DOCSLIB.ORG

Spork Spotlight

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

spork 2.1 (AUTUMN 2002) spork | thesafehousequarterly Bookplate: This Is Your Bookplate is published twice a year by Mike Micropolous, 2002. __________________________ Artwork by Tom Walbank ADVISOR appearing on pages 443–450: Timothy C. Hayek W. C. Handy, 1997. EDITORIAL brush, india ink, and Richard Siken ballpoint pen, 9” x 12” Jason Ott Little Marion Walter Jacobs, 1993. Robert Hepworth brush, india ink, and Drew Burk ballpoint pen, 9” x 12” PRODUCTION Tommy McClennan, 1995. Drew Burk india ink and stick, 9” x 12” TECHNICAL Robert Nighthawk, 1996. Aaron Triplett brush and india ink, 9” x 12” __________________________ Charlie Patton, 1992. brush, india ink, and correctional fluid, 9” x 12” Single issues of spork are not as expensive as they look. Available Mahalia Jackson, 1996. at select bookstores worldwide brush and india ink, 9” x 12” (check website for current list), Bukka White 1992. at our not-so-secret headquarters: brush and india ink, 9” x 12” 4024 East Speedway Boulevard, Mance Lipscomb 1993. Tucson, Arizona 85712 brush and india ink, 12” x 9” or online at www.sporkmag.com. A map is a thing and a rooster is Please address all correspondence, a thing and a spork is two things business and editorial, to spork, at the same time the way a 4024 East Speedway Boulevard, hammer is a hammer is a tool. Tucson, Arizona 85712 or to [email protected]. Materials published in spork may not be reprinted, in whole Submissions read year-round. or in part, without the written No manuscripts can be returned permission of the editors. nor any query answered unless Copyright © 2002 by spork accompanied by a self-addressed, stamped envelope. Spork also All rights revert to the author welcome electronic submissions. upon publication. !""#""$""%""&""$""%""'"" !!! !! !! "#$%&'’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`".&!%4#$"111a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c"G8"NT&&%$&''" "" ! " *,#"'!1&,(&,! " DK%&."7/$%&."0+%5"R#6&'"N-./$4"N#",CX/#C'" 2Z2" 3&+.$/$4"N5#.%5+$;" "" _'&)&''",/+4$#'/'" "" 08"D.6)&''"G.#%5&.='"W.+8&."3/'%"\O#%"/$"I.;&." "" #K"96-#.%+$!&]" ! " )"%"'!'&35! " N5+H&$" 2[[" ! " %'"6$(!4/%("--! " U#$/$"D-#!.8-58" 2[<" ! " 4/+4!(%"$,."'+! " ,&*#%/#$" 212" ! " ! " ! " #'"8!./'5! " O#%&'"#$"R#$'%.C!%/#$" "" ! " !! " ! " ! " "" "" !! ____________________________________________________________ !"#$%&'(#)*+,-"%) ) ) ) ny system open to freedom is also open to degeneracy. Create a place for things to happen and inevitably they will. There were A mistakes. There was drift. There was mind-changing in subtle and grand ways and things broke forever, or broke and got mended, and we broke some things on purpose and felt sorry about it later or didn’t. We wanted five issues a year and ended up with three and a radio play. We designed colorful covers and the t-shirt shop went out of business. We had plans, made promises, pledged opulent things and spelled people’s names wrong. I shouldn’t be surprised. I am, but I shouldn’t be. We love you with a fierce and sloppy love, dear reader, but these things happen. So here it is, Issue 2.1, either the fourth spork or the fifth, depending on how you’re counting. To thicken the gravy further, we’ve decided to have only two print issues a year—Autumn & Spring—to give us more time for live events. Notice the new binding? Expect it to change every year. Please also put your attention to the page number we’re starting with—it’s 355. This should indicate at least two things: 1) We’re committed to continuous page numbers for the duration, even if—should we be so lucky—we end up with numbers in the tens of thousands; and 2) We lost a page. Okay, we didn’t lose it, but we ended on an odd page last time and we needed to start on an odd page this time. Perhaps we can consider the radio play the missing page. Then again, we may just take missing page 354 and jam it in somewhere, sometime in the future. "!#!$%!&!'!()!!!*!+!,!"!)! ____________________________________________________________ ./")01(#)$(&)2/1%3)14)53) ) ) ) ou have been watched from a distance for some time now and now you are being watched from even farther away. Anyway, you’d like Y to believe it’s true. Who wouldn’t? Just because a thing’s invisible doesn’t mean it don’t exist, you think to yourself, but still, there is no valid way to test it. And then one day you fall asleep on the train on the way home but you get home anyway. You close your eyes and nothing happens. You close your eyes every now and then, just to test the waters, and find you’re still moving, being moved, walking through the tunnel with your eyes closed, held up and carried along by the crowd. Not love or joy in any traditional sense, but a gentle kind of peaceful rocking that gathers together the single flowers to make a garland. The lights flicker and the wheels clack. No one on the train can tell who’s driving, so you let go of the imaginary wheel. You lean back in your plastic seat and let your shoulders relax. In the seat across from you, a man is reading a newspaper. His ears look familiar. And the woman standing by the automatic doors—her wrists, how she moves her wrists strikes a chord deep inside you. Look at the teeth in the mouth of that little boy in the parka! You know those teeth! You’ve seen those teeth in somebody else’s mouth! All these parts trying to assemble themselves in front of you, as if to say Let me in, I’m still here, hello hello, you know me, you know… Here I am in a rabbit run, here I am in a valley of pine, waiting for you to find me. I could pretend I’m speaking to everyone—assume a middle distance and transcend myself—but I’m taking to you and you know it. There was one time, we were on the subway then, and I had just gone somewhere inside my head—Where did you just go? you said—and I had come here (buzz buzz) and didn’t need no static offa you. It doesn’t always matter where we are but here I am and I say hello, sitting next to you this time, just pretend I’m sitting next to you this time. You would like it here. Maybe you would like it here. I think that maybe you would like it here. I work my jobs, I take my pills. Knot the tie and go to work, unknot the tie and go to sleep. I sleep. I dream. I wake. I sing. I get out the hammer and start knocking in the wooden pegs that affix the meaning to the landscape, the inner life to the body, the names to the things. I float too much to wander, like you, in the real world. I envy it but that’s the dealio— you’re a train and I’m a trainstation and when I try to guess your trajectory I end up telling my own story. But you are my nomad and I love you sideways daily. Sideways because I have to beam my love in all directions, hoping it bounces off something and eventually finds you. You and all the other secret agents caroming underneath the radar, sending your documents back to Mission Control— which is me, I guess, because I have a permanent address. I’ve been rereading your story. I think it’s about me in a way that might not be flattering, but that’s okay. We dream and dream of being seen as we really are and then finally someone looks at us and sees us truly and we fail to measure up. Anyway: story received, story included. You looked at me long enough to see something mysterioso under all the gruff and bluster.
Recommended publications
  • Historia Dela Arquitectura Contemporánea Es Pan

    Historia Dela Arquitectura Contemporánea Es Pan

    JUAN DANIEL FULLAONDO MARÍA TERESA MUÑOZ HISTORIA DELA ARQUITECTURA CONTEMPORÁNEA ,...,, ES PAN OLA TOMO 111 Y ORFEO DESCIENDE MOLLY EDITORIAL © Juan Daniel Fullaondo © María Teresa Muñoz Prohibida la reproducción total o parcial sin la autorización de los autores. Portada¡ Montaje sobre una fotografía de María Teresa Muñoz (1996). ' . MOLLY EDITORIAL María Teresa Muñoz. c/ Príncipe de Vergara, 117. 28002 Madrid. I.S.B.N.: 84-922708-0-2 Dep. Legal: M-15340-1997 Impreso en España Fotocomposición e impresión: Tecnovic Arte Gráfico, S.L. Antonio Pérez, 8. Tel. 562 56 43. 28002 Madrid a Carlos Flores, a Bruno Zevi, y a José María Sastres 6 ÍNDICE NOTA PREVIA ...................................................................................... 9 PRÓLOGO.............................................................................................. 11 PRIMERA PARTE Los primeros disidentes.................................................................. 19 Seguimos con los primeros disidentes .... .. .. .. .. .. .. .... .. .. .. .. .... .. .. .. .. .. 25 Otras observaciones .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. .. 31 Más notas sobre la primera generación ........................................ 35 José Antonio Coderch . .. .. .. .. .. ... .. .. .. 41 Más sobre Coderch . .. .. .. .. 65 Miguel Fisac . .. .. .. .. .. .. .. .. .. .. 73 Una cierta, apresurada, recapitulación .. .... .. .. .. .. .... .. .. .. .. .. .. .. .. .. .. .... 93 Últimos suspiros teóricos . 99 Algunos comentarios
  • From Staffordstown Niniski Nijinsky Virginia Hills Hernando (FR) Whakilyric Miswaki Lyrism Nashwan Blushing Groom Height of Fash

    From Staffordstown Niniski Nijinsky Virginia Hills Hernando (FR) Whakilyric Miswaki Lyrism Nashwan Blushing Groom Height of Fash

    From Staffordstown 778 778 Nijinsky Niniski Virginia Hills Hernando (FR) Miswaki BAY OR BROWN Whakilyric COLT (GB) Lyrism January 22nd, 2007 Blushing Groom (Second Produce) Stormy Weather Nashwan Height of Fashion (GB) Slip Anchor (2001) Shimmering Sea Sushila E.B.F. Nominated. 1st dam STORMY WEATHER (GB): unraced; dam of 1 previous foal; 1 runner: Shakedown (GB) (05 g. by Domedriver (IRE)): placed at 3, 2008, only start to-date 2nd dam Shimmering Sea (GB): 2 wins at 2 and placed twice inc. 3rd Silken Glider EBF S., Gr.3; dam of 11 foals; 9 runners; 7 winners inc.: STARLIT SANDS (GB) (f. by Oasis Dream (GB)): 3 wins at 2, 2007 at home and in France £53,810 inc. Prix d'Arenberg, Gr.3, 2nd Queen Mary S., Gr.2. SEA DANE (GB) (c. by Danehill (USA)): Champion sprinter in Scandinavia in 1999, 11 wins at home, in Denmark, in Norway and in Sweden and £106,737 inc. Whitley Bay Holiday Park Chipchase S., L., Saloprint Klampenborg Store Sprint, L. (twice) and IBM Taby Varsprint, L., 2nd Taby Open Sprint Championship, Gr.3, 3rd Norsk Jockeyklubs Sprintlop, L. (twice). Summer Night (GB): winner at 3; dam of winners inc.: SONGERIE (GB): 2 wins at 2 at home and in France and £61,684 inc. Prix des Reservoirs, Gr.3, placed 3rd Park Hill S., Gr.2. SOUVENANCE (GB): 4 wins at 2 and 4, 2007 at home and in Germany and £79,144 inc. IVG Euro Select Preis, L., placed 2nd Erik O Steens Memorial, L., 3rd Oaks d'Italia, Gr.1, Schwargold Rennen, Gr.2, Prix des Reservoirs, Gr.3 and Irish Stallion Farms EBF Give Thanks S., L.
  • Book of Abstracts: Studying Old Master Paintings

    Book of Abstracts: Studying Old Master Paintings

    BOOK OF ABSTRACTS STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE 16­18 September 2009, Sainsbury Wing Theatre, National Gallery, London Supported by The Elizabeth Cayzer Charitable Trust STUDYING OLD MASTER PAINTINGS ­ TECHNOLOGY AND PRACTICE THE NATIONAL GALLERY TECHNICAL BULLETIN 30TH ANNIVERSARY CONFERENCE BOOK OF ABSTRACTS 16­18 September 2009 Sainsbury Wing Theatre, National Gallery, London The Proceedings of this Conference will be published by Archetype Publications, London in 2010 Contents Presentations Page Presentations (cont’d) Page The Paliotto by Guido da Siena from the Pinacoteca Nazionale of Siena 3 The rediscovery of sublimated arsenic sulphide pigments in painting 25 Marco Ciatti, Roberto Bellucci, Cecilia Frosinini, Linda Lucarelli, Luciano Sostegni, and polychromy: Applications of Raman microspectroscopy Camilla Fracassi, Carlo Lalli Günter Grundmann, Natalia Ivleva, Mark Richter, Heike Stege, Christoph Haisch Painting on parchment and panels: An exploration of Pacino di 5 The use of blue and green verditer in green colours in seventeenth­century 27 Bonaguida’s technique Netherlandish painting practice Carole Namowicz, Catherine M. Schmidt, Christine Sciacca, Yvonne Szafran, Annelies van Loon, Lidwein Speleers Karen Trentelman, Nancy Turner Alterations in paintings: From non­invasive in­situ assessment to 29 Technical similarities between mural painting and panel painting in 7 laboratory research the works of Giovanni da Milano: The Rinuccini
  • Download Thesis

    Download Thesis

    This electronic thesis or dissertation has been downloaded from the King’s Research Portal at https://kclpure.kcl.ac.uk/portal/ Fast Horses The Racehorse in Health, Disease and Afterlife, 1800 - 1920 Harper, Esther Fiona Awarding institution: King's College London The copyright of this thesis rests with the author and no quotation from it or information derived from it may be published without proper acknowledgement. END USER LICENCE AGREEMENT Unless another licence is stated on the immediately following page this work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence. https://creativecommons.org/licenses/by-nc-nd/4.0/ You are free to copy, distribute and transmit the work Under the following conditions: Attribution: You must attribute the work in the manner specified by the author (but not in any way that suggests that they endorse you or your use of the work). Non Commercial: You may not use this work for commercial purposes. No Derivative Works - You may not alter, transform, or build upon this work. Any of these conditions can be waived if you receive permission from the author. Your fair dealings and other rights are in no way affected by the above. Take down policy If you believe that this document breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 10. Oct. 2021 Fast Horses: The Racehorse in Health, Disease and Afterlife, 1800 – 1920 Esther Harper Ph.D. History King’s College London April 2018 1 2 Abstract Sports historians have identified the 19th century as a period of significant change in the sport of horseracing, during which it evolved from a sporting pastime of the landed gentry into an industry, and came under increased regulatory control from the Jockey Club.
  • Accelerated Reader Quiz List - Reading Practice Page 1 of 261

    Accelerated Reader Quiz List - Reading Practice Page 1 of 261

    Accelerated Reader Quiz List - Reading Practice Page 1 of 261 Accelerated Reader Quiz List - Reading Practice Quiz Book Points No. Title Author Level 46456 Come Here, Tiger! Moran, Alex 0.3 0.5 EN 66246 Show and Tell Mayer, Mercer 0.3 0.5 EN 9340 EN Snow Joe Greene, Carol 0.3 0.5 41850 Clifford Makes a Friend Bridwell, Norman 0.4 0.5 EN 58042 I Can Read, Too: Book #9 Sargent, Dave/Pat 0.4 0.5 EN 66204 My Trip to the Zoo Mayer, Mercer 0.4 0.5 EN 9334 EN Please, Wind? Greene, Carol 0.4 0.5 9353 EN Birthday Car, The Hillert, Margaret 0.5 0.5 66200 Country Fair Mayer, Mercer 0.5 0.5 EN 64100 EN Daniel's Pet Ada, Alma Flor 0.5 0.5 49483 Down on the Farm Lascaro, Rita 0.5 0.5 EN 9314 EN Hi, Clouds Greene, Carol 0.5 0.5 9382 EN Little Runaway, The Hillert, Margaret 0.5 0.5 31542 Mine's the Best Bonsall, Crosby 0.5 0.5 EN 35665 What Day Is It? Trimble, Patti 0.5 0.5 EN 66242 Beach Day Mayer, Mercer 0.6 0.5 EN 72887 Cat Who Barked, The Sargent, Dave 0.6 0.5 EN 42150 EN Don't Cut My Hair! Wilhelm, Hans 0.6 0.5 9018 EN Foot Book, The Seuss, Dr. 0.6 0.5 9364 EN Funny Baby, The Hillert, Margaret 0.6 0.5 72885 Little Big Cat Sargent, Dave 0.6 0.5 EN 9383 EN Magic Beans, The Hillert, Margaret 0.6 0.5 3051 EN My Dog's the Best! Calmenson, Stephanie 0.6 0.5 9391 EN Three Bears, The Hillert, Margaret 0.6 0.5 9392 EN Three Goats, The Hillert, Margaret 0.6 0.5 9393 EN Three Little Pigs, The Hillert, Margaret 0.6 0.5 https://c.na6.content.force.com/servlet/servlet.FileDownload?file=00P8000000BHUWr 2/ 22/ 2012 Accelerated Reader Quiz List - Reading Practice
  • Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18

    Russian Museums Visit More Than 80 Million Visitors, 1/3 of Who Are Visitors Under 18

    Moscow 4 There are more than 3000 museums (and about 72 000 museum workers) in Russian Moscow region 92 Federation, not including school and company museums. Every year Russian museums visit more than 80 million visitors, 1/3 of who are visitors under 18 There are about 650 individual and institutional members in ICOM Russia. During two last St. Petersburg 117 years ICOM Russia membership was rapidly increasing more than 20% (or about 100 new members) a year Northwestern region 160 You will find the information aboutICOM Russia members in this book. All members (individual and institutional) are divided in two big groups – Museums which are institutional members of ICOM or are represented by individual members and Organizations. All the museums in this book are distributed by regional principle. Organizations are structured in profile groups Central region 192 Volga river region 224 Many thanks to all the museums who offered their help and assistance in the making of this collection South of Russia 258 Special thanks to Urals 270 Museum creation and consulting Culture heritage security in Russia with 3M(tm)Novec(tm)1230 Siberia and Far East 284 © ICOM Russia, 2012 Organizations 322 © K. Novokhatko, A. Gnedovsky, N. Kazantseva, O. Guzewska – compiling, translation, editing, 2012 [email protected] www.icom.org.ru © Leo Tolstoy museum-estate “Yasnaya Polyana”, design, 2012 Moscow MOSCOW A. N. SCRiAbiN MEMORiAl Capital of Russia. Major political, economic, cultural, scientific, religious, financial, educational, and transportation center of Russia and the continent MUSEUM Highlights: First reference to Moscow dates from 1147 when Moscow was already a pretty big town.
  • American Solution

    American Solution

    equineline.com Product 40P 09/18/20 14:46:02 EDT American Solution Dark Bay or Brown Colt; Mar 12, 2017 El Prado (IRE), 89 gr Kitten's Joy, 01 ch Kitten's First, 91 b Real Solution, 09 b Pulpit, 94 b Reachfortheheavens, 05 Reach, 97 b American Solution b Danzig, 77 b Foaled in Kentucky U S Dream, 11 b My Annette, 96 b U S Ranger, 04 b Theatrical (IRE), 82 dk b/ L'Attrayante (FR), 80 dk b/ Madeleine's Dream, 90 dk b/ By REAL SOLUTION (2009). Stakes winner of $1,374,175 USA in Italy and N.A., Arlington Million S. [G1] (AP, $558,000), Knob Creek Manhattan S. [G1] (BEL, $535,000), etc. Sire of 3 crops of racing age, 67 foals, 43 starters, 3 stakes winners, 1 champion, 30 winners of 65 races and earning $1,895,672 USA, including Lagartijo (Champion in Mexico, $52,604 USA), Ramsey Solution (to 4, 2020, $322,367, Tapit S. [LR]-ncr, 1 mile 70 yards in 1:36.38 (KD, $176,700)), Sister Peacock (to 4, 2020, $227,902 USA, Star Shoot S. [L] (WO, $60,000(CAN)), etc.), Catch a Bid (to 4, 2020, $190,524, Riskaverse S. [LR] (SAR, $55,000)), Speedy Solution (to 4, 2020, $166,950, 2nd Latonia S. (TP, $18,600)), Queens Embrace (at 3, 2020, $99,696, 3rd Lake Placid S. [G2] (SAR, $18,000)), Real Money (3 wins, to 4, 2020, $144,928 USA), Real Trouble (3 wins, $63,390), End Result ($43,585), Love Solution (4 wins, to 4, 2020, $41,912).
  • The Thyroid in Art

    The Thyroid in Art

    THE THYROID IN ART Luigi Massimino SENA Clinical Pathology Faculty of Medicine University of Turin (Italy) 1 TAKE ART AND PUT IT IN SCIENCE Art and science are different aspects of human creativity. Over the centuries, artists have made use of the expressive power of images to awaken both emotions and empathy, which are often universal. 2 The thyroid gland (tireos, oblong "shield" , but which in reality meant big stone used as a door or for shutting the wooden door: cover, defend with the shield) is located in a part of the human body, i.e., in the neck, making it clearly visible in the throat when enlarged (goiter from Latin guttur). The prevalence of goiter was already known in ancient times, but the writings that described it were almost always devoid of explanatory drawings. The representation of the goiter is illustrated in the numerous depictions of goitrous men, women and children in coins, sculptures, paintings, simple craft objects and even in forms of folklore that involved persons not engaged in the medical art. The depictions were the works of artists living in endemic areas, or of travelers who illustrated the reality they encountered. The size of the goiter has always provoked amazement or fear, feelings that are associated with the mystery surrounding its origin and function. Over the centuries, it has stimulated the imagination of people, while at the same time it has paved the way to understanding the historical relationship between disease and society (pathocoenosis). 3 PATHOCOENOSIS In 1969, Mirko Drazen Grmek (1924-2000) created the neologism pathocenose or pathocoenosis , that is a “community of diseases”: “the collection of pathological states present in a given population in a certain time and space”.
  • Show Notes At

    Show Notes At

    CHVRCHES FAN PODCAST - #027 SHOW NOTES Official site: www.chvrch.es Shop: www.chvrchesshop.com , chvrchesus.shopfirebrand.com (US), chvrches.firebrandstores.com (UK) Contact the podcast : @chvrchespodcast, TWITTER : @chvrches, @Iain_A_Cook, @doksan, @laurenevemay, www.chvrchespodcast.com , [email protected] Record Label : @goodbye_records; goodbyerecords.com 619-631-4433 More info: en.wikipedia.org/wiki/Chvrches Fans : @chvrchesfans, @LaurenMayberryF, @ChvrchesIsLife, @CHVRCHESSQVAD, www.reddit.com/r/chvrches/ , ANNOUNCEMENT BAND INTRO + #27 for November 11, 2017 INTRODUCTION SONG - CHVRCHES - “Keep Me On Your Side” ● https://en.wikipedia.org/wiki/Every_Open_Eye ● https://www.youtube.com/watch?v=jzGJWq-owH4 ● https://genius.com/Chvrches-keep-you-on-my-side-lyrics Welcome to the 27th CHVRCHES Fan Podcast recorded on November 11, 2017. My name is Steve Holden and I am recording this podcast in Southern California near San Diego. Nov. 11 is Veterans Day in the United States. If you served then thank you for your service. That intro song sample was Keep Me On Your Side from CHVRCHES 2nd Album Every Open Eye. It is the 3rd song on that album and I really liked the [Verse 3] ● Everyone comes, but only I stay ● Nowhere to look, nowhere to turn to fall away ● What if I should call it off? ● Hold up my demands with my heart uncrossed The standard version of the album Every Open Eye had 11 songs with 5 official singles Leave A Trace, Never Ending Circles, Clearest Blue, Empty Threat, and Bury It and one could argue that now “Down Side Of Me” should be consider a single with the recently released live version.
  • Starbucks Coffee When the Term Coffee Chain Enters Th

    Starbucks Coffee When the Term Coffee Chain Enters Th

    Rachel Carlson Elmore History 400-002 04/15/15 Business History Project: Starbucks Coffee When the term coffee chain enters the average person’s mind today, the image that usually coincides is a globally recognized green logo featuring a longhaired mermaid. She can be found on each paper or plastic Starbucks cup and sign hanging outside of one of their 21,366 worldwide locations.1 In the last forty years, Starbucks Coffee has emerged as a café superpower, and is now the largest coffee company in the world, as well as the fifth largest fast-food corporation.2 They started out just as any other business in America, at the bottom of the corporate food chain. But now with yearly revenues in the billions, Starbucks has seen tremendous success as they rapidly expand across the globe, one frappuccino at a time. Gordon Bowker, Jerry Baldwin, and Zev Siegal, who met while students at the University of San Francisco, founded Starbucks Coffee at the Pike Place Market in Seattle, Washington, in 1971. They were inspired by Alfred Peet, who was successfully managing Peet’s Coffee in the Bay Area, California. Initially, Starbucks stores exclusively sold roasted coffee beans by the package. It wasn’t until current Starbucks CEO and Chairman Howard Schultz purchased the company that it turned into the local coffee shop that we know and love today, serving a variety of drinks and pastries. They 1Starbucks 2014 10K Annual Report, 3. 2Sam Oches, “Top 50 Sorted by Rank: The top quick-serve and fast-casual brands in the nation,” The QSR.
  • Scientific Terminology and Definitions

    Scientific Terminology and Definitions

    Scientific Terminology and Definitions By Herbert W. Ockerman Frances Ockerman Lopa Basu Kaul Ayman N. Swidan Jump to letter: A B C D E F G H I J K L M N O P Q R S T U V W X Y Z A acetone bodies *■ include j9 -hydroxy butyric acid, acetoacetic acid, and acetone. These are sometimes end products of metabolism and are excreted as such. They are acidic and toxic in nature. acetonemia - metabolic cattle disease usually occurring early in l a c t a t i o n ; lo s s of f le s h and m ilk p ro d u c tio n , and an unsteady gait. Prevention is a balanced ration. acetylenes - see ’’alkyne” Achilles tendon - attaches the gastrocnemius muscle to the Os U a lc is. acid - a substance which produces or donates protons (H+). acid (organic ) - R-C'®H derivatives of hydrocarbons in which one t r more -CHg groups have been replaced by a carboxyl group] I.U.C. -e of hydrocarbon is dropped and -oic added, followed by word 11 acid ’. acid alcohol - mix 50 ml. of 35$ alcohol and 3 drops of pure hydrochloric acid. acid forming foods - foods that leave an acid residue in the body arfcer the food has been utilized (e.g., meat, eggs, fish and cereal). acid halides — R—C-X l.U.C. — named after the acid by drop- '0 ping the -ic and adding -yl, followed by the name of the h a lid e . acid nitriles - R-CN acorn - a winter variety of squash.
  • T. C. Istanbul Aydin University Institute of Graduate Studies

    T. C. Istanbul Aydin University Institute of Graduate Studies

    T. C. ISTANBUL AYDIN UNIVERSITY INSTITUTE OF GRADUATE STUDIES ANALYZING THE FACTORS AFFECTING COFFEE CONSUMPTION BEHAVIOR IN TURKEY, A STUDY ON 3RD GENERATION COFFEE SHOP CONSUMERS Thesis Mohammad Yama KARIMI Department of Business Business Administration June, 2019 T. C. ISTANBUL AYDIN UNIVERSITY INSTITUTE OF GRADUATE STUDIES ANALYZING THE FACTORS AFFECTING COFFEE CONSUMPTION BEHAVIOR IN TURKEY, A STUDY ON 3RD GENERATION COFFEE SHOP CONSUMERS Thesis Mohammad Yama KARIMI (Y1712.130104) Department of Business Business Management Program Thesis Advisor: Assoc.Prof. İlkay KARADUMAN June, 2019 ii iii iv DECLARATION I hereby declare that this dissertation is carried out by me and is my own original work and has not been submitted before to any institution for assessment purposes. Further, I have acknowledged all sources used and have cited these in the reference section. Mohammad Yama KARIMI June, 2019 v vi To My Wife, Family, Thesis Supervisor, as well as Friends vii viii FOREWORD First and foremost, I would like to thank Allah the Almighty for giving me the opportunity, strength, knowledge, and ability to carry out this research and to complete it satisfactorily. Without his blessings, this achievement would not have been possible. My joy knows no bounds in expressing my appreciations to my father who has always supported me with his advice and blessings, and my compassionate mother, brother, sister, and my sister-in-law for their love and encouragement. I would also warmly thank my parent-in-law for their spiritual support. I thank the very special friends who have accompanied me throughout my two-year journey. I would like to express my sincere gratitude to my thesis adviser Assoc.Prof.