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梁绍基 LIANG SHAOJI Solo Presentation 梁绍基 Liang Shaoji B
Frieze London | ShanghART Booth A13 | 05-08, Oct. 2017 梁绍基 LIANG SHAOJI Solo Presentation 梁绍基 Liang Shaoji b. 1945, now lives and works in Tiantai, Zhejiang Liang Shaoji (72-year-old) is one of the most unique and singular figures in the contemporary art scene in China. For 28 years, he has been working with his unusual partners - silkworms. Dubbed as a hermit residing in Tiantai (four-hour driving distance from Shanghai), Liang Shaoji patiently and purely devotes to art by his idiosyncratic creations imbued with ecological aesthetics. He discovers some kind of critical point where science and nature, biology and bio-ecology, weaving and sculpture, installation and performance might meet. His Nature Series sees the life process of silkworms as creation medium, the interaction in natural world as his artistic language, time and life as the essential idea. His works are fulfilled with a sense of meditation, philosophy and poetry while illustrating the inherent beauty of silk. Liang Shaoji's works have been internationally presented at: Cloud Above Cloud, Museum of China Academy of Art, Hangzhou (2016); What About the Art? Contemporary Art from China, Al Riwaq, Doha (2016); Liang Shaoji: Back to Origin, ShanghART Gallery, Shanghai (2014); Liang Shaoji: Questioning Heaven, Gao Magee Art Gallery, Madrid (2012); Art of Change, Hayward Gallery, London (2012); Liang Shaoji, Prince Claus Fund, Amsterdam (2009); Liang Shaoji: An Infinitely Fine Line, Zendai MOMA, Shanghai (2009); Liang Shaoji: Cloud, ShanghART H-Space, Shanghai (2007); The 5th Biennale d'Art Contemporain de Lyon, Lyon (2005); The 6th International Istanbul Biennial, Istanbul, Turkey (1999); The 48th Venice Biennale, Venice (1999); China/Avant-Garde Art Exhibition, National Art Museum of China, Beijing (1989) etc. -
1 BYGONE BELIEFS BEING a SERIES of EXCURSIONS in the BYWAYS of THOUGHT by H. STANLEY REDGROVE Presented By
BYGONE BELIEFS BEING A SERIES OF EXCURSIONS IN THE BYWAYS OF THOUGHT BY H. STANLEY REDGROVE Presented by: www.semantikon.com 1 _Alle Erfahrung ist Magic, und nur magisch erklarbar_. NOVALIS (Friedrich von Hardenberg). Everything possible to be believ'd is an image of truth. WILLIAM BLAKE. 2 TO MY WIFE PREFACE THESE Excursions in the Byways of Thought were undertaken at different times and on different occasions; consequently, the reader may be able to detect in them inequalities of treatment. He may feel that I have lingered too long in some byways and hurried too rapidly through others, taking, as it were, but a general view of the road in the latter case, whilst examining everything that could be seen in the former with, perhaps, undue care. As a matter of fact, how ever, all these excursions have been undertaken with one and the same object in view, that, namely, of understanding aright and appreciating at their true worth some of the more curious byways along which human thought has travelled. It is easy for the superficial thinker to dismiss much of the thought of the past (and, indeed, of the present) as _mere_ superstition, not worth the trouble of investigation: but it is not scientific. There is a reason for every belief, even the most fantastic, and it should be our object to discover this reason. How far, if at all, the reason in any case justifies us in holding a similar belief is, of course, another question. Some of the beliefs I have dealt with I have treated at greater length than others, because it seems to me that the truths of which they are the images-- vague and distorted in many cases though they be--are truths which we have either forgotten nowadays, or are in danger of forgetting. -
Explored Countless Lab- Oratories, Interviewed a Myriad of Scientists, and Prepared Thousands of News Releases, Feature Articles, Web Sites, and Multimedia Packages
Explaining Research This page intentionally left blank Explaining Research How to Reach Key Audiences to Advance Your Work Dennis Meredith 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Dennis Meredith Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Meredith, Dennis. Explaining research : how to reach key audiences to advance your work / Dennis Meredith. p. cm. Includes bibliographical references and index. ISBN 978-0-19-973205-0 (pbk.) 1. Communication in science. 2. Research. I. Title. Q223.M399 2010 507.2–dc22 2009031328 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper To my mother, Mary Gurvis Meredith. She gave me the words. This page intentionally left blank You do not really understand something unless you can explain it to your grandmother. -
Fervent China Contemporary
4 july > 4 oct. anciens Abattoirs - Mons Fervent China Contemporary Monumental Sculptures PRESS PACK © LIU SHANLONG #escale CHINA SCENE NO 1, CHEN WENLING Mons 2015 PRESS PACK MONS 2015 PRESS PACK PRESS RELEASE This exhibition with its very distinctive focus of interest, far removed the tradition of ink and brush, offers a fresh look at contemporary Chinese art. Most of the works on show have been created in the last few years. They challenge us by affirming their difference and represent an up-to-date take on issues relating to sculpture and the world around us. Twenty-five male and female artists, ranging from the pioneers of the late 70s and early 80s to the latest generations, affirm the three-dimensionality of their medium and re-appropriate the diversity of their materials. Whether these are of industrial, artisanal, mineral or natural origin, recycled or man-made – not to mention the use of video – all become raw or virtual materials for the development of artistic offerings that are as unexpected as they are relevant. The questions they raise both extend and confirm the overturning of artistic assumptions initiated by the avant-gardes of the last century. Several themes will be developed through these pieces – some monumental, others fragile – which revisit and transform the traditional themes of landscape, nature and environmental challenges, examine the challenges of mega-urbanisation, consider the feminine in contemporary art, reinterpret Chinese cultural history, update and hence redefine myths such as that of the Phoenix, and deconstruct or reinterpret the forms of art history or of human representation in order to reshape them according to the new imaginative concerns of a redefinition of Chinese cultural identity and what makes it distinctive within the global art scene. -
Aam Aadmi 12 Dr
MORPARIA’S PAGE E-mail: [email protected] Contents FEBRUARY 2014 VOL.17/7 ○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○○ THEME: Morparia’s page 2 The Comman Man The Common Man Speaks 5 V Gangadhar The Common Man is surging 6 Managing editor Prof. Yogesh Atal Mrs. Sucharita R. Hegde The ubiquitous ‘Common Man’ of India 8 P. Radhakrishnan Editor R.K Laxman: An Uncommon Common Man 10 Anuradha Dhareshwar V. Gangadhar The rise of the Aam Aadmi 12 Dr. Bhalchandra K. Kango Sub editor Right to Information – path to Swaraj 14 Sonam Saigal Shailesh Gandhi Aam Aadmi crusaders Design 6 Baba Amte 16 H. V. Shiv Shankar Adv. Varsha Deshpande 18 Rajendra Singh 19 Marketing Dr. Anil Joshi 20 Mahesh Kanojia Adv. M. C. Mehta 21 Anna Hazare 22 OIOP Clubs Know India Better Vaibhav Palkar How Beautiful is My Valley 23 Gustasp and Jeroo Irani Face to face: Shashi Deshpande 36 Subscription Features Nagesh Bangera Youth Voice - Urvish Mehta 40 Will Aam Aadmi Party survive as a National Party? 41 Prof. P M Kamath Advisory board 23 M V Kamath Khobragade episode triggers a much needed Sucharita Hegde correction 43 Justice S Radhakrishnan Dr. B. Ramesh Babu Venkat R Chary A memorable day 46 Lt. General Vijay Oberoi Printed & Published by Cultural Kaleidoscope 48 Mrs. Sucharita R. Hegde for Navigation in ancient India and social taboo One India One People Foundation, against overseas travel 50 Mahalaxmi Chambers, 4th floor, B.M.N. Murthy 22, Bhulabhai Desai Road, Columns 52 Mumbai - 400 026 Nature watch : Bittu Sahgal Tel: 022-2353 4400 Infocus : C. V. Aravind Fax: 022-2351 7544 36 Young India 54 e-mail: [email protected] / Shashi Deshpande Great Indians 56 [email protected] Printed at: Graphtone (India) Pvt. -
Macbeth in the Dark 132 Devin Byker
Face-to-Face in Shakespearean Drama 66053_Smith053_Smith & LLupton.inddupton.indd i 110/05/190/05/19 12:5012:50 PMPM 66053_Smith053_Smith & LLupton.inddupton.indd iiii 110/05/190/05/19 12:5012:50 PMPM Face-to-Face in Shakespearean Drama Ethics, Performance, Philosophy Edited by Matthew James Smith and Julia Reinhard Lupton 66053_Smith053_Smith & LLupton.inddupton.indd iiiiii 110/05/190/05/19 12:5012:50 PMPM Edinburgh University Press is one of the leading university presses in the UK. We publish academic books and journals in our selected subject areas across the humanities and social sciences, combining cutting-edge scholarship with high editorial and production values to produce academic works of lasting importance. For more information visit our website: edinburghuniversitypress.com © editorial matter and organisation Matthew James Smith and Julia Reinhard Lupton, 2019 © the chapters their several authors, 2019 Edinburgh University Press Ltd The Tun – Holyrood Road 12(2f) Jackson’s Entry Edinburgh EH8 8PJ Typeset in 11/13 Adobe Sabon by IDSUK (DataConnection) Ltd, and printed and bound in Great Britain. A CIP record for this book is available from the British Library ISBN 978 1 4744 3568 0 (hardback) ISBN 978 1 4744 3570 3 (webready PDF) ISBN 978 1 4744 3571 0 (epub) The right of the contributors to be identifi ed as the authors of this work has been asserted in accordance with the Copyright, Designs and Patents Act 1988, and the Copyright and Related Rights Regulations 2003 (SI No. 2498). 66053_Smith053_Smith & LLupton.inddupton.indd iviv 110/05/190/05/19 12:5012:50 PMPM Contents List of Illustrations vii Acknowledgements viii Introduction 1 Matthew James Smith and Julia Reinhard Lupton Part I: Foundational Face Work 1. -
It Is Intended These Materials Be Downloadabkle from a Free Website]
1 Contemporary Asian Art at Biennials © John Clark, 2013 Word count 37,315 words without endnotes 39,813 words including endnotes 129 pages [It is intended these materials be downloadabkle from a free website]. Asian Biennial Materials Appendix One: Some biennial reviews, including complete list of those by John Clark. 1 Appendix Two: Key Indicators for some Asian biennials. 44 Appendix Three: Funding of APT and Queensland Art Gallery. 54 Appendix Four: Report on the Database by Thomas Berghuis. 58 Appendix Five: Critics and curators active in introducing contemporary Chinese art outside China. 66 Appendix Six: Chinese artists exhibiting internationally at some larger collected exhibitions and at biennials and triennials. 68 Appendix Seven: Singapore National Education. 80 Appendix Eight: Asian Art at biennials and triennials: An Initial Bibliography. 84 Endnotes 124 2 Contemporary Asian Art at Biennials © John Clark, 2013 Appendix One: REVIEWS Contemporary Asian art at Biennales Reviews the 2005 Venice Biennale and Fukuoka Asian Triennale, the 2005 exhibition of the Sigg Collection, and the 2005 Yokohama and Guangzhou Triennales 1 Preamble If examination of Asian Biennials is to go beyond defining modernity in Asian art, we need to look at the circuits for the recognition and distribution of contemporary art in Asia. These involved two simultaneous phenomena.2 The first was the arrival of contemporary Asian artists on the international stage, chiefly at major cross-national exhibitions including the Venice and São Paolo Biennales. This may be conveniently dated to Japanese participation at Venice in the 1950s to be followed by the inclusion of three contemporary Chinese artists in the Magiciens de la terre exhibition in Paris in 1989.3 The new tendency was followed by the arrival of Chinese contemporary art at the Venice Biennale in 1993. -
Science in Song
NO. 86: JUNE 2008 ISSN: 1751-8261 Contents Science in song Main feature 1 Science in song Melanie Keene considers the yield of the Outreach and Education BSHS grants report 4 project on songs that reflect, satirise and celebrate science. A reception study? 5 Reports of Meetings 6 ‘Oh! have you heard the news of late, reach and Education Committee has been About our great original state; collecting examples of scientific songs from BSHS Postgrad Conference If you have not, I will relate the past two hundred years. Ranging across BSLS The grand Darwinian theory…’ historical periods, geographic locations, musi- Imperial & Colonial Medicine cal and lyrical genres, disciplinary divisions, Wrexham Science Festival How did you first come to hear about the and degrees of expertise, many different theory of evolution? For many children at the cultures have embraced the choral possibili- Reviews 9 end of the 19th century it was through The ties of the natural and technological worlds. ‘Undead controversies’ 10 Scottish Students’ Songbook and John Young’s Encompassing everything from 17th-century scientific song ‘The Grand Darwinian Theory’. ballads on fen drainage to Jingle Bells rewrit- The questionnaire 10 But why was a member of the Perthshire ten as a carol celebrating lipid biochemistry, BSHS news 12 Society of Natural Science writing such lyrics? this diverse array of tunes and lyrics was What is the history of science in song? composed by figures from the well-known News 14 Over the last few months the BSHS Out- Irving Berlin to the rather more mysteriously- Listings 15 BJHS, Viewpoint details 16 Editorial This issue is again kicked off with an excel- lent leading article, this time by Melanie Keene on ‘scientific’ songs. -
DAVA SOBEL Contents
LONGITUDE The True Story of a Lone Genius Who Solved the Greatest Scientific Problem of His Time DAVA SOBEL Contents 1. Imaginary Lines 2. The Sea Before Time 3. Adrift in a Clockwork Universe 4. Time in a Bottle 5. Powder of Sympathy 6. The Prize 7. Cogmaker’s Journal 8. The Grasshopper Goes to Sea 9. Hands on Heaven’s Clock 10. The Diamond Timekeeper 11. Trial by Fire and Water 12. A Tale of Two Portraits 13. The Second Voyage of Captain James Cook 14. The Mass Production of Genius 15. In the Meridian Courtyard Acknowledgments Sources For my mother, Betty Gruber Sobel, a four-star navigator who can sail by the heavens but always drives by way of Canarsie. 1. Imaginary Lines When I’m playful I use the meridians of longitude and parallels of latitude for a seine, drag the Atlantic Ocean for whales. —MARK TWAIN, Life on the Mississippi Once on a Wednesday excursion when I was a little girl, my father bought me a beaded wire ball that I loved. At a touch, I could collapse the toy into a flat coil between my palms, or pop it open to make a hollow sphere. Rounded out, it resembled a tiny Earth, because its hinged wires traced the same pattern of intersecting circles that I had seen on the globe in my schoolroom— the thin black lines of latitude and longitude. The few colored beads slid along the wire paths haphazardly, like ships on the high seas. My father strode up Fifth Avenue to Rockefeller Center with me on his shoulders, and we stopped to stare at the statue of Atlas, carrying Heaven and Earth on his. -
Psychodrama Puts Psyche on Stage in Group Counseling Permits, Coin Lots Preferred
Grasping and grimacing men and women wrestled their way to victory Tuescfay night at the In tramural Armwrestling Tournament neld at the University Student Union.Contestants Andy Silverman, left, and Cathy t4eRl«y^ €re»te# some gripping suspense. (Sundial photo by John Harte) vol. 23 no. 72 California state university northridge, California sundial friday, feb. 23,1979 Psychodrama puts psyche on stage in group counseling By BARBARA FEINER clinics and in everyday counseling One group member is cbosen to experiences," Gomer said. Her be the "protagonist," the person A class offered through ex class is composed of professionals who will act out his life situatioa tension combines drama and who want to increase their coun before the rest of die group—the psychology to help students get in seling skills and laymen who want audience. touch with their feelings. to learn more about themselves. One particular Monday evening, This course—psychodrama—al Dr. J.L. Moreno, a Viennese Kate (not her real name) is dMMen lows for an in-dc^th exploration of psychiatrist, brought to be protagonist. the self and consideration oi one's psychodrama to the United States Approaching the stage with relationships with others, ac in 1925. He introduced the Ave Gomer, who is serving as director, cording to Shirlee Gomer, in •components of psychodrmatic just like in the movies, Kate structor of educational method: the stage, subject, prepares to set the scene. Sb? psychdogy. director, auxilary egos and the chooses from different props "Psychodrama is an action audience. E^ch plays an integral available and begins to construct a therapy that has grown by leaps part in the psychodrama, as likeness of her own apartment: a and bounds during the last SO evidenced by observing one oi years. -
Bible and Religion, Fine Arts, Math and Science 1
constant0704final.qxd 8/4/2004 2:37 PM Page 2 By John P. Campbell Campbell’s High School/College Quiz Book Campbell’s Potpourri I of Quiz Bowl Questions Campbell’s Potpourri II of Quiz Bowl Questions Campbell’s Middle School Quiz Book #1 Campbell’s Potpourri III of Quiz Bowl Questions Campbell’s Middle School Quiz Book #2 Campbell’s Elementary School Quiz Book #1 Campbell’s 2001 Quiz Questions Campbell’s Potpourri IV of Quiz Bowl Questions Campbell’s Middle School Quiz Book #3 The 500 Famous Quotations Quiz Book Campbell’s 2002 Quiz Questions Campbell’s 210 Lightning Rounds Campbell’s 175 Lightning Rounds Campbell’s 2003 Quiz Questions Campbell’s 211 Lightning Rounds OmniscienceTM: The Basic Game of Knowledge in Book Form Campbell’s 2004 Quiz Questions Campbell’s 212 Lightning Rounds Campbell’s Elementary School Quiz Book #2 Campbell’s 176 Lightning Rounds Campbell’s 213 Lightning Rounds Campbell’s Potpourri V of Quiz Bowl Questions Campbell’s Mastering the Myths in a Giant Nutshell Quiz Book Campbell’s 3001 Quiz Questions Campbell’s 2701 Quiz Questions Campbell’s Quiz Book on Explorations and U.S. History to 1865 Campbell’s Accent Cubed: Humanities, Math, and Science Campbell’s 2501 Quiz Questions Campbell’s Accent on the Alphabet Quiz Book Campbell’s U.S. History 1866 to 1960 Quiz Book Campbell’s 177 Lightning Rounds Campbell’s 214 Lightning Rounds Campbell’s Potpourri VI of Quiz Bowl Questions Campbell’s Middle School Quiz Book #4 Campbell’s 2005 Quiz Questions Campbell’s High School/College Book of Lists constant0704final.qxd 8/4/2004 2:37 PM Page 3 CAMPBELL’S CONSTANT QUIZ COMPANION: THE MIDDLE/HIGH SCHOOL BOOK OF LISTS, TERMS, AND QUESTIONS REVISED AND EXPANDED EDITION JOHN P. -
A Performance Genealogy of "Etchings of Debutantes" Melanie A
Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2004 A performance genealogy of "Etchings of Debutantes" Melanie A. Kitchens Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Communication Commons Recommended Citation Kitchens, Melanie A., "A performance genealogy of "Etchings of Debutantes"" (2004). LSU Master's Theses. 4011. https://digitalcommons.lsu.edu/gradschool_theses/4011 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. A PERFORMANCE GENEALOGY OF ETCHINGS OF DEBUTANTES A Thesis Submitted to the Graduate Faculty of the Louisiana State University and the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Master of Arts in The Department of Communication Studies by Melanie Kitchens B.A. Theatre, Georgia Southern University, 2001 December 2004 Acknowledgements My humblest thanks to all those involved in this process. Namely, Alice, Amy, Andy, Angela, Anne, Andrew, Bella, Ben, Bridgette, Brittany, Bruce, Carlton, Caroline, Carrie, Connie, Danielle, Danny, Dianne, Doris, Drew, Dan Paul, David, Don, Doug, Dudley, Eric, Gary, Ginger, Gretchen, Holly, Ivy, Jane, Jessica, Jim, Jimbo, Jim, Joan, Joe, Joey, Joseph, Jon, Josh, Justin, Kristen, Lisa, Linda, Mabel, Madison, Maggie, Marie, Mary Grace, Michael, Miles, Miron, Missy, Molly, Nancy, Necie, Nick, Odessa, Pam, Patti, Ralph, Rob, Ruth, Sarah, Scott, Suzanna, Tom, Tracy, Trish, and Tyler.