Glossary: Vexillology
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Heraldry in the Republic of Macedonia (1991-2019)
Preprints (www.preprints.org) | NOT PEER-REVIEWED | Posted: 1 September 2021 doi:10.20944/preprints202109.0027.v1 Article Heraldry in the Republic of Macedonia (1991-2019) Jovan Jonovski1, * 1 Macedonian Heraldic Society; [email protected] * Correspondence: [email protected]; Tel.: +38970252989 Abstract: Every country has some specific heraldry. In this paper, we will consider heraldry in the Republic of Macedonia, understood by the multitude of coats of arms, and armorial knowledge and art. The paper covers the period from independence until the name change (1991-2019). It co- vers the state coat of arms of the Republic of Macedonia especially the 2009 change. Special atten- tion is given to the development of the municipal heraldry, including the legal system covering the subject. Also personal heraldry developed in 21 century is considered. The paper covers the de- velopment of heraldry and the heraldic thought in the given period, including the role of the Macedonian Heraldic Society and its journal Macedonian Herald in development of theoretic and practical heraldry, as well as its Register of arms and the Macedonian Civic Heraldic System. Keywords: Heraldry in Macedonia; Macedonian civic heraldry; Republic of Macedonia. 1. Introduction The Republic of Macedonia became independent from the Socialist Federative Re- public of Yugoslavia with the Referendum of 8 September 1991. The Democratic Federal Macedonia was formed during the first session of the Anti-Fascist Assembly for the Na- tional Liberation of Macedonia (ASNOM) on 2 August 1944 (it later became the People’s Republic of Macedonia, a federal unit of the Federal People’s Republic of Yugoslavia). -
Heraldry Examples Booklet.Cdr
Book Heraldry Examples By Khevron No color on color or metal on metal. Try to keep it simple. Make it easy to paint, applique’ or embroider. Blazon in layers from the deepest layer Per pale vert and sable all semy of caltrops e a talbot passant argent. c up to the surface: i v Field (color or division & colors), e Primary charge (charge or ordinary), Basic Book Heraldry d Secondary charges close to the primary, by Khevron a Tertiary charges on the primary or secondary, Device: An heraldic representation of youself. g Peripheral secondary charges (Chief,Canton,Border), Arms: A device of someone with an Award of Arms. n i Tertiary charges on the peropheral. Badge: An heraldic representation of what you own. z a Name field tinctures chief/dexter first. l Only the first word, the metal Or, B and proper nouns are capitalized. 12 2 Tinctures, Furs & Heraldic 11 Field Treatments Cross Examples By Khevron By Khevron Crosses have unique characteristics and specific names. Tinctures: Metals and Colors Chief Rule #1: No color upon another color, or metal on metal! Canton r r e e t t s i x e n - Fess - i D Or Argent Sable Azure Vert Gules Purpure S Furs Base Cross Latin Cross Cross Crosslet Maltese Potent Latin Cross Floury Counter-Vair Vair Vair in PaleVair-en-pointe Vair Ancient Ermine Celtic Cross Cross Gurgity Crosslet Fitchy Cross Moline Cross of Bottony Jerusalem A saltire vair in saltire Vair Ermines or Counter- Counter Potent Potent-en-pointe ermine Cross Quarterly in Saltire Ankh Patonce Voided Cross Barby Cross of Cerdana Erminois Field -
Eflags03.Pdf
ISSUE 3 March 2007 Greetings all Flag Institute members and welcome to our third edition of eFlags. As you can see we have developed our logo a bit now….at least it’s memorable! This edition seems to have developed something of an African theme growing out of the chairman’s visit to the cinema to see the ‘Last King of Scotland’ (an amazing and flesh cringing film…well worth a visit by the way). Events have also moved fast in the Institute’s development, and we hope the final section will keep you all in touch. Please do think about coming to one of our meetings, they are great fun, ( its one of the few occasions when you can talk about flags and not face the ridicule of your family or friends!) and we have a line up of some fascinating presentations. As always any comments or suggestions would be gratefully received at [email protected] . THE EMPEROR, THE MIGHTY WARRIOR & THE LORD OF THE ALL THE BEASTS page 2 NEW FLAG DISCOVERED page 9 FLAGS IN THE NEWS page 10 SITES OF VEXILLOGICAL INTEREST page 11 PUTTING A FACE ON FLAGS page 12 FLAG INSTITUTE EVENTS page 13 NEW COUNCIL MEMBERS page 14 HOW TO GET IN TOUCH WITH THE INSTITUTE page 15 1 The Emperor, the Mighty Warrior and the Lord of All the Beasts. The 1970s in Africa saw the rise of a number of ‘colourful’ figures in the national histories of various countries. Of course the term ‘colourful’ here is used to mean that very African blend of an eccentric figure of fun, with brutal psychopath. -
Catalan Modernism and Vexillology
Catalan Modernism and Vexillology Sebastià Herreros i Agüí Abstract Modernism (Modern Style, Modernisme, or Art Nouveau) was an artistic and cultural movement which flourished in Europe roughly between 1880 and 1915. In Catalonia, because this era coincided with movements for autonomy and independence and the growth of a rich bourgeoisie, Modernism developed in a special way. Differing from the form in other countries, in Catalonia works in the Modern Style included many symbolic elements reflecting the Catalan nationalism of their creators. This paper, which follows Wladyslaw Serwatowski’s 20 ICV presentation on Antoni Gaudí as a vexillographer, studies other Modernist artists and their flag-related works. Lluís Domènech i Montaner, Josep Puig i Cadafalch, Josep Llimona, Miquel Blay, Alexandre de Riquer, Apel·les Mestres, Antoni Maria Gallissà, Joan Maragall, Josep Maria Jujol, Lluís Masriera, Lluís Millet, and others were masters in many artistic disciplines: Architecture, Sculpture, Jewelry, Poetry, Music, Sigillography, Bookplates, etc. and also, perhaps unconsciously, Vexillography. This paper highlights several flags and banners of unusual quality and national significance: Unió Catalanista, Sant Lluc, CADCI, Catalans d’Amèrica, Ripoll, Orfeó Català, Esbart Català de Dansaires, and some gonfalons and flags from choral groups and sometent (armed civil groups). New Banner, Basilica of the Monastery of Santa Maria de Ripoll Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 506 Catalan Modernism and Vexillology Background At the 20th International Conference of Vexillology in Stockholm in 2003, Wladyslaw Serwatowski presented the paper “Was Antonio Gaudí i Cornet (1852–1936) a Vexillographer?” in which he analyzed the vexillological works of the Catalan architectural genius Gaudí. -
THE LION FLAG Norway's First National Flag Jan Henrik Munksgaard
THE LION FLAG Norway’s First National Flag Jan Henrik Munksgaard On 27 February 1814, the Norwegian Regent Christian Frederik made a proclamation concerning the Norwegian flag, stating: The Norwegian flag shall henceforth be red, with a white cross dividing the flag into quarters. The national coat of arms, the Norwegian lion with the yellow halberd, shall be placed in the upper hoist corner. All naval and merchant vessels shall fly this flag. This was Norway’s first national flag. What was the background for this proclamation? Why should Norway have a new flag in 1814, and what are the reasons for the design and colours of this flag? The Dannebrog Was the Flag of Denmark-Norway For several hundred years, Denmark-Norway had been in a legislative union. Denmark was the leading party in this union, and Copenhagen was the administrative centre of the double monarchy. The Dannebrog had been the common flag of the whole realm since the beginning of the 16th century. The red flag with a white cross was known all over Europe, and in every shipping town the citizens were familiar with this symbol of Denmark-Norway. Two variants of The Dannebrog existed: a swallow-tailed flag, which was the king’s flag or state flag flown on government vessels and buildings, and a rectangular flag for private use on ordinary merchant ships or on private flagpoles. In addition, a number of special flags based on the Dannebrog existed. The flag was as frequently used and just as popular in Norway as in Denmark. The Napoleonic Wars Result in Political Changes in Scandinavia At the beginning of 1813, few Norwegians could imagine dissolution of the union with Denmark. -
Vexillum, June 2018, No. 2
Research and news of the North American Vexillological Association June 2018 No. Recherche et nouvelles de l’Association nord-américaine de vexillologie Juin 2018 2 INSIDE Page Editor’s Note 2 President’s Column 3 NAVA Membership Anniversaries 3 The Flag of Unity in Diversity 4 Incorporating NAVA News and Flag Research Quarterly Book Review: "A Flag Worth Dying For: The Power and Politics of National Symbols" 7 New Flags: 4 Reno, Nevada 8 The International Vegan Flag 9 Regional Group Report: The Flag of Unity Chesapeake Bay Flag Association 10 Vexi-News Celebrates First Anniversary 10 in Diversity Judge Carlos Moore, Mississippi Flag Activist 11 Stamp Celebrates 200th Anniversary of the Flag Act of 1818 12 Captain William Driver Award Guidelines 12 The Water The Water Protectors: Native American Nationalism, Environmentalism, and the Flags of the Dakota Access Pipeline Protectors Protests of 2016–2017 13 NAVA Grants 21 Evolutionary Vexillography in the Twenty-First Century 21 13 Help Support NAVA's Upcoming Vatican Flags Book 23 NAVA Annual Meeting Notice 24 Top: The Flag of Unity in Diversity Right: Demonstrators at the NoDAPL protests in January 2017. Source: https:// www.indianz.com/News/2017/01/27/delay-in- nodapl-response-points-to-more.asp 2 | June 2018 • Vexillum No. 2 June / Juin 2018 Number 2 / Numéro 2 Editor's Note | Note de la rédaction Dear Reader: We hope you enjoyed the premiere issue of Vexillum. In addition to offering my thanks Research and news of the North American to the contributors and our fine layout designer Jonathan Lehmann, I owe a special note Vexillological Association / Recherche et nouvelles de l’Association nord-américaine of gratitude to NAVA members Peter Ansoff, Stan Contrades, Xing Fei, Ted Kaye, Pete de vexillologie. -
On the Subject of Vexillology
Keep Talking and Nobody Explodes Mod Vexillology On the Subject of Vexillology For every flag you make that does not exist, think of a new country name. Good waste of time while defusing a bomb. The module consists of 8 colour buttons, a flag and a submit button on top of the flagpole. The flagpole shows three colours in an order with a longer break. The colour Grey does not count! Follow the steps below and paint the flag as instructed. There can’t be any duplicate colours on the flag. If after the taken steps duplicate colours exist, transpose them in accordance with section “Colour Transposing”. The colours are Red, Orange, Yellow, Green, Blue, Aqua, White and Black. If the painted flag already exists according to the Country Table below, submit the flag when the timer has the "Submit" digit in any position. Otherwise, submit the flag when the timer has the last digit of the serial number in any position. Submitting a wrong flag or submitting at the wrong moment results in a strike. Keep Talking and Nobody Explodes Mod Vexillology First Colour All statements in this section are related to the top of the flagpole. Horizontal Bars If three of the same colour are shown, the first colour is Black. Otherwise, if two Oranges, two Greens or two Blacks are shown, the first colour is Green. Otherwise, if the third position is Orange or White, the first colour is Yellow. Otherwise, if the first position is Blue or Green, the first colour is Orange. Otherwise, if Black and Aqua are shown in any position, the first colour is Blue. -
Selected Bibliography of Work on Canadian Ethnic Minority Writing
UNIVERSITY PRESS <http://www.thepress.purdue.edu> CLCWeb: Comparative Literature and Culture ISSN 1481-4374 <http://docs.lib.purdue.edu/clcweb> Purdue University Press ©Purdue University The Library Series of the peer-reviewed, full-text, and open-access quarterly in the humanities and the social sciences CLCWeb: Comparative Literature and Culture publishes scholarship in the humanities and social sciences following tenets of the discipline of comparative literature and the field of cultural studies designated as "comparative cultural studies." Publications in the CLCWeb Library Series are 1) articles, 2) books, 3) bibliographies, 4) resources, and 5) documents. Contact: <[email protected]> Selected Bibliography of Work on Canadian Ethnic Minority Writing <http://docs.lib.purdue.edu/clcweblibrary/canadianethnicbibliography> Steven Tötösy de Zepetnek, Asma Sayed, and Domenic A. Beneventi 1) literary histories and bibliographies of canadian ethnic minority writing 2) work on canadian ethnic minority writing This selected bibliography is compiled according to the following criteria: 1) Only English- and French-language works are included; however, it should be noted that there exists a substantial corpus of studies in a number Canada's ethnic minority languages; 2) Critical works about the literatures of Canada's First Nations are not included following the frequently expressed opinion that Canadian First Nations literatures should not be categorized within Canadian "Ethnic" writing but as a separate corpus; 3) Literary criticism as well as theoretical texts are included; 4) Critical texts on works of authors writing in English and French but usually viewed or which could be considered as "Ethnic" authors (i.e., immigré[e]/exile individuals whose works contain Canadian "Ethnic" perspectives) are included; 5) Some works dealing with US or Anglophone-American Ethnic Minority Writing with Canadian perspectives are included; 6) M.A. -
Guide to South Dakota Norwegian-American Collections
GUIDE TO COLLECTIONS RELATING TO SOUTH DAKOTA NORWEGIAN-AMERICANS Compiled by Harry F. Thompson, Ph.D. Director of Research Collections and Publications The Center for Western Studies With the assistance of Arthur R. Huseboe, Ph.D. and Paul B. Olson Additional assistance by Carol Riswold, D. Joy Harris, and Laura Plowman Originally published in 1991 by The Center for Western Studies, Augustana College, Sioux Falls, SD 57197 and updated in 2007. Original publication was made possible by a grant from the South Dakota Committee on the Humanities and by a gift from Harold L. Torness of Sisseton, South Dakota. TABLE OF CONTENTS Introduction 1 Albright College 2 Augustana College, The Center for Western Studies 3 Augustana College, Mikkelsen Library 4 Augustana College (IL), Swenson Swedish Immigration Research Center 5 Black Hills State University 6 Brookings Public Library 7 Canton Public Library 8 Centerville Public Library 9 Codington County Historical Society 10 Cornell University Libraries 11 Dakota State University 12 Dakota Wesleyan University 13 Dewey County Library 14 Elk Point Community Library 15 Grant County Public Library 16 Phoebe Apperson Hearst Library 17 J. Roland Hove 18 Luther College 19 Minnehaha County Historical Society 20 Minnehaha County Rural Public Library 21 Minnesota Historical Society, Research Center 2 22 Mitchell Area Genealogical Society 23 Mobridge Public Library 24 National Archives--Central Plains Region 25 North Dakota State University, North Dakota Institute for Regional Studies 26 Norwegian American Historical Association 27 James B. Olson 28 Rapid City Public Library 29 Rapid City Sons of Norway Borgund Lodge I-532 30 Regional Center for Mission--Region III, ELCA 31 St. -
Info-FIAV No
Info-FIAV No. 51, June 2020 ISSN 1560-9979 Fédération internationale www.FIAV.org des associations vexillologiques www.Facebook.com/FIAV.org IMPORTANT NOTICE ICV 29 UPDATE 16 – 21 July 2021, Ljubljana (Slovenia) The Board would like to advise members that it has been agreed with the organisers that in light of the impact of the COVID-19 pandemic, a final decision on ICV29 will be taken in December 2020. The outcome of the decision will be communicated to members via Info-FIAV No. 52 and on the FIAV and ICV29 websites in January 2021. Until then, please assume that the Congress will take place as planned. _____________________________________________ IN THIS ISSUE …. ICV29 update ………………. 1 FIAV flag & Gavel …. 4 World Vexillology Forthcoming dates to note…. 2 In Memoriam ………. 11 Day ………… 15 Membership Application FIAV Board Actions .. 12 Membership Instructions ………… 2 FIAV President Directory Update … 15 Eighth Laurate of FIAV – Report-back ...13 Thanks to the Tracey Mee ………… 3 Member previous editor …… 15 Anniversaries...14 FORTHCOMING DATES TO NOTE All dates are subject to change pending the situation relating to travelling as a result of the COVID-19 pandemic. All deadline dates are calculated as ending on 23h59 UTC +2 (Central European Summer Time / Central African Time). * Dates determined by the Art. 7.b and 18 of the FIAV Constitution. January 13, 2021* Deadline to submit membership applications to the FIAV Board through the Secretary-General for placement on the agenda for consideration at the Twenty-Seventh Session of the FIAV General Assembly (send to [email protected]). March 13, 2021 Deadline to submit items, other than membership applications, to the Secretary-General for placement on the agenda for the Twenty-Seventh Session of the FIAV General Assembly (send to [email protected]). -
The History of Florida's State Flag the History of Florida's State Flag Robert M
Nova Law Review Volume 18, Issue 2 1994 Article 11 The History of Florida’s State Flag Robert M. Jarvis∗ ∗ Copyright c 1994 by the authors. Nova Law Review is produced by The Berkeley Electronic Press (bepress). https://nsuworks.nova.edu/nlr Jarvis: The History of Florida's State Flag The History of Florida's State Flag Robert M. Jarvis* TABLE OF CONTENTS I. INTRODUCTION ........ .................. 1037 II. EUROPEAN DISCOVERY AND CONQUEST ........... 1038 III. AMERICAN ACQUISITION AND STATEHOOD ......... 1045 IV. THE CIVIL WAR .......................... 1051 V. RECONSTRUCTION AND THE END OF THE NINETEENTH CENTURY ..................... 1056 VI. THE TWENTIETH CENTURY ................... 1059 VII. CONCLUSION ............................ 1063 I. INTRODUCTION The Florida Constitution requires the state to have an official flag, and places responsibility for its design on the State Legislature.' Prior to 1900, a number of different flags served as the state's banner. Since 1900, however, the flag has consisted of a white field,2 a red saltire,3 and the * Professor of Law, Nova University. B.A., Northwestern University; J.D., University of Pennsylvania; LL.M., New York University. 1. "The design of the great seal and flag of the state shall be prescribed by law." FLA. CONST. art. If, § 4. Although the constitution mentions only a seal and a flag, the Florida Legislature has designated many other state symbols, including: a state flower (the orange blossom - adopted in 1909); bird (mockingbird - 1927); song ("Old Folks Home" - 1935); tree (sabal palm - 1.953); beverage (orange juice - 1967); shell (horse conch - 1969); gem (moonstone - 1970); marine mammal (manatee - 1975); saltwater mammal (dolphin - 1975); freshwater fish (largemouth bass - 1975); saltwater fish (Atlantic sailfish - 1975); stone (agatized coral - 1979); reptile (alligator - 1987); animal (panther - 1982); soil (Mayakka Fine Sand - 1989); and wildflower (coreopsis - 1991). -
The First, Albeit Unofficial, United States National Flag Appeared on 1
Brief History of the Design of the United States Flag The first, albeit unofficial, United States national flag appeared on 1 January 1776 when the new Continental Army became official and General George Washington hoisted the ‘Continental Colors’.1 This flag featured the Union Jack in the canton, to symbolize loyalty to Britain, and thirteen alternating red and white stripes, to symbolize the colonies and their unity.2 Congress took no action in regards to a new flag when they proclaimed the Declaration of Independence.3 Finally, on 14 June 1777, Congress declared that the official United States national flag will have thirteen stripes alternating red and white, and the Union, or canton, will contain thirteen white stars on a blue field.4 Star arrangements within the canton varied, either in rows or in a circle.5 The first official national flag remained until 1795. In 1791 and 1792 Vermont and Kentucky, respectively, joined the union rendering the flag inaccurate. A motion passed by the Senate in 1793 called for two new stars and two new stripes. The new 15-star, 15-stripe flag remained official for the next 23 years.6 When new states entered the union in the decades after 1795, unofficial variations to the national flag appeared. These variations featured additional stars and stripes for each new state. No official government action occurred until Representative Peter Wendover of New York in 1816 suggested Congress set up a flag study committee. On 2 January 1817 Wendover’s committee recommended that the national flag should include thirteen stripes, to represent the original thirteen colonies, and a star for each state in the union with additional stars added when new states are admitted.