etchings and other type of print upto A4 Prints of Art Works incl Lithographs, 3390 - 3525 13 5 Etchings and other type of print upto A4 Prints of Art Works incl Lithographs, 3526 - 14 6 Etchings and other type of print upto A4 15 35mm Photographic Slides 4001 - 5000 Original Art Works incl Drawings , Pastel 5001 - 5115 16 1 Studies, Water colour and Oil paintings and sketches upto A4 Original Art Works incl Drawings , Pastel 5116 - 17 2 Studies, Water colour and Oil paintings and sketches upto A4 Original Art Works incl Drawings , Pastel 18 3 Studies, Water colour and Oil paintings and sketches upto A4 Prints of Art Works incl Lithographs, 7001 - 19 1 Etchings and other type of print greater than A4 and upto A3 size Prints of Art Works incl Lithographs, 20 2 Etchings and other type of print greater than A4 and upto A3 size Original Art Works incl Drawings , Pastel 8001 - Studies, Water colour and Oil paintings 21 1 and sketches greater than A4 and upto A3 size Original Art Works incl Drawings , Pastel Studies, Water colour and Oil paintings 22 2 and sketches greater than A4 and upto A3 size Art Works incl Prints, Drawings , Pastel 9001 - Studies, Water colour and Oil paintings 23 1 and sketches greater than A3 and upto A2 size Art Works incl Prints, Drawings , Pastel Studies, Water colour and Oil paintings 24 2 and sketches greater than A3 and upto A2 size Cards Post Mills England Mill Type Ref No Medium Description of Image inc date of image Artist Name of Mill Location Country County Town Post Mill 157 Post Card Windmill in a rural setting with river Post Mill 158 Post Card Windmill on a hill England Surrey Post Mill 159 Post Card Newcastle upon Thyne - General View 1745 Post mills on hills England Post Mill 160 Post Card Old Newcastle, Pandon Dene 1821 England Post Mill 161 Post Card Old Walberswick Mill I Kirkpatrick England Suffolk Walberswick Post Mill 162 Card Ink Drawing in black and Green A T Duck End England Finchingfield Post Mill 163 Post Card Painting of post mill Near Danebury, Essex England Essex Danebury Post Mill 164 Post Card Lino cut Jon Clayton Mills England West Sussex Brighton Post Mill 165 Card Painting of post mill Martin Greasey 1993 Saxsted Mill England Suffolk Post Mill 166 Post Card Pen and ink drawing of post mill W G L Salvington Mill England West Sussex Worthing Post Mill 167 Post Card Pen and ink drawing of derelict post mill Old Mill, Side-Ley Kegworth England Post Mill 168 Card Drawing of post mill F Todd Earl Sohan Windmill England Post Mill 169 Post Card Landscape with a windmill 1841 Henry Bright (1810-1873) England Post Mill 170 Post Card House in the Clouds, Thorpeness Judges England Suffolk Thorpeness Post Mill 171 Post Card Drawing of a post mill The Windmill, Thorpeness England Suffolk Thorpeness Post Mill 172 Post Card Painting of a post mill Near Ditchling, Sussex England Post Mill 173 Post Card Pen and ink drawing of post mill Gillespie The Downs, Bexhill England East Sussex Bexhill Post Mill 174 Card Monochrome print Miss M Hobson 1899 Shoreham but should be Lancing Mill England Post Mill 175 Card Pen and ink drawing of post mill Joan Evans The Windmill, Cross-in-Hand England Post Mill 176 Card Pen and ink drawing of post mill Joan Evans Cross-in-Hand Windmill England Post Mill 177 Card Pen and ink drawing of post mill Ken Keith Windmill Church, Reigate England Surrey Reigate Post Mill 178 Post Card Pen and ink drawing of post mill The Mill, Aldeburgh, Dismantled 1924 England Norwich Aldeburgh Post Mill 179 Post Card Pen and ink drawing of post mill R H Yates Tadworth Mill England Surrey Reigate Post Mill 180 Greetings Card Painting of a post mill T Allom Gravesend from Windmill Hill c1800 England Kent Gravesend Post Mill 181 Card From a coloured print George Cooke Wimbledon Windmill in 1825 England Greater London Wimbledon Post Mill 182 Greetings Card Painting of a post mill in winter setting at Christmas England Post Mill 183 Greetings Card A Passing Fancy (with post mill) Edmund Blair Leighton England Post Mill 184 Greetings Card A Surrey Mill Bernard Ninnes England Surrey Post Mill 185 Card Pen & ink drawing The Windmill, Reigate Heath England Surrey Reigate Post Mill 186 Greetings Card Watercolour of post mill Cavendish Morton Wetheringsett Post Mill England Suffolk Post Mill 187 Greetings Card Drawing of post mill R M Barratt Mountnessing Mill England Essex Post Mill 188 Greetings Card Painting of post mill Linda Lyon Saxtead Post Mill England Suffolk Post Mill 189 Card Watercolour of post and tower mills David Holden Jack & Jill Mills England West Sussex Brighton Post Mill 190 Card The Voice of Silence - with 3 post mills F Cayley-Robinson England Post Mill 191 Post Card Coloured drawing Wimbledon Mill England Greater London Wimbledon Post Mill 192 Post Card Painting - "At Brill" c1875 E Walton Brill Post Mill England Buckinghamshire Brill Post Mill 193 Greetings Card Season's Greetings - with post mill England Post Mill 194 Greetings Card Painting of post mill W F Strickland Oldland Mill England West Sussex Keymer Post Mill 195 Greetings Card Sepia drawing of Post Mill Edward Swams Wimbledon Common Mill England Greater London Wimbledon Post Mill 196 Greetings Card Christmas card with post mill England Post Mill 197 Card Lino cut "The Windmill" W G Bligh England Post Mill 198 Card Pen & ink drawing of post mill 13th Sept 1984 David Nash Great Gransden England Cambridgeshire Post Mill 199 Post Card Sepia print of a wayside memorial with post mill England Derby Post Mill 200 Post Card Sepia drawing of post mill High Salvington Mill England West Sussex Worthing Post Mill 701 Post Card Pen & ink drawing of post mill Walton Mill England Essex Walton-on-the-Naze Post Mill 702 Post Card Drawing of post mill F J Southease England East Sussex Lewes Post Mill 703 Post Card Pastel painting of post mill Old Spellow Mill England Merseyside Liverpool Post Mill 704 Post Card Coloured drawing 2002 Sophie Wilson Brill Post Mill England Buckinghamshire Brill Post Mill 705 Greetings Card Painting of post mill Clive Madgewick Saxtead Mill England Suffolk Saxtead Post Mill 706 Card Monochrome photo of painting Post Mill 707 Card Monochrome photo of painting of post & smock mills Black and White Mills, Old Felsham England West Sussex Post Mill 708 Post Card Waiting for the Master in Victorian Hambleton John Green England Rutland Post Mill 709 Post Card Painting of post mill Danebury England Essex Danebury Cards Post Mills England Mill Type Ref No Medium Description of Image inc date of image Artist Name of Mill Location Country County Town Post Mill 710 Card Monochrome photo of painting of 1867 R Thorne Waite Shoreham England West Sussex Shoreham Post Mill 711 Card Picture in silver on pale yellow card of mill and church Cards Smock Mills England Mill Type Ref No Medium Description of Image inc date of image Artist Name of Mill Location Country County Town Smock Mill 201 Post Card Painting of Drainage Mill Frank Southy Barton Broad England Norfolk Barton Smock Mill 202 Post Card Drawing of Smock Mill by river W R L Barton Broad England Norfolk Barton Smock Mill 203 Post Card Painting of Drainage Mill Barton Broad England Norfolk Barton Smock Mill 204 Post Card Lino cut of Smock Mill JON Blatchington Mill England East Sussex Hove Smock Mill 205 Post Card Pen & ink drawing of Smock Mill Nick Charlesworth North Mill England East Sussex Chailey Smock Mill 206 Card Drawing of Smock Mill Union Mill England Kent Cranbrook Smock Mill 207 Card Drawing of Smock Mill Vincent Lines Union Mill England Kent Cranbrook Smock Mill 208 Post Card Drawing of Smock Mill in village setting Dennis Flanders Union Mill England Kent Cranbrook Smock Mill 209 Post Card Drawing of Smock Mill Denys Le Fave Union Mill England Kent Cranbrook Smock Mill 210 Post Card Drawing of Smock Mill Judges Union Mill England Kent Cranbrook Smock Mill 211 Post Card Painting of Smock Mill in rural setting, 1788-1871 Thomas James Judkin St Martins Hill Mill England Kent Canterbury Smock Mill 212 Post Card Painting of Smock Mill in village setting Peggy Fryer Union Mill England Kent Cranbrook Smock Mill 213 Post Card Drawing of Castle & grounds with Smock Mill Captain Markland England Isle of Wight Carisbrooke Smock Mill 214 Card Painting of Smock Mill by river, 1800 Thomas Girtin England Greater London Chelsea Smock Mill 215 Post Card Painting of Smock Mill The Old Mill England Kent Upper Deal Smock Mill 216 Post Card Painting of Smock Mill in rural setting The Windmill England Kent Dartford Smock Mill 217 Post Card Painting of Smock Mill in rural setting England Derbyshire Smock Mill 218 Post Card Drawing of Smock Mill John Bangay Dyke Smock Mill England Lincolnshire Dyke Smock Mill 219 Post Card Drawing of Smock Mill,
Load more

Recommended publications
  • Enjoying Your Stay at the Hollies
    Extraordinary holidays, celebrations &adventures Enjoying your stay at The Hollies Everything you need to get the most out ofyourstay kate & tom’s | 7 Imperial Square | Cheltenham | Gloucestershire | GL50 1QB | Telephone: 01242 235151 | Email: [email protected] Contents Arrival . 3 Where we are . 3 Check in and check out . 3 Getting to us . .4 Cooking & dining. .5 Chef services . .5 Great places to eat & drink . 6 Shopping for food . 9 Things to do . 12 Things to do with the children . .15 Useful information . 16 Guest reviews . 18 Page 2 kate & tom’s kateandtoms.com Telephone: 01242 235151 | Email: [email protected] Arrival Where we are Property name : Woollams Address: Botley Road Curdridge Southampton Hampshire SO32 2DQ Check in and check out Check in time: 2pm Check out time on Sundays: 4pm Check out time on other days: 12pm Page 3 kate & tom’s kateandtoms.com Telephone: 01242 235151 | Email: [email protected] Getting to us The best postcode to use for satnavs is: SO32 2DQ Stations: Botley 3 min (0.8 mi) via Botley Rd/B3035 Airports: Southampton 16 min (8.5 mi) via M27 Taxis: Hedge End: 01489 696969 The Bitterne Cab Company: 023 8044 8888 Directions From London • Take the M3 motorway, coming off at junction 11 at Winchester turning left on to the B3335 and • following the signs for Twyford and Marwell Zoo. • Go through Twyford and turn left on to the B2177 at Fisher’s Pond. Stay on this road and follow signs for Bishop’s Waltham. • Driving through Bishop’s Waltham, you’ll come to the Crown Pub on your left and you need to take the third exit at the roundabout here following signs for Botley.
    [Show full text]
  • The Marketing of Corn in the First Half of the Eighteenth Century: North,East Ken(
    ...................... - ..................................... = .................................................................... The Marketing of Corn in the First Half of the Eighteenth Century: North,East Ken( By DENNIS BAKER I HE home market was at least six times as valuable as the overseas market during the first half of the eighteenth century. The ratio could have been T much higher and one contemporary estimate even puts it at 32 to ~. Throughout the early modern period the vast bulk of this traffic concerned agri- cultural produce, for in I75o England was still a predominantly agricultural economy. 2 Marketing, nevertheless, remains one of the most neglected aspects of agri- cultural history? There is a dearth of suitable source material. We know much about the management of crops and livestock in the field, little about their journey beyond the farm gate. A thorough exploration of the various outlets leading from farm to consumer is a rare venture. More frequently we seek shelter in some terminological cul-de-sac like 'commercialized agriculture' or 'farming for the market'. Admittedly, in some regions the market outlets were few or fraught with hazards; such, for instance, was the difficult position of those who farmed the Midland clays, ill-drained and intractable. But others, more fortunately placed, could choose from a wide range of marketing possi- bilities; this held true, for example, over much of the eastern and home counties. The farmers of north-east Kent possessed a number of competitive advan- tages, but none more valuable than proximity to the markets both local and in London. This fertile belt of Kent stretches from Rainham in the west to the eastern extremities of Thanet, a distance of about 35 miles; it averages 8 miles or more in width.
    [Show full text]
  • Andreas Schelfhout Onsterfelijk Schoon De Landschappen Van Andreas Schelfhout (1787-1870) En Zijn Leerlingen SIMONIS&BUUNK KUNSTHANDEL
    SIMONIS &BUUNK EEN KEUR AAN KUNST IJsgezichten Zomerlandschappen Strandgezichten Marines Andreas Schelfhout Onsterfelijk schoon De landschappen van Andreas Schelfhout (1787-1870) en zijn leerlingen SIMONIS&BUUNK KUNSTHANDEL Andreas Schelfhout Onsterfelijk schoon De landschappen van Andreas Schelfhout (1787-1870) en zijn leerlingen Andreas ‘Andries’ Schelfhout Den Haag 1787-1870 Jonge terriër op kussen, paneel 32,1 x 27,3 cm, gesigneerd en gedateerd ’47. Herkomst: veiling Frederik Muller & Cie., Amsterdam. Omslag: Andreas ‘Andries’ Schelfhout Schaatsvolk en trekslede op een bevroren vaart (detail) zie pag. 13 Andreas ‘Andries’ Schelfhout Winterlandschap met sprokkelaarster en boer in een punter Andreas ‘Andries’ Schelfhout Een vroege winter Den Haag 1787-1870 Winterlandschap met sprokkelaarster en boer in In het begin van zijn loopbaan schilderde Schelfhout reeds in de eerste werken zijn een punter, paneel 51 x 73 cm, en exposeerde Andreas Schelfhout zelden eigenheid. Zo zijn de figuren, belangrijk als gesigneerd en te dateren ca. 1815. het onderwerp waardoor hij zo beroemd verhalend element, in Schelfhouts land- geworden is: wintertaferelen. Tijdgenoten schappen vanaf het begin kleiner in aantal en critici waren aanvankelijk namelijk meer dan in 17e-eeuwse (winter)voorstellingen, gecharmeerd van zijn zomerlandschappen. waardoor de grootsheid van landschap en Bovenstaande winter is geschilderd wolkenluchten benadrukt wordt. Slechts omstreeks 1815, het jaar waarin Schelfhout twee keer eerder verwierven wij een zo zijn vierjarige opleiding tot kunstschilder vroeg wintergezicht van Schelfhout, in bij de Haagse toneeldecorateur J.H.A.A. 1987 en 1998. Onze ‘ontdekking’ van een Breckenheijmer afsloot. Hoewel de invloed vroege winter in 1998 was een van de van 17e-eeuwse landschappen op zijn gelukkigste ‘wapenfeiten’ uit ons bestaan vroege schilderijen onmiskenbaar is toont (pag.
    [Show full text]
  • BARTHOLOMEUS JOHANNES VAN HOVE (The Hague 1790 – the Hague 1880)
    BARTHOLOMEUS JOHANNES VAN HOVE (The Hague 1790 – The Hague 1880) De Grote Houtpoort, Haarlem signed on the boat in the lower right B. VAN HOVE oil on panel 1 19 /8 x 26 inches (48.6 x 66 cm.) PROVENANCE Lady V. Braithwaite Lady V. Braithwaite, Eighteenth and Nineteenth Century Paintings and Drawings, Sotheby’s, London, May 17, 1967, lot 90, where bought by M. Newman, Ltd., London Frost & Reed Ltd., London Vixseboxse Art Galleries, Inc., Cleveland Heights, Ohio Private Collection, Ohio, until 2015 LITERATURE The Connoisseur, volume 166, September 1967, p. XLIV, in an advertisement for M. Newman, Ltd., London, reproduced E. Bénézit, “Bartholomeus-Johannes van Hove” in Dictionnaire des Peintres, Sculpteurs, Dessinateurs et Graveurs, volume 5, Libraire Gründ, Paris, 1976, p. 634 In a large panel, under radiant skies, the old fortifications of Haarlem abut the Spaarne River. The Grote Houtpoort rises majestically in the foreground, dominating the scene with its weathervane reaching to the composition’s edge. The Kalistoren Tower, used for the storage of gunpowder, is in the middle with the Kleine Houtpoort visible in the distance. Built in 1570, the Grote Houtpoort was at the end of the Grote Houtstraat, one of the main roads from the Grote Markt that led outside the city walls. Beyond the gate lay the wooded area, called the Haarlemmerwoud. The temperature is mild, over the arched bridge of the Grote Houtpoort, residents contentedly stroll, conversed or stop to admire the view. Below boatmen propel their craft across glass-like waters with shimmering reflections and floating swans. The sense of well-being pervades this orderly view of the city’s great landmarks that dominate its skyline.
    [Show full text]
  • The Norwich School John Old Crome John Sell Cotman George Vincent
    T H E NO RW I CH SCH OOL JOH N “ OLD ” CROME JOH N SELL c o TMAN ( ) , G E OR G E ‘D I N C E N T JA ME A , S S T RK 1 B N Y C OM JOHN I T . E E E R R , TH R LE D BROOKE D A ’DI D H OD N R. LA , GSO ? J J 0 M. E . 0TM 89 . g/{N E TC . WITH ARTI LES BY M UND ALL C H . C P S A , . CONT ENTS U A P S A R I LES BY H M C ND LL . A T C . , Introduction John Crome John Sell Cotman O ther Members of the Norwich School I LLUSTRATIONS I N COLOURS l Cotman , John Sel Greta rid Yorkshire t - B ge, (wa er colour) Michel Mo nt St. Ruined Castle near a Stream B oats o n Cromer Beach (oil painting) Crome , John The Return ofthe Flock— Evening (oil painting) The Gate A athin Scene View on the Wensum at Thor e Norivtch B g p , (oil painting) Road with Pollards ILLUSTRAT IONS IN MONOTONE Cotman , John Joseph towards Norwich (water—colour) lx x vu Cotman , John Sell rid e Valle and Mountain B g , y, Llang ollen rid e at Sa/tram D evo nshire B g , D urham Castle and Cathedral Windmill in Lincolnshire D ieppe Po wis Cast/e ‘ he alai d an e t Lo T P s e Justic d the Ru S . e , Ro uen Statue o Charles I Chart/2 Cross f , g Cader I dris Eto n Colleg e Study B oys Fishing H o use m th e Place de la Pucelle at Rouen Chdteau at Fo ntame—le— en i near aen H r , C Mil/hank o n the Thames ILLUSTRATIONS IN MONOTONE— Continued PLATE M Cotman , iles Edmund Boats on the Medway (oil painting) lxxv Tro wse Mills lxxvi Crome , John Landscape View on th e Wensum ath near o w ch Mousehold He , N r i Moonlight on the Yare Lands cape : Grov' e Scene The Grove Scene Marlin o rd , gf The Villag e Glade Bach o the Ne w Mills Norwich f , Cottage near L ahenham Mill near Lahenham On th e Shirts of the Forest ive orwich Bach R r, N ru es Ri'ver Ostend in the D istance B g , ; Moo nlight Yarmouth H arho ur ddes I tal e s Parts 1 oulevar i n 1 8 .
    [Show full text]
  • To Illustration
    Rough Index to Illustration. Up to and including issue 59 Spring 2019 (Abbasi) Wajeeha Abbasi: Graduate. 53, Winter 2017, 43. (Acheson) Inform and Inspire. Illustration in early modern printed books, by Katherine Acheson. 37, Autumn 2013, 30-35. (Acreman) Hayley Acreman: Graduate. 15, Spring 2008, 41. (Adams) Sarah Adams: Graduate. 7, Spring 2006, 40. (Aesop) Creature Constructs: illustration of Aesop, by Chiara Nicolini, 21, Autumn 2009, 30-35. (Ahmed) Revolution. Soviet Children’s Books, by Olivia Ahmed. 49, Autumn 2016, 16-23. (Akyuz) Sam Akyuz: Illustrator’s Notebook. 46, Winter 2015, 6-7. (Alcorn) Traditional Innovator: John Alcorn, by Marta Sironi. 40, Summer 2014, 24-30. (Aleda) Lara Aleda: Graduate, 66, Spring 2018, 44. (Alembic Press) Fold and New: Alembic Press, by David Bailey, 9, Autumn 2006, 42-44. (Alice) Chasing the White Rabbit: Alice in Internetland, by Chiara Nicolini. 17, Autumn 2008, 46-47. (Alice) After Tenniel. Illustrators of Alice, by Selwyn Goodacre and other articles on Alice in Wonderland. 17, Autumn 2008, 8-18 (Alice) After Tenniel – Michael Foreman. 17, Autumn 2008, 12 (Alice) After Tenniel – Arthur Rackham, by Robin Greer, 17, Autumn 2008, 13. (Alice) After Tenniel – John Vernon Lord. 17, Autumn 2008, 14 (Alice) After Tenniel – Rodney Matthews. 17, Autumn 2008, 15 (Alice) Found in Translation, Alice in foreign languages, by Mark Richards. 17, Autumn 2008, 16-18 (Alice) Curiouser and Curiouser. Russian Alices. By Ella Parry-Davies. 35, Spring 2013, 14-19. (Alice) More than meets the Eye. Ella Parry-Davies talks to Tatiana Ianovskaia. 37, Autumn 2013, 36- 39. (Alice) Colouring in Dreams. Colouring Carroll’s original illustrations, by Ian Beck.
    [Show full text]
  • 5 STAR AWARD WINNING HOME BUILDER Croudace Homes Is Delighted to Have Been Awarded an HBF 5 Star Home Builder Customer Satisfaction Award for the Ninth Year Running
    1 5 STAR AWARD WINNING HOME BUILDER Croudace Homes is delighted to have been awarded an HBF 5 Star Home Builder Customer Satisfaction Award for the ninth year running. More than 9 out of 10 of our customers would recommend our homes to their friends. Fareham 2 WYKEHAM VALE IS A CHARMING NEW DEVELOPMENT OF 1, 2, 3 AND 4 BEDROOM HOMES LOCATED UNDER A MILE FROM THE CENTRE OF THE BEAUTIFUL, HISTORIC VILLAGE OF WICKHAM IN HAMPSHIRE. GENERAL DEVELOPMENT LAYOUT Each home within Wykeham Vale is considered in design, generous in proportion and gives peace of mind with the distinctive high quality specification and service offered by a Croudace built home. v v v 42 v 42 41 40 v 41 40 39 GRINDALL FIELDv 38 v 39 38 37 37 v 36 36 33 33 48 49 v 48 50 51 v 49 v v 50 52 v 53 54 55 51 32 56 54 57 52 v UVEDALE DRIVE 53 55 60 60 v v 56 v 56 32 62 61 v 57 61 v 70 62 71 71 23 v 23 24 73 25 69 68 26 v 72 72 22 24 22 25 v 71 69 68 73 70 21 v v v v 21 26 PARTRIDGE WAYv 75 17 74 20 v 19 75 81 20 18 19 v 18 82 17 74 81 82 1 2 3 4 2 1 5 11 3 6 4 5 6 GRINDALL FIELD 11 10 10 Car Port Affordable Housing 4 THE LEICESTER THE ELSTEAD 4 BEDROOM HOME 4 BEDROOM HOME PLOTS 1, 33, 36, 37 & 42 PLOTS 6, 38, 39, 40, 41, 52 & 81 THE RICHMOND THE WHITELEY THE HAMILTON 3 BEDROOM HOME 3 BEDROOM HOME 3 BEDROOM HOME PLOTS 20 & 23 PLOTS 2, 3, 4, 5, 18, 19, 21, 22, 24, 25, 48, PLOTS 10, 11, 17, 26, 32, 49, 50, 51, 68, 69 & 75 53, 61, 74 & 82 THE HEATHFIELD THE CARLTON THE FARLINGTON 2 BEDROOM HOME 2 BEDROOM HOME 1 BEDROOM HOME PLOT 60 PLOTS 56, 57, 62, 70 & 71 PLOTS 54, 55, 72 & 73 5
    [Show full text]
  • NINETEENTH-Century EUROPEAN PAINTINGS at the STERLING
    Introduction Introduction Sterling and Francine clark art inStitute | WilliamStoWn, massachuSettS NINETEENTH-CENTURY EUROPEAN PAINTINGS diStributed by yale univerSity Press | NeW haven and london AT THE STERLING AND FRANCINE CLARK ART INSTITUTE VOLUME TWO Edited by Sarah Lees With an essay by Richard Rand and technical reports by Sandra L. Webber With contributions by Katharine J. Albert, Philippe Bordes, Dan Cohen, Kathryn Calley Galitz, Alexis Goodin, Marc Gotlieb, John House, Simon Kelly, Richard Kendall, Kathleen M. Morris, Leslie Hill Paisley, Kelly Pask, Elizabeth A. Pergam, Kathryn A. Price, Mark A. Roglán, James Rosenow, Zoë Samels, and Fronia E. Wissman 4 5 Nineteenth-Century European Paintings at the Sterling and Library of Congress Cataloging-in-Publication Data Francine Clark Art Institute is published with the assistance of the Getty Foundation and support from the National Sterling and Francine Clark Art Institute. Endowment for the Arts. Nineteenth-century European paintings at the Sterling and Francine Clark Art Institute / edited by Sarah Lees ; with an essay by Richard Rand and technical reports by Sandra L. Webber ; with contributions by Katharine J. Albert, Philippe Bordes, Dan Cohen, Kathryn Calley Galitz, Alexis Goodin, Marc Gotlieb, John House, Simon Kelly, Richard Kendall, Kathleen M. Morris, Leslie Hill Paisley, Kelly Pask, Elizabeth A. Produced by the Sterling and Francine Clark Art Institute Pergam, Kathryn A. Price, Mark A. Roglán, James Rosenow, 225 South Street, Williamstown, Massachusetts 01267 Zoë Samels, Fronia E. Wissman. www.clarkart.edu volumes cm Includes bibliographical references and index. Curtis R. Scott, Director of Publications ISBN 978-1-935998-09-9 (clark hardcover : alk. paper) — and Information Resources ISBN 978-0-300-17965-1 (yale hardcover : alk.
    [Show full text]
  • 01793 846222 Email: [email protected]
    Science Museum Library and Archives Science Museum at Wroughton Hackpen Lane Wroughton Swindon SN4 9NS Telephone: 01793 846222 Email: [email protected] SIMNS A guide to the Simmons Collection of research records relating to British windmills and watermills Compiled by H. E. S. Simmons (1901-1973) SIMNS A guide to the Simmons Collection of research records relating to British windmills and watermills List Contents BOX DESCRIPTION PAGE (original list) General note on the collection, I including access and copying Abbreviations used in the survey Iii notes SIMNS Survey notes: windmills 1 1 SIMNS Survey notes: watermills 4 2 SIMNS Miscellaneous notes 8 3 SIMNS Maps (Simmons own numbering) 9 4 SIMNS Maps (unnumbered by Simmons) 14 5 SIMNS Photographs: windmills 24 (note 6 p.23) SIMNS Photographs: watermills 47 (note 7 p.23) SIMNS General records and records of mill 54 8 photography Introduction Herbert Edward Sydney Simmons was born on 29th September 1901 in Washington, Sussex. He worked for many years as a civil servant in the Ministry of Defence; during the Second World War he served in the Royal Air Force, stationed in Warwickshire and East Anglia. He died on 26th October 1973 at his home in Shoreham-by-Sea, Sussex. Simmons had a lifelong interest in windmills and watermills. During more than 40 years of private research, he visited many mill sites and consulted a wide range of documentary sources, including fire insurance records, local newspapers, directories and maps. He also exchanged information with other mill enthusiasts and thus gathered further information on those mills he was unable to visit.
    [Show full text]
  • EDP 25Th Sep 2014 Paint out Launches
    14 THURSDAY, SEPTEMBER 25, 2014 Eastern Daily Press Like us at: NEWS local www.facebook.com/edp24 Norwich landmarks are the inspiration for artists in new painting competition Emma Knights [email protected] Artistic connections More than Paint Out Norwich is building on the 30 artists city’s long connection with art, including have been the Norwich School of artists who were selected to Media Partners: Eastern Daily Press famous for creating take part in work inspired by an open air event celebrating our city and Norwich in paint. county in the The inaugural Paint Out nineteenth Norwich – part of this year’s century. Hostry Festival – is a two-day en The Norwich plein air painting competition School of which takes its inspiration from artists’ two seven Norwich landmarks. great masters Norwich Castle, Norwich were John Cathedral, The Cathedral of St Crome and John the Baptist, Pull’s Ferry, Elm John Sell Hill, and Norwich Market are all Cotman, (pic- set to be the subjects of the compe- tured), with Crome tition – and The Forum has now best known as an oil been added to the list. painter and Cotman best known for his Following a call-out to artists watercolours. Other artists who were part earlier this year, a group of 31 have of the Norwich School included James now been chosen and will be out Stark, John Berney Crome, George and about in the city with their Vincent, Robert Ladbrooke, James Sillett, ■ Paint Out Norwich artist Leon Bunnewell’s painting, Forum at Night. Pictures: SUBMITTED paintbrushes and easels on October John Thirtle, John Joseph Cotman, 22 and 23.
    [Show full text]
  • Usher Gallery Rehang 2014
    Usher Gallery Rehang 2014 (Landscape) Mestre, Near Venice Oil Usher Gallery Rehang 2014 (Landscape) Church of St. Maria Della Salute, c.1885 Oil Usher Gallery Rehang 2014 (Landscape) Venice Oil (Landscape) Venice Oil Usher Gallery Rehang 2014 (Still Life) Flowers in a Persian Bottle Oil Usher Gallery Rehang 2014 (Still Life) Daffodils Oil Usher Gallery Rehang 2014 (Still Life) Garden Flowers Oil Usher Gallery Rehang 2014 Michiel Jansz. van Miereveldt – (1 May 1567 – 27 June 1641) About The artist, Michiel Jansz. van Miereveldt was born in the Delft and was one of the most successful Dutch portraitists of the 17th century. His works are predominantly head and shoulder portraits, often against a monochrome background. The viewer is drawn towards the sitter’s face by light accents revealed by clothing. After his initial training, Mierevelt quickly turned to portraiture. He gained success in this medium, becoming official painter of the court and gaining many commissions from the wealthy citizens of Delft, other Dutch nobles and visiting foreign dignitaries. His portraits display his characteristic dry manner of painting, evident in this work where the pigment has been applied without much oil. The elaborate lace collar and slashed doublet are reminiscent of clothes that appear in Frans Hals's work of the same period. Work in The Usher Gallery (Portrait) Maria Van Wassenaer Hanecops Oil Usher Gallery Rehang 2014 Mary Henrietta Dering Curtois – (1854 - 6 October 1928) About Mary Henrietta Dering Curtois was born at the Longhills, Branston, in 1854 and was the eldest daughter of the late Rev Atwill Curtois (for 21 years Rector of Branston and the fifth of the family to be rector there), and a brother of the Rev Algernon Curtois of Lincoln.
    [Show full text]
  • Summer 2014 Newsletter
    SUFFOLK BETTER BROADBAND PROGRAMME NEWSLETTER - SUMMER 2014 MESSAGE FROM MARK “The rollout continues to march on at a great pace; we have now made better broadband available to over 35,000 premises across the county. We are getting to very rural areas, which you can see in the tables overleaf. Our overall target is around 100k premises by Autumn 2015, at which point we will have achieved ~85% fibre coverage across Suffolk, with a commitment that everyone will get at least 2Mbps. This quarter we will be upgrading a significant number of “exchange only” lines. These are premises which are connected direct to the telephone exchange, so wouldn’t ordinarily benefit from upgraded green cabinets. Here, we are building new cabinets closer to premises, and I am sure that we will need to do more of this as we try to get superfast broadband out to as many as possible. I mentioned in the spring newsletter about some further funding for additional coverage from the Local Enterprise Partnership and also from government (BDUK). We have also been making great strides with this process, and are hoping to be the first county in the country to complete the procurement process to add more coverage beyond the ~85% we already have under contract. With this additional funding, we hope to get close to 95% fibre coverage for the county, which should be in service by 2017 at the latest. This will mean we are able to tell those previously in our “final 15%” that we can now get them fibre. We expect this process to conclude in this Autumn.
    [Show full text]