EWF Kennedy Center Honors Essay
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“Clive Davis Said to Me, 'When Are You Going to Get Garth out of No. 1 So I
Turning Twenty he “good ol’ days” typically get a lot better press than they deserve. Unless, pretty easy to see where the potential on the roster was. of course, you’re talking about 1989, country music and Country radio. The Nobody knew big numbers here. I marketed the first album right along with the second one, which was what nobody got. NFL may have the quarterback class of ‘83 – Elway, Marino, Kelly, et al. – but When a new record comes out you force them to do catalog Nashville’s “Class of ‘89” tops even that illustrious group. and market them side-by-side. I was getting reorders of a T million units from one account. Amazing. You made them, “I remember this kind of stocky kid who kept coming into DuBois says. “I’d never run a record label so I can’t say it you shipped them and they disappeared.” the station because he had nothing else to do during the day,” changed all of a sudden, but radio was just so open to new The balloon was on the way up. “That Class of ‘89 says former KPLX/Dallas GM music. I used to call it the giant flush. All of a sudden there morphed into the ‘New Country’ explosion,” DuBois says. Dan Halyburton. “Garth Brooks in ‘89 and ‘90 there were a ton of artists, who had previously “I remember going from doing country fan rag interviews to would literally just hang out before been occupying chart positions, that just went away. When taking calls from Forbes and doing interviews with Business he played at a little honkytonk that that happened there was room for all this new stuff.” Week. -
To Download a PDF of a Letter from Clive Davis, Chief Creative Officer, Sony
Letters From Leaders Life doesn’t just go up, up and up. We all have to confront and deal with adversity at different times in our life. Determination to get through it is very important as is belief that you will get through it. I faced my toughest challenge in my life when both my parents passed away, within a year of each other, when I was 18. I had to leave my home in Brooklyn during my sophomore year at N.Y.U and go to live with my sister, her husband and their one-year-old daughter in Bayside, Queens. Because of them and an active support group of friends at N.Y.U – where I became President of the college’s Student Council – I didn’t face my loneliness and feelings of being an “orphan” until I was living alone at Harvard Law School a few years later. Given I had a lifetime aggregate sum of $4,000 to my name, I was dependent on a full tuition scholarship which I would lose if I didn’t maintain at least a “B” average. With no one from my support group present to help me get through this period of deep anxiety, I turned to the law school’s psychiatrist for a year to help get me through this dark transitional period. During this time, I learned a critical life lesson: it is certainly no sign of weakness to get professional help when needed. My next major life turning point occurred in the year 1960. I was an associate at the law fi rm of Rosenman, Colin, Petschek and Freund servicing clients such as CBS, CBS founder William Paley and other major corporations. -
Finding Aid to the Historymakers ® Video Oral History with Gene Barge
Finding Aid to The HistoryMakers ® Video Oral History with Gene Barge Overview of the Collection Repository: The HistoryMakers®1900 S. Michigan Avenue Chicago, Illinois 60616 [email protected] www.thehistorymakers.com Creator: Barge, Gene Title: The HistoryMakers® Video Oral History Interview with Gene Barge, Dates: January 20, 2012 Bulk Dates: 2012 Physical 6 uncompressed MOV digital video files (2:51:59). Description: Abstract: Saxophonist, songwriter, and music producer Gene Barge (1926 - ) played on Chuck Willis’ pop hit, “C.C. Rider,” co-wrote with Gary U.S. Bonds “Quarter to Three” and received a Grammy Award for co-producing Natalie Cole’s “Sophisticated Lady.” Barge was interviewed by The HistoryMakers® on January 20, 2012, in Chicago, Illinois. This collection is comprised of the original video footage of the interview. Identification: A2012_043 Language: The interview and records are in English. Biographical Note by The HistoryMakers® Saxophonist, music producer and song writer Gene “Daddy G” Barge was born in Norfolk, Virginia on August, 9 1926. He graduated from Booker T. Washington High School and played clarinet in the school band. Barge then attended West Virginia State College where he first majored in architecture, but quickly switched to music because of his interest in the saxophone. After receiving his B.A. degree from West Virginia State College in 1950, Barge returned to Norfolk, Virginia and played with a number of bands and singing groups including the Griffin Brothers and the Five Keys. In 1955, Barge recorded his first saxophone instrumentals entitled “Country” and “Way Down Home” on Chess Records’ Checker Label. He taught music at Suffolk High School while playing and singing in bands and touring with both Ray Charles and the Philadelphia vocal group The Turbans. -
Spiritual Ecology: on the Way to Ecological Existentialism
religions Article Spiritual Ecology: On the Way to Ecological Existentialism Sam Mickey Theology and Religious Studies, University of San Francisco, San Francisco, CA 94117, USA; [email protected] Received: 17 September 2020; Accepted: 29 October 2020; Published: 4 November 2020 Abstract: Spiritual ecology is closely related to inquiries into religion and ecology, religion and nature, and religious environmentalism. This article presents considerations of the unique possibilities afforded by the idea of spiritual ecology. On one hand, these possibilities include problematic tendencies in some strands of contemporary spirituality, including anti-intellectualism, a lack of sociopolitical engagement, and complicity in a sense of happiness that is captured by capitalist enclosures and consumerist desires. On the other hand, spiritual ecology promises to involve an existential commitment to solidarity with nonhumans, and it gestures toward ways of knowing and interacting that are more inclusive than what is typically conveyed by the term “religion.” Much work on spiritual ecology is broadly pluralistic, leaving open the question of how to discern the difference between better and worse forms of spiritual ecology. This article affirms that pluralism while also distinguishing between the anti-intellectual, individualistic, and capitalistic possibilities of spiritual ecology from varieties of spiritual ecology that are on the way to what can be described as ecological existentialism or coexistentialism. Keywords: spirituality; existentialism; ecology; animism; pluralism; knowledge 1. Introduction Spiritual ecology, broadly conceived, refers to ways that individuals and communities orient their thinking, feeling, and acting in response to the intersection of religions and spiritualities with ecology, nature, and environmentalism. There are other ways of referring to this topic. -
Eastern Progress 1980-1981 Eastern Progress
Eastern Kentucky University Encompass Eastern Progress 1980-1981 Eastern Progress 4-30-1981 Eastern Progress - 30 Apr 1981 Eastern Kentucky University Follow this and additional works at: http://encompass.eku.edu/progress_1980-81 Recommended Citation Eastern Kentucky University, "Eastern Progress - 30 Apr 1981" (1981). Eastern Progress 1980-1981. Paper 31. http://encompass.eku.edu/progress_1980-81/31 This News Article is brought to you for free and open access by the Eastern Progress at Encompass. It has been accepted for inclusion in Eastern Progress 1980-1981 by an authorized administrator of Encompass. For more information, please contact [email protected]. Survey determines Regent no personnel run-off today exposed to toxics By BETTY MAI.KIN By ROBIN PATEK irritation, burning of the nose and News Editor Mttr throat, chest pains, loss of coordination, Because none of the seven candidates A toxic gas survey conducted last a decreased ability to concentrate and received a majority of the total vote In semester from Nov. 21 through Dec 9 in drowsiness. Tuesday's Student Regent election, a the Hewlett Building concluded that Rex Baker, of the Division of In- special run-off election is being held "there are no personnel presently being structional Media, which handles the today between Tim C'rawley and exposed to toxic levels of nitrogen repair work for the projectors, Clayburn Trowel I, the two Regent dioxide, chlorine, ozone and carbon suggested that the nature of the candidates who received the most monoxide tested in the Row Id i problem with the malfunctioning pro- votes. Building." jectors in Hewlett could be one "in A Student Regent must receive 51 The survey, conducted Jointly by Dr. -
Catechist's Notes
CATECHIST’S NOTES Section Two CATECHIST’S NOTES for Grade 7 Table of Contents CLASS 1: Self-respect: Acknowledging why you are so important CLASS 2: Understanding the changes we experience CLASS 3: Friendship, love, and life CLASS 4: Christ in my home and in my life CLASS 5: Personal Safety Curriculum CATECHIST’S VOCATION — God’s Call NOTES Grade 7 Class 1 Studying what the Lord teaches us about sexuality Introduction General aim of the lesson This class is planned to help the students realize the goodness of our vocation: our call to be Christians, and our call by God Himself to an important life. It could be a call to become a priest or religious, or it could be a divine vocation to enter marriage with a very special person, and have children, and find our way to heaven by doing great things on this earth in ordinary circumstances. The whole idea of vocation is explored here: God’s deep concern for everything in our life, and how we plan our lives — the ways we learn to put all that we are as boys and girls into becoming men and women. Specific objectives 1. To recall the first vocation we have: to be personal friends and followers of Christ, and to shape everything in our lives in ways that are faithful to the Lord. 2. To think about our special vocations: how God cares very much about the life each one of us will live — the kind of life He invites us to and that we decide to live, and all the special circumstances of the life He invites each one of us to have. -
Junior Prom Features Return of Mai Hallett
V O L . No. 35 Issue 27 Z413 UNIVERSITY OF NEW HAMPSHIRE, DURHAM, NEW HAMPSHIRE, MAY 2, 1946 PRICE THREE CENTS Junior Prom Features Stunt Nite is Fun Nite; Since colleges were invented, stu- Greatest Show on Earth Return of Mai Hallett «dents have habitually lifted gadgets First Post-War Prom ranging from highway department fix Friday Nite, Stunt Nite— tures to 2 x 4 signs bearing mottoes Rite Nite, for Fun Site! Scheduled for May 10 Community Choir like “Men’s Room” — these to grace Dr. Milton D. Farrar The Junior Prom Committee has the walls of their living quarters dur The first tryouts for Stunt Night announced that Mai Hallett and his ing their few months of occupation. Accepts Position Here were held in N. H. Hall Tuesday eve famous 14-piece orchestra, recent Travels to Boston Outrages committed upon public and ning, before the executive committee guests on the Coca-Cola Spotlight The Durham Community Church private property have gone unpunished Dr. Milton D. Farrar, Research En of the Sophomore Class. Band Program, will provide the “ swing Choir wild participate in the Ninth for so long that campus rah-rah boys tomologist of the Illinois Natural His These were more than enough to in and sway” for this gala event. The date Annual Choir Festival to be held next have come to consider it their right tory Survey, has accepted a position sure that the Sophs’ revival of U N H ’s is May 10th, the time is 9 to 1:30', and Sunday, May 5, at 4:30 in Trinity and privilege to remove a DANGER as Associate Director of the Crop Pro own vaudeville show will be the most the place is New Hampshire Hall. -
SCAHS MARCHING BAND Rehearsal Schedule August 8 – August 31, 2011
SCAHS MARCHING BAND Rehearsal Schedule August 8 – August 31, 2011 WEEK 1 8/8 Music - Anchorʼs Aweigh, Show Fanfares, Stars and Stripes Forever- Opener Marching - Pregame Fanfares & Downfield 8/9 Music - America The Beaufitul, Star Spangled Banner, Stars and Stripes Forever Marching - Stars and Stripes Forever - Opener 8/10 Music - Battle Hymn of The Republic - Closer Rank Leader Meeting Marching - Stars and Stripes Forever - Opener, Pregame Fanfares & Downfield 8/11 Music - Battle Hymn of The Republic – Closer / Stars and Stripes Forever, America The Beautiful Marching - America The Beautiful, Stars and Stripes Forever - Opener 8/12 Music - Alma Mater, In The Stone Marching - Stars and Stripes Forever, America The Beautiful, Pre-Game WEEK 2 8/15 Music - Battle Hymn/America The Beautiful - record to mp3; In The Stone, After The Love Has Gone Marching - Battle Hymn, Stars and Stripes, America, Pregame through Cadence after Alma Mater to tunnel 8/16 Music - Getaway / September, Eye of The Tiger MEMORIZE ANCHORʼS AWEIGH & FANFARES Marching - In The Stone – Opener, Pregame to team entrance formation 8/17 Music - Roar Lions Roar, Hey, Baby!, Conga, After The Love Has Gone, Getaway September Marching - In The Stone, After The Love Has Gone, Tribute To America Show Rank Leader Meeting 8/18 Music - All Pregame Music MEMORIZE STAR SPANGLED BANNER Marching - Ramp Entrance, All Pregame, Post Game 8:30am – “PICTURE DAY” @ Memorial Field 8/19 Music - La Bamba, Ain't No Mountain High Enough, Theme from Barney Miller Marching - After The Love Has Gone, -
Drums • Bobby Bradford - Trumpet • James Newton - Flute • David Murray - Tenor Sax • Roberto Miranda - Bass
1975 May 17 - Stanley Crouch Black Music Infinity Outdoors, afternoon, color snapshots. • Stanley Crouch - drums • Bobby Bradford - trumpet • James Newton - flute • David Murray - tenor sax • Roberto Miranda - bass June or July - John Carter Ensemble at Rudolph's Fine Arts Center (owner Rudolph Porter)Rudolph's Fine Art Center, 3320 West 50th Street (50th at Crenshaw) • John Carter — soprano sax & clarinet • Stanley Carter — bass • William Jeffrey — drums 1976 June 1 - John Fahey at The Lighthouse December 15 - WARNE MARSH PHOTO Shoot in his studio (a detached garage converted to a music studio) 1490 N. Mar Vista, Pasadena CA afternoon December 23 - Dexter Gordon at The Lighthouse 1976 June 21 – John Carter Ensemble at the Speakeasy, Santa Monica Blvd (just west of LaCienega) (first jazz photos with my new Fujica ST701 SLR camera) • John Carter — clarinet & soprano sax • Roberto Miranda — bass • Stanley Carter — bass • William Jeffrey — drums • Melba Joyce — vocals (Bobby Bradford's first wife) June 26 - Art Ensemble of Chicago Studio Z, on Slauson in South Central L.A. (in those days we called the area Watts) 2nd-floor artists studio. AEC + John Carter, clarinet sat in (I recorded this on cassette) Rassul Siddik, trumpet June 24 - AEC played 3 nights June 24-26 artist David Hammond's Studio Z shots of visitors (didn't play) Bobby Bradford, Tylon Barea (drummer, graphic artist), Rudolph Porter July 2 - Frank Lowe Quartet Century City Playhouse. • Frank Lowe — tenor sax • Butch Morris - drums; bass? • James Newton — cornet, violin; • Tylon Barea -- flute, sitting in (guest) July 7 - John Lee Hooker Calif State University Fullerton • w/Ron Thompson, guitar August 7 - James Newton Quartet w/guest John Carter Century City Playhouse September 5 - opening show at The Little Big Horn, 34 N. -
Jay Graydon Discography (Valid July 10, 2008)
Jay Graydon Discography (valid July 10, 2008) Jay Graydon Discography - A (After The Love Has Gone) Adeline 2008 RCI Music Pro ??? Songwriter SHE'S SINGIN' HIS SONG (I Can Wait Forever) Producer 1984 258 720 Air Supply GHOSTBUSTERS (Original Movie Soundtrack) Arista Songwriter 1990 8246 Engineer (I Can Wait Forever) Producer 2005 Collectables 8436 Air Supply GHOSTBUSTERS (Original Movie Soundtrack - Reissue) Songwriter 2006 Arista/Legacy 75985 Engineer (I Can Wait Forever) Producer Air Supply DEFINITIVE COLLECTION 1999 ARISTA 14611 Songwriter (I Can Wait Forever) Producer Air Supply ULTIMATE COLLECTION: MILLENNIUM [IMPORT] 2002 Korea? ??? Songwriter (I Can Wait Forever) BMG Entertainment 97903 Producer Air Supply FOREVER LOVE 2003 BMG Entertainment, Argentina 74321979032 Songwriter (I Can Wait Forever) FOREVER LOVE - 36 GREATEST Producer Air Supply HITS 1980 - 2001 2003 BMG Victor BVCM-37408 Import (2 CDs) Songwriter (I Can Wait Forever) Producer Air Supply PLATINUM & GOLD COLLECTION 2004 BMG Heritage 59262 Songwriter (I Can Wait Forever) Producer Air Supply LOVE SONGS 2005 Arista 66934 Songwriter (I Can Wait Forever) Producer Air Supply 2006 Sony Bmg Music, UK 82876756722 COLLECTIONS Songwriter Air Supply (I Can Wait Forever) 2006 Arista 75985 Producer GHOSTBUSTERS - (bonus track) remastered UPC: 828767598529 Songwriter (I Can Wait Forever) Producer Air Supply 2007 ??? ??? GRANDI SUCCESSI (2 CD) Songwriter (I Can Wait Forever) ULTIMATE COLLECTION Producer Air Supply 2007 Sony/Bmg Import ??? [IMPORT] [EXPLICIT LYRICS] [ENHANCED] Songwriter (I Can Wait Forever) Producer Air Supply ??? ??? ??? BELOVED Songwriter (I Can Wait Forever) Producer Air Supply CF TOP 20 VOL.3 ??? ??? ??? Songwriter (Compilation by various artists) (I Can Wait Forever) Producer Air Supply COLLECTIONS TO EVELYN VOL. -
03-26-13 (The Liberty Champion, Volume 30 Issue 18)
Scholars Crossing 2012 – 2013 Liberty University School Newspaper 3-26-2013 03-26-13 (The Liberty Champion, volume 30 issue 18) Champion Liberty University Follow this and additional works at: https://digitalcommons.liberty.edu/paper_12_13 Recommended Citation Champion, "03-26-13 (The Liberty Champion, volume 30 issue 18)" (2013). 2012 – 2013. 5. https://digitalcommons.liberty.edu/paper_12_13/5 This Article is brought to you for free and open access by the Liberty University School Newspaper at Scholars Crossing. It has been accepted for inclusion in 2012 – 2013 by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. j Today: Sunfly 50/31 Tomorrow: Sunny 48/31 - , ol..... :- ' Tuesday, March 26, 2013 libertychampibn.com Volume 30 • Issue 78 . I spring? . ' Proposed budget ' ' Laure~ Creelonor~ lcre,[email protected] . Lynchburg City Manager Kimball Payne announced the City of Lynch bµrg's proposed budget for 2014 on March 12. The budget includes funding for many different areas in the city, ac rcording to Payne's proposal. I "We've had a number of difficult bud gets over the last four years, especially January of 2009," Payne said. "We've made a number of adjustments, such as cutting spending and erasing tax increas es in the new budget and including a pay raise." According to Payne, th~ proposed bud get includes money for the general, capi tal, airport, water, sewer and storm water funds, among others. Without the begin I ning funds and transfers between them, the total amounts to $318.1 million. The 2014 budget is different than pre l. -
September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (Guest Post)*
“September”—Earth Wind & Fire (1978) Added to the National Registry: 2018 Essay by Rickey Vincent (guest post)* “Do you remember, the 21st night of September…?” those were the opening lyrics to one of the biggest hits of 1978, and still one of the most entertaining pop songs over the decades. It is a song about memory, memories that have happened, and memories yet to come. A contagious joy emanates from the song, with lyrics that tease with importance, yet captivate with a repeating “ba-de-ya” refrain that is as memorable as any lyrical phrase. The song is a staple of movie soundtracks (such as “Ted 2,” “Barbershop--The Next Cut,” and “Night at the Museum”), commercial jingles, and family gatherings everywhere. With music providing tickles of percussion, soaring yet comforting horn lines, and the breathtaking harmonies, “September” is one of Earth Wind & Fires’ most catchy sing- along favorites. The lyrics spoke of dancing under the stars, and of celebrating moments in our lives. The words captured ideas that seemed so meaningful, yet really were not. The 21st night of September? What date was that? Was it someone’s birthday? How could a song tug at one’s memories, and yet refer to so little? Co-writer Allee Willis has said the date was used simply because it “sounded right when sung.” The irony was that Earth Wind & Fire had had a run of some of the most thought- provoking and inspiring messages in their catalogue of hit songs, from “Keep Your Head To the Sky” to “Shining Star” and “That’s the Way of the World,” there was an expectation of something deeper underpinning the uplifting experience.