DOCSLIB.ORG

Concert Season with NPR’S Ari Shapiro June 2 – July 23, 2017

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Concert Season with NPR’S Ari Shapiro June 2 – July 23, 2017 A CENTENNIAL CELEBRATION: Green Lake Festival of Music The Power of Story Concert Season with NPR’s Ari Shapiro June 2 – July 23, 2017 In grateful memory of Artist Leslie Trewyn October 14 Waves & At the Overture Center in Madison Tickets at wpr.org/100. waterworksREFLECTIONS ON SOUND & MOVEMENT No Charge For Tickets – Donate What You Can – Call (920) 748-9398 www.GreenLakeFestival.org In Memoriam Leslie Trewyn 1941 – 2017 June 23, 2017 would have been artist Leslie Trewyn’s 76th birthday. The celebration she hoped to have with her family and friends will take place without her and will be a gathering to celebrate her life. Last fall Leslie began a painting that she planned to donate to the Festival for the artwork in promotional materials, as she had done each of the last four seasons. Her paintings are playful, with bold colors and images of her travels near and far. Unable to finish the 2017 painting because of illness, she gave permission to use the colorful digital image of a sold painting that fit this season’s theme about water. Leslie was able to choose the design she liked best that Festival Support Specialist Barb Mitchell created. We are so grateful for Leslie’s generosity. A frequent Festival audience member and donor, Leslie enthusiastically supported concerts and special events, even opening her studio last spring for a reception for the Friends/Volunteers group to welcome people, unveil her Festival painting, and kickoff the season. And she was grateful, especially for her dear family and friends. Leslie inspired us with her extraordinary talent and, at the same time, her easy, genuine manner. She took an almost childlike delight in people and in beauty, expressing her passion through art. In her final days Leslie donated a tryptich, three panels of paintings of a nearby farm she loved, to the Green Lake Caestecker Public Library, describing to those gathered for her presentation how the paintings evolved as she worked on them. She also gave a favorite painting to the Thrasher Opera House and donated to many organizations she cared about. We can all continue to enjoy her artwork in these places and in Festival posters hanging in Horicon Bank lobbies. We remember Leslie with full hearts and give thanks for her life. The Green Lake Festival of Music, Inc. is a tax-deductible 501c3 non-profit corporation whose mission is to entertain, inspire, and educate through musical performances and activities of the highest quality. Comments and questions about the Festival and its programs are always welcome. Please contact the Green Lake Festival of Music office at: PO Box 569, Green Lake, WI 54941 920-748-9398, [email protected] or www.GreenLakeFestival.org The Green Lake Festival of Music, Inc. is a member of Chamber Music America, the Green Lake Area Chamber of Commerce, the Ripon Area Chamber of Commerce, Arts Wisconsin, and the Wisconsin Presenters Network. The Green Lake Festival of Music is supported in part by the Arts Midwest Touring Arts Fund, a program of Arts Midwest, funded by the National Endowment for the Arts, with additional funding from the Wisconsin Arts Board, the Crane Group, and General Mills Foundations. Other funding comes from the Horicon Bank, Oshkosh Area Community Foundation, and private/ corporate donations. Wisconsin Public Radio has provided promotional support. Waves & waterworksREFLECTIONS ON SOUND & MOVEMENT Table of Contents Welcome from the President ..............................................................................................................2 Welcome from Laura Deming, Director ..........................................................................................2 Distinguished Friend of the Festival .................................................................................................4 Esther Chae & Caleb Borick Bios .....................................................................................................6 Premiere Concert .................................................................................................................................7 Chamber Music Camp, Master Classes, & Choral Institute ..........................................................8 Performance Locations .......................................................................................................................9 Thomas E. Caestecker Free Family Concerts ................................................................................11 Frank Almond, Andrew Armstrong, & Green Lake Chamber Players Bios ............................12 Frank Almond, Andrew Armstrong, & Green Lake Chamber Players Concert .....................13 Green Lake Chamber Players Concert ...........................................................................................15 Barn Concert ......................................................................................................................................19 Daedalus Quartet Bios ......................................................................................................................20 Daedalus Quartet Concert ................................................................................................................21 Daedalus Quartet & Green Lake Chamber Players Concert ......................................................23 Calendar of Events ............................................................................................................................24 Wisconsin Symphonic Winds Bios ..................................................................................................26 Outdoor Concert of American Composers ..................................................................................27 Seniors Lunch & Piano Recital ........................................................................................................29 2017 Business Sponsors ....................................................................................................................29 Changyong Shin Bio ..........................................................................................................................30 Changyong Shin Concert ..................................................................................................................31 The Rose Ensemble Bio ...................................................................................................................32 The Rose Ensemble Concert ...........................................................................................................33 Choral Institute Soloists Bios ...........................................................................................................34 Cabaret Concert .................................................................................................................................37 Choral Institute Chorus & Orchestra Concert ..............................................................................38 Choral Institute Chorus & Orchestra Bios ....................................................................................40 Board of Directors, Staff, & Friends of the Festival ...................................................................42 The Encore Society............................................................................................................................44 The Language of Music ....................................................................................................................46 No Charge For Tickets Donate What You Can! There are 3 ways to donate: (920) 748-9398 • www.GreenLakeFestival.org Welcome from the President Dear members of the Green Lake Festival of Music Family, As we enter our 38th Season, it is my pressure, I can happily report our Board, honor and pleasure to welcome you on Staff, and Friends/Volunteers are showing behalf of our Board of Trustees. Laura great loyalty and support. We who are and her team have done an outstanding closely involved have never felt more job of creating a season we believe you optimistic about our future. We invite you will long remember. We’re very eager to to enjoy our many musical opportunities, spread the word that we’re not charging and we welcome your advice, suggestions, for tickets. We want everyone to enjoy and — most of all — your involvement! these outstanding concerts and donate Best wishes to you all, what they’re able to give. At a time when David Woods all arts organizations are under increasing Greetings and welcome! I often think about you, our audience, can and express what the Festival means and hope you realize what you bring to to you. As you know, our concerts have our live performances — your passion, a cost, and we trust you will be inspired focus, and appreciation. You complete to support them through your donations the connection! I look forward to seeing for concerts, sponsorships, scholarships, you throughout the summer. Our and general giving throughout the year. bold experiment this season to ask for All arts organizations, even with sold-out donations rather than charge for tickets performances, have to raise 60% or more was inspired by the Lakes Area Music through fundraising. Festival donors have Festival in Brainerd, MN, a community traditionally been extraordinarily generous. much like Green Lake, with year-round Raising funds is an ongoing challenge and summer residents enjoying free, we undertake gladly to keep this Festival live, classical concerts in a beautiful thriving. The board is pleased to honor resort
Load more

Recommended publications
  • Vanderhoef Studio Theatre, Mondavi Center
    Mika Pelo and kurt rohde, co-directors Vanderhoef Studio Theatre, Mondavi Center Vanderhoef Studio Theatre, Mondavi Center The DeparTmenT of music presenTs The Empyrean Ensemble Mika Pelo and Kurt Rohde, Co-directors Americans in Rome Pre-concert talk: 6pm, moderated by Kurt Rohde Program Mu for Solo Violin (2007) Keeril Makan (b. 1972) Piano Etude No. 5 from 7 Piano Etudes (2008–09) Don Byron (b. 1957) Bird as Prophet for Violin and Piano (1999) Martin Bresnick (b. 1946) Piano Etude No. 2 from 7 Piano Etudes (2008–09) Don Byron Song for Andrew for Piano Quartet (2008) Laura Schwendinger (b. 1962) Intermission Three Phantasy Pieces for Viola and Percussion (2005) Claude Baker I. J.B. (b. 1948) II. R.S. III. H.B. Piano Etude No. 3 (a la Suzanne Vega) from 7 Piano Etudes (2008–09) Don Byron Dusk from The Book of Hours for Piano Trio (2000) Martin Brody (b. 1949) Piano Etude No. 6 from 7 Piano Etudes (2008–09) Don Byron Mu for Solo Violin (2007) Keeril Makan Hrabba Atladottir, violin; Ellen Ruth Rose, viola; Michael Graham, cello; Chris Froh, percussion; Michael Seth Orland, piano Sunday, January 23, 2011 • 7:00 pm Vanderhoef Studio Theatre, Mondavi Center 3 NOTES Mu (2007) for prepared violin: some meanings of Mu (according to Wikipedia): · Micro- the prefix signifying one millionth. · In Zen Buddhism, a word that can mean neither yes nor no. · The twelfth letter of the Greek alphabet, which was derived from the Egyptian hieroglyphic symbol for water. · The name of a hypothetical continent that allegedly existed in one of Earth’s oceans but disappeared at the dawn of human history.
    [Show full text]
  • 2018 BAM Next Wave Festival #Bamnextwave
    2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts.
    [Show full text]
  • Takte 1-09.Pmd
    [t]akte Das Bärenreiter-Magazin Wundersame Mischungen Ernst und komisch zugleich: Haydns „La fedeltà premiata” 1I2009 Das geheime Leben Informationen für Miroslav Srnka auf Entdeckungstour Bühne und Orchester Plädoyer für ein großartiges Repertoire Marc Minkowski über die französische Oper des 19. Jahrhunderts [t]akte 481018 „Unheilvolle Aktualität“ Abendzauber Das geheime Leben Telemann in Hamburg Ján Cikkers Opernschaffen Neue Werke von Thomas Miroslav Srnka begibt sich auf Zwei geschichtsträchtige Daniel Schlee Entdeckungstour Richtung Opern in Neueditionen Die Werke des slowakischen Stimme Komponisten J n Cikker (1911– Für Konstanz, Wien und Stutt- Am Hamburger Gänsemarkt 1989) wurden diesseits und gart komponiert Thomas Miroslav Srnka ist Förderpreis- feierte Telemann mit „Der Sieg jenseits des Eisernen Vorhangs Daniel Schlee drei gewichtige träger der Ernst von Siemens der Schönheit“ seinen erfolg- aufgeführt. Der 20. Todestag neue Werke: ein Klavierkon- Musikstiftung 2009. Bei der reichen Einstand, an den er bietet den Anlass zu einer neu- zert, das Ensemblestück „En- Preisverleihung im Mai wird wenig später mit seiner en Betrachtung seines um- chantement vespéral“ und eine Komposition für Blechblä- Händel-Adaption „Richardus I.“ fangreichen Opernschaffens. schließlich „Spes unica“ für ser und Schlagzeug uraufge- anknüpfen konnte. Verwickelte großes Orchester. Ein Inter- führt. Darüber hinaus arbeitet Liebesgeschichten waren view mit dem Komponisten. er an einer Kammeroper nach damals beliebt, egal ob sie im Isabel Coixets Film
    [Show full text]
  • Boston Symphony Orchestra Concert Programs
    m fl ^ j- ? i 1 9 if /i THE GREAT OUTDOORS THE GREAT INDOORS Beautiful, spacious country condominiums on 55 magnificent acres with lake, swimming pool and tennis courts, minutes from Tanglewood and the charms of Lenox and Stockbridge. FOR INFORMATION CONTACT (413) 443-3330 1136 Barker Road (on the Pittsfield-Richmond line) GREAT LIVING IN THE BERKSHIRES Seiji Ozawa, Music Director Carl St. Clair and Pascal Verrot, Assistant Conductors One Hundred and Seventh Season, 1987-88 Trustees of the Boston Symphony Orchestra, Inc. Kidder, President Nelson J. Darling, Jr., Chairman George H. T Mrs. John M. Bradley, Vice-Chairman J. P. Barger, V ice-Chairman Archie C. Epps, Vice-Chairman William J. Poorvu, Vice-Chairman and Treasurer Vernon R. Alden Mrs. Michael H. Davis Roderick M. MacDougall David B. Arnold, Jr. Mrs. Eugene B. Doggett Mrs. August R. Meyer Mrs. Norman L. Cahners Mrs. John H. Fitzpatrick David G. Mugar James F. Cleary Avram J. Goldberg Mrs. George R. Rowland William M. Crozier, Jr. Mrs. John L. Grandin Richard A. Smith Mrs. Lewis S. Dabney Francis W. Hatch, Jr. Ray Stata Harvey Chet Krentzman Trustees Emeriti Philip K. Allen Mrs. Harris Fahnestock Irving W. Rabb Allen G. Barry E. Morton Jennings, Jr. Paul C. Reardon Leo L. Beranek Edward M. Kennedy Mrs. George L. Sargent Richard P. Chapman Albert L. Nickerson Sidney Stoneman Abram T. Collier Thomas D. Perry, Jr. John Hoyt Stookey George H.A. Clowes, Jr. John L. Thorndike Other Officers of the Corporation John Ex Rodgers, Assistant Treasurer Jay B. Wailes, Assistant Treasurer Daniel R. Gustin, Clerk Administration of the Boston Symphony Orchestra, Inc.
    [Show full text]
  • THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, Director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 at 2 P.M
    THIRD COAST PERCUSSION with Notre Dame Vocale, Carmen-Helena Téllez, director PRESENTING SERIES TEDDY EBERSOL PERFORMANCE SERIES SUN, JAN 26 AT 2 P.M. LEIGHTON CONCERT HALL DeBartolo Performing Arts Center University of Notre Dame Notre Dame, Indiana AUSTERITY MEASURES Concert Program Mark Applebaum (b. 1967) Wristwatch: Geology (2005) (5’) Marc Mellits (b. 1966) Gravity (2012) (11’) Thierry De Mey (b. 1956) Musique de Tables (1987) (8’) Steve Reich (b. 1936) Proverb (1995) (14’) INTERMISSION Timo Andres (b. 1985) Austerity Measures (2014) (25’) Austerity Measures was commissioned by the University of Notre Dame’s DeBartolo Performing Arts Center and Sidney K. Robinson. This commission made possible by the Teddy Ebersol Endowment for Excellence in the Performing Arts. This engagement is supported by the Arts Midwest Touring Fund, a program of Arts Midwest, which is generously supported by the National Endowment for the Arts with additional contributions from the Indiana Arts Commission. PERFORMINGARTS.ND.EDU Find us on PROGRAM NOTES: Mark Applebaum is a composer, performer, improviser, electro-acoustic instrument builder, jazz pianist, and Associate Professor of Composition and Theory at Stanford University. In his TED Talk, “Mark Applebaum, the Mad Scientist of Music,” he describes how his boredom with every familiar aspect of music has driven him to evolve as an artist, re-imagining the act of performing one element at a time, and disregarding the question, “is it music?” in favor of “is it interesting?” Wristwatch: Geology is scored for any number of people striking rocks together. The “musical score” that tells the performs what to play is a watch face with triangles, squares, circles and squiggles.
    [Show full text]
  • Clifton Callender Professor of Composition Co Editor-In-Chief
    CURRICULUM VITAE Clifton Callender Professor of Composition Co Editor-in-Chief, Journal of Mathematics and Music Associate Editor, Perspectives of New Music College of Music, Florida State University Tallahassee, Florida 32306-1180 850.644.7492 [email protected] cliftoncallender.com EMPLOYMENT Florida State University, Professor of Composition, 2016 – present; Associate Professor of Composition, 2008 – 2016; Assistant Professor 2002 – 2008. Responsibilities include composition lessons, orchestration, counterpoint and other theory courses, and serving as Artistic Director of the New Music Ensemble. Northern Illinois University, Assistant Professor of Theory and Composition, 2000 – 2002. Responsibilities included teaching first- and second-year theory and aural skills and composition lessons. EDUCATION The University of Chicago, Illinois, Ph.D. in composition with a minor in theory, December 1999. Composition studies with Shulamit Ran, Andrew Imbrie, and Marta Ptaszynska. The Peabody Institute of the Johns Hopkins University, Baltimore, Maryland, 1993 – 1994. Studies in electronic and computer music composition with Geoff Wright and McGregor Boyle. The Peabody Institute of the Johns Hopkins University, Baltimore, Maryland, Master of Music in Composition, 1993. Composition studies with Jean Eichelberger Ivey. King’s College, London, attended 1989 – 1990. Composition studies with Peter Dickenson. Tulane University, New Orleans, Louisiana, Bachelor of Fine Arts (summa cum laude), 1991. Composition studies with Barbara Jazwinski and piano studies with Faina Lushtak. AWARDS AND FELLOWSHIPS Artist-in-Residence Fellow, I-Park Foundation, Summer, 2015. Committee on Faculty Research Support Summer Award, Florida State University, 2012. David Kraehenbuehl Prize, Journal of Music Theory, “Continuous Harmonic Spaces,” 2011. State of Florida, Individual Artist Grant, 2011. Fellow, Mannes Institute for Advanced Studies in Music Theory, 2009 Institute on Music and the Mind, Mannes College of Music.
    [Show full text]
  • Alumnews09-10
    College of Letters & Science University D EPARTMENT of of California Berkeley MUSIC IN THIS ISSUE Alumni Newsletter December 2010 NOTE FROM THE CHAIR “Smart people and lots of hair—just what I expected of Berkeley,” was Rufus 1–3 Events, Celebrations, Wainwright’s summation at the end of his visit to our department. In town for the San 1 Francisco Symphony’s performance of his song cycle, Wainwright engaged in a lively Visitors exchange with a cross-section of Music students in the Albert Elkus Room. Wainwright is just one of the many guests who have contributed to the vibrant intellectual community 1, 9, 14–15 Heavy Lifters of the Department of Music over the past few years. Visiting from Italy, Israel, and the UK, Pedro Memelsdorf, Edwin Seroussi, and Peter Franklin have taught courses and delivered public 4–5 Faculty Update • Pianos lectures during their semester-long residencies and a series of shorter visits by leading composers from North 4 America, Europe, and Japan is currently underway. Our students and faculty have many accomplishments to be proud of—concerts and compositions, papers and publications—as you will see throughout this 6–8, 10 Alumni News newsletter, in which we also mourn the recent loss of several dear members of our community. The 6 Department of Music has endured the toughest financial crisis in the university’s history undiminished. 6–7 In Memoriam Although the end of that crisis is not yet in sight, we continue to strive to improve in our many areas of activity. Please enjoy this newsletter and turn to our redesigned website, which debuted last fall, for the latest 8–9 Fundraising Update, news of the Department of Music.
    [Show full text]
  • Art Works Grants
    National Endowment for the Arts — December 2014 Grant Announcement Art Works grants Discipline/Field Listings Project details are as of November 24, 2014. For the most up to date project information, please use the NEA's online grant search system. Art Works grants supports the creation of art that meets the highest standards of excellence, public engagement with diverse and excellent art, lifelong learning in the arts, and the strengthening of communities through the arts. Click the discipline/field below to jump to that area of the document. Artist Communities Arts Education Dance Folk & Traditional Arts Literature Local Arts Agencies Media Arts Museums Music Opera Presenting & Multidisciplinary Works Theater & Musical Theater Visual Arts Some details of the projects listed are subject to change, contingent upon prior Arts Endowment approval. Page 1 of 168 Artist Communities Number of Grants: 35 Total Dollar Amount: $645,000 18th Street Arts Complex (aka 18th Street Arts Center) $10,000 Santa Monica, CA To support artist residencies and related activities. Artists residing at the main gallery will be given 24-hour access to the space and a stipend. Structured as both a residency and an exhibition, the works created will be on view to the public alongside narratives about the artists' creative process. Alliance of Artists Communities $40,000 Providence, RI To support research, convenings, and trainings about the field of artist communities. Priority research areas will include social change residencies, international exchanges, and the intersections of art and science. Cohort groups (teams addressing similar concerns co-chaired by at least two residency directors) will focus on best practices and develop content for trainings and workshops.
    [Show full text]
  • ___CURRENT CV, Laura Elise Schwendinger CURRENT CV 2015
    Laura Elise Schwendinger Professor of Composition Artistic Director, Contemporary Chamber Ensemble University of Wisconsin-Madison School of Music Main Office Phone: 608-263-1900; Fax: 608-262-8876 3561 Humanities, 455 North Park Street; Madison, WI 53706-1483 [email protected]; http://www.lauraschwendinger.com EDUCATION 1993 Ph.D. in Music, University of California at Berkeley Field of Study: Composition. Dissertation: Chamber Concerto. Advisor: Andrew Imbrie 1987 M.A., University of California at Berkeley. 1985 B.M., Boston Conservatory of Music. Composition major. 1981 San Francisco Conservatory of Music. Composition major. Principal teachers: Andrew Imbrie, Olly Wilson, John Thow, Larry Bell, John Adams. Additional studies with: Milton Babbitt, Martin Bresnick, Paul Chihara, Jacob Druckman, Donald Erb, Richard Felciano, Donald Martino, George Perle, Bernard Rands, Gunther Schuller, Joan Tower and Chinary Ung. HONORS, FELLOWSHIPS AND AWARDED COMMISSIONS March 2015 Artist Fellowship Residency MacDowell Colony for June/ July 2015 Feb. 2015 Artist Fellowship Residency, Tyrone Guthrie Center (for Summer 2016) Sept. 2014 League of American Orchestras and New Music USA and announce New Partnerships residency for Laura Schwendinger and the Richmond Symphony Orchestra. http://artsbeat.blogs.nytimes.com/2014/10/22/pairing-composers-and-orchestras-with-an-eye-on-younger- audiences/ http://www.americanorchestras.org/images/stories/press_releases/MusicAliveNewPartnershipsrelease.pdf Sept. 2014 Koussevitzky Music Foundation Commission from the Serge Koussevitzky Music Foundation in the Library of Congress, for the Chameleon Arts Ensemble of Boston. June 2014 Artist Fellowship Residency, Oberpfälzer Künstlerhaus, Schwandorf Germany July 2014 Artist Fellowship Residency, Yaddo Corp.; also in 2013, 2011, 2010, 2008, 2007, 2005 (Wait fellowship), 1996 August 2014 Artist Fellowship Residency, VCCA Auvillar, France Spring 2014 A Roger Shapiro Foundation grant, for CD.
    [Show full text]
  • Concert Reviews (2011–2017) from 2011 Through 2017 I Occasionally Reviewed Concerts for the Online Boston Musical Intelligence
    Concert Reviews (2011–2017) From 2011 through 2017 I occasionally reviewed concerts for the online Boston Musical Intelligencer, imagining that by offering commentary on local performances I might provide information about the music for listeners and helpful suggestions for performers and presenters. But of course this was quixotic, not to say presumptuous, and on the rare occasions when my reviews solicited comments these were usually to complain about their length, or about my criticisms of anachronistic performance practices and inaccurate claims in program notes. I discovered, too, that as a performer myself, and one who knew and has worked with and even taught some of those I found myself reviewing, it could be difficult to preserve my objectivity or to avoid offending people. An additional frustration was that many of my reviews appeared with editorial changes that introduced not only grammatical errors and misspellings but sometimes misstatements of fact, even altering the views I had expressed. I know that few things are as stale as old reviews, but for the record I include below all these reviews as I wrote them, arranged by date of publication from the most recent to the earliest. At some point I learned that it was preferable to invent a cute-sounding headline than to have one foisted on my review, and where I did this I’ve placed it within quotation marks in the heading or on a separate line (followed by my byline). A few of these reviews are accompanied by photos that I took, although the only one of these that ran originally was that of the Resistance protest in Copley Square in January 2017.
    [Show full text]
  • Acknowledgments Edited (Chiaroscuro Azzurro) and Mastered (Entire CD) by Judith Sherman with Editing Assistant Jeanne Velonis
    Acknowledgments Edited (Chiaroscuro Azzurro) and mastered (entire CD) by Judith Sherman with editing assistant Jeanne Velonis. Sound editor (Esprimere) Pascal Shefteshy; Additional production credits include: Matt Haimovitz (Esprimere); Recording day producer, Laura Schwendinger (Chiaroscuro Azzurro and Esprimere); Recording Engineer, Lance Ketterer (Chiaroscuro Azzurro, Esprimere, Waking Dream); Contractor (Chiaroscuro Azzurro) Molly Carlson; Assistant (Esprimere), Thomas Lang. All music available direct from the composer. Made possible with the generous support of the Copland Foundation, the University of Wisconsin, and the Wisconsin Alumni Research Foundation. Special thanks to Judith Sherman for her excellent ear and patience, Sally Chisholm for her energy and musicianship, my parents Betty and Bob Schwendinger, my husband Menzie Chinn, the amazing Matt Haimovitz, the incredible Curtis Macomber, the sparkling Christina Jennings, the magnificent Nicole Paiement, and Sebastian Currier. www.albanyrecords.com TROY1390 albany records u.s. 915 broadway, albany, ny 12207 tel: 518.436.8814 fax: 518.436.0643 albany records u.k. box 137, kendal, cumbria la8 0xd tel: 01539 824008 © 2012 albany records made in the usa ddd waRning: cOpyrighT subsisTs in all Recordings issued undeR This label. The Composer Notable Women (described as a “hidden gem” in the UK Guardian), received great critical praise. The first composer to win the American Academy in Berlin Prize Fellowship, Laura Elise William Zagorski (Fanfare) wrote of it “it evokes a sense of serene mystery and infinite beauty.” John Schwendinger, Professor of Composition at the University of Wisconsin Madison and Director of the Van Rhein wrote of Eighth Blackbird’s performance of High Wire Act (Chicago Tribune) “it evinced Contemporary Chamber Ensemble there, was born in Mexico.
    [Show full text]
  • Sci Region Five Conference Eastern Illinois University Charleston, Illinois
    sci region five conference eastern Illinois university charleston, illinois october 11 and 12, 2019 sci region five conference eastern Illinois university october 11 and 12, 2019 Greetings, everyone! I would like to welcome you to Eastern Illinois University, and to our beautiful campus. We are glad you are here for the Society of Composers, Inc. Regional V Conference. It is my hope that you all have a wonderful experience here at EIU, and that you enjoy all the amazing performances over the next few days. EIU is excited to provide a platform for talented composers and musicians to perform in our beautiful Doudna Fine Arts Center. We are also proud to showcase some of our own EIU music faculty, including those representing our Concert Choir, Jazz Band, and Percussion Ensemble. Here at EIU, we recognize the importance of the humanities in higher education, and we value its contributions to our students and to our communities. EIU especially recognizes the importance of music in global culture, and its role in bringing together friends, comforting families, and stimulating kinship amongst us all. We have seen many pieces of incredible work emerge from the minds of our students and faculty, and it is my hope that EIU is able to play a role in continuing to inspire the many gifted performers and composers here with us this week. Once again, I hope you feel welcome here at EIU, and please enjoy your time at the conference. Best wishes to each and every participant and performer for sharing their incredible gifts with us, and to all who are here to enjoy them.
    [Show full text]