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UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA MESTRADO EM HISTÓRIA Paula Nathaiane De Jesus Da

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UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA MESTRADO EM HISTÓRIA Paula Nathaiane De Jesus Da UNIVERSIDADE FEDERAL DE JUIZ DE FORA PROGRAMA DE PÓS-GRADUAÇÃO EM HISTÓRIA MESTRADO EM HISTÓRIA Paula Nathaiane de Jesus da Silva A NOITE NO MUSEU MARIANO PROCÓPIO: UMA PINTURA ALEGÓRICA DE OSCAR PEREIRA DA SILVA Juiz de Fora 2020 PAULA NATHAIANE DE JESUS DA SILVA A NOITE NO MUSEU MARIANO PROCÓPIO: UMA PINTURA ALEGÓRICA DE OSCAR PEREIRA DA SILVA Dissertação apresentada ao Programa de Pós-Graduação em História da Universidade Federal de Juiz de Fora como requisito parcial para obtenção do título de mestre em História. Orientador: Prof. Dr. Martinho Alves da Costa Júnior Juiz de Fora 2020 Resumo: Esta pesquisa possui como objeto de estudo a tela do artista brasileiro Oscar Pereira da Silva (1865-1939), intitulada A noite, executada no ano de 1927. Por meio de análise de documentos como catálogos, imagens e sobretudo, periódicos de época, procuramos indicar através da trajetória da tela, a sua própria história e sua conexão com uma produção de pinturas alegóricas no Brasil no período que perpassa a primeira república brasileira. Através desta análise, foi possível constatar o quanto o gênero se apresenta de forma complexa, se pensado como tal, permeando outros gêneros da pintura. Como é perceptível sobretudo, durante a primeira República brasileira, onde a pintura alegórica ganha vigor ao se tornar a nova “face” para representação desta então nova instituição política no Brasil, através da figura feminina. É tratado também aspectos formais da obra, bem como a representação do corpo feminino despido, sobretudo na produção de Pereira da Silva que permite olhar para a realização de outros artistas da capital paulista, percebendo como se apresentava o cenário artístico naquele período e o quanto as produções de Oscar se aproximavam ou distanciavam destes. Palavras-chave: Oscar Pereira da Silva, Alegoria, Nu feminino, Arte brasileira. Abstract: This research has as object of study the canvas of the Brazilian artist Oscar Pereira da Silva (1865-1939), entitled The night, executed in 1927. Through the analysis of documents such as catalogs, images and, above all, periodicals, we seek indicate through the trajectory of the canvas, its own history and its connection with a production of allegorical paintings in Brazil in the period that runs through the first Brazilian republic. Through this analysis, it was possible to verify how complex the genre presents itself, if thought as such, permeating other genres of painting. As can be seen above all, during the first Brazilian Republic, where allegorical painting gains strength when it becomes the new “face” for the representation of this then new political institution in Brazil, through the female figure. It also addresses formal aspects of the work, as well as the representation of the naked female body, especially in Pereira da Silva's production, which allows one to look at the performance of other artists from the São Paulo capital, realizing how the artistic scene was presented at that time and how much Oscar productions approached or distanced from these. Keywords: Oscar Pereira da Silva, Allegory, Female nude, Brazilian art. LISTA DE IMAGENS Figura 1-SILVA, Oscar Pereira da Silva. A noite. 1927. Óleo sobre tela, 145 x 85 cm. Museu Mariano Procópio, Juiz De Fora-Brasil. ............................................................... 22 Figura 2- SILVA, Oscar Pereira Da. A noite. 1927. Óleo sobre tela, 145 x 85 cm. Museu Mariano Procópio, Juiz De Fora-Brasil. Foto: Museu Mariano Procópio, 2019.............. 28 Figura 3- FRÉDÉRIC, Leon. Allegory of night.1891.Óleo sobre tela, 70 x 54,5 cm. Museum Voor Shone Kunsten Gent. Fonte: Museum Voor Shone Kunsten Gent. ......... 33 Figura 4- SILVA, Oscar Pereira da. A noite. 1927. Óleo sobre tela, 145 x 85 cm. Museu Mariano Procópio, Juiz De Fora-Brasil. Foto: Museu Mariano Procópio, 2019.............. 33 Figura 5-Cartaz da 1º Exposição Geral De Belas Artes, organizada pela Muse Italiche em 1928. ................................................................................................................................. 37 Figura 6- SILVA, Oscar Pereira da. Judite E Holofernes. Óleo sobre tela, 72 x 52 cm. Coleção Anésio Urbano Júnior. Fonte: Livro Quatro Grandes Pintores Em São Paulo. 47 Figura 7-Fotografia de uma das salas da exposição organizada pela da Muse Italiche em 1928. Acompanha a seguinte legenda: “aspectos da exposição realizada, no Palácio Das Industrias, sobre o patrocínio da Muse Italiche, onde se veem maravilhosos trabalhos de escultura e pintura.” Fonte: Revista Arlequim, 10 De Maio De 1928, Nº 17, P. 21. Disponível: Biblioteca Brasiliana Digital Guita E José Mindlin. ..................................... 50 Figura 8- Fotografia de uma das salas da exposição organizada pela da Muse Italiche em 1928. acompanha a seguinte legenda: “um grupo de artistas que concorreram a Exposição Da Muse Italiche.” Fonte: Revista Arlequim, 10 De Maio De 1928, Nº 17, P. 21. Disponível: Biblioteca Brasiliana Digital Guita E José Mindlin. ............................... 51 Figura 9-SILVA, Oscar Pereira da. Autorretrato. Óleo sobre madeira, 28 x 20 cm. 1936. Pinacoteca Do Estado De São Paulo, São Paulo- Brasil. ................................................. 52 Figura 10- Ilustração do artista Henrique Cavalleiro para O Jornal, na edição que circulou em 26 de setembro, no Rio De Janeiro no ano de 1926. intitulada “Sonho mystico” ............................................................................................................................ 53 Figura 11- Página do catálogo de leilão organizado por Julio Monteiro Gomes em 1933, onde consta a tela de Oscar Pereira da Silva, A noite, ocupando o lote de número 75. Foto: Eduardo De Paula Machado. ................................................................................... 56 Figura 12- página do catálogo de leilão organizado por Julio Monteiro Gomes em 1933, onde consta a tela de Oscar Pereira da Silva, A manhã. Foto: Eduardo De Paula Machado. .......................................................................................................................... 57 Figura 13-Página do catálogo de leilão organizado por Julio Monteiro em 1933, onde demonstra a tela de Oscar Pereira da Silva, A noite, entre outros objetos de arte. Foto: Eduardo De Paula Machado. ............................................................................................ 58 Figura 14- Página do catálogo de leilão organizado por Julio Monteiro em 1933, onde demonstra a tela de Oscar Pereira da Silva, A noite (detalhe). Foto: Eduardo De Paula Machado. .......................................................................................................................... 59 Figura 15- HORÀCIO, Hora. Folhas de outono. 1886.Óleo sobre tela, 260 x 120 cm.Museu Mariano Procópio, Juiz De Fora- Brasil. Fonte: Catálogo Mapro Banco Safra,2006. ........................................................................................................................ 62 Figura 16-SILVA, Oscar Pereira da. A noite.1927.Óleo sobre tela, 186 x 45 cm. Museu Mariano Procópio, Juiz De Fora, Brasil. Foto: Museu Mariano Procópio, 2019. ............ 62 Figura 17-HORA, Horácio. Folhas de outono (detalhe).1886. ........................................ 63 Figura 18-SILVA, Oscar Pereira da. A noite (detalhe) 1927............................................ 63 Figura 19- SILVA, Oscar Pereira da. A noite. (detalhe). 1927. ....................................... 64 Figura 20- HORÀCIO, Hora. Folhas de outono. (detalhe).1886. .................................... 64 Figura 21-TIEPOLO, Giovanni Battista. Alegoria com Vênus e o tempo.1754-8. Óleo sobre tela, 292 x 190 cm. National Gallery, Londres- Reino Unido. ............................... 69 Figura 22- BOTTICELLI, Sandro. O nascimento da vênus (detalhe). c. 1845. Têmpera sobre tela,172,5 x 278,5 cm. Galeria Ufizzi -Itália. Fonte: Wikipédia. ............................ 76 Figura 23- JÚNIOR, Almeida. A pintura (alegoria).1892. Óleo Sobre Tela, 250 X 125 Cm. Pinacoteca Do Estado De São Paulo. Fonte: Wikipédia. .......................................... 76 Figura 24- AMOEDO, Rodolfo. Saudade. 1907. Óleo sobre tela,140,5 x 98,7 cm. Fonte: Museu Nacional De Belas Artes. ...................................................................................... 78 Figura 25- AMOEDO, Rodolfo. Saudade (detalhe). ........................................................ 79 Figura 26- AMOEDO, Rodolfo. Saudade (detalhe). ........................................................ 79 Figura 27- SEELINGER, Hélios. Minha terra.1921.Óleo sobre tela, 600 x 300 cm. Foto: Carlos Lima Júnior. .......................................................................................................... 81 Figura 28- O Banho. Fonte: A xxxvi Exposição Geral De Bellas Artes- O Jornal 1929.08.16. ....................................................................................................................... 82 Figura 29-BRUNO, Pedro. Pátria. 1919. Óleo sobre tela, 278 x 190 cm. Museu Da República, Rio De Janeiro-Brasil. Fonte: Museu Benjamin Constant Blog. ................... 84 Figura 30- MACHADO, Joaquim Fernandes. Alegoria à república. 1922. Óleo sobre tela, 54 x 65 cm. Fonte: Catálogo Das Artes. ................................................................... 85 Figura 31-CUNHA, Argemiro. “Adea”. 1930. Óleo sobre tela, 100 x 200 cm. Fonte: Catálogo Das Artes. .......................................................................................................... 85 Figura 32- Reprodução da tela
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