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Sunday 31 January 2016 David Owen Norris, Piano & Adrian
Sunday 31 January 2016 David Owen Norris, Piano & Adrian Chandler, Violin Revised Programme Sonata for piano and violin in B flat major K378 Wolfgang Amadeus Mozart (1756-1791) Allegro Moderato Andantino sostenuto e cantabile Rondeau: Allegro – Allegro – Come prima Variations for solo piano on Robin Adair (see note) George Kiallmark (1781-1835) Andante semplice. Var:1 Gayment Var:2 Siciliano Var:3 Marcia risoluto Var:4 Brillante Var:5 A Tempo 6 variations on Hélas, j’ai perdu mon amant in G minor K360 Wolfgang Amadeus Mozart Sonata for fortepiano and violin in A major op 12/2 Ludwig van Beethoven (1770-1827) Allegro vivace Andante più tosto allegretto Allegro piacevole INTERVAL Piano solo: Rondo capriccioso op 14 (Vienna, 1830) Felix Mendelssohn (1809-1847) Sonata for fortepiano and violin in F major op24 Ludwig van Beethoven (1770-1827) Allegro Adagio molto espressivo Scherzo – Allegro molto Rondo – Allegro mà non troppo Note: Kiallmark’s Variations on Robin Adair (the only piece of music actually named in Jane Austen’s novels) appears in the novelist’s own music collection as a cherished and carefully bound print. In Emma, Frank Churchill and Emma listen to Jane Fairfax playing the new piano which Frank has anonymously presented to her: the engagement between Jane and Frank is a secret. Frank’s remarks to Emma are full of double meanings as they discuss Jane’s supposed infatuation with the married Mr. Dixon. Despite the fact that Frank says: ‘She is playing Robin Adair at this moment – his favourite’, many assume that Jane was singing as well (Peter F. -
Britten EU 572706Bk Britten EU 02/06/2011 12:29 Page 1
572706bk Britten EU_572706bk Britten EU 02/06/2011 12:29 Page 1 Mark Wilde David Owen Norris The tenor Mark Wilde studied at the Royal College of Music in David Owen Norris studied in Oxford, London and Paris. He was London. His rôles have included Ferrando in Così fan tutte repetiteur at the Royal Opera House, harpist at the Royal BRITTEN (Glyndebourne), Frederic in Pirates of Penzance (ENO), Shakespeare Company, Artistic Director of Festivals in Cardiff Albert Herring (Perth Festival), Il Campanello (Buxton and Petworth, Chairman of the Steans Institute for Singers in Festival), Ottone in La Serenissima (BBC Radio 3), Jacquino Chicago, and the Gresham Professor of Music in London. He is in Fidelio (Glyndebourne Touring Opera), Seven Deadly Sins currently preparing a third series of his iPod programmes for Complete Scottish Songs (WNO), Cat in Jonathan Dove’s Pinocchio (Opera North), BBC Radio 4, and his current engagements include performances A Birthday Hansel • Who are these children? Ottavio in Don Giovanni (Mostly Mozart Festival), Male in Norway, Holland, France, Taiwan, Mexico, Canada, and across Chorus in The Rape of Lucretia (European Opera Centre), the United States. His discography includes recordings of Giannetto in La gazza ladra (Garsington Opera), Rudolf in concertos by Elgar, Phillips, Arnell and Lambert, of the complete Mark Wilde, Tenor Euryanthe (Netherlands Opera), Ottavio, Alfredo in La travia- piano music of Elgar, Quilter and Dyson, Jane Austen’s music ta, Candide, and Idamante in Idomeneo (Birmingham Opera), collection, and many song collections, including the première Lucy Wakeford, Harp • David Owen Norris, Piano Count Almaviva in The Barber of Seville (Savoy Theatre Photo: www.simonweir.com recording of Schubert’s first song-cycle, the Kosegarten Opera), Adelaide de Borgogna (Edinburgh International Liederspiel, and of Elgar’s last song. -
Vol.21 No 2 August 2018
Journal August 2018 Vol. 21, No. 2 The Elgar Society Journal 18 Holtsmere Close, Watford, Herts., WD25 9NG Email: [email protected] August 2018 Vol. 21, No. 2 Cross against Corselet: Elgar, Longfellow, and the Saga of King Olaf 3 President John T. Hamilton Julian Lloyd Webber FRCM Elgar’s King Olaf – an illustrated history 15 John Norris, Arthur Reynolds Vice-Presidents To the edge of the Great Unknown: 1,000 Miles up the Amazon 27 Diana McVeagh Martin Bird Dame Janet Baker, CH, DBE Leonard Slatkin Book reviews 41 Sir Andrew Davis, CBE Barry Collett Donald Hunt, OBE Christopher Robinson, CVO, CBE CD reviews 43 Andrew Neill Barry Collett, Andrew Neill, Michael Schwalb Sir Mark Elder, CBE Martyn Brabbins DVD reviews 54 Tasmin Little, OBE Ian Lace Letters 56 Jerrold Northrop Moore, Andrew Neill, Arthur Reynolds Chairman Steven Halls Elgar viewed from afar 58 Alan Tongue, Martin Bird Vice-Chairman Stuart Freed 100 Years Ago 69 Martin Bird Treasurer Helen Whittaker Secretary George Smart The Editor does not necessarily agree with the views expressed by contributors, nor does the Elgar Society accept responsibility for such views. Front Cover: Front Cover: Edward William Elgar (1857-1934; Arthur Reynolds’ Archive) and Henry Wadsworth Longfellow (1807-1882; Charles Kaufmann’s Archive). Notes for Contributors. Please adhere to these as far as possible if you deliver writing (as is much preferred) in Microsoft Word or Rich Text Format. Copyright: it is the contributor’s responsibility to be reasonably sure that copyright permissions, if Cross against Corselet required, are obtained. Elgar, Longfellow, and the Saga of King Olaf Illustrations (pictures, short music examples) are welcome, but please ensure they are pertinent, cued into the text, and have captions. -
David Owen Norris Biography Biography Piano
Ikon Arts Management Ltd Suite 114, Business Design Centre 52 Upper St reet , London N1 0QH t: +44 (0)20 7354 9199 f: +44 (0)870 130 9646 [email protected] www.ikonarts.com David Owen Norris Biography Piano “quite possibly the most interesting pianist in the world” Globe & Mail, Toronto Website www. davidowennorris.com Contact Jessica Hill Email jessica @ikonarts.com David Owen Norris is one of the most innovative and brilliant pianists of our generation, being an authority and leading p erformer on early pianos, rare piano concertos (especially those by 20th century English composers), as well as being the pianist of choice for many world class singers. His work as a concert pianist has taken him round the world for forty years – ‘quite possibly the most interesting pianist in the world!’ says the Toronto Globe & Mail , while his latest piano solo CD got a double five star review in BBC Music Magazine in the spring. He was the first winner of the Gilmore Artist Award. David Owen Norris’s Symphony was premiered in 2013, and he’s just revised his Piano Concerto: there are plans to record both in January 2015, for broadcast and commercial CD. His cantata, STERNE, was THE MAN, commissioned to mark the tercentenary of the experimental novelist Laurence Sterne, was premiered in York Minster last autumn, and receives more performances later this month at Winchester College and Poole Parish Church. Norris’s song cycle Think only this, to poetry of the Great War, will be performed in the Turner Sim s at Southampton in November. -
Music and Image in Cultural, Social and Political Discourse
Association Répertoire International d’Iconographie Musicale (RIdIM) 18TH INTERNATIONAL CONFERENCE MUSIC AND IMAGE IN CULTURAL, SOCIAL AND POLITICAL DISCOURSE Canterbury Christ Church University | Canterbury (UK) | 9-12 July 2018 ISBN: 978-3-033-06809-4 Association Répertoire International d’Iconographie Musicale (RIdIM) 18TH INTERNATIONAL CONFERENCE MUSIC AND IMAGE IN CULTURAL, SOCIAL AND POLITICAL DISCOURSE Canterbury Christ Church University | Canterbury (UK) | 9-12 July 2018 In collaboration with Canterbury Christ Church University TABLE OF CONTENTS Welcome Addresses 5 Prof Dr Antonio Baldassarre, President, Association RIdIM Chris Price, Chair, Local Organisation Committee Programme Committee 17 Keynote Speakers 17 General Information 18 Conference Venue Social Programme Maps Conference Programme 21 Abstracts and Biographies 33 Keynotes Paper Presentations Association Répertoire International d’Iconographie Musicale (RIdIM) 91 About Organisation Database of Association RIdIM The Initiative Linking and Uniting Knowledge of Music and the Performing Arts in Visual Culture The Lloyd & Constance Old Award Image Credits 96 4 WELCOME ADDRESSES Some Thoughts on Music and Image in Cultural, Social, and Political Discourse Prof Dr Antonio Baldassarre President, Association Répertoire International d’Iconographie Musicale (RIdIM) Dear Delegates I would like to personally welcome each of you to the 18th International Conference of Association Répertoire International d’Iconographie Musicale (RIdIM), this year organised in collaboration with Canterbury Christ Church University. It is an exciting time for Association RIdIM, as it continues to grow, and as its multi-fold activities influence the global scholarly map more than ever before. It is always a very exciting challenge to meet, and to bring together, inspired, and inspiring, people in forums such as this Conference, and to build both a strong and stable network for the exchange of ideas and insights, as well as a solid base for the development of new directions and projects. -
Vol. 13, No.2 July 2003
Chantant • Reminiscences • Harmony Music • Promenades • Evesham Andante • Rosemary (That's for Remembrance) • Pastourelle • Virelai • Sevillana • Une Idylle • Griffinesque • Ga Salut d'Amour • Mot d'AmourElgar • Bizarrerie Society • O Happy Eyes • My Dwelt in a Northern Land • Froissart • Spanish Serenade • La Capricieuse • Serenade • The Black Knight • Sursum Corda • T Snow • Fly, Singing Birdournal • From the Bavarian Highlands • The of Life • King Olaf • Imperial March • The Banner of St George Deum and Benedictus • Caractacus • Variations on an Origina Theme (Enigma) • Sea Pictures • Chanson de Nuit • Chanson Matin • Three Characteristic Pieces • The Dream of Gerontius Serenade Lyrique • Pomp and Circumstance • Cockaigne (In London Town) • Concert Allegro • Grania and Diarmid • May S Dream Children • Coronation Ode • Weary Wind of the West • • Offertoire • The Apostles • In The South (Alassio) • Introduct and Allegro • Evening Scene • In Smyrna • The Kingdom • Wan Youth • How Calmly the Evening • Pleading • Go, Song of Mine Elegy • Violin Concerto in B minor • Romance • Symphony No Hearken Thou • Coronation March • Crown of India • Great is t Lord • Cantique • The Music Makers • Falstaff • Carissima • So The Birthright • The Windlass • Death on the Hills • Give Unto Lord • Carillon • Polonia • Une Voix dans le Desert • The Starlig Express • Le Drapeau Belge • The Spirit of England • The Fring the Fleet • The Sanguine Fan • ViolinJULY Sonata 2003 Vol.13, in E minor No.2 • Strin Quartet in E minor • Piano Quintet in A minor • Cello Concerto -
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HarmoniousThe EchoSONGS BY SIR ARTHUR SULLIVAN MARY BEVAN • KITTY WHATELY soprano mezzo-soprano BEN JOHNSON • ASHLEY RICHES tenor bass-baritone DAVID OWEN NORRIS piano Sir Arthur Sullivan, Ottawa, 1880 Ottawa, Sullivan, Arthur Sir Photograph by Topley, Ottawa, Canada /Courtesy of David B. Lovell Collection Sir Arthur Sullivan (1842 – 1900) Songs COMPACT DISC ONE 1 King Henry’s Song (1877)* 2:23 (‘Youth will needs have dalliance’) with Chorus ad libitum from incidental music to Henry VIII (1613) by William Shakespeare (1564 – 1616) and John Fletcher (1579 – 1625) Andante moderato Recording sponsored by Martin Yates 3 2 The Lady of the Lake (1864)† 3:25 from Kenilworth, ‘A Masque of the Days of Queen Elizabeth’, Op. 4 (or The Masque at Kenilworth) (1864) Libretto by Henry Fothergill Chorley (1808 – 1872) Allegro grazioso 3 I heard the nightingale (1863)‡ 2:59 Dedicated to his Friend Captain C.J. Ottley Allegretto moderato 4 Over the roof (1864)† 3:04 from the opera The Sapphire Necklace, or the False Heiress Libretto by Henry Fothergill Chorley Allegretto moderato Recording sponsored by Michael Symes 4 5 Will He Come? (1865)§ 4:05 Dedicated to The Lady Katherine Coke Composed expressly for Madame Sainton Dolby Moderato e tranquillo – Quasi Recitativo – Tranquillo un poco più lento Recording sponsored by Michael Tomlinson 6 Give (1867)† 4:56 Composed and affectionately dedicated to Mrs Helmore Allegretto – Un poco più lento – Lento Recording sponsored by John Thrower in memory of Simon and Brenda Walton 7 Thou art weary (1874)§ 5:00 Allegro vivace e agitato – Più lento – Allegro. Tempo I – Più lento – Allegro. -
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101Booklet 2/4/07 20:34 Page 1 ALSO on signumclassics Remember Your Lovers SIGCD066 On Buying a Horse SIGCD087 The Exquisite Hour SIGCD072 Songs by Tippett, Britten, The Songs of Judith Weir Sarah Connolly with Eugene Asti Purcell & Pelham Humfrey Susan Bickley, Andrew Kennedy, John Mark Ainsley & Iain Burnside Ailish Tynan, Iain Burnside The Messiah: Handel arr. Mozart Moonstruck SIGCD074 Songs of FG Scott SIGCD096 Royal Philharmonic Orchestra Lisa Milne, Roderick Williams, Sir Charles Mackerras Iain Burnside Available through most record stores and at www.signumrecords.com For more information call +44 (0) 20 8997 4000 101Booklet 2/4/07 20:34 Page 3 SONGS FROM THE PLEASURE GARDEN We have tried to give as much variety as possible in the choice of songs and also the choice of accompaniment. For example some of them are purely voice and harpsichord, while in Arne’s little 1. Orpheus with his Lute Maurice Greene [2.54] Cantata “Cymon and Iphegenia” we decided to 2. Orpheus and Euridice William Boyce [1.42] add two violins and cello in order to make it sound 3. How Severe is my Fate William Croft [3.07] much more as it would have done in his day. 4. Spring Gardens William Boyce [3.04] David Owen Norris suggested that we also 5. Belinda John Eccles [1.14] included songs with piano (including the famous 6. Celia the Fair George Monro [2.07] “Celia Fair”, which I had sung as a young man in 7. The Steadfast Shepherd James Hook [2.56] an arrangement) and the song “Go Lov’ly Rose” 8. -
Portico Quartet Portico Quartet PR
Portico Quartet Portico Quartet Mercury nominated East Londoners release their third, self-titled, album. Real World Records - CDRWP186 - Release date: 30 January 2012 Portico Quartet still sound like nothing you ever heard before. The Mercury nominated East London based outfit’s unique music has expanded to embrace new sonic territories. Drawing on the inspiration of electronica, ambient, classical and dance music as they take their strange, beautiful, cinematic, future music to exciting new vistas where the inspiration of Burial, Mount Kimbie and Flying Lotus rubs shoulders with the textures of Arve Henriksen and Bon Iver and echoes of Steve Reich and Max Richter. But all underpinned by a shared joy in collective music making as the band push their inimitable music into the future. It’s a change that was brewing for some time. As anyone who saw Portico Quartet live throughout 2010 knew, the band had added a heady brew of live samples and loops to their arsenal, exploring a harder-edged sound that brought a more contemporary edge to their previously wholly acoustic music. It was a metamorphosis that was accelerated when the band’s original hang player, Nick Mulvey, left to explore his own musical muse earlier this year and the remaining members drummer Duncan Bellamy, bassist Milo Fitzpatrick and saxophonist Jack Wyllie started exploring the possibilities of sampling the hang and triggering it’s sounds from electronic pads, opening up a whole new way of utilising the instrument’s unique sound. It accelerated further when they invited keyboard player, and now hang player, Keir Vine (an old friend of Milo’s from Goldsmith’s University) to come on board. -
Th E S U N : Living with Our Star 28 N O V Em B
: 22.00 #SMLATES – THE SUN THE STAR OUR WITH LIVING 28 NOVEMBER 2018 18.45 18 LIFTS TOILETS STAIRCASES ACCESSIBLE TOILET INFO DESK CAFÉ / RESTAURANT CLOAKROOM TICKET DESK 0 SHOP 0 JAMES WATT AND OUR WORLD MAKING THE MODERN THE DINER WORLD BAR MISSION TO EXPLORING MERCURY: BEPICOLOMBO SPACE MAKING THE MODERN WORLD ENERGY HALL EXIT TOMORROW’S WORLD MODEL WALKWAY IMAX SUPERBUGS HANS RAUSING ENERGY LECTURE MAIN SHOP CAFÉ THEATRE EXHIBITION ROAD ENTRANCE EXHIBITION ROAD GROUP ENTRANCE TOUR DANCE INFORMATION HIGHLIGHTS TOUR SILENT DISCO MAKING A SUN ON EARTH! OF THE MUSEUM EXPLORING SPACE MAKING THE MODERN WORLD MEET AT THE INFORMATION DESK 18.45–21.40 18.45–21.30 (DROP IN) 19.30–20.00, 20.30–21.00 Whether you’re practising your moves or just Generating clean, abundant electricity from Follow one of our Volunteer Tour Guides on a in the mood to slam dunk the funk, grab a nuclear fusion, the Sun’s power source, whistle-stop tour of some of our most beloved headset, select your tunes and dance until is getting closer to reality. The United iconic objects and discover the untold stories you drop. Kingdom Atomic Energy Authority’s Culham they hold. Entry £2 per person – tickets available in the Science Centre is leading a worldwide effort, Exploring Space gallery. Last entrance 21.30. developing the science and engineering TOUR needed to make a Sun on Earth. INTERACTIVE DEMO BEHIND-THE-SCENES TOUR TALK FLYING WITH ZEPHYR MEET AT THE INFORMATION DESK 15 MILLION DEGREES: 19.15–19.45, 20.00–20.30, 20.45–21.15 MAKING THE MODERN WORLD 18.45–21.30 (DROP IN) LUCIE GREEN IN Come and see where we treat and care for the CONVERSATION WITH museum’s collection of weird and wonderful Join engineers from Airbus to discover how objects. -
One 2 Watch Newm Usic
1S Friday, February 7, 2014 53 JIM By GALLETLY CHRIS By SWEENEY PHOENIX SOARING AHEAD OF UK TOUR ALTERED SKY gression from our previous release. It shows agrowth and maturity in By CHRIS SWEENEY WHO: Ana Nowosielska (vocals), Neil Ramsay (guitar), Richard our writing.” IPREDICT ariot —that’s the Passe (guitar), Ross Archibald Altered Sky are very much asum message from French maver- RISING star Nick Mulvey tries leaving acclaimed band (bass), Amy Blair (drums) of their five members and have a icks Phoenix, ahead of their Portico Quartet in 2011. WHERE: Glasgow string of gigs at The Barfly and The UK tour next week. not to use his grey matter Since then he’s taken it FOR FANS OF: Paramore, You Me 100Club in London and King Tut’s The lads are riding the step by step —with his debut album now andThe Garage in Glasgow behind too much —and admits he’s ready to go. At Six, Avril Lavigne crest of wave thanks to last JIM SAYS: Pumping out infectious them. They now have their sights He said: “I was never worried it wouldn’t on spreading the Altered Sky gos- album Bankrupt!. It rocketed abit of atwit. pop punk, Altered Sky formed in into the top five in the US and happen, Iknew it would happen —but I pel further afield. Ross added: “We all over Europe too. USUALLY, we review FLAPPY BIRD/ MarioBros-style pipes, with depth and exhaustive instruc- That’s why the impulsive singer’s knew it would take the time and steps it 2010, and are now amainstay of thinkour sound is very suited to the But they’ve never played games separately but the IRONPANTS gaps at differing heights. -
John Ireland (1879-1962) E.J
John E.J. IRELAND MOERAN Choral Music A Cradle Song • Sea Fever • Songs of Springtime David Owen Norris, Piano The Carice Singers • George Parris John Ireland (1879-1962) E.J. Moeran (1892-1950) John Ireland (1879-1962) and E.J. Moeran (1892-1950) 1 A Cradle Song (1912) 2:34 Songs of Springtime (1929) 13:16 Choral Music 2 Weep you no more, sad fountains (1909) 2:07 ^ I. Under the greenwood tree 1:06 Renowned for his outstanding catalogue of piano Masefield’s Saltwater Poems and Ballads of 1902 & II. The River-God’s Song 1:49 miniatures and solo songs, John Ireland is little known remains one of Ireland’s best known and most frequently 3 Laughing Song (1910) 1:00 these days as a composer of partsongs, but though his performed songs. Written in 1913, its later arrangement * III. Spring, the sweet Spring 1:27 4 The Peaceful Western Wind (late 1890s) 2:01 output was slender, he brought a polish and artistry to the for baritone, male-voice choir and piano by Mansel ( IV. Love is a sickness 3:24 genre which evinces a consummate understanding of Thomas was clearly intended for the tradition of Welsh 5 Spring, the sweet Spring (1908) 1:39 Ellie Carnegie Brown, Soprano choral forces gained from many years as organist at Holy male-voice choirs which Thomas knew well, though the 6 When May is in his prime (1913) 2:56 ) V. Sigh no more, ladies 1:38 Trinity Church, Sloane Square and St Luke’s, Chelsea. arrangement also lends itself well to the rough-hewn, His first effort, a setting of Thomas Campion’s The male-orientated, maritime world that Masefield envisaged ¡ VI.