NEWSLETTER Summer 2016 – Winter 2016/17
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Sunday 31 January 2016 David Owen Norris, Piano & Adrian
Sunday 31 January 2016 David Owen Norris, Piano & Adrian Chandler, Violin Revised Programme Sonata for piano and violin in B flat major K378 Wolfgang Amadeus Mozart (1756-1791) Allegro Moderato Andantino sostenuto e cantabile Rondeau: Allegro – Allegro – Come prima Variations for solo piano on Robin Adair (see note) George Kiallmark (1781-1835) Andante semplice. Var:1 Gayment Var:2 Siciliano Var:3 Marcia risoluto Var:4 Brillante Var:5 A Tempo 6 variations on Hélas, j’ai perdu mon amant in G minor K360 Wolfgang Amadeus Mozart Sonata for fortepiano and violin in A major op 12/2 Ludwig van Beethoven (1770-1827) Allegro vivace Andante più tosto allegretto Allegro piacevole INTERVAL Piano solo: Rondo capriccioso op 14 (Vienna, 1830) Felix Mendelssohn (1809-1847) Sonata for fortepiano and violin in F major op24 Ludwig van Beethoven (1770-1827) Allegro Adagio molto espressivo Scherzo – Allegro molto Rondo – Allegro mà non troppo Note: Kiallmark’s Variations on Robin Adair (the only piece of music actually named in Jane Austen’s novels) appears in the novelist’s own music collection as a cherished and carefully bound print. In Emma, Frank Churchill and Emma listen to Jane Fairfax playing the new piano which Frank has anonymously presented to her: the engagement between Jane and Frank is a secret. Frank’s remarks to Emma are full of double meanings as they discuss Jane’s supposed infatuation with the married Mr. Dixon. Despite the fact that Frank says: ‘She is playing Robin Adair at this moment – his favourite’, many assume that Jane was singing as well (Peter F. -
Togas Gradui Et Facultati Competentes: the Creation of New Doctoral Robes at Oxford, 1895–1920
Transactions of the Burgon Society Volume 10 Article 4 1-1-2010 Togas gradui et facultati competentes: The Creation of New Doctoral Robes at Oxford, 1895–1920 Alan J. Ross Wolfson College Follow this and additional works at: https://newprairiepress.org/burgonsociety Recommended Citation Ross, Alan J. (2010) "Togas gradui et facultati competentes: The Creation of New Doctoral Robes at Oxford, 1895–1920," Transactions of the Burgon Society: Vol. 10. https://doi.org/10.4148/ 2475-7799.1084 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Transactions of the Burgon Society by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Transactions of the Burgon Society, 10 (2010), pages 47–70 Togas gradui et facultati competentes: The Creation of New Doctoral Robes at Oxford, 1895–1920 by Alan J. Ross 1. Introduction During the academic year 2009/10, 18,755 students in the United Kingdom completed a doctoral degree after either full- or part-time study.1 The vast majority of these doctorates were obtained by young researchers immediately after the completion of a first degree or master’s programme, and were undertaken in many cases as an entry qualification into the academic profession. Indeed, the PhD today is the sine qua non for embarkation upon an academic career, yet within the United Kingdom the degree itself and the concept of professionalized academia are less than a hundred years old. The Doctorate of Philosophy was first awarded in Oxford in 1920, having been established by statute at that university in 1917. -
Britten EU 572706Bk Britten EU 02/06/2011 12:29 Page 1
572706bk Britten EU_572706bk Britten EU 02/06/2011 12:29 Page 1 Mark Wilde David Owen Norris The tenor Mark Wilde studied at the Royal College of Music in David Owen Norris studied in Oxford, London and Paris. He was London. His rôles have included Ferrando in Così fan tutte repetiteur at the Royal Opera House, harpist at the Royal BRITTEN (Glyndebourne), Frederic in Pirates of Penzance (ENO), Shakespeare Company, Artistic Director of Festivals in Cardiff Albert Herring (Perth Festival), Il Campanello (Buxton and Petworth, Chairman of the Steans Institute for Singers in Festival), Ottone in La Serenissima (BBC Radio 3), Jacquino Chicago, and the Gresham Professor of Music in London. He is in Fidelio (Glyndebourne Touring Opera), Seven Deadly Sins currently preparing a third series of his iPod programmes for Complete Scottish Songs (WNO), Cat in Jonathan Dove’s Pinocchio (Opera North), BBC Radio 4, and his current engagements include performances A Birthday Hansel • Who are these children? Ottavio in Don Giovanni (Mostly Mozart Festival), Male in Norway, Holland, France, Taiwan, Mexico, Canada, and across Chorus in The Rape of Lucretia (European Opera Centre), the United States. His discography includes recordings of Giannetto in La gazza ladra (Garsington Opera), Rudolf in concertos by Elgar, Phillips, Arnell and Lambert, of the complete Mark Wilde, Tenor Euryanthe (Netherlands Opera), Ottavio, Alfredo in La travia- piano music of Elgar, Quilter and Dyson, Jane Austen’s music ta, Candide, and Idamante in Idomeneo (Birmingham Opera), collection, and many song collections, including the première Lucy Wakeford, Harp • David Owen Norris, Piano Count Almaviva in The Barber of Seville (Savoy Theatre Photo: www.simonweir.com recording of Schubert’s first song-cycle, the Kosegarten Opera), Adelaide de Borgogna (Edinburgh International Liederspiel, and of Elgar’s last song. -
Don't Forget Your Library Induction!
Bodleian Freshers Libraries Don’t forget your Library induction! The Queen's College Welcome to Oxford Please make sure you attend the Library introduction sessions scheduled for you in week 0 and afterwards. Library induction will help you to: • Track down the books and articles that you need for your academic work • Access Oxford's extensive online collections: many of the materials are not publicly available on the WWW! • Find out about ordering materials from the closed book stacks, reserving and borrowing items • Familiarise yourself with Library services and facilities such as computing, photocopying and scanning • Find out how to get help You can also find out about using Oxford Libraries by visiting 'Library Assistant for Oxford Freshers' at http://www.bodleian.ox.ac.uk/assistant Timetable Please check the times of your Library induction below. If you are unable to attend a session or have any questions please contact [email protected] Biochemistry, Molecular and Cellular Radcliffe Science Library: Induction for Freshers Venue Radcliffe Science Library, Parks Road, OX1 3QP Date/Time Thursday week 0 (Michaelmas Term) 10/10/2019 11.30 - 12.15 Biology Radcliffe Science Library: Induction for Freshers Venue Radcliffe Science Library, Parks Road, OX1 3QP Date/Time Thursday week 0 (Michaelmas Term) 10/10/2019 11.30 - 12.15 Biomedical Sciences Radcliffe Science Library: Induction for Freshers Venue Radcliffe Science Library, Parks Road, OX1 3QP Date/Time Thursday week 0 (Michaelmas Term) 10/10/2019 11.30 - 12.15 Chemistry Radcliffe -
Strategy 2018-2022
BODLEIAN LIBRARIES STRATEGY 2018–2022 Sharing knowledge, inspiring scholarship Advancing learning, research and innovation from the heart of the University of Oxford through curating, collecting and unlocking the world’s information. MESSAGE FROM BODLEY’S LIBRARIAN The Bodleian is currently in its fifth century of serving the University of Oxford and the wider world of scholarship. In 2017 we launched a new strategy; this has been revised in 2018 to be in line with the University’s new strategic plan (www.ox.ac.uk/about/organisation/strategic-plan). This new strategy has been formulated to enable the Bodleian Libraries to achieve three key aims for its work during the period 2018-2022, to: 1. help ensure that the University of Oxford remains at the forefront of academic teaching and research worldwide; 2. contribute leadership to the broader development of the world of information and libraries for society; and 3. provide a sustainable operation of the Libraries. The Bodleian exists to serve the academic community in Oxford and beyond, and it strives to ensure that its collections and services remain of central importance to the current state of scholarship across all of the academic disciplines pursued in the University. It works increasingly collaboratively with other parts of the University: with college libraries and archives, and with our colleagues in GLAM, the University’s Gardens, Libraries and Museums. A key element of the Bodleian’s contribution to Oxford, furthermore, is its broader role as one of the world’s leading libraries. This status rests on the depth and breadth of its collections to enable scholarship across the globe, on the deep connections between the Bodleian and the scholarly community in Oxford, and also on the research prowess of the libraries’ own staff, and the many contributions to scholarship in all disciplines, that the library has made throughout its history, and continues to make. -
Vol.21 No 2 August 2018
Journal August 2018 Vol. 21, No. 2 The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] August 2018 Vol. 21, No. 2 Cross against Corselet: Elgar, Longfellow, and the Saga of King Olaf 3 President John T. Hamilton Julian Lloyd Webber FRCM Elgar’s King Olaf – an illustrated history 15 John Norris, Arthur Reynolds Vice-Presidents To the edge of the Great Unknown: 1,000 Miles up the Amazon 27 Diana McVeagh Martin Bird Dame Janet Baker, CH, DBE Leonard Slatkin Book reviews 41 Sir Andrew Davis, CBE Barry Collett Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 43 Andrew Neill Barry Collett, Andrew Neill, Michael Schwalb Sir Mark Elder, CBE Martyn Brabbins DVD reviews 54 Tasmin Little, OBE Ian Lace Letters 56 Jerrold Northrop Moore, Andrew Neill, Arthur Reynolds Chairman Steven Halls Elgar viewed from afar 58 Alan Tongue, Martin Bird Vice-Chairman Stuart Freed 100 Years Ago 69 Martin Bird Treasurer Helen Whittaker Secretary George Smart The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Front Cover: Edward William Elgar (1857-1934; Arthur Reynolds’ Archive) and Henry Wadsworth Longfellow (1807-1882; Charles Kaufmann’s Archive). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Cross against Corselet required, are obtained. Elgar, Longfellow, and the Saga of King Olaf Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
Strategy 2017-2022
Bodleian Libraries Strategy 2017–2022 Sharing knowledge, inspiring scholarship Advancing learning, research and innovation from the heart of the University of Oxford through curating, collecting and unlocking the world’s information. MESSAGE FROM BODLEY’S LIBRARIAN The Bodleian is currently in its fifth century of serving the University of Oxford, and the wider world of scholarship. This new strategy has been formulated to enable the Bodleian Libraries to achieve three key aims for its work during the period 2017-2022, to: 1. help ensure that the University of Oxford remains at the forefront of academic teaching and research worldwide; 2. contribute leadership to the broader development of the world of information and libraries for society; and 3. provide a sustainable operation of the Libraries. The Bodleian exists to serve the academic community in Oxford and beyond, and it strives to ensure that its collections and services remain of central impor- tance to the current state of scholarship across all of the academic disciplines pursued in the University. It works increasingly collaboratively with other parts of the University: with college libraries and archives, and with our colleagues in GLAM, the University’s Gardens, Libraries and Museums. A key element of the Bodleian’s contribution to Oxford, furthermore, is its broader role as one of the world’s leading libraries. This status rests on the depth and breadth of its collections to enable scholarship across the globe, on the deep connections between the Bodleian and the scholarly community in Oxford, and also on the research prowess of the libraries’ own staff, and the many contributions to scholarship in all disciplines, that the library has made throughout its history, and continues to make. -
David Owen Norris Biography Biography Piano
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper St reet , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] www.ikonarts.com David Owen Norris Biography Piano “quite possibly the most interesting pianist in the world” Globe & Mail, Toronto Website www. davidowennorris.com Contact Jessica Hill Email jessica @ikonarts.com David Owen Norris is one of the most innovative and brilliant pianists of our generation, being an authority and leading p erformer on early pianos, rare piano concertos (especially those by 20th century English composers), as well as being the pianist of choice for many world class singers. His work as a concert pianist has taken him round the world for forty years – ‘quite possibly the most interesting pianist in the world!’ says the Toronto Globe & Mail , while his latest piano solo CD got a double five star review in BBC Music Magazine in the spring. He was the first winner of the Gilmore Artist Award. David Owen Norris’s Symphony was premiered in 2013, and he’s just revised his Piano Concerto: there are plans to record both in January 2015, for broadcast and commercial CD. His cantata, STERNE, was THE MAN, commissioned to mark the tercentenary of the experimental novelist Laurence Sterne, was premiered in York Minster last autumn, and receives more performances later this month at Winchester College and Poole Parish Church. Norris’s song cycle Think only this, to poetry of the Great War, will be performed in the Turner Sim s at Southampton in November. -
Music and Image in Cultural, Social and Political Discourse
Association Répertoire International d’Iconographie Musicale (RIdIM) 18TH INTERNATIONAL CONFERENCE MUSIC AND IMAGE IN CULTURAL, SOCIAL AND POLITICAL DISCOURSE Canterbury Christ Church University | Canterbury (UK) | 9-12 July 2018 ISBN: 978-3-033-06809-4 Association Répertoire International d’Iconographie Musicale (RIdIM) 18TH INTERNATIONAL CONFERENCE MUSIC AND IMAGE IN CULTURAL, SOCIAL AND POLITICAL DISCOURSE Canterbury Christ Church University | Canterbury (UK) | 9-12 July 2018 In collaboration with Canterbury Christ Church University TABLE OF CONTENTS Welcome Addresses 5 Prof Dr Antonio Baldassarre, President, Association RIdIM Chris Price, Chair, Local Organisation Committee Programme Committee 17 Keynote Speakers 17 General Information 18 Conference Venue Social Programme Maps Conference Programme 21 Abstracts and Biographies 33 Keynotes Paper Presentations Association Répertoire International d’Iconographie Musicale (RIdIM) 91 About Organisation Database of Association RIdIM The Initiative Linking and Uniting Knowledge of Music and the Performing Arts in Visual Culture The Lloyd & Constance Old Award Image Credits 96 4 WELCOME ADDRESSES Some Thoughts on Music and Image in Cultural, Social, and Political Discourse Prof Dr Antonio Baldassarre President, Association Répertoire International d’Iconographie Musicale (RIdIM) Dear Delegates I would like to personally welcome each of you to the 18th International Conference of Association Répertoire International d’Iconographie Musicale (RIdIM), this year organised in collaboration with Canterbury Christ Church University. It is an exciting time for Association RIdIM, as it continues to grow, and as its multi-fold activities influence the global scholarly map more than ever before. It is always a very exciting challenge to meet, and to bring together, inspired, and inspiring, people in forums such as this Conference, and to build both a strong and stable network for the exchange of ideas and insights, as well as a solid base for the development of new directions and projects. -
Oxford Heritage Walks Book 3
Oxford Heritage Walks Book 3 On foot from Catte Street to Parson’s Pleasure by Malcolm Graham © Oxford Preservation Trust, 2015 This is a fully referenced text of the book, illustrated by Edith Gollnast with cartography by Alun Jones, which was first published in 2015. Also included are a further reading list and a list of common abbreviations used in the footnotes. The published book is available from Oxford Preservation Trust, 10 Turn Again Lane, Oxford, OX1 1QL – tel 01865 242918 Contents: Catte Street to Holywell Street 1 – 8 Holywell Street to Mansfield Road 8 – 13 University Museum and Science Area 14 – 18 Parson’s Pleasure to St Cross Road 18 - 26 Longwall Street to Catte Street 26 – 36 Abbreviations 36 Further Reading 36 - 38 Chapter 1 – Catte Street to Holywell Street The walk starts – and finishes – at the junction of Catte Street and New College Lane, in what is now the heart of the University. From here, you can enjoy views of the Bodleian Library's Schools Quadrangle (1613–24), the Sheldonian Theatre (1663–9, Christopher Wren) and the Clarendon Building (1711–15, Nicholas Hawksmoor).1 Notice also the listed red K6 phone box in the shadow of the Schools Quad.2 Sir Giles Gilbert Scott, architect of the nearby Weston Library, was responsible for this English design icon in the 1930s. Hertford College occupies the east side of Catte Street at this point, having incorporated the older buildings of Magdalen Hall (1820–2, E.W. Garbett) and created a North Quad beyond New College Lane (1903–31, T.G. -
Bodleian Library Friends' Newsletter
Summer 2019 – Winter 2019/20 Bodleian Library Friends’ Newsletter Exclusive Interview: Daniel Meadows Akbar’s Baharistan The Year of the Map 1 Welcome 3 Chairman’s Welcome Bodleian Patrons Professor Richard McCabe The Bodleian Libraries wish to thank all the members of 4 Secretary’s Update Virginia Llad-Buisán the Bodleian Patrons for their generous support. 5 The Bodleian Libraries Public Francis Douce Patrons Engagement and Education Sir Victor and Lady Blank, Founding Members Programme | Mai Musié Mr John Leighfeld, Founding Member Mr David Ure, Founding Member 6 Baharistan: Conserving a Deluxe Manuscript from Akbar’s Library Richard Rawlinson Patrons Marinita Stiglitz and Fiona Mclees Ms Cathleen Blackburn, Founding Member Mr Anthony Davis, Founding Member Mrs Sandra Dwek, Founding Member 8 The Year of the Map: A Mr Ian and Mrs Caroline Laing, Founding Members Retrospective Mr Michael J Leech OBE and Dr Joyce Leech, Founding Members Mrs Margaret Leighfeld, Founding Member The Chadwyck-Healey Collection Mr John Makinson, Founding Member 9 Mrs Annie Mackeson-Sandbach, Founding Member of Photobooks | Richard Ovenden Philip and Davina Mallinckrodt, Founding Members OBE Lady Marriner, Founding Member Sir Philip Pullman and Lady Judith Pullman, Founding Members Interview | Daniel Meadows Mr Alan Smith, Founding Member 10 Mr David Solo, Founding Member Mr W Peter Wilson, Founding Member 13 John Henry Bohte, foreign Professor H.R. Woudhuysen, Founding Member bookseller to the King, and the And others who wished to remain anonymous. Anglo-German -
From Oxford to Williamsburg Ruth Bird
College of William & Mary Law School William & Mary Law School Scholarship Repository Library Staff ubP lications The oW lf Law Library 2012 From Oxford to Williamsburg Ruth Bird James S. Heller William & Mary Law School, [email protected] Repository Citation Bird, Ruth and Heller, James S., "From Oxford to Williamsburg" (2012). Library Staff Publications. 84. https://scholarship.law.wm.edu/libpubs/84 Copyright c 2012 by the authors. This article is brought to you by the William & Mary Law School Scholarship Repository. https://scholarship.law.wm.edu/libpubs Legal Information Management, 12 (2012), pp. 284-289 © The Author(s) 2012. Published by British and Irish Association of Law Librarians doi: I 0. 10 17/S 1472669612000643 From Oxford to Williamsburg: Part I - The University of Oxford, Faculty of Law and Bodleian Law Library Abstract: The Bodleian Law Library has only existed as an entity in its own right for less than 50 years. Yet part of the collection dates back to the days before the founding of the Bodleian Library in 1602. The rise and fall in fortunes of the teaching of law at Oxford is closely tied to the establishment of the law library. A lesser known aspect of the history includes the ties between Oxford and the United States, especially its oldest law school, William and Mary Law School. In this paper, Ruth Bird offers a brief history of the University of Oxford and then looks at the history of law teaching, before moving on to the evolution of the Law Library itself, and some links with our cousins across the pond.