THE LIBRARY of the LATE HUGH SELBOURNE, M.D., PART TWO | Knightsbridge, London | Tuesday 8 March 2016 23199
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Livres De Médecine Incunables : – Bonhomme
KAPANDJI MORHANGE Commissaires Priseurs à Drouot MERcredi 8 juillet 2009 – Hôtel DROUOT Paris - Hôtel Drouot Paris Mercredi 8 juillet 2009 Mercredi ORHANGE M APANDJI K LIVRES ANCIENS ET MODERNES Incunables – Médecine 46 bis, passage Jouffroy – 75 009 Paris Tél : 01 48 24 26 10 • Fax : 01 48 24 26 11 • E-mail : [email protected] MATÉRIEL CHIRURGICAL 06_COUV_8_juill_09_KM.indd 1 11/06/09 20:17:51 150 En couverture lot 71, en 2e de couverture lot 196, 4e de couverture lot 210. 06_COUV_8_juill_09_KM.indd 2 11/06/09 20:18:01 KAPANDJI MORHANGE Ghislaine KAPANDJI et Élie MORHANGE, Commissaires-Priseurs Agrément 2004-508 – RCS Paris B 477 936 447 46 bis, passage Jouffroy – 75 009 Paris [email protected] site www.kapandji-morhange.com 5ÊMr'BY VENTES AUX ENCHERES PUBLIQUES HÔTEL DROUOT – SALLE 7 9, Rue Drouot – 75 009 Paris Mercredi 8 juillet 2009 à 14h LIVRES ANCIENS ET MODERNES - LIVRES DE MÉDECINE INCUNABLES : – BONHOMME. Traité de la céphalotomie – BOURGERY & TORQUEMADA. Expositio super regulam – SAINT- JACOB. Anatomie descriptive – CRUVEILHIER. Anatomie BERNARD. Liber meditationum – MARSILIO FICIN. De pathologique – DIONIS. Cours D’Opérations de Chirurgie triplici vita – SAINT-ANSELME. Opuscula – DE PLOVE. – GILBERT. Histoire médicale de l’armée Française à Saint- Vita christi – THEMESVAR. Stellarium corone. Domingue – ESTIENNE. La Dissection des parties du corps e e humain – FAUCHARD. Le chirurgien dentiste – FEIGEL. LIVRES DU XVI AU XX : Atlas d’Obstétrique – GALIEN. Epitomes – GUYON KRANTZ. Saxonia – ERASME. Parabolae sive similia – DOLOIS. Le cours de médecine – HALLER. Deux mémoires ORUS APOLLO. De la signification des hiéroglyphes – sur le mouvement du sang – HIGHMORE. Corporis humani BOUCHET. -
P O S T a G E S T a M
/8 8 b ONE PENNY. THE YOUNG COLLECTOR’S HANDBOOK POSTAGE STAMPS OF THE BRITISH MUSEUM. LO N D O N ! W. SW AN SO N NEN SCH EIN & CO. PATERNOSTER ROW. ONE PENNY EACH. YOUNG COLLECTORS’ HANDBOOKS. “ We are glad to call attention to this excellent series of penny handbooks, which deserve to be widely known. We are glad to see the staff of the British Museum thus coming forward to make popular the stores of learning which they have. The illustrations are uniformly good— far better thin in many expensive books."— A ca dem y . " A ll written by first-class specialists, and form the most enterprising series ever published. Each contains so much welharranged matter as to make a far from contemptible handbook. "— In q u ir e r . t S " Each Volume is fully Illustrated with Woodcuts. B E E T L E S . By W . F. K ir by. BRITISH BIRDS. By R. B ow dler S harpe. BUTTERFLIES AND MOTHS. By W. F. K irby. COINS, GREEK AND ROMAN. By Barclay V. Head. COINS, ENGLISH. By L lew ellyn J ew itt. [S ho rtly . FLOWERING PLANTS. By J. B r itte n . FO SSILS. By В. B. W oodward. [Shortly. INSECTS, ORDERS OF. By W . F. K irby. POSTAGE STAMPS. By W. T. Og ilv y . SH ELLS. B y B . B. W oodward. %* Numerous others in preparation. OF ALL BOOKSELLERS AND NEWSAGENTS. L o n do n : W. SWAN SONNENSCHEIN & CO., P aternoster R ow THE YOUNG COLLECTOR’S PENNY HANDBOOK OF POSTAGE STAMPS. -
This Paper Is a Descriptive Bibliography of Thirty-Three Works
Jennifer S. Clements. A Descriptive Bibliography of Selected Works Published by Robert Estienne. A Master’s Paper for the M.S. in L.S degree. March, 2012. 48 pages. Advisor: Charles McNamara This paper is a descriptive bibliography of thirty-three works published by Robert Estienne held by the Rare Book Collection of the University of North Carolina at Chapel Hill. The paper begins with a brief overview of the Estienne Collection followed by biographical information on Robert Estienne and his impact as a printer and a scholar. The bulk of the paper is a detailed descriptive bibliography of thirty-three works published by Robert Estienne between 1527 and 1549. This bibliography includes quasi- facsimile title pages, full descriptions of the collation and pagination, descriptions of the type, binding, and provenance of the work, and citations. Headings: Descriptive Cataloging Estienne, Robert, 1503-1559--Bibliography Printing--History Rare Books A DESCRIPTIVE BIBLIOGRAPHY OF SELECTED WORKS PUBLISHED BY ROBERT ESTIENNE by Jennifer S. Clements A Master’s paper submitted to the faculty of the School of Information and Library Science of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Master of Science in Library Science. Chapel Hill, North Carolina March 2012 Approved by _______________________________________ Charles McNamara 1 Table of Contents Part I Overview of the Estienne Collection……………………………………………………...2 Robert Estienne’s Press and its Output……………………………………………………2 Part II -
Bringing Richard Brome Online
This is a repository copy of Bringing Richard Brome Online. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/105805/ Version: Published Version Article: Hirsch, BD orcid.org/0000-0002-6231-2080 (2010) Bringing Richard Brome Online. Early Theatre, 13 (1). pp. 137-153. ISSN 1206-9078 10.12745/et.13.1.837 This article is protected by copyright. Reproduced in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Early Theatre Volume 13, Issue 1 2010 Article 7 Bringing Richard Brome Online Brett D. Hirsch∗ ∗University of Western Australia, [email protected] Copyright c 2010 by Early Theatre. Early Theatre is produced by The Berkeley Electronic Press (bepress). http://digitalcommons.mcmaster.ca/earlytheatre Bringing Richard Brome Online Brett D. Hirsch Abstract This review essay assesses Richard Brome Online, an online edition of the collected works of Richard Brome, in terms of the design, functionality, and usability of its features. -
Estienne's La Dissection
Erika Delbecque Section name Special Collections Services Estienne’s La dissection des parties du corps humain Special Collections featured item for August 2014 by Erika Delbecque, former Liaison Librarian for Pharmacy and Mathematics. Charles Estienne, La dissection des parties du corps humain divisee en trois livres. Paris: chez Simon de Colines, 1546. Item from the Cole Library COLE--X092F/02, University of Reading Special Collections Services. Charles Estienne’s La dissection des parties du corps humain [see title-page shown left] is one of the great illustrated anatomical works of the sixteenth century. It offers a fine example of the accomplishments and innovations of the Parisian printing houses of this period, and its full-page woodcuts have fascinated readers to this day. Charles Estienne (c. 1504-1564) was a French physician who conceived of this work when he was still a medical student in Padua. It was at this time that he also met Étienne de la Rivière, the surgeon who would carry out the dissections that provided the basis for the book’s illustrations, and who is likely to have contributed to their design. As the stepson of Simon de Colines, Charles Estienne was able to have his work ©University of Reading 2014 Page 1 published by one of the greatest printing houses in France. De Colines’ influential innovations in the design and type of French printing can also be seen in La Dissection, such as the clean layout of the page and the use of italic font, in which de Colines, a former type- cutter, followed Italian models. -
Volume 4 2014
2101 EAST COLISEUM BOULEVARD FORT WAYNE, IN 46805-1499 Volume 4 2014 Volume Volume 4 2014 Volume 4 2014 EDITORS at Indiana University– at Mount St. Mary’s University Purdue University Fort Wayne Emmitsburg, Maryland M. L. Stapleton, Editor Sarah K. Scott, Associate Editor Cathleen M. Carosella, Managing Editor Jessica Neuenschwander, Pub. Assistant BOARD OF ADVISORS Hardin Aasand, Indiana University–Purdue University, Fort Wayne; David Bevington, University of Chicago; Douglas Bruster, University of Texas, Austin; Dympna Callaghan, Syracuse University; Patrick Cheney, Pennsylvania State University; Sara Deats, University of South Florida; J. A. Downie, Goldsmiths College, University of London; Lisa M. Hopkins, Sheffield Hallam University; Heather James, University of Southern California; Roslyn L. Knutson, University of Arkansas, Little Rock; Robert A. Logan, University of Hartford; Ruth Lunney, University of Newcastle (Australia); Laurie Maguire, Magdalen College, Oxford University; Lawrence Manley, Yale University; Kirk Melnikoff, University of North Carolina at Charlotte; Paul Menzer, Mary Baldwin College; John Parker, University of Virginia; Eric Rasmussen, University of Nevada, Reno; David Riggs, Stanford University; John P. Rumrich, University of Texas, Austin; Carol Chillington Rutter, University of Warwick; Paul Werstine, King's College, University of Western Ontario; Charles Whitney, University of Nevada, Las Vegas Marlowe Studies: An Annual is a journal devoted to studying Christopher Marlowe and his role in the literary culture of his time, including but not limited to studies of his plays and poetry; their sources; relations to genre; lines of influence; classical, medieval, and continental contexts; performance and theater history; textual studies; the author’s professional milieu and place in early modern English poetry, drama, and culture. -
South Ella Part 7 Thomas Burns Moyes
South Ella Part 7 Thomas Burns Moyes Introduction Thomas Burns Moyes lived at South Ella Hall for only six years and he and his family were its final residents before the house, sadly, fell into neglect and eventual ruin. However, his story, which begins in the late nineteenth century, takes us on a worldwide journey. It begins in India and, then, to Scotland and to Turkey, before Thomas Moyes finally arrived in Hull in the early 1920s. His parents, James and Margaret Moyes, were from Scotland and his mother came from an established trading family, dealing in textiles, tea and other commodities in Bengal, India. Thomas Moyes, who trained as a doctor, lived through times of seismic change, not only in Great Britain but also in the world as a whole. His life spanned the final years of Queen Victoria’s reign, the Edwardian period, the drama and upheaval of the First World War and the economic difficulties that came as its result. Nevertheless, he came through it all and prospered, eventually purchasing South Ella Hall in 1927. However, in 1933, he died at the age of 40, and it was his death that precipitated the decline of South Ella Hall. Bengal, India Our story begins in 1891 in the sombre surroundings of Kurseong Cemetery in Bengal, India. There, on 10th May, James and Margaret Moyes were grieving the loss of their infant son, Blake, whose brief life had lasted a mere six months. At the time of their son’s death, James Moyes had been in India for only a few years. -
1 BYGONE BELIEFS BEING a SERIES of EXCURSIONS in the BYWAYS of THOUGHT by H. STANLEY REDGROVE Presented By
BYGONE BELIEFS BEING A SERIES OF EXCURSIONS IN THE BYWAYS OF THOUGHT BY H. STANLEY REDGROVE Presented by: www.semantikon.com 1 _Alle Erfahrung ist Magic, und nur magisch erklarbar_. NOVALIS (Friedrich von Hardenberg). Everything possible to be believ'd is an image of truth. WILLIAM BLAKE. 2 TO MY WIFE PREFACE THESE Excursions in the Byways of Thought were undertaken at different times and on different occasions; consequently, the reader may be able to detect in them inequalities of treatment. He may feel that I have lingered too long in some byways and hurried too rapidly through others, taking, as it were, but a general view of the road in the latter case, whilst examining everything that could be seen in the former with, perhaps, undue care. As a matter of fact, how ever, all these excursions have been undertaken with one and the same object in view, that, namely, of understanding aright and appreciating at their true worth some of the more curious byways along which human thought has travelled. It is easy for the superficial thinker to dismiss much of the thought of the past (and, indeed, of the present) as _mere_ superstition, not worth the trouble of investigation: but it is not scientific. There is a reason for every belief, even the most fantastic, and it should be our object to discover this reason. How far, if at all, the reason in any case justifies us in holding a similar belief is, of course, another question. Some of the beliefs I have dealt with I have treated at greater length than others, because it seems to me that the truths of which they are the images-- vague and distorted in many cases though they be--are truths which we have either forgotten nowadays, or are in danger of forgetting. -
Explored Countless Lab- Oratories, Interviewed a Myriad of Scientists, and Prepared Thousands of News Releases, Feature Articles, Web Sites, and Multimedia Packages
Explaining Research This page intentionally left blank Explaining Research How to Reach Key Audiences to Advance Your Work Dennis Meredith 1 2010 3 Oxford University Press, Inc., publishes works that further Oxford University’s objective of excellence in research, scholarship, and education. Oxford New York Auckland Cape Town Dar es Salaam Hong Kong Karachi Kuala Lumpur Madrid Melbourne Mexico City Nairobi New Delhi Shanghai Taipei Toronto With offi ces in Argentina Austria Brazil Chile Czech Republic France Greece Guatemala Hungary Italy Japan Poland Portugal Singapore South Korea Switzerland Thailand Turkey Ukraine Vietnam Copyright © 2010 by Dennis Meredith Published by Oxford University Press, Inc. 198 Madison Avenue, New York, New York 10016 www.oup.com Oxford is a registered trademark of Oxford University Press. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of Oxford University Press. Library of Congress Cataloging-in-Publication Data Meredith, Dennis. Explaining research : how to reach key audiences to advance your work / Dennis Meredith. p. cm. Includes bibliographical references and index. ISBN 978-0-19-973205-0 (pbk.) 1. Communication in science. 2. Research. I. Title. Q223.M399 2010 507.2–dc22 2009031328 9 8 7 6 5 4 3 2 1 Printed in the United States of America on acid-free paper To my mother, Mary Gurvis Meredith. She gave me the words. This page intentionally left blank You do not really understand something unless you can explain it to your grandmother. -
Scripted Improvisation in the Antipodes
ISSUES IN REVIEW 129 ‘Now mark that fellow; he speaks Extempore’: Scripted Improvisation in The Antipodes Concluding his near-paraphrase of Hamlet’s famous advice to the players, Letoy in Richard Brome’s The Antipodes chastises Byplay, an actor with a penchant for improvisation, with the following lines: But you, sir, are incorrigible, and Take license to yourself to add unto Your parts your own free fancy, and sometimes To alter or diminish what the writer With care and skill compos’d; and when you are To speak to your coactors in the scene, You hold interlocutions with the audients— (2.1.93–9)1 Unlike the silent company Hamlet addresses, whose leader assents to Hamlet’s presumptuous lessons with only ‘I warrant your honour’ and a slightly more defensive ‘I hope we have reformed that indifferently with us, sir’ (3.2.13, 30),2 Byplay argues back saying, ‘That is a way, my lord, has been allowed / On elder stages to move mirth and laughter.’ ‘Yes’, Letoy replies, ‘in the days of Tarlton and Kemp, / Before the stage was purged from barbarism, / And brought to the perfection it now shines with’ (2.1.100–4) . Scholars often acknowledge, like Letoy, that improvisation played a signifi- cant role in early English theatre. Actors playing Vice characters in Tudor the- atre improvised before and after the plays in which they performed.3 Renais- sance texts contain stage directions instructing actors to improvise—Greene’s Tu Quoque (1611), for example, includes a direction for characters to ‘talk and rail what they list’ and The Trial of Chivalry (1601) contains the remark- able direction, ‘speaks anything, and Exit’.4 Elizabethan clowns, and in par- ticular Richard Tarlton and William Kemp, were famous for their ability to improvise. -
Garcilasso De La Vega, Etc
THE WORKS OF GARCILASSO DE LA VEGA, ETC. ETC. LONDON: PRINTED BY JAMES MOYES, GREVILLE STREET. Louis Parez ddin.Rob t. Cooper Sculp Garcilasso de la Vega. Nat. 1503.Ob. 1536. Published March 1 st . 1823. by Mess rs . Hurst & Robinson. THE WORKS OF GARCILASSO DE LA VEGA, SURNAMED THE PRINCE OF CASTILIAN POETS, Translated into English Verse; WITH A CRITICAL AND HISTORICAL ESSAY ON SPANISH POETRY, AND A LIFE OF THE AUTHOR. By J. H. WIFFEN. "Sometimes he turned to gaze upon his book,Boscán or GARCILASSO ; by the windEven as the page is rustled whilst we look,So by the poesy of his own mindOver the mystic leaf his soul was shook."LORD BYRON . LONDON: PRINTED FOR HURST, ROBINSON, AND CO. 90, CHEAPSIDE, AND 8, PALL MALL. 1823. TO JOHN, DUKE OF BEDFORD, IN PUBLIC LIFE THE STEADY FRIEND AND ASSERTOR OF OUR LIBERTIES; IN PRIVATE LIFE ALL THAT IS GENEROUS, DIGNIFIED, AND GOOD; This Translation, IN GRATEFUL ACKNOWLEDGMENT OF THE LITERARY EASE THAT HAS LED TO ITS PRODUCTION, IS, WITH DEEP RESPECT AND ADMIRATION, Inscribed BY THE AUTHOR. [Pg vii] PREFACE. Till within the last few years but little attention appears to have been paid in England to Castilian verse. Our earliest poets of eminence, Chaucer and Lord Surrey, struck at once into the rich field of Italian song, and by their imitations of Petrarch and Boccaccio, most probably set the fashion to their successors, of the exclusive study which they gave to the same models, to the neglect of the cotemporary writers of other nations, to those at least of Spain. -
Rackets of Stamps
tv n ' v 1 f \ ï' ■ tf. \ » 1 U • J \ 4 / 7- C Q Stamp Collecting Notes « BY W. S. LINCOLN. I l l u s t r a t e d w it h o v e r 540 E n g r a v in g s o f S t a m p s , W a t e r m a r k s , & c 1 SECOND EDITION. LONDON : W. S. LINCOLN, 2, HOLLES STREET, OXFORD STREET, W. CONTENTS РАО* On S tamp C ollecting in G e n er a l .. .. .. .. 5 On H istory as E xem plified by P ostage S tamps .. 9 O n C ommemorative P ostage S tamps .............................. i6 O n “L ost C auses and I mpossible B e l i e f s ” .. .. 25 O n G eography as Illu strated by P ostage S tamps .. 31 O n the E cclesiastical side of S tamp C ollecting •.. 33 On P ortraiture in a S tamp Album .. .. 39 On D esigns and D evices on P ostage S tamps . 47 On P ostage Stamps, Odd S haped & E xtraordinary .. 57 O n W aterm arks, P erforations, P rinting and P a p er .. 63 O n S urcharges and A lterations .. .. .. '.. 75 On C hanges of S tamps caused by W ar .... .. 81 On E rrors in P ostage S tamps .. .. .. .. 88 On F orgeries and I mitations .. .. .. .. 92 On C ompiling a C ollection .. .. .. .. .. 98 / W PREE3CE TO SECOND EDITION OF ! S tamp Collecting Notes. The success of the First Edition of this Book has induced me to publish a second one, and to add other notes of interest to the collector, at the same time introducing several illustrations of stamps, watermarks, etc., that will make the work more comprehensive to the reader.